Perfect Couples (NBC – Thursday, 8:30 p.m.)

“Perfect Couples” is a romantic comedy that follows three flawed pairs trying to get it right.

Dave (Kyle Bornheimer, “Worst Week”) and Julia (Christine Woods, “Flash Forward”) are the “everyday couple,” messed up in all the “normal” ways. Dave struggles to keep both his wife and his needy best friend, Vance (David Walton, NBC’s “100 Questions”) happy. Vance and the volatile Amy (Mary Elizabeth Ellis, “It’s Always Sunny in Philadelphia”) are the high-passion, high-drama couple who bring out the best and worst in each other.

The third duo features Rex (Hayes MacArthur, “She’s Out of My League”) and Leigh (Olivia Munn, “Attack of the Show,” “The Daily Show”). Rex is a reformed party guy who has channeled his jock energy into a competitive drive to be the ideal mate. Leigh, a self-anointed relationship guru, has formed the perfect union with Rex, and now considers it her duty to mold the other couples in their image. – NBC

3 out of 10

You will NOT see Olivia Munn looking like this on Perfect Couples.

We freely admit it: the only reason that we even bothered to watch Perfect Couples is because it stars former G4 Attack of the Show hottie, Olivia Munn.  It was partly curiosity to see if she could actually act (she was always very funny on AOTS) and partly because of the very likely chance that she might wind up in her bra and panties or at least a bikini at any moment which is generally the fall-back position for network television nowadays when it comes to generic scripted television.

Needless to say, we were disappointed on both counts.  Munn kept her clothes on throughout the entire pilot and to make matters worse her acting appears to leave a lot to be desired.  Now, we are being generous with that assessment by using the term “appears” because, she may not be a bad actress at all, it may just be an issue of incredibly bad writing because everyone’s performances were terrible.  Munn’s problem is that she has no real résumé to refer to outside of AOTS and the majority of her dopey lines were simply repeating the lines of her character’s husband.

Aside from what we will refer to from this point forward as the “Munn Disappointment,” there’s really nothing good about this show.  As noted, the writing is horrible.  The jokes don’t work, the timing isn’t there and it is completely predictable.  The characters are horrible cartoon versions of real human beings and completely unbelievable.  The show literally feels like aliens have come to Earth and this is what they think American couples are like based on something they read in a magazine or saw in a really awful romantic comedy that most likely starred Matthew McConaughey.  It tries to be clever and relatable and fails miserably.

Perfect Couples: Written by aliens? Perhaps.

You may have noticed the over-abundance of Olivia Munn pics in this piece in various states of undress.  Unlike the producers, we decided that we needed to do something to make Perfect Couples interesting and actually utilize its only asset.  This show is pretty bad all the way around.

Unfortunately, we couldn’t find any short trailers for this so if you watch the video you’ll be forced to endure 4 minutes and 31 seconds of propaganda by the cast about how great this show is.  Don’t believe them… especially when Christine Woods tells you that you know couples like this.  You don’t.  You’ve never seen any couples like this ever because they don’t exist.

Watch full episodes of Perfect Couples, here… if you must.

‘The Event’ (NBC – Monday, 9:00 p.m.)

The Event is an emotional, high-octane conspiracy thriller that follows Sean Walker (Jason Ritter, “The Class”), an everyman who investigates the mysterious disappearance of his would-be fiancée Leila (Sarah Roemer, “Disturbia”), and unwittingly begins to expose the biggest cover-up in U.S. history.

Sean’s quest will send ripples through the lives of an eclectic band of strangers, including newly elected U.S. President Elias Martinez (Golden Globe nominee Blair Underwood, “In Treatment”); Sophia Maguire (Emmy Award nominee Laura Innes, “ER”), who is the leader of a mysterious group of detainees; and Leila’s shadowy father (Scott Patterson, “Gilmore Girls”). Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind. – NBC

The Preview (Posted on 9/15/2010):

Shawn:     This is by far the most anticipated show of the new year and for good reason. It’s a spy/action/political thriller à la 24 shown from multiple perspectives with a Lost-type/FlashForward-type mystery to it. The cast is amazing and the effects look killer. This is one of those moral imperative shows. You must watch this. I’d comment more on it but the trailer confused the crap out of me and I still haven’t processed all of it.

