TV SCOOP! CBS Ousts ‘Blue Bloods’ Creators – Is This A Sign Of Certain Renewal?

Deadline is reporting that CBS has kicked to the curb Blue Bloods creatorsMitchell Burgess and Robin Green and it has been reported that the network had creative differences with the two and that it needed to be more procedural (yuck!) in nature. Deadline notes how bizarre this is considering that former showrunner, Ken Sanzel, was exited-stage left due to his conflict with star, Tom Selleck, who thought the show was too procedural and actually refused to accept the scripts (Damn!).

Now, we don’t care about the intricacies of this mess and all of the politics involved.  If you do, read the Deadline piece because you must know by now that’s not we’re about at The ‘Tastic.  We’re all about he bottom line and what news like this means to a show that is one of the best new shows of the season, specifically in regard to renewal because Blue Bloods has been on the bubble all season long.

So as backwards as this sounds, the creators getting fired is great for the prospects of renewal.  How, do you ask?  Why bother canning the creators if you are just going to cancel the show at the end of the season, anyway?  Heck, they’ve finished filming this season’s episodes already. That combined with the comments made by Armando Nuñez, president of CBS Studios International,  Blue Bloods is pretty much cemented for a second season.

It’s perhaps not as sexy to talk about, but it has proven a success both on the network and in terms of global distribution.

Boom… see ya next fall, Blue Bloods.

Summer Sci-Fi Alert! TNT’s Falling Skies Two Hour Premiere – Sunday, June 19th At 9:00 p.m.

FALLING SKIES opens in the chaotic aftermath of an alien attack that has left most of the world completely incapacitated. In the six months since the initial invasion, the few survivors have banded together outside major cities to begin the difficult task of fighting back. Each day is a test of survival as citizen soldiers work to protect the people in their care while also engaging in an insurgency campaign against the occupying alien force. 

At the center of the series is Tom Mason (Noah Wyle), a Boston history professor whose family has been torn apart. His wife was killed in the initial attack, and one of his three sons has been captured. Determined to get his son back and to ensure the safety of his other two sons, Tom must put his extensive knowledge of military history to the test as one of the leaders of the resistance movement known as the 2nd Mass, because of their location in Boston, Mass. They are constantly trying to gain intelligence about the aliens in order to one day outsmart and overtake them and hopefully rebuild their lives. 

Moon Bloodgood (Terminator Salvation) co-stars as Anne Glass, a pediatrician who works with the surviving children to help them cope with the traumatic upheaval in their lives. Will Patton (Armageddon, TNT’s Into the West) plays a fierce leader of the resistance, Weaver. The series also stars Drew Roy (Secretariat) as Hal, Tom’s oldest son and a growing fighter in the resistance movement; Maxim Knight (Brothers & Sisters) as Matt, Tom’s youngest son; Connor Jessup (The Saddle Club) as Ben, Tom’s son who was captured by aliens; and Seychelle Gabriel (Weeds) as Lourdes, an orphaned teenager who helps Anne in the group’s makeshift medical clinic. Colin Cunningham (Living in Your Car) is John Pope, the leader of an outlaw motorcycle gang and Sarah Carter (Shark) is Margaret, a wary survivor of Pope’s gang. 

FALLING SKIES focuses on the resilience of the survivors and their determination to maintain their humanity when all else has been destroyed. It is a tale of endurance, commitment and courage in which everyday people are called upon to become heroes. They may be outmatched, outnumbered and outgunned, but nothing can beat the human spirit. Most of all, the series is about the ties that bind people together in the most difficult of circumstances. 

The aliens in the series are mighty, mysterious and merciless. They are highly intelligent and use military-like tactics, which makes them an overwhelming force against the 2nd Mass. There are two types of aliens that the human survivors have named Skitters and Mechs. Combining live action and special visual effects, the Skitters have spider-like bodies and incredible strength and agility. The deadly, robotic Mechs stand upright and can shoot bullets from their arms. The aliens control captured children, like Tom’s son Ben, through bio-mechanical harnesses but have yet to reveal their ultimate plan for them. 

FALLING SKIES is executive-produced by Steven Spielberg, along with DreamWorks Television heads Justin Falvey and Darryl Frank, Graham Yost (Justified, The Pacific) and screenwriter Robert Rodat. Rodat, who earned an Oscar® nomination for his screenplay for Saving Private Ryan, wrote the pilot from an idea he co-conceived with Spielberg. Mark Verheiden (Heroes, Battlestar Galactica) and Greg Beeman (Heroes, Smallville) are co-executive producers. The pilot was directed by Carl Franklin (One False Move, Out of Time).  – TNT

Official Trailer:

Longer First Look Extended Trailer:


Steven Spielberg

So, here’s the question of the month:  How the H-E-Double-Hockey-Sticks did we miss this. Seriously, we’re genetically predisposed to have the first scoop on all new SciFi programming out there.  This is just embarrassing.  We only heard about Falling Skies yesterday when we saw the trailer on TNT and thought it was for a summer blockbuster that we didn’t know about.

That being said, this looks exceptionally well-done for basic cable with Dreamworks producing it and Steven Spielberg heavily involved with creating the aliens. Dare we say, it looks even better than Terra Nova and we think it has a better chance of staying on the air for a second season then TN as well because basically they’ve done everything right, so far, as far as production of Sci-Fi television is concerned.

