THROWBACK REVIEW: Treasure Planet (2002)

When pirates explore the final frontier…

As a child, it is accurate to say that I had a bit of a pirate phase. You know, we all have those weird phases where things are just so cool, and they couldn’t in any way be bad. You know, then you grow up and realize that pirates were criminals who did some of the lowest of the low acts out there, and still do it to this day. But “Arrrgh”, am I right? Regardless, as a kid, when I needed a little pirate adventure in me, there was really only one place to go: the classic Treasure Island tale. This story was EVERYWHERE in my life. I watched it repeatedly. I owned Muppet Treasure Island, a 1987 Burbank Films Australia animated special of the story, I’d seen the 1950 Disney adaptation, I even saw a Wishbone episode of the story. And I’m sure I’m missing a few other adaptations I saw!

What’s the story, Wishbone?

Really, the story was an absolute classic. If my child self needed an adventure, there was no better place for me for the longest time than on the high seas with Treasure Island. You might say that I looked up to Jim Hawkins in a lot of ways. I wanted to break out as he did, I wanted to go on his adventures, I wanted to be in his shoes, and he made me so very happy a lot of the time. So with all this Treasure Island stuff in my life, it was only natural that eventually, I’d find myself watching the 2002 Disney steam-punk adaptation of the same story in Treasure Planet. Needless to say that I absolutely loved it back then, and love it now.

The film opens up with Judge Claude Frollo narrating a holo-book about the notorious Captain Flint, who would loot ships for that precious pirate booty, and we get introduced to young Jim Hawkins, who is absolutely adorable as a child. A few years later, we see him grown up into probably one of my only big problems of the film. I do kinda scoff at how they very much make Jim Hawkins a bit of a bad boy here. I mean, granted, it makes some sense in context with the story, keyword being some, but it still very much feels like a trophy move that never really feels earned. But I guess they gotta show us some of that sweet sweet animation, and making him a Marty McFly Tony Hawk hybrid gives them an opportunity to do just that.

Bad boys, bad boys, whatcha gonna do?

Unsurprisingly, Hawkins has grown up in this state and has a reputation of being a bit of a delinquent. And it’s because of a change in the story that I actually really kinda like. In the original stories of Treasure Island, Jim Hawkins lives with his mother in an inn. No different here. But in the classic, his father has been dead a few years. Here, Jim’s dad is still alive, but Jim has no idea really where he is, or even who he was, since he left at a young age, never came back, and this has had an impact on Jim’s life. While again, I kinda scoff at the bad boy aspect that results in this change, it opens the door for some character development of the character that is honestly, pretty absent in the original tale. But we’ll eat there soon.

If you know the story, you’ll know that a stranger appears at the inn, a fellow by the name of Billy Bones, and how this movie approaches it admittedly makes me scratch my head. The other stories give us some time to get to know Billy Bones. We see him interact quite a bit with Jim Hawkins and we eat some backstory into who he is and why he’s in hiding. Here… he’s barely alive five minutes. Granted, Billy Bones dies in every story, but not nearly this quick. This makes his reveal of him having a map to Flint’s treasure, and his warning of Long John Silver feel not nearly as impactful in the long run. Billy Bones here feels more like a footnote, when he feels like an actual character in pretty much every other rendition of this story I can think of.

Billy Bones might not be much of a character, but they do a wonderful job fleshing out pretty much everybody else.

Oh well, we know where this goes, Jim gets a map (or golden orb here and by some sort of luck, he eats it open to reveal said map), and he and his friend Dr. Doppler fund an expedition to see out the legendary titular Treasure Planet that the map supposedly reveals. And it’s here where I gotta praise a couple things. Firstly, I gotta praise the designs of this crew. Just look at some of these crew members and you can tell that there was a lot of fun in creating these guys. It’s this movie, and movies like Lilo and Stitc that pretty much have me convinced that Disney knows how to have fun with their alien designs, and with some of the Star Wars suf I’ve seen in their new movies, I don’t think they’ve lost their touch.

A positively trustworthy crew.