The Review:

9 out of 10

Shawn:     First things first: my assumptions about The Event couldn’t have been more prophetic and it doesn’t mean that I’m that great of a judge of a show’s character, it just means that NBC marketed it perfectly. As noted above, I said it looked like Lost and 24 had a baby and considering an hour before it premiered, NBC was quoting Us Magazine (who had seen it) as saying the EXACT SAME THING, I’d say that’s precisely what NBC is going for and it wasn’t a plan that they just dreamt up over the summer.  This has been in the works for almost year, now.

Fans of 24 may not know this, but the last season of 24 (last year’s season 8 ) was not necessarily going to be the end of 24 as of mid-season ’09 – ’10, and in fact, 24‘s ratings weren’t even particularly bad (9.31 million viewers but they were dropping and had been for some time).  Despite the obvious repetitiveness of each season and the notion that the tank was clearly empty (the writers themselves admitted this), 24‘s main problem production-wise was that it was a very expensive show to produce every week and the ratings weren’t high enough for FOX to be able to ask for the advertising dollars they needed to produce it AND keep it profitable. Around the same time, NBC realized that they had made perhaps one of the biggest mistakes of all time in television programming history by completely eliminating their 10:00 p.m. drama slot, Monday through Friday (to save money), in favor of demoting Jay Leno (and, yes, it was a demotion) and putting him in there all week. If you don’t understand how colossal of a mistake this was, consider this: there was serious talk about NBC shutting down completely as a network.

So, in order to save itself from itself, NBC got some new people in and re-evaluated their situation and realized they needed a strong shot in the arm and actually inquired seriously about bringing 24 over to the Peacock Network. Well, then they got a look at the books and found out how much 24 was actually costing and of course 20th Century slapped a ridiculous price tag on it to boot, and NBC said, “Thanks, but no, thanks.”

So, although the idea of 24 never came to fruition on NBC, the concept of reviving the network with a bang was still alive and well and it’s pretty clear NBC REALLY wanted their own 24. They wanted their own 24 so bad that they hired the Executive Producer of 24, Evan Katz to a seven-figure, two-year deal to run The Event.  Truly, though, it’s not just about having their own 24, it’s about having their own Genre show with the built-in audience from the day the pilot airs.  Genre fans are the most dedicated of all television fans and NBC knew this most recently because they had a genre hit with Heroes until it started to suck (and don’t ask me when it started to suck because it’s all a blur to me.  I stuck with it until the December break last year before I was bored to tears with it.  Apparently it started to suck a long time before that.).  So, this is why you see the comparisons to 24, Lost, FlashForward and Heroes and even though Katz  claims that The Event is none of these shows, it really is certainly in the same vein because if it wasn’t, NBC would never have picked it up, nor would they have signed Katz immediately at the end of 24 for a ridiculous amount of money for 2 years.

Which brings up yet another good point about this series:  the confidence NBC has in it.  NBC had the opportunity to get 24 and with it one of the most popular characters in prime-time television history and an automatic large built-in audience carried over from eight previous seasons.  Now yes, there were the cost issues involved with acquiring and producing the series and of course it’s far cheaper to not pay Kiefer Sutherland the $13.2 million per season that he was making on 24, but having the kind of gravitas that 24 brings to your network right out of the gate might even be worth risking the scratch on… that is of course, unless you’ve got a show in the chute that you really believe will take Genre audiences to a whole new level and that is precisely what The Event does.

The Event redefines Genre television for a new generation of fans.  You undoubtedly see elements of 24, Lost, Fringe and FlashForward but the story is very unique, the mysteries are compelling and the style of the series with the repeated time-shifting (i.e., the show goes back and forth in time repeatedly and it’s not consistent), albeit a little difficult to keep up with at times, makes the drama that unfolds that much more intense.