  1. Yes... yes they do.

    It’s on Basic Cable and NOT on a Major Network. Better yet, it’s on TNT which overall in 2010 was the #4 cable Network on television and #2 for original non-niche scripted programming (for clarification, Disney and ESPN, #2 and #3, respectively, are niche networks) behind only USA.  The expectation for high audience numbers is dramatically lower on basic cable than it is on major network which is a luxury that TN doesn’t have on FOX and to make matters worse for TN, over the past decade, Sci-Fi is DEAD on Network television for this generation of audiences and has been an abysmal failure every time it’s been attempted and this dovetails into the next advantage for renewal FS has…

  2. $$$$ Because FS is on basic cable, the production costs will be dramatically lower than any show on a major network and considering that TN is the most expensive show in the history of television, we can only imagine that the production costs of FS is infinitesimal in comparison to TN.  Again, this goes back to the ratings expectations that TNT will have for  FS as opposed to what FOX will have for TN. One of the biggest factors a show has to overcome is production costs.  When  24 was canceled last year, even though the ratings were continuing to drop they weren’t particularly awful.  The problem was (besides the fact that the producers admitted that the well had run dry) that the show was just so damned expensive to produce that they couldn’t justify renewing it.  A show has to get high enough ratings in order to justify high ad rates in order to justify high production costs. It’s that simple.  Considering what we said about the recent history of Sci-Fi on network, the advantage again goes to FS.
  3. The real reason why so many Sci-Fi shows are produced in Canada

    “O, Canada, Our Home and Native Land!” As soon as we saw the trailers for FS, the first thing we thought was, “Oh, this has to be being produced in Canada,” and as we confirmed with iMDB, it sure as heck is (Hamilton, Ontario to be precise).   It’s well-known that the key to keeping production costs down dramatically with Sci-Fi television is to film in Canada. Don’t believe us? Take a look at this list of Sci-Fi shows filmed in Canada over the last two decades.  Where is TN being produced? In ridiculously cost-prohibitive Australia which is just adding to the enormous price-tag of that show. Advantage, FS.

  4. Shorter Schedule Beyond the obvious fact that producing more than twice as many episodes per season (22 for TN as opposed to 10 for FS) will cost twice as much for FOX, there’s also a much bigger issue and that is that a 22 episode season, by its nature, will air over the course of an entire television season, in this case (allegedly) 2011 – 2012.  This means long hiatuses and reruns for the show which has proven time and time again to be catastrophic for Sci-Fi and genre which is exactly why they eventually stopped doing it with 24, Lost, and Alias to name a few, instead, choosing to air their entire seasons as mid-season replacements without anything more than the random one week break between new episodes.  Today’s audiences have ZERO patience for serials to begin with, nevertheless Sci-Fi serials,  and they will not tolerate shows that leave them hanging for six weeks to several months at a time.  FS will air new episodes continuously for ten weeks and it’s airing in the middle of summer with no competition from the major networks which is a strategy that continues to be proven successful for basic cable networks.

Finally, 22 episodes of Sci-Fi is just too much for major network television (and no, even though The CW is a major network, they don’t count for the purpose of this discussion for obvious reasons.).  Today’s major network audiences just will not hang in there for 22 episodes of Sci-Fi any more.  Now, we love Fringe and we’re certainly thrilled it got picked up for a fourth season but that is an anomaly and the audience numbers haven’t been particularly great for it which is why it got moved from the middle of the week to Friday to begin with.  The standard 10 – 13 episode seasons for original programming on basic cable works just fine for Sci-Fi. Advantage, FS.

Will the real Slim Shady please stand up?

So why are we so excited about FS? Well, first, the trailers look fantastic and yes, we know it’s not a particularly original concept stealing aspects from The Terminator, Battlestar Galactica, V,  The Road, Independence Day and War of the Worlds, to name a few (not to mention that the whole “stealing children and technologically altering them” concept is eerily similar to the Borg in Star Trek) but heck, we like that kind of Sci-Fi because it invariably promises us great action and character development.  We also don’t think that it’s a coincidence that Noah Wyle looks like he was separated at birth from Terminator: Salvation star and leader of the resistance Christian Bale (John Connor).

Along with the great action, though, is that shows like this invariably raise thought-provoking philosophical questions about humanity, often without the audience realizing it until after it’s happened. This is one of the marks of great Sci-Fi storytelling which this particular brand of Sci-Fi excels at and we really expect nothing less considering the heavy hitters that are on board for this and their experience and success they bring to this in the writing and production department (see the last paragraph of the show description at the top).

Also, just to preempt the inevitable cries of “it’s not an original concept” from the peanut gallery (that have already begun), we’ve got news for you:  there are no original concepts in Sci-Fi anymore. Every concept you can think of has been thought up by someone else in this genre and been done already.  It’s the execution of concept that counts and that’s what will be the deciding factor in FS‘s success or failure.

Check out the official Falling Skies webpage, here.

PROGRAMMING NOTE: Will Ferrell Temps On The Office For Four Episodes Starting Tonight, Five (Well, Four) Other Big Guest Stars To Follow

As you’ve probably already heard by now, Steve Carell is leaving Dunder Mifflin this season (in three episodes to be exact) to focus on his film career.  While we’ll certainly miss the world’s best boss, we’ve felt for some time now that as much as we’ll always have a special place in our heart for The Office, it’s not the same show it was just a few seasons ago when it was appointment television and it really could use a breath of fresh air.  That’s why it delights us to no end that Will Ferrell will be temping at the Scranton branch from the home office beginning tonight for four episodes.

D’Angelo Vickers (Ferrell) Will be Dry-Humped by Michael Scott (Carell) at Least Once Over the Next Three Weeks, but He Will Not Be Permanently Replacing Him.

Now, folks, please don’t be confused and don’t believe the rumors.  Ferrell is not replacing Carell on The Office (he was just kidding when he claimed that he was two weeks ago, EW), he is merely guest starring for four episodes and will be the interim branch manager when Carell departs for good on the third episode of the stint.  So basically, you get one episode of a solo Will Ferrell (whose character’s name is D’Angelo Vickers… and no, we’re not making that up, but that is so Will Ferrell) and three episodes with him and Carell (not a bad deal at all).  This is nothing more than a concerted effort to bring some excitement to the show and eyeballs on it in the home stretch, but yes, we do recognize the magnitude of awesomeness that we would have if Ferrell was going to be a permanent cast member.

Catherine Tate: Somebody We’ve Never Heard Of.

