IN MEMORIAM: Vince Flynn (1966 – 2013)

Vince with a Fan During the ‘American Assassin’ Book Tour (2010)

There are few celebrities that I ever get upset about when I hear that they have passed. Jimmy Stewart was one, but, of course, that was to be expected due to his advanced age. Michael Jackson was probably the biggest shock to me and my generation, however, when I heard about the loss of Vince Flynn this morning, I was devastated.

This is the first time I have ever experienced the loss of a favorite author and there is something profoundly different about the emotional connection that we have as human beings with the written word and no one could spin a better yarn of suspense than Vince. Today’s news came as a huge shock and the sense of loss has been a bit more overwhelming than I would have expected for a man I never met, almost as if I had lost a friend. When you think about it, you really truly do get to know someone intimately by their writing and unlike Tom Clancy (who Vince was often compared to), Vince wrote characters, first, and it’s in the characters that we find a greater insight into ourselves.

Vince announced to his fans (us) before anyone via his email newsletter in 2010 that he had stage three metastatic prostate cancer but vowed to fight it and as far as we or anyone else knew, he was winning the battle. That being said, Vince was also a very private man and no one but his closest friends and family knew the extent of the progression of his illness.

Vince Flynn was 47 years-old and leaves behind a loving wife and three children who were with him at the time of his death.

Vince’s biography from his website:

The fifth of seven children, Vince Flynn was born in St. Paul, Minnesota, in 1966. He graduated from the St. Thomas Academy in 1984, and the University of St. Thomas with a degree in economics in 1988. 

After college he went to work for Kraft General Foods where he was an account and sales marketing specialist. 

In 1990 he left Kraft to accept an aviation candidate slot with the United States Marine Corps. One week before leaving for Officers Candidate School, he was medically disqualified from the Marine Aviation Program, due to several concussions and convulsive seizures he suffered growing up. While trying to obtain a medical waiver for his condition, he started thinking about writing a book. This was a very unusual choice for Flynn since he had been diagnosed with dyslexia in grade school and had struggled with reading and writing all his life. 

Having been stymied by the Marine Corps, Flynn returned to the nine-to-five grind and took a job with United Properties, a commercial real estate company in the Twin Cities. During his spare time he worked on an idea he had for a book. After two years with United Properties he decided to take a big gamble. He quit his job, moved to Colorado, and began working full time on what would eventually become Term Limits

Like many struggling artists before him, he bartended at night and wrote during the day. Five years and more than sixty rejection letters later he took the unusual step of self-publishing his first novel. The book went to number one in the Twin Cities, and within a week had a new agent and two-book deal with Pocket Books, a Simon & Schuster imprint. 

Term Limits hit the New York Times bestseller list in paperback and started a trend for all of Flynn’s novels. Since then, his books have become perennial bestsellers in both paperback and hardcover, and he has become known for his research and prescient warnings about the rise of Islamic Radical Fundamentalism and terrorism. Read by current and former presidents, foreign heads of state, and intelligence professionals around the world, Flynn’s novels are taken so seriously one high-ranking CIA official told his people, “I want you to read Flynn’s books and start thinking about how we can more effectively wage this war on terror.” 

October 2007 marked another milestone in Flynn’s career when his ninth political thriller, Protect and Defend, became a #1 New York Times bestseller. A few months later, CBS Films optioned the rights for Flynn’s Mitch Rapp character with the intention of creating a character-based, action-thriller movie franchise. Lorenzo di Bonaventura, who previously launched the Harry Potter and Matrix films as head of production at Warner Bros., and Nick Wechsler (We Own the Night, Reservation Road) will produce the films. Filming on the first film is set to begin in the fall of 2013. Bruce Willis has already signed on to act in the project. 

American Assassin and Kill Shot, published in October 2010 and February 2012 respectively, are prequels in the Mitch Rapp saga and both reached #1 on the New York Times bestseller list. 

His most recent publication, The Last Man, published in October 2012, was also a #1 New York Times bestseller. 

Works by Flynn include American Assassin, Kill Shot, Transfer of Power, The Third Option, Separation of Power, Executive Power, Memorial Day, Consent to Kill, Act of Treason, Extreme Measures, Pursuit of Honor, The Last Man and Term Limits (not part of the Mitch Rapp series). 

Influences: Ernest Hemingway, Robert Ludlum, Tom Clancy, J.R.R. Tolkien, Gore Vidal, and John Irving.

‘The Cape’ (NBC – Monday, 9:00 p.m.)

“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Vince Faraday becomes “The Cape” – his son’s favorite comic book superhero – and takes the law into his own hands.

Rounding out the cast are James Frain (“The Tudors”) as billionaire Peter Fleming, The Cape’s nemesis who moonlights as the twisted killer Chess; Keith David (“Death at a Funeral”) as Max Milani, the ringleader of a circus gang of bank robbers who mentors Vince Faraday and trains him to be The Cape; Summer Glau (“Terminator: The Sarah Connor Chronicles”) as Orwell, an investigative blogger who wages war on crime and corruption in Palm City; Dorian Missick (“Six Degrees”) as Marty Voyt, a former police detective and friend to Faraday; Martin Klebba (“Pirates of the Caribbean”) as Rollo, member and unassuming muscle of the circus gang of bank robbers; and Vinnie Jones (“Lock, Stock and Two Smoking Barrels”) as Scales, resident thug and cohort of The Cape’s nemesis Chess. – NBC

7 out of 10

*Sigh*

Let’s us start by saying that the relatively high rating that we’ve given The Cape of a “7” is a very qualified “7” and we kind of had to convince ourselves that it was worth the rating. The problem for us in reviewing The Cape is despite its glaring flaws and no matter how much we wanted to give it a rating of about a 5 or 6, we kept coming back to the fact that we really liked it. That being said, if it starts getting stupid, we reserve to take back that VERY generous rating.