The casting for The Event is very impressive.  Jason Ritter (son of the late John Ritter) is a bit of a newcomer but he seems perfectly cast as the average guy trying to find answers.  The rest of the cast is excellent as well with a lot of well-known television faces and character actors (Blair Underwood, Tony Todd, Laura Innes, Zeljko Ivanek, Clifton Collins Jr., Scott Patterson, Bill Smitrovich, to name a few. ) and no real superstars was very smart for a few reasons.  First, you have seasoned pros on this show who ALL can act (and if I’ve never mentioned this before please understand that all of my favorite actors are character actors).  Second, they come at a much cheaper price than, say, a Kiefer Sutherland would so think of it like a professional sports salary cap: you have the option of having one superstar and a team of mediocre players or a team full of really good players.  The latter is the preferred and it’s a necessity with a new series.  It’s also a necessity because unlike 24, The Event is… well… event-driven and not single-character driven like 24 was.  A show like this requires a diverse ensemble cast as to not distract the audience from the complex and engaging drama that is unfolding.

All in all, The Event is excellent and has truly lived up to its hype so far and I don’t really have any doubt that with Evan Katz at the helm it’s going do anything but get better and better.  This is the best new network show of the season and the only thing even on cable that’s better is Boardwalk Empire.

Watch full episodes of The Event, here and here.

Fall 2010 Prime Time Preview – Mondays

Welcome to the TV-Tastic First Annual Fall TV Preview.   This is the first of what we hope to be many television season previews.  In January we’ll be doing a Mid-Season Replacement Preview and in Summer 2011, we’ll be doing a preview of the cable offerings and random shows that FOX just throws out there June through August to fill up airtime that no one seems to care about (see: The Good Guys).   This is a seven part series and today we are covering Monday night television.

We will not be including a preview of every single show that’s in the Fall lineup.  We’re only previewing the stuff  we care about and of course the new offerings on network and cable.  Our rating scale for this will be based on whether we think you should waste your time with it or not and we’ll tell you why.  No numbers on this just, simple recommendations like “you have to see this” or “pass on this” or “I think I just puked in my mouth a little bit.”  Vic’s been very busy so I’m going solo on this for right now but he will be adding his two-cents later and I’ll update the blog and the subscribers accordingly.

So, without further ado, let the games begin, and by the way, this is one of the best Fall Lineups in years and it mostly is because of NBC (which is a phrase I never thought I would utter).

TV Guide Fall Schedule

TV Guide Fall Schedule Calendar

Monday:

8:00 p.m.

FOX:     House – September 20, 2010

Shawn: I love House, it’s a “can’t-miss.”  You know it and I know it.  How many shows can they change the night and timeslot every two weeks and it’s still be successful?  There is one reason and one reason only to watch House, and that’s House, himself.  I hate medical dramas as they’re all the same tripe.  House could be a show set on submarine or in a cannery (or a nunnery) and it would still be great.

NBC:     Chuck – September 20, 2010

Shawn: I unfortunately missed all of season 2 and 3 because of scheduling issues but I love this show and I’m glad it got a fourth season.  It’s just a fun show that’s got something for everyone.  Humor, action, romance and of course, Adam Baldwin.  I dare say, what more do you need?  I’ll be catching up with Seasons 2 & 3 and saving season 4 for later.

9:00 p.m.

FOX:     Lone Star – September 20, 2010 (NEW SERIES!)

Shawn: I’ve already seen the pilot and it is definitely worth watching.  See my full review with trailer here.  Upon further review my biggest concern for it is it is in the same time-slot as this:

NBC:     The Event – September 20, 2010 (NEW SERIES!)

The Event is an emotional, high-octane conspiracy thriller that follows Sean Walker (Jason Ritter, “The Class”), an everyman who investigates the mysterious disappearance of his would-be fiancée Leila (Sarah Roemer, “Disturbia”), and unwittingly begins to expose the biggest cover-up in U.S. history.