And Ferrell’s not the only big name who will be making the rounds at D.M. Over the rest of the season expect to see an appearance by perpetual atheist Ricky Gervais, who, of course co-created the British predecessor of The Office and stars as the Michael Scott character (David Brent) on the U.K. version.  Also appearing will be the perpetually unemployed Will Arnett (Running Wilde, Arrested Development), the perpetually whining and nasally funny-man Ray Romano (Men of a Certain Age, Everybody Loves Raymond, which is still my grandmother’s favorite show), the perpetually chicken-necked James Spader (Boston Legal… crap… what else has he done in the last two decades?  Oh, that’s right: Stargate.  Yeah, that’ll work), and the perpetually unrecognized, Catherine Tate (Dr. Who).  OK, we have to be honest on this one: other than her role as Donna for one season plus one episode on the incredibly awesome BBC hit, Doctor Who, we have no idea why she’s considered a guest “star.”  Sheesh… for Pete’s sake her iMDB listing doesn’t even have a photo of her, we had to look this one up! Quite frankly, though, and let this serve as a public service announcement for anyone outside the U.S. who wants to be famous here, if you’re only mildly famous in the U.K. then we really won’t be considering you a star on this side of the pond, as it were, until you make a sex tape and it gets “stolen” and “released without your permission.”  This is America, and that’s how we roll with our celebrities.  Sorry about that, and yes, as a society, we are that stupid.  But as an aside (and perhaps referring back to the previous comment about the tape?), we must say, this British gal certainly has a balcony you can perform Shakespeare off of, so that’s got to be worth tuning in for, right? Yes, we know we’re reaching… and we know that we’re being piggish.

From the Left: Ray Romano, James Spader, Will Arnett and Ricky Gervais. Let the Hilarity Ensue, Just Don’t Get Slapped in the Face by Spader’s Chicken Neck!

Anywho, despite our parodying of the guest stars, we really think that Carell leaving and these guests coming in at the end of this season is probably the best thing that could have happened for the show, because frankly we could have cared less if it had been canceled or not at the end of the season.  The show needed a shakeup and not having Michael Scott as the central character will change the entire atmosphere of it entirely.  Fortunately, these stars will be there to soften the blow and ease us through the transition of what was The Office to what will be The Office.  Now, we’re actually excited about the rest of this season and what’s to come for next season.  It’s a whole new office.

Fall 2010 Post-Game Wrap-Up (Thursday)

Welcome to part four of the mid-season 2010 – 2011 review. In this post we’ll be discussing Thursday’s programming.

8:30 p.m.

CBS – $#’! My Dad Says

Well, it certainly is $#’!-ty. After watching one episode of $#’! My Dad Says we determined that not only is the worst show of the new season, the worst sitcom we’ve ever seen but perhaps even the worst show in television history. Just to show that we were fair and objective, we endured three more episodes of this awfulness… our opinion has not changed.

It’s currently a bubble show right now which makes us lose all faith in humanity that anyone is watching it but CBS did cut short the episodes it ordered for the Spring so hopefully this will go away by May.

If you haven’t read our review of $#’! My Dad Says we highly recommend it as we consider it more of a community service than a review… like an intervention for people addicted to bad TV.  Read it here.

NBC – Community

Community is still one of the better sitcoms on television (there are only a handful) and currently it’s a toss-up between whether or not NBC will renew it for a third season. In our estimation, it should be renewed if for only the reason that it’s been relatively consistent on Thursday nights and there’s nothing on the sitcom horizon for NBC in the near future. We hope so. It’s the type of show you can turn on and just laugh at because of its ridiculousness. It’s one of our two Thursday Night guilty-pleasure. The second one is, of course…

9:00 p.m.

The CW – Nikita

We love Nikita and we really shouldn’t because it’s a mediocre bordering on terrible show. But it’s over-the-top campy goodness is something that keeps us coming back for more every week. The premise is beyond ridiculous and the performances are almost silly but there’s so much “pew, pew, pew” that we can’t stay away from it.

There’s another reason why we have a soft spot for this puppy and it’s not because Maggie Q (Live Free or Die Hard) looks incredibly hot in a bikini. It’s because we heart The CW. A show like this could never survive on major prime-time network but The CW and it hearkens back to the late 90’s with UPN when they would take chances on shows like The Sentinel, Nowhere Man and our personal favorite 7 Days.

These shows, like the shows on The CW can thrive on very small audience numbers compared to the other major networks. There is no chance that camp like Nikita could ever survive anywhere but The CW and for that we are thankful for The CW. There is only ONE show that will not be renewed (that isn’t in its planned final season) on The CW next year (Life Unexpected). That’s just awesome.

NBC – The Office

Well, we’ve been concerned about this for a longtime but it’s official: The Office just isn’t as funny as it used to be and it has run out of steam. It’s still enjoyable but it’s not nearly as funny as it used to be. It’s really jumped the shark as evidenced by the fact they are resorting to revolving around another sitcom (the Glee viewing party episode). C’mon, now.

We’re still watching because it certainly has its moments, and actually, the aforementioned Glee episode was pretty funny although we cringe at the concept in principle. That being said, no one has anything to be concerned about because it’s certain to be renewed for next Fall.

9:30 p.m.

NBC – Outsourced

Outsourced is one of the most disappointing shows this season but it’s not because it’s a bad show. It’s cute and it’s clever but it’s a sitcom trying to be funny and it’s really not. We pointed out in our review that the problem is that the novelty of the culture clashes and funny accents only works for about ten minutes, yet Outsourced is an entire series that revolves around those gimmicks.

A couple of months ago we saw the 2006 film of the same name and we realized that there’s a reason why the film doesn’t translate to a sitcom: the film wasn’t a comedy to begin with. Yes, there was humor to it but he film was really a character driven story about how despite different cultures may be, we’re really not all that different after all. Sitcoms don’t work with the touchy-feely any more like they did in the 1980’s where there were a bunch corny jokes and Alex P. Keaton and Vanessa Huxtable learned a valuable lesson at the end of every episode. Audiences today want their sitcoms to have the most laughs possible during the course of 21 minutes and that’s really what it’s about it.  Whatever lessons are to be learned are secondary.  Outsourced the series, like the film, is focusing more on the valuable lessons with the comedy as an afterthought.

If we’re going to watch a sitcom, we want it to be funny. Outsourced unfortunately is not. It’s currently leaning toward “the-more-likely-to-be-renewed-than-not” category but we doubt audiences are going to continue to tolerate it until May.

Next, we take a look at Friday’s programming.

‘Blue Bloods’ (CBS – Friday, 10:00 p.m.)