I think easily my favorite of the crew has to be little Morph who doesn’t have much of a role, but goddammit, the little glob of cute makes me laugh almost every time he’s onscreen. What a brilliant idea for ‘Long’ John Silver’s pet. The shapeshifting mimicking glob is just… perfect. They could have easily given Silver just some bird-alien pet Resembling a parrot, complete with the mimicking trait, but can you tell me it would be anywhere as charming as this pink glob??? The answer is no. No it wouldn’t. Not even close.

Legit one of the funniest moments of the movie.

Also holy shit, I cannot go on anymore without praising this animation. It doesn’t take long for it to establish itself as something absolutely awesome in this department, and you can probably thank the steampunk aesthetic of the film for that. I’m normally not one to really fall head over heals for this kind of story or setting, but goddamn does this story absolutely sell itself, and make it absolutely hard not to just get drawn in by literally everything going on in this story. Everything from the fun ship designs, to the animation of the characters, to the action out in space, to ‘Long’ John Silver’s cybernetics is animated in a way that just makes me wanna shout “WHOAH!” It can be breathtaking at times.

JUST LOOK AT THIS ANIMATION!

Granted there are a few things in the animation department that I particularly don’t care for, but then again, it falls more under just things I personally don’t care for. The ‘gross’ factor if you wanna call it that is kinda here, and I don’t care for it. Thankfully, it’s not a huge presence in the film, but it’s still kinda distracting. The two instances that kinda come to mind are a few instances where they animate drool, not exactly something I ever really liked, and an alien that communicates literally with flatulence. Because fart sounds I guess. I don’t wanna spend anymore time talking about this.

I’ve heard some people say they really don’t care for the steampunk aesthetic of the film, and if you’re gonna Neil deGrasse Tyson the film, then yeah, you might need to skip this one since they throw space physics out the window the entire film. I mean granted, there are a few times they have fun with gravity and whatnot, but I mean, there’s no air dome, so everyone just breathes in space pretty much. No explanation really, but it’s just one of those things you don’t really question. Like space whales (which are also present in this film…. and contribute to the gross factor).

Okay, seriously, who can NOT be wowed by these visuals?!

This film does a great job of really having us get to know these characters. As much as I love films like Muppet Treasure Island, and other Treasure Island adaptations, I cannot deny that they really struggle with getting me to care about anyone other than Jim Hawkins. You really don’t get to know or care about the other characters in these movies like Captain Smollett, Mr. Arrow, Ben Gunn, etc… They always feel like they’re in the background. Even ‘Long’ John Silver (who will get his own paragraph) never really felt like a huge character in these adaptations. This movie remedies this in so many ways. Each character feels impactful to the story, and you care about what becomes of them. Granted, it’s not perfect, and I mean… obvious baddies are obvious baddies, but you can tell that they really tried to bring each and every character here to life.

For instance, Captain Amelia and Doppler, they develop a bit of a relationship, and while it isn’t flawlessly executed, I still care about them both far more than I would any other character in an adaptation. Kermit the Frog plays a good Captain Smollett, but he’s still Kermit the Frog in a captain’s outfit. Ben Gunn here might be a bit over the top and even a title annoying, but he’s more memorable than any other iteration of the character I can remember. Mr. Arrow… good God this character is great, and he’s actually a bit of a drastic turn from other renditions of the character. In the original, he really doesn’t contribute much of anything to the story, and is killed off rather quickly after Silver gets him drunk and throws him overboard. Here, Mr. Arrow feels competent, and feels like an actual first officer. And when he is eventually killed in a scene that actually REALLY disturbed me when I first saw it, it feels that much more impactful. I cannot thank this film enough for giving me a reason to care about any of these people!

Seriously, who WOULDN’T find this disturbing?

And then there’s ‘Long’ John Silver. Good God, where do I begin?