Sean’s quest will send ripples through the lives of an eclectic band of strangers, including newly elected U.S. President Elias Martinez (Golden Globe nominee Blair Underwood, “In Treatment”); Sophia Maguire (Emmy Award nominee Laura Innes, “ER”), who is the leader of a mysterious group of detainees; and Leila’s shadowy father (Scott Patterson, “Gilmore Girls”). Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind. – NBC

Shawn: This is by far the most anticipated show of the new year and for good reason.  It’s a spy/action/political thriller à la 24 shown from multiple perspectives with a Lost-type/FlashForward-type mystery to it.   The cast is amazing and the effects look killer.  This is one of those moral imperative shows.  You must watch this.  I’d comment more on it but the trailer confused the crap out of me and I still haven’t processed all of it.

9:30 p.m.

CBS:     Mike & Molly – September 20, 2010 (NEW SERIES!)

A couple finds love at an Overeaters Anonymous meeting in this multicamera comedy from Chuck Lorre, the force behind Two and a Half Men and The Big Bang Theory.

Shawn: Did Kevin James get taller, fatter and less articulate?  As a rule, I’m skeptical of sitcoms to begin with because for the most part they are unoriginal and they all recycle the same stupid jokes decade after decade.  Even the more original and funny comedies like The Office eventually wind up being copied (see: Parks & Recreation) and eventually run out of steam… waitaminute… The Office was a copy as well.  Anyway, the point being is that Mike & Molly is the reason that I hate sitcoms.  This is just embarrassing.  Seriously who does this simple-minded crap appeal to?  What I find humorous is that they brag how this show is from the producers of Two and a Half Men.  Hey… newsflash:  despite how many people watch it, Two and a Half Men is complete crap as well. I would definitely pass on this.

10:00 p.m.

CBS:     Hawaii Five-O – September 20, 2010 (NEW SERIES!)

When Steve McGarrett’s father is murdered, he decided to return home to Oahu in order to catch the killer. The governor offers him the opportunity to run a new task force where he is able to call the shots. Detective Steve McGarrett brings together his own team, beginning with Chin Ho Kelly; an ex-Honolulu Police Detective and former protégé of McGarrett’s father. Kelly has been assigned to a federal security patrol after being suspected of corruption. Detective Danny “Danno” Williams is a New Jersey cop who recently moved to the island and is raising his 8-year-old daughter. Kono Kalakaua is Kelly’s cousin and a rookie officer, fresh from the academy. McGarrett’s team is giving full backing from the governor and plays only by their own rules. – CBS

Shawn: Way to go CBS for making this show sound like every other dry, formulaic cop show.  Thank God for trailers, eh?  I have to say,  I was just going to recommend the pilot and only the pilot simply for the sake of novelty (and the great cast). Watch it, know it’s probably going to be crap-tastic and forget about it. Then I saw the trailer below.  This isn’t Hawaii Five-O, this is friggin’ Alias in Hawaii with cops and it looks great!  Back to that great cast, you’ve got Alex O’Loughlin (The Shield) as McGarrett, Scott Caan (Boiler Room and the Ocean’s Eleven films) as “Danno,” Daniel Dae Kim (Lost, 24) and the smoking hot Grace Park (Battlestar Galactica) as Kono Kalakaua.  This one of the best casts of any show this season and I’m really glad to see Kim in a more prominent lead-role where he actually speaks his native language for a change… which of course is Eastern Pennsylvania English.  Heck, he didn’t even have to move for this show considering his last gig was on Lost for six seasons which is was of course, also filmed in Hawaii.  And, by the way, I am well aware that for a cop show the amount of action looks ridiculous.  That’s part of the reason why it appeals to me so much.  I mean, crap, if you’re going to go camp, go all the way… and we’d better see Wo Fat, too or I’m writing a letter.  This is another definite must-watch show.

NBC:     Chase – September 20, 2010 (NEW SERIES!)

From Emmy Award-winning executive producer Jerry Bruckheimer (“CSI” franchise, “The Amazing Race,” “Pirates of the Caribbean”) and executive producer Jennifer Johnson (“Cold Case,” “Reunion,” “Lost”), “Chase” is a lightning-fast drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. Marshals hunts down America’s most dangerous fugitives.