­BLUE BLOODS is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York City Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief. A source of pride and concern for Frank is his eldest son Danny, a seasoned detective, family man, and Iraqi War vet who on occasion uses dubious tactics to solve cases. The sole Reagan woman in the family, Erin, is a N.Y. Assistant D.A. and newly single parent, who also serves as the legal compass for her siblings and father. Jamie is the youngest Reagan, fresh out of Harvard Law and the family’s “golden boy;” however, unable to deny the family tradition, Jamie decided to give up a lucrative future in law and is now a newly minted cop. Jamie’s life takes an abrupt turn when he’s asked to become part of a clandestine police investigation even his father knows nothing about, and one that could impact the family’s legacy.­ – CBS

The Preview (Originally posted on 9/25/2010):

Shawn: Blue Bloods is one of the most anticipated dramas this Fall for good reason.  Simply look at this cast.  Your leads are Tom Selleck, Donnie Wahlberg, and Bridget Moynihan… all television and film superstars (Len Cariou is no slouch either).  Superstars like that don’t just arbitrarily sign on to do a show if they don’t already know it’s brilliant.  The concept is definitely unique.  An original cop show that focuses on a multigenerational family of cops and all of the dynamics that go along with that.  I’m very excited about Blue Bloods.

The Review:

9 out of 10

Yes, I know Blue Bloods has been on for over a month but good things come to those who wait.  As noted by the preview, I knew Blue Bloods was going to be good, but I didn’t expect it to be as good as it is and I really wanted to do the show justice by watching several episodes and taking notes before I reviewed it.

Unlike other cop/legal procedurals, Blue Bloods isn’t beating you over the head with preachy, one-sided political propaganda (see: Outlaw, The Whole Truth, Boston Legal, Law & Order – the entire franchise) telling you what your opinion should be on various issues.  Rather, every week, there’s a new and original plotline that invariably leads to a politically volatile issue and instead of the producers having the protagonists all carry the torch for one side of the issue without any inclination that a contrary opinion even has any merit, they intentionally present both sides as having merit and leave it to the audience to decide.

What makes this even more effective is the plot-device they use to address these issues:  the family dining room table.  It’s a fantastic and effective metaphor because it’s representative of not only how families often talk about the issues of the day so it’s relatable on that level but it’s also representative of American culture as a whole.  Americans have vast and varying opinions on all ranges of political issues and like family members discussing them, the debates can also get quite heated as passions get involved.

The question that comes into play quite often is balancing act of following the law and doing what is the morally correct thing to do, because as we all know, the two don’t always coincide. 

****(MINOR SPOILER ALERT!)****

Example:  in the pilot Danny (Donnie Wahlberg – Boomtown, Band of Brothers) is faced with a dilemma.  A ten year-old girl has been abducted and time is running out.  He and his partner have found the kidnapper/deviant yet he will not tell them where the girl is.  Danny proceeds to beat the confession out of the suspect specifically by repeatedly putting his head in a toilet bowl.  Call it a poor-man’s waterboarding.

Now, no one would ever suggest that they we would want our police coercing confessions out of suspects using violence or torture, but on the other side of the coin, if you were the parent of that ten year-old wouldn’t you want Danny Reagan doing whatever he could no matter how much outside the constraints of the law it was to find your little girl even if it meant that he violated a pervert’s civil rights along the way?  I know that I sure as Hell would.  But, that of course leads to the inevitable question of, “Where do you draw the line?”

The truth is that with all issues, there is no “black and white,” just varying shades of gray and Blue Bloods recognizes this whereas most dramas treat the audience with an air of condescending superiority suggesting that they are too stupid to figure out right from wrong on their own without Hollywood explaining it to them.  Blue Bloods respects its audience and because of that provides compelling, though-provoking drama every week.

These characters couldn’t have been written any better.  They are nothing like the clichéd shells that you expect on most shows.  Frank Reagan (Tom Selleck – Boston Legal, Magnum, P.I.), is the patriarch of this family and he deeply loves and cares about all of his children and unlike other cookie-cutter TV characters Frank wears his heart on his sleeve.  There is a particularly touching scene between Danny and Frank where Frank expresses concern about his son’s well-being after coming back from war and lets him know that there’s no shame in talking to someone (a therapist) about it.

Now, how about that for a change in pace from the old gruff, TV cop/dads who would have just told their kid to suck it up and get over it.  On the contrary, you can see the concern on Frank’s face when he’s having this discussion with Danny the same way any REAL dad would have if they were worried about their own kid. 

The surprise to me on this show is Jamie (Will Estes – American Dreams, Reunion) because I didn’t think his character was going to be that compelling and quite honestly, Estes’ résumé is kind of thin.  Not only is he doing an excellent job with developing his character as a rookie cop on a beat in the shadow of his big brother, but the writers have done an excellent job making him the focal point of the aforementioned clandestine investigation because he’s the last guy in the world you would ever think would be tapped for an undercover investigation of other cops.  Oh, and by the way, did I mention that John Torturro (Third Watch, NYPD Blue) plays Jamie’s partner and mentor, Sgt. Anthony Renzulli.  How ’bout them apples, huh?  Like I said, this cast has some stones.

Bridget Moynihan (I Robot, Lord of War) does very well as the idealistic academic A.D.A., Erin Reagan-Boyle, constantly butting heads with the men in the family and she holds her own very well with the boys.  As far as father to Frank and former police chief Henry Reagan they couldn’t have casted anyone better than noted character actor Len Cariou (Damages, Brotherhood) .  Nowadays, Henry is more concerned with spending time with his family and putting together toys for the grandkids but he’s always happy to throw his two cents in on the issue of the day… especially around that family dining room table.

Blue Bloods is one of the best three new shows on TV this fall and I’m thrilled that it’s finding success on Friday nights as well as the fact that it was on opposite of NBC’s failed series Outlaw to highlight just how bad that show was and just how well a police/legal procedural can be made when there’s some effort and talent behind it.

Watch full episodes of Blue Bloods, here.

‘$#*! My Dad Says’ (Thursday – CBS, 8:00 p.m.)