Here’s the thing about The Cape: it’s exciting, it is literally a comic book come-to-life, and it’s very well-produced. The problem is that there is nothing original about it at all.

EVERYTHING is a conglomeration of other comic book/superhero and genre story lines and to make it worse, it rips-off elements from the more modern incarnations (see: Sam Raimi’s Spider-Man, Christopher Nolan’s Batman, Jon Favreau’s Iron Man, The Punisher, Robocop, Superman and, yes, even Teenage Mutant Ninja Turtles… to name a few). Now, we’re not suggesting that they use these elements badly, but it’s such an obvious copy-and-paste that you can’t help but notice and cringe… a lot. Hell, they even ripped-off Heroes which would seem like a bad idea considering that NBC just canceled that show.

(Extended Trailer)

Now, that’s the biggest issue with The Cape. The other more irksome issue is the absolute ridiculousness of the action sequences and the visual effects. They are way over-the-top and go beyond the level of, “Well, we’ll just have to suspend our disbelief.” We are personally sick and tired of standard bullets from sub-machine guns and pistols causing fuel tanks explode. Has no one in Hollywood watched Mythbusters?  The only way to make a fuel tank explode into a massive fireball is with with incendiary rounds…. and a FRAKKIN’ mini-gun.

Oh, and one more thing: a human being cannot survive a fall out of a 50 story building by using a car to break their fall. Do you now see why these sequences irk us?

Beyond those problems, though, we hate saying this but this show is a crap-load of fun and has a lot of potential to be one heck of a ride week after week if audiences are patient with it. The characters are pretty are well-developed and the performances are strong and believable and there’s enough complexities with them to flesh out some compelling story lines. It has more the feel of a summer blockbuster than it does a weekly prime-time drama.

What hurts The Cape is the aforementioned lack of originality. On its surface it doesn’t bring anything new to the table and this generation of audience is a fickle lot with genre in prime time. The Cape has a lot of potential to be a great show. Let’s just hope it becomes a great show that people want to tune in to.

Watch full episodes of The Cape, here.

Retro Review: ‘Smallville’ Season 1, Part I (Season 10 Premiere on The CW – September 24, 2010, 8:00 p.m.)

8 out of 10

“Somebody saaaaave me!” Boy, Remy Zero said it accurately, indeed. The Superman Mythos after the explosive Death of Superman and The Return of Superman Comic Book storylines needed a shot in the arm. Waning book sales and iffy stories combined with the disinterest of Superman as a whole had thrown a huge red flag up for DC and Warner Brothers combined. After numerous failed attempts at re-igniting that elusive spark, DC and Warner Bros. had much egg on their face that included an omelet made of Nicolas Cage as Superman…ugh… I shudder to think.

Then in comes Alfred Gough and Miles Millar with a brilliant premise: how about a restart (I despise using the term “reboot”) to this iconic superhero? Let’s start way back but not so far back as to not have Clark Kent, our powerful protagonist, involved in a journey to his destiny of becoming the world’s most renowned hero. Let us begin in Smallville, Kansas and do an origin story that will take us on a great and revealing trip. And with Smallville heading into its final season in just a few weeks, I think back excitedly on what a ride it’s been!

The WB show was touted as a Sci-Fi, fantasy tale but at times does play out like a soap opera. That’s OK, though, because we always know what is to eventually come which no basic Soap on TV can do for its viewers. When particular characters like Lex Luthor and Clark Kent interact we can’t help having that small grin on our face and that thought on our minds that these two guys are going to totally throw down and kick each other’s asses in the future. It’s this aspect that makes Smallville so appealing.

Season One begins, well… in the beginning. In the Smallville pilot we are introduced to the Kents played by the hot Annette O’Toole (Sorry, ever since Paul Schrader’s Cat People I have always had a crush on her) as Martha and John Schneider (Hee Haw!, Dukes of Hazzard) as Jonathan. These are the salt-of-the-earth farmers who will (thanks to the meteor shower that brings that most-famous of all aliens) raise Clark Kent (Tom Welling). It is not easy as we are a witness, too, as the season advances. After the 14 year-old Clark discovers the spaceship that brought him to earth buried in the barn, he begins to question his destiny, and refuses to immediately accept it.

We are soon introduced to Jeremy Creek (Adrian McMorran), our first of many “meteor freaks” who are usually just normal people who are or were infected adversely by the kryptonite.

Clark, of course, becomes enamored with Lana Lang played with plucky enthusiasm by the oh-so cute Kristen Krueck.

Clark then saves Lex Luthor, portrayed by Micheal Rosenbaum (who steals just about every scene he is in) from an almost fatal car accident. Needless to say, Clark stays busy even as he discovers he’s the newest alien on the block. This is just the beginning of where this great ride begins and there is definitely more to come…

The CW Official Smallville page

Watch some full length episodes of Smallville on Hulu.

FYI, Amazon has the complete first season of Smallville on DVD for just $19.99 (67% off of the list price of of $59.98).