Kelli Giddish (“Past Life”) stars as U.S. Marshal Annie Frost, a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down violent criminals on the run. Starring as the members of Frost’s elite team are Cole Hauser (“K-Ville”) as Jimmy Godfrey, an East Texas kid who never grew up and is a true American cowboy; Amaury Nolasco (“Prison Break”) who plays Marco Martinez, a good intelligence guy who loves to talk; and Rose Rollins (“The L Word”), who portrays Daisy Ogbaa, a weapons/tactical specialist and a woman of few words. Rounding out the cast is Jesse Metcalfe (“Desperate Housewives”), who stars as Luke Watson, the fresh-faced newcomer whose Washington, D.C. upbringing did little to prepare him for the Lone Star State. – NBC

Shawn: Although, seemingly formulaic and reeking suspiciously of U.S. Marshals (I was waiting for Tommy Lee Jones to pop out and start barking orders about finding Richard Kimball in the trailer), the high-energy and the strong cast of Chase makes it certainly worthy of consideration.  I’m not jumping out of my pants about it yet but it is a Jerry Bruckheimer production and that definitely makes it worth watching for at least the first three or four episodes.  “Cautiously optimistic” is the best way to describe my enthusiasm for Chase.

NEXT: Tuesdays

EXCLUSIVE ADVANCE REVIEW! Lone Star (FOX – Monday, 9:00 P.M. Series Premiere September 20, 2010)

TV-Tastic is proud to bring you an exclusive first look preview review of the new Monday night series on FOX, Lone Star.

ROBERT/BOB ALLEN (James Wolk) is a charismatic and brilliant schemer who has meticulously constructed two lives in two different parts of the state. He’s juggling two identities and two women in two very different worlds – all under one mountain of lies.

As “Bob,” he lives in Houston and is married to CAT (Adrianne Palicki), the beautiful daughter of CLINT THATCHER (Jon Voight), the patriarch of an ultra-wealthy Texas oil family. More than 400 miles away in the suburban west Texas town of Midland, he’s “Robert,” living a second life with his sweet, naive girlfriend, LINDSAY HOLLOWAY (Eloise Mumford). There he plays the perfect boyfriend while secretly bilking local investors of their savings. While in Houston, he’s a devoted husband, charming Cat and her family to cement his position in the rich family business he aims to clean out.

Bob has lived both lives successfully for years without arousing any suspicions..so far. While one brother-in-law, DREW THATCHER (Bryce Johnson), admires Bob, while his other brother-in-law, TRAMMELL THATCHER (Mark Deklin), is growing suspicious of his motives, and along with his wife, BLAKE (guest star Rosa Blasi), threatens to expose Bob. In this world of cons, everyone has ulterior motives. ALEX (guest star Andie MacDowell), a sharp, sexy, sophisticated East Coast transplant has her eye on only one prize: Clint. Eager to stake her claim, she will do and say anything to get what she wants.

With the cons closing in on him, Bob begins to fear his secret lives may unravel as he becomes divided by his love for two women; his loyalty to his father and mentor, JOHN (David Keith); and his respect for his father-in-law, Clint. Now as he tries to hold his two lives together, while fending off angry investors and the growing suspicions of those around him, Bob puts it all on the line hoping he can beat the odds, leave the schemes behind and keep two separate relationships afloat. – FOX

8 out of 10

One of the disadvantages of being an independent review blog is that the networks don’t send advance copies of the first three episodes of new shows to us like they do the mainstream entertainment media.  The upside is that I’m under no contractual agreement to withhold a review of a show within a certain period of time before that show has premiered, which brings us to the first ever in-depth review of Lone Star (one other guy did a review but it was like three sentences).  If you’re wondering how I was able to get my hands on a copy of the pilot,  I will refer you to this:

That’s me and the little man, Harrison playing in the Embassy Suites in San Diego a few weeks ago when the whole family went to San Diego Zoo, Sea World and Wild Animal Park.  Harrison is obsessed with remote controls (gee, I wonder where he gets that from) and shortly after that scene he was playing with the remote in the room and he inadvertently turned on the Hotel’s in-room video service.  Well, lo and behold if they didn’t have the pilot episode of Lone Star available for FREE!  Needless to say, it was a professional imperative that I watch it so I could let all the good folks out there know ahead of time if it’s worth their time.  So let the games begin.

Dallas, Part Deux?