$#*! MY DAD SAYS (pronounced “Bleep My Dad Says”), based on the popular Twitter feed by Justin Halpern, stars Emmy Award winner William Shatner as Ed Goodson, a forthright and opinionated dad who relishes expressing his unsolicited and often wildly politically incorrect observations to anyone within earshot. Nobody is safe from Ed’s rants, including his sons, Henry, a struggling writer-turned-unpaid blogger; and Vince, the meek half of a husband/wife real estate duo with domineering Bonnie. When Henry finds he can no longer afford to pay rent, Ed reveals a soft spot and invites Henry to move in with him. Henry agrees, knowing that the verbal assault will not abate and now there will be no escape. Describing their father/son relationship is tricky, but Ed will easily come up with a few choice words. – CBS

The Preview (Originally posted on 9/23/2010):

Shawn:

This is by far the most unfortunate post I have to write.  You see, I’ve been a big fan of Justin Halpern’s Twitter Page “Shit My Dad Says” for well over a year now and of course, I’m a huge fan of all things The Shat is involved with but I’m sorry to say that this is going to suck.  Not only is it EVERYTHING that I absolutely hate about sitcoms with the recycled and clichéd jokes, characters and plots it’s 180 degrees backwards of the whole premise of “Shit  My Dad Says!”  Just watch the trailer below to see what I’m talking about but first read this from Amazon in which Halpern explains the premise of the book bearing the same title:

‘At 28 years old, I found myself living at home, with my 73-year-old father. As a child, my father never minced words, and when I screwed up, he had a way of cutting right through the bullshit and pointing out exactly why I was being an idiot. When I moved back in I was still, for the most part, an idiot. But this time, I was smart enough to write down all the things he said to me.’

Now please explain to me how a wise-cracking jerk of a father, who’s apparently pretty senile and his sensitive and always correct progeny bear any resemblance to the description you just read FROM THE GUY WHO INVENTED THE THING?!

The answer is simply that they don’t resemble each other whatsoever but Halpern isn’t stupid.  He must know that this is garbage and that his new-found fame from this silly little twitter account will be over in about 15 minutes and he’s cashing in while he can and you know what?  I don’t blame him whatsoever.  If a bunch of no-talent hacks like the cast of Jersey Shore or The Hills or Keeping up With the Kardashians can get paid, why not a guy who has actually made millions of people laugh?  But please, be honest and don’t kid yourself into thinking that this is going to be anything but the highest level of suckitude©.  Believe me, I sincerely hope I’m wrong about this, but I know I’m not.

AND WHY THE HELL IS HALF THE CAST OF MADtv IN THIS???

The Review:

0 out of 10

Here are some numbers: 16 in the three-minute teaser, 40 in the first act,  26 in the second act, five in the closing of the show, for a grand total of 87 for the entire 21 minutes of the pilot.

Now, at this point I’m sure you’re asking, “What exactly is he counting?”  Well, I’m not going to leave you in the dark, what I counted was the number of attempts (and, yes,  I really did count) at what the writers apparently believe are jokes and the only reason I knew that they were jokes was because of the contrived and FORCED laughter from the live studio audience.  You see, I say that the laughter was forced because there’s no way any sane or rational human being would consider those ‘jokes” to be funny.  There has to be coercion involved and I suspect that it was at gunpoint.

And do you know what you get for the 87 attempts at humor in 21 minutes (at a rate of 4 per minute)?  Two actual funny jokes… and they were both gay jokes so out of the 87 attempts they had to resort to a stereotype joke in order to be funny.. and it wasn’t even that funny.  And for good measure, they did throw in a predictable dick joke that involved a vegetable… and that wasn’t funny either.

It’s official:  this may be the worst sit-com ever made.  It is far worse than I could have imagined.  It is puke-in-your-mouth awful.  The level of suckitude© cannot be expressed in words and in fact, I’m truly at a loss as to how to describe how bad this is on a level that human beings can understand.  It’s like trying to explain how the mind of God works.  I couldn’t do it and in fact I can’t comprehend it myself.  I literally cannot comprehend how bad this show is.

Everything I said about the show in the preview was absolutely correct, but worse than it bearing no resemblance to the twitter feed, as I noted it would be, it’s everything I hate about sitcoms on FLIPPIN’ STEROIDS.  I always believe that every show, even the worst of them, has some redeeming value.  $MDS has NOTHING redeeming about it, and I can’t believe I’m going to say this, not even the Shat.

In fact, although the character development and horrible writing of this show are not the Shat’s fault, I blame him for agreeing to this project after he read the script.

Every character and every actor in this show is awful and Will Sasso and Nicole Sullivan should be banned from television for five years for their horrible performances on this.

I want to forget I ever saw this show.

Watch full episodes of $#*! My Dad Says, here.

Fall 2010 TV Preview – Thursdays

Part Four of the Seven Six Part Series (This has been edited because  I realized that there’s nothing on Saturdays but College Football, COPS and America’s Most Wanted.  Do you really need a review of those?)

Thursday

8:00 p.m.

ABC:     My Generation (September 23, 2010 – NEW SERIES!)

What a difference ten years can make. In 2000, a documentary crew follows a disparate group of high schoolers from Greenbelt High School in Austin, TX as they prepare for graduation, then revisits these former classmates ten years later as they return home to rediscover that just because they’re not where they planned doesn’t mean they’re not right where they need to be.

These students couldn’t wait to graduate and head out into the real world. But the world they were entering got very real very fast. As these classmates return home to revisit their old hopes for their future, they’ll discover that, even if you don’t get exactly what you thought you wanted out of life, it’s not too late to get what you need. – ABC

Shawn: OK, ABC, that’s enough already with the pseudo-documentaries.  It’s becoming as overused as 3-D is for feature films and like 3-D it’s just a cheap gimmick to try to convince people that your crap show really isn’t a crap show.  Do you think audiences aren’t going to notice that this show is no different from any other show about 20-somethings from different walks of life who all have something in common that brings them together?  This entire premise alone is going to piss off your target demographic for that hour (namely me) because it points out how old I am at 35 compared to these knuckleheads.  Don’t need that, sorry.  Despite the fact that the show makes me feel old, let’s be honest, it just looks dopey.

8:30 p.m.

CBS:     $#’! My Dad Says – (September 23, 2010 – NEW SERIES!)