While always a major character of the story, ‘Long’ John Silver really never felt as fully developed as he should have likely been in this story. This ranges to pretty much every Treasure Island adaptation I have ever seen. His transition from leading a group of bloodthirsty pirates on a mutiny against the crew, to suddenly saving Jim from their hands always felt like it came out of nowhere. And this is finally rectified here, and it’s the fact that this film chose to have Jim’s father leave at an early age that makes the relationship between Hawkins and Silver work so damn well. While you can tell that Hawkins is at first very wary of Silver, due to the fact that he was warned about an unnamed cyborg, like Hawkins is warned of the sailor with a missing leg, the time the two spend together really develops into something special, and I love how this film shows us just how much of a struggle it is for Silver, who is walking this fine line between leading a group of bloodthirsty pirates, and being a straight up father-figure for Jim. Some of the dialogue exchanges these two have will leave me warm inside each and every time.

I don’t think there’s a better father-son relationship shown in any Disney movie.

And it’s this wonderful development between the two that makes the conflicts the two have with each other that much better throughout the film! When Hawkins overhears their plans to mutiny, you can telll there’s genuine hurt in his face when just a scene or two ago, Silver was offering him genuine comfort over the death of Mr. Arrow when he was blaming himself over the incident! You can tell when Hawkins and the others are escaping the ship during the mutiny, that there is genuine conflict in Silver when he has a CLEAR SHOT that he could have taken at Hawkins. There is actual emotion being put in play between both of these characters and it just elevates this film to new levels. Each time they have a conflict, it feels real, and I care about both characters. Beforehand, ‘Long’ John SIlver was just a cool character in my eyes because he was a pirate, and kid me loved pirates.

It’s this bond the two share that I feel really glues this entire story together, and it is this bond the two of them share that makes me wonder just what the hell people watched back in 2002 that made them describe this movie as a film with weaker characterizations than usual. What the hell were you watching??? The only thing, and I mean the ONLY thing that they do with this that I really don’t care about is that they use a pretty forgettable song to kinda help illustrate how Hawkins lacked a father figure in his life, and the song plays in a montage of the two growing closer in this retrospect. I just find it kinda silly that they used that approach to flesh out the characters. It’s one of the reasons I personally don’t care too much for the film Titan A.E., due to its constant barrage of 90’s pop/rock selections. Thankfully, this film limits itself to just one of these musical selections.

As far as the adventure itself is concerned, it’s still a lot of fun. While again, there are a few things that might rub off the wrong way for me personally, such as Ben Gunn’s personality, and whatnot, by the time things really get rolling in this film, it is impossible to be bored or not invested. You can tell that the people behind this had a whole lot of fun with each and every sequence shown in this movie, from the supernova storm, to the mutiny, to hunting, and locating Flint’s Trove of Treasure. And they do this without losing a beat of making us care about each character here. Not only with Hawkins and Silver, but with Doppler and Amelia, who develop a very fun relationship with one another after she’s severely injured.

We even get an awesome Star Trek reference.

I’m not sure how much I enjoy the action packed climax of the story, but I suppose it’s fun enough, even if I find Jim’s hurry-rigged hoverboard a bit of a stretch. I do really find the use of the map in the scene in finding the loot, and escaping the self-destruction of the planet to be a whole lot of fun. And again… it just really amplifies the bond between both Silver and Hawkins. And not to be too spoiler-y, but it makes their separation that much better of a scene.

Seeing the conclusion of their bond really hits home every time. Not only is it heartwarming to see Hawkins willingly let Silver escape when it’s likely that Silver will face charges when they return to port, but seeing Silver look at Hawkins the way a father would to any child of theirs is just…. oh it gets you right in the feels.

Right in the goddamn feels…

When all is said and done, Treasure Planet doesn’t get nearly enough love that it deserves as far as Treasure Island adaptations are concerned, but I am happy to see that lately, the trend has gone in its favor. However, I cannot help but disagree when I hear some say that this one should get a live-action remake. Not only do I feel like the steampunk setting would dramatically lose its charm in a live-action medium, but it honestly doesn’t feel like it’s in dire need of one. In a world that is absolutely full of Treasure Island adaptations, making this unique entry in that a live-action I feel takes away the charm it offers to the story. That and you know they’d focus more on the pretty setting than the actual character development… This is one I really think they need to leave alone.