First, let me preface this by saying that when I first heard about Lone Star while preparing the forthcoming Fall Preview (coming soon), let’s just say that I was beyond skeptical.  The descriptions I saw on various entertainment sites were bland and really made it sound like to was a 2010 version of Dallas using key-phrases such as “Texas,” “oil” and “soap opera.”  I can’t imagine at all why someone would come to the conclusion that this show is Dallas: The Next Generation.  Speaking of which:

(^^^You’re welcome, by the way.)

After watching the pilot, though,  I can say that I was not only pleasantly surprised, but also a little annoyed at the marketing for this show amongst the various media outlets and even by FOX itself.  Yes, it’s in Texas, yes it revolves around a family oil company and yes it’s definitely a soap, but there is so much more to this show than this, and unfortunately, it may be its downfall.

I want to apologize for the incredibly long synopsis from the Official Lone Star Page but there really was no way to avoid it.  I tried to figure out how I could pare it down and realized that the show has so much going on it that I really couldn’t.  Sorry… blame FOX.

Bob

As complicated as that synopsis is, it needs to be corrected.  As noted, Bob is a con-man living two separate lives, with two different women.  But which one is the real Bob?  Well, the answer is both and neither because Bob also has two other alter-egos as well: the man he is when he’s with his father and is actually “himself” and the man he is when he’s actually trying to combine the two lives.  The fact is that Bob is struggling to find out what his true identity is, even in the pilot and it’s obvious that this will be a main theme throughout the series.  Do you see what I mean about this show being complicated?  And that’s just our protagonist.

What I like about this story is Bob, himself.  I’m not sure if I’m into the identity struggle and I can definitely do without the “con-man-with-a-heart-of-gold” persona which seems to be contrived exclusively because the writers aren’t brave enough to have a protagonist be a true anti-hero or a villain.  This is a very weak decision on the writers part in my opinion (well, it may have been a producer’s decision) because it tells me that they don’t have enough faith in the character or the actor, and I don’t understand why.

I like stories about con-men and so does everyone, whether they admit it or not.  Con-men are fun.  They’re clever and they have a swagger and a bravado they keeps audiences coming back.  They’re like spies who are crooks.  If I want to see a transformation from a swine to a knight, I sure as heck don’t want to see it in the pilot.  If the producers need advice on how to develop the growth of a con-man, I would simply refer them to this guy:

From what I’ve seen so far, the producers are unnecessarily playing it safe with Bob.  The character is well-written enough and James Wolk is talented enough to pull-off the “villain-who-we-hate-to-love” without really breaking much of a sweat.  Also, if anyone thinks that writing a villain as protagonist doesn’t work I will simply refer you to this guy:

… who shot a fellow cop in the face during the pilot episode of The Shield and that wasn’t even the worst of his misdeeds over the next six seasons and then there’s of course, this guy:

.. and we all know what he does for the sake of fun and sadism.

The point is that the right actor playing the right character can pull off the villain-protagonist and it’s often quite refreshing when they do, and in this case, ours doesn’t even kill anyone.

The other problem with this “heart-of-gold” scenario as that it doesn’t make any sense.  In the opening scene of the pilot we are immediately made aware that Bob’s father, John (played brilliantly by David Keith) has been a con-man his whole life and has been teaching Bob how to do it since he was at least 10 years-old, if not younger.  That being said, all Bob has ever known is “The Con” and all of a sudden, when he’s on the verge of the biggest score of his life he suddenly finds religion and wants to not only play it straight with his father-in-law’s oil company but also wants to find a way to get all of those people in Midland their money back that he took from them in a Ponzi Scheme?  Sure.  It’s very hard to swallow to say the least.

The Playas

The biggest complaint I have about Lone Star is that the plot outside of Bob’s con is very contrived and very clichéd and to be quite honest, so are some of the characters and a lot of it is lazy and does hearken back to Dallas.  You’ve got your surly patriarch Jock Ewing-type, Clint Thatcher (even the names are clichéd, for God’s sake) played by Jon Voight (who you can never go wrong with) and Trammell Thatcher (Mark Delkin) the ambitious, scheming son who’s mad that Dad gave the outsider (Bob) the task of turning the family business around and is looking to undermine the new guy and finally,  Drew Thatcher (Bryce Johnson), the under-achieving younger brother that no one takes seriously except for the outsider (Bob) and who is desperately seeking approval from both his father and his older, more accomplished brother.  Any of this sound familiar?  Of course it does because we’ve seen this clichéd family trifecta in 100’s of other films and TV shows over the last 50 years.