$#*! MY DAD SAYS (pronounced “Bleep My Dad Says”), based on the popular Twitter feed by Justin Halpern, stars Emmy Award winner William Shatner as Ed Goodson, a forthright and opinionated dad who relishes expressing his unsolicited and often wildly politically incorrect observations to anyone within earshot. Nobody is safe from Ed’s rants, including his sons, Henry, a struggling writer-turned-unpaid blogger; and Vince, the meek half of a husband/wife real estate duo with domineering Bonnie. When Henry finds he can no longer afford to pay rent, Ed reveals a soft spot and invites Henry to move in with him. Henry agrees, knowing that the verbal assault will not abate and now there will be no escape. Describing their father/son relationship is tricky, but Ed will easily come up with a few choice words. – CBS

Shawn:

This is by far the most unfortunate post I have to write.  You see, I’ve been a big fan of Justin Halpern’s Twitter Page “Shit My Dad Says” for well over a year now and of course, I’m a huge fan of all things The Shat is involved with but I’m sorry to say that this is going to suck.  Not only is it EVERYTHING that I absolutely hate about sitcoms with the recycled and clichéd jokes, characters and plots it’s 180 degrees backwards of the whole premise of “Shit  My Dad Says!”  Just watch the trailer below to see what I’m talking about but first read this from Amazon in which Halpern explains the premise of the book bearing the same title:

‘At 28 years old, I found myself living at home, with my 73-year-old father. As a child, my father never minced words, and when I screwed up, he had a way of cutting right through the bullshit and pointing out exactly why I was being an idiot. When I moved back in I was still, for the most part, an idiot. But this time, I was smart enough to write down all the things he said to me.’

Now please explain to me how a wise-cracking jerk of a father, who’s apparently pretty senile and his sensitive and always correct progeny bear any resemblance to the description you just read FROM THE GUY WHO INVENTED THE THING?!

The answer is simply that they don’t resemble each other whatsoever but Halpern isn’t stupid.  He must know that this is garbage and that his new-found fame from this silly little twitter account will be over in about 15 minutes and he’s cashing in while he can and you know what?  I don’t blame him whatsoever.  If a bunch of no-talent hacks like the cast of Jersey Shore or The Hills or Keeping up With the Kardashians can get paid, why not a guy who has actually made millions of people laugh?  But please, be honest and don’t kid yourself into thinking that this is going to be anything but the highest level of suckitude©.  Believe me, I sincerely hope I’m wrong about this, but I know I’m not.

AND WHY THE HELL IS HALF THE CAST OF MADtv IN THIS???

NBC:     Community – (September 23, 2010)

Shawn: I have to admit, I’m a convert to Community.  When it debuted in 2009, I had high hopes for it because it looked clever and starred E’s Joel McHale (The Soup) and he’s always clever and funny.  It took me three episodes to be very disappointed.  Then, around Christmas-time (I think), I was in the garage working on a project and NBC was running a back-to-back marathon of the sitcom and I completely changed my mind.  Community improved dramatically and is very funny. I definitely recommend Community.

Watch full episodes of Community, here.

… And check out this great sneak preview, here.

9:00 p.m.

The CW:     Nikita (September 9, 2010 – NEW SERIES)

When she was a deeply troubled teenager, Nikita (Maggie Q, “Live Free or Die Hard,” “Mission Impossible 3”) was rescued from death row by a secret U.S. agency known only as Division, who faked her execution and told her she was being given a second chance to start a new life and serve her country. What they didn’t tell her was that she was being trained as a spy and assassin. Throughout her grueling training at Division, Nikita never lost her humanity, even falling in love with a civilian. When her fiancé was murdered, Nikita realized she had been betrayed and her dreams shattered by the only people she thought she could trust, so she did what no one else before her had been able to do: she escaped. Now, after three years in hiding, Nikita is seeking retribution and making it clear to her former bosses that she will stop at nothing to expose and destroy their covert operation. – The CW

Shawn: I’ve already done a full review of Nikita, see it here.  Good but not great.

Watch full episodes of Nikita, here.

FOX:     Fringe (September 23, 2010)

Shawn: Fringe is one of my favorite shows on TV currently.  If you haven’t watched it before it’s like The X-Files on steroids with a J.J. Abrams spin.  The stories are great, the characters are well-developed and it’s grown into a wonderful and fascinating story arc.  For those of you who are new to the series, don’t bother starting in, now.  You’re going to have to go to Netflix and add the first two seasons to your queue, or you’ll be completely lost, but it’s certainly worth saving the new episodes on the divver recordification device for when you’re done watching the old episodes.

Watch full episodes of Fringe, here.

NBC:     The Office (September 23, 2010)

Shawn: Every time that I think The Office has run out of steam, it does something that keeps me coming back for more.  Looking forward to yet another year at Dunder Mifflin.

Watch full episodes of The Office, here.

9:30 p.m.

NBC:     Outsourced (September 23, 2010)

“Outsourced” is NBC’s new workplace comedy series centered around a catalog-based company, Mid America Novelties, that sells American novelty goods including whoopee cushions, foam fingers and wallets made of bacon, and whose call center has suddenly been outsourced to India.

After recently completing Mid America Novelties’ manager training program, Todd Dempsy (Ben Rappaport, off-Broadway’s “The Gingerbread House”) learns that the call center is being outsourced to India, and he is asked to move there to be the manager. Having never ventured out of the country, he is unprepared for the culture shock. Overwhelmed, Todd discovers that his new staff needs a crash course in all things American if they are to understand the U.S. product line and ramp up sales from halfway around the world.

The sales team Todd inherits includes Gupta (Parvesh Cheena, “Help Me Help You”), a socially awkward employee; Manmeet (Sacha Dhawan, BBC’s “Five Days II”), a young romantic who is enamored with America; Asha (Rebecca Hazlewood, BBC’s “Doctors”), a smart, striking woman who finds herself intrigued by Todd; Rajiv (Rizwan Manji, “Privileged”) the assistant manager who wants Todd’s job; and Madhuri (Anisha Nagarajan, Broadway’s “Bombay Dreams”), a wallflower who suffers from extreme shyness.

Todd also discovers other transplants working in his office building, including an American expatriate, Charlie Davies (Diedrich Bader, “The Drew Carey Show”), who runs the All-American Hunter call center, and Tonya (Pippa Black, “Neighbours”), a beautiful Australian who runs the call center for Koala Air. – NBC

Shawn: I don’t know what appeals to me more, the politically incorrect tone of this series or the fact that it looks absolutely hilarious.  I also like the premise that they telemarket novelties like rubber vomit and whoopee cushions.  Looking forward to this, I hope the show can live up to the hype in the trailer.

NEXT: Friday

Fall 2010 TV Preview – Tuesdays

Part Two of the Seven Six part series.

Tuesday

8:00 p.m.

ABC:     No Ordinary Family – September 28, 2010 (NEW SERIES!) (Full Review Here!)

ABC Studios brings to life “The Incredibles”, the story of the Powells, an every day american family, who are too busy to spend time together. So they decide to take a trip as family as a way to reconnect, but on the way, their plane crashes. Now there’re back to their normal lives, but something seems to be happening to each one of them… they have superpowers. – ABC

Shawn: First, let’s give credit to ABC for not only acknowledging right off-the-bat the most obvious criticism of this show – that being that it looks like Disney-Pixar’s The Incredibles – but outright OWNING it.  That’s the way to beat them at their own game!  And why wouldn’t Disney try to capitalize on their property in a prime time, live-action drama (for those of you that are unaware, Disney owns ABC)? Screw the nay-sayers, this show looks like a lot of fun and is my choice for sleeper hit of the season.  The concept is great and it’s not just a show for the family but it’s a show focused on the family as much as it is on their super powers.  Casting always tells me a lot about a show and No Ordinary Family is no different.  You’ve got Michael Chiklis as the dad (The Shield), Julie Benz as the mom (Dexter), Romany Malco (The 40 Year-Old Virgin) as the best friend and sidekick and lo and behold, Stephen Collins (7th Heaven) who appears to be our Lex Luthor-type.  I don’t care if I sound like a 10 year-old fanboy, I can’t wait to watch No Ordinary Family and apparently based on the amount of merchandising I saw over at the official site, ABC is pretty confident that they have a hit on their hands as well.

CBS:     NCIS – September 21, 2010

Shawn: NCIS enters its eighth season and is still one of the most watched shows on television and the highest rated drama.  I’ve been there from the beginning since it was a spinoff of J.A.G. and the show has gotten increasingly better each season and I don’t see any signs of it jumping the shark any time soon.  At first glance, NCIS would appear to be your standard fare, formulaic cop show that I regularly rail against and during the first couple of seasons, that’s exactly what it was.  But, the cast and the characters were compelling enough to keep me around until season 4 when it really came into its own with multi-episode, cloak and dagger story arcs and complex character development.  You simply can’t go wrong with NCIS.

(Sorry, but no video on this one.  I was completely unable to find any trailers for season 8 on YouTube or anywhere else)

FOX:     Glee – September 21, 2010

Shawn: Glee is great.  Everyone should be watching this.  It is funnier than any other sitcom on TV with the exception of Modern Family, has wonderfully heartwarming drama and the musical numbers are creative and fantastic.  I challenge you not become moved during the musical numbers on Glee.

9:00 p.m.

CBS:     NCIS Los Angeles* – September 21, 2010

Shawn: The only reason I’m putting NCIS Los Angeles (now in its second season) in this preview is to clarify why I recommend NCIS but not its spinoff.  Simply put: I just don’t like it.  I was very excited last year about the possibility of an NCIS spinoff but I only lasted six episodes into the first season.  The show makes no sense at all.  The premise is unbelieveable, the plotlines are boring and formulaic, and the characters are clichéd and have absolutely zero chemistry.  I like Chris O’Donnell a lot.  He’s very talented and I appreciate the fact that he dropped out of the business to raise a family and be a father to his 103 children.  There’s nothing more noble than being a father and a husband.  Unfortunately, his talents are being wasted on this safe, simplistic and dry show.  On principle, I don’t recommend this show, but I may watch the season premiere just to see if they’ve fixed any of the mess that is NCIS Los Angeles.  I’m always willing to give a show a season to work out the bugs and if they do, I’ll report back with the good news.

(Again, no trailer for this show either… blame CBS)

FOX:     Raising Hope – September 21, 2010 (NEW SERIES!)

Raising Hope is a new single-camera family comedy from Emmy Award winner Greg Garcia that follows the Chance family as they find themselves adding an unexpected new member into their household. At 23 years old, JIMMY CHANCE (Lucas Neff) is going nowhere in life. He skims pools for a living, parties every night and still lives at home with his family, including his MAW MAW (Cloris Leachman); his mother, VIRGINIA (Martha Plimpton) and his father, BURT (Garret Dillahunt). Jimmy’s life takes a drastic turn when a chance romantic encounter with LUCY (guest star Bijou Phillips) goes awry once he discovers she is a wanted felon. Months later, when Jimmy pays a visit to the local prison, he learns Lucy is pregnant with their baby, and after she gives birth, he is charged with raising their daughter. – FOX

Shawn: I didn’t think it was possible but Rasing Hope has given me whole new reason to hate sitcoms.  You see, what’s pissed me off thoroughly is the lie perpetuated on show’s Official Page that I posted above.  It’s leaving out a crucial detail and the omission is by design.  The little baby’s mother, isn’t just a wanted felon, she’s a serial killer and her big joke in the trailer is that they would never execute a mother of a seven month-old baby.  Then, they cut to a scene with Jimmy sitting on the other side of the glass with the baby on his lap watching her get electrocuted and about halfway through the process he covers the baby’s eyes.  I’m sorry, and you can call me old-fashioned, but a baby being separated from its mother and then forced to watch her get executed in an electric chair is not exactly what I would call charming or endearing.  FOX has been doing a very good job of hiding that little piece of information on their website and their regular TV spots for this show.  Gee, I wonder why?  What I saw is not nearly as bad as the fact that they are trying to hide it.