Still, although you’re tempted to roll your eyes, the performances carry what is really a simplistic, although compelling subplot.  Speaking of performances, thank God for David Keith and Jon Voight.  If James Wolk is the engine of this ship, then Keith and Voight are the anchors.  Keith’s character is brilliantly written and David Keith was born to play him and yes, I know I criticized the Clint Thatcher character, but Jon Voight saves the character from falling off into the abyss.  Honestly, without these two pros in this show it would be an absolute mess, despite the performance of James Wolk.

Now, you’re probably wondering why I didn’t mention Bob’s two love interests, Cat Thatcher (Adrianne Palicki) and Lindsay Holloway (Eloise Mumford) as they are obviously integral parts of this saga.  The reason is simple (and unfortunate): they aren’t really worth mentioning.  I’m not sure if it’s the characters or the actors or a combination of both but whatever it is, neither one of them comes off as very interesting or sympathetic.  I’m inclined to believe that it’s the writing because what it seems like is going on here is that the writers spent an awful lot of time concocting this very complicated story and two really complicated characters in the father and son team of John and Bob, but they simply ignored any kind of real development for the rest of the supporting characters in the hopes that the casting would be strong enough to, shall we say, make chicken salad out of chicken spit.  This is effective for the other male characters, but it is not effective with the two female leads.

Final Thoughts

Despite its weaknesses, the pilot of Lone Star is enjoyable and I would recommend it.  The main story, though complex, is very compelling, the protagonist and his father are incredibly well-written despite the other characters being rather clichéd and simplistic, and the performances by the supporting cast is excellent for the most part.  I do expect that the writers will see how weak the female leads are and will improve the way they are written in the future.

My three major concerns for this show are issues are as follows:

The first is the time slot and the network.  This show is the replacement for 24 which just ended after 8 seasons.  This is the last show in the world I would have ever expected to replace 24.  If there was a show that I would have thought would have gone in the Monday night at 9:00 p.m. slot on FOX,  it would have been either Human Target or Fringe.  Both are excellent action shows that could easily carry 24’s torch in that slot and to be completely honest, I think this show would be better suited for CBS or ABC.  They would seem to have the demographic for it more than FOX.

My second concern is the complexity of this story.  I’m sorry, but today’s audiences have pretty short attention-spans and I’m afraid this show may be a little too cerebral for this generation of TV viewers.  It’s not a knock on today’s audiences, it’s just a fact.  Complex dramas have been on the decline in popularity for the last several years  because audiences simply have too much going on with their 300 channels of cable and of course the Internet.  A show like this takes dedication and there aren’t that many people willing to dedicate to a serial storyline with a continuous arc anymore.  I’m frankly amazed that Lost lasted six seasons and I’m not surprised at all that FlashForward only lasted one (as much as I loved that show).

Finally, the real question I have is, “How long can this show last?”  Really, I mean, the show centers around this one con they are running.  I’m sorry but I don’t want to see this one con play out for seven seasons and by the same token, if the con plays itself out by the end of the first season, what happens next season… yet, another con?  How long can you keep that up? In this regard the show reminds me of Prison Break where we all said at the end of season one, “Well, they’re out.  Now what?” and of course the answer for the three seasons that followed was the most convoluted and bizarre twists in a plotline in television history.  Now, I liked all 4 seasons of Prison Break, but that was getting nuts at the end and I was glad when they finally put the show out if its misery and I don’t want to see that again with another series… especially one on FOX.

So, I’m going to give this show 6 weeks without any expectation of it surviving the Thanksgiving season cuts.  This way I won’t be disappointed if another good show is cancelled which unfortunately, as good as this show is, I do expect to happen.

Watch full episodes of Lone Star, here.