Beyond, that, of course this show is as stupid, clichéd and as recycled as any other sitcom.  Seriously, though, the rule of thumb for FOX should be to assume all of their sitcoms are going to suck.  It’s just a question of to what degree of suckitude (© 2010, TV-Tastic).  Raising Hope is certainly no different from any other FOX sitcom and they brag about why it sucks.  The claim to fame of this show is that Greg Garcia created it and of course he was the award-winning writer who came up with My Name is Earl.  What no one wants to admit about My Name is Earl is that it wasn’t funny after the first season and to be honest, the novelty wore off after the first 10 episodes.  And of course, this show isn’t even much different from Earl with the portrayal of the stupid, white-trash and downright depressing family.  Again, recycled crap.  It’s seems like a shame too because the main cast includes Cloris Leachman, Martha Plympton and they FINALLY got a lead role for one of my favorite character actors of all time, Darren Gillahunt (Terminator: The Sarah Connor Chronicles, Deadwood), an actor that is so talented that he played TWO different characters on Deadwood and no one noticed it was the same guy.  So, yeah. we’ll be passing on this.  Oh and if you watch this video, you’ll the scene in question.

Syfy:     Stargate: Universe

The latest series for the Stargate franchise has Dr. Nicholas Rush (Robert Carlyle) as part of a group that is transported to Destiny, a self-guided spaceship used to place stargates around the universe.

Shawn: SGU starts its second season and I am loathed to admit it, but I like this show and I really shouldn’t.  It is a complete rip-off of Star Trek: Voyager and Battlestar Galactica with the quest to get home and the incessant, holy-crap-we’re all-going-to-die-by-the-end-of-the-episode-but-somehow-we-are-miraculously-saved-at-the-last-minute crisis of the week, but still, somehow, it manages to work.  The characters are OK and are becoming more developed every episode and the special effects and action do work well.  SGU also succeeds because you don’t get the feeling that you have to know the entire Stargate Anthology in order to get the show.  If you like space-based Sci-Fi, this show is definitely for you, if it’s not your thing, you can pass on this and your life won’t be any less fulfilled.

9:30

FOX:     Running Wilde – September 21, 2010 (NEW SERIES!)

Will Arnett stars as a Beverly Hills jackass who ends up falling in love with Emmy Kadubic (played by Keri Russell), a charitable tree hugger, who hates his lifestyle and moral code.

Shawn:     “What… the… fudge… was that?”  You see, those are the words that came to mine when I watched the extended trailer for this show, except for the fact that just like Ralphie from a Christmas Story I didn’t use the word fudge.  Unlike Ralphie, however, I didn’t have a bar of Palmolive handy to cleanse my soul from what I had just seen.  Obviously, the geniuses at television development at FOX are the same people in charge of player development for the New York Mets.  I have it on good authority that the roundtable discussion for filling the 9:30 hole on FOX went something like this:

Writer 1:     OK, we want to go with something recycled along the lines of The Nanny and Dharma & Greg  and every couple-based sitcom from the last twenty years that involves two people from extremely different worlds.

Writer 2:     Well, I brought a hat full of a bunch of paper slips with different subjects on them.  Let’s shake it up and pull out the first ten and apply it to your lame-o premise.

Writer 3:     Um… I brought pot.

OK, so I completely made that up, but seriously, after watching the trailer below, does it not seem like that’s exactly how they came up with this show?  It’s typical FOX suckitude for sit-coms.  Running Wilde is a perfect bookend to Raising Hope.  Both these shows look awful individually but together they qualify for “making-me-puke-in-my-mouth” status.  But, fear not.  TV-Tastic predicts that both of these shows will be cancelled before Thanksgiving replaced with re-runs of Bones or House.

10:00 p.m.

ABC:     Detroit 1-8-7 – September 21, 2010 (NEW SERIES!)

In this ABC crime drama project, a fictional documentary filmmaking crew goes inside Detroit’s homicide division. – ABC

Shawn: “Once in a generation, a cop show comes along that re-writes the rules.”

That is seriously said in the voice-over at the beginning of this trailer.  It may be true, but that show was The Shield, not Detroit 1-8-7 (which sounds more like a the title of an N.W.A. album than it does a dramatic television series).  Sorry, but this show re-writes nothing.  It’s the epitome of why I don’t watch formulaic cop shows anymore.  It’s all the same thing but this one is trying to be clever by combining the rawness and the grittiness of The Wire and to an extent Homicide: Life on the Street and the pseudo-documentary style of… The Office.  That’s right, The Office.  The difference is that The Office actually is consistently shot like a documentary.  The style of this show is all over the place.  I’m sorry, but if you want to convince us that the show is being shot by a documentary camera crew, your shots cannot include shots only possible if filmed while a cameraman is sitting on the hood of a moving car (that’s in the trailer).

Beyond, that, though Detroit 1-8-7 doesn’t look awful, it just looks ordinary and typical.  I’ve seen this cop show before, and I can tell I’m not alone in thinking this way.

This is from 1-8-7’s Official Page:

“The detectives are well-developed and easy to follow… There are relationships worth investing in.”

– Mekeisha Madden Toby, Detroit News

“…promises to be a mighty fine ride…smartly cast urban crime drama’s gutsy, gritty allure.”

– Matt Roush, TV Guide

First, notice the ellipses that permeate both quotes like bullet-holes, indicating that ABC cut a lot out.  Second, knowing that, this is really the best ABC could come up with to promote critical acclaim for the show?  Seriously, that Matt Roush quote is just embarrassing, but honestly, I really don’t expect much from him anymore.  I think he just has too much on his plate so unless he really likes something a lot, he just whips out the TV reviewer’s thesaurus and gives us “mighty fine ride,” “smartly cast (which is kind of like sensible shoes),” “gutsy” and “gritty.”  As far as Makeisha Madden Toby is concerned, I think she got the memo that if you write for a Detroit Newspaper and live in L.A., it’s in your better interest to be pleasant when discussing a drama set in the city you don’t live in but is responsible for your paychecks.  I’m sorry, but, “The detectives are well-developed and easy to follow…” and “There are relationships worth investing in,” isn’t exactly a ringing endorsement.

I’m sorry but there’s just too much good TV this Fall for me to waste my time with this.  I may catch the pilot or an occasional episode, but this isn’t appointment television by an 8-mile.

NEXT: Wednesdays