Treasure Planet is far from perfect. It offers some sequences I find pretty dumb, its action at times maybe feels a bit tacked on, and its musical score really leaves much more to be desired, but I’d be lying if I said that this isn’t a personal favorite adaptation of the classic story. Not only for the reasons I’ve talked about but so much more. It makes me laugh, it touches the heart, this film wins me over every time I put it on no matter what. Even though I have fully moved on from pirates. I don’t know if I jus watched it at the right time, or whatnot, but as far as underrated Disney films are concerned, this sits right near the top alongside the likes of films like The Hunchback of Norte Dame, and Atlantis: The Lost Empire (another great steampunk DIsney movie that’s probably only as charming as it is because of its awesome animation). If needed, I’d highly recommend experiencing it for yourself, as it has held up remarkably well.

Eat your heart out, Orion Syndicate!

Well, this review wasn’t two weeks late or anything. With all this talk of the coronavirus going around right now, I might be watching a few films to try and make light of the situation in the near future. I guess it really just depends on whether or not I find myself quarantined to my house. Time will tell. Stay healthy everyone.

‘The Cape’ (NBC – Monday, 9:00 p.m.)

“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Vince Faraday becomes “The Cape” – his son’s favorite comic book superhero – and takes the law into his own hands.

Rounding out the cast are James Frain (“The Tudors”) as billionaire Peter Fleming, The Cape’s nemesis who moonlights as the twisted killer Chess; Keith David (“Death at a Funeral”) as Max Milani, the ringleader of a circus gang of bank robbers who mentors Vince Faraday and trains him to be The Cape; Summer Glau (“Terminator: The Sarah Connor Chronicles”) as Orwell, an investigative blogger who wages war on crime and corruption in Palm City; Dorian Missick (“Six Degrees”) as Marty Voyt, a former police detective and friend to Faraday; Martin Klebba (“Pirates of the Caribbean”) as Rollo, member and unassuming muscle of the circus gang of bank robbers; and Vinnie Jones (“Lock, Stock and Two Smoking Barrels”) as Scales, resident thug and cohort of The Cape’s nemesis Chess. – NBC

7 out of 10

*Sigh*

Let’s us start by saying that the relatively high rating that we’ve given The Cape of a “7” is a very qualified “7” and we kind of had to convince ourselves that it was worth the rating. The problem for us in reviewing The Cape is despite its glaring flaws and no matter how much we wanted to give it a rating of about a 5 or 6, we kept coming back to the fact that we really liked it. That being said, if it starts getting stupid, we reserve to take back that VERY generous rating.

Here’s the thing about The Cape: it’s exciting, it is literally a comic book come-to-life, and it’s very well-produced. The problem is that there is nothing original about it at all.

EVERYTHING is a conglomeration of other comic book/superhero and genre story lines and to make it worse, it rips-off elements from the more modern incarnations (see: Sam Raimi’s Spider-Man, Christopher Nolan’s Batman, Jon Favreau’s Iron Man, The Punisher, Robocop, Superman and, yes, even Teenage Mutant Ninja Turtles… to name a few). Now, we’re not suggesting that they use these elements badly, but it’s such an obvious copy-and-paste that you can’t help but notice and cringe… a lot. Hell, they even ripped-off Heroes which would seem like a bad idea considering that NBC just canceled that show.

(Extended Trailer)

Now, that’s the biggest issue with The Cape. The other more irksome issue is the absolute ridiculousness of the action sequences and the visual effects. They are way over-the-top and go beyond the level of, “Well, we’ll just have to suspend our disbelief.” We are personally sick and tired of standard bullets from sub-machine guns and pistols causing fuel tanks explode. Has no one in Hollywood watched Mythbusters?  The only way to make a fuel tank explode into a massive fireball is with with incendiary rounds…. and a FRAKKIN’ mini-gun.

Oh, and one more thing: a human being cannot survive a fall out of a 50 story building by using a car to break their fall. Do you now see why these sequences irk us?

Beyond those problems, though, we hate saying this but this show is a crap-load of fun and has a lot of potential to be one heck of a ride week after week if audiences are patient with it. The characters are pretty are well-developed and the performances are strong and believable and there’s enough complexities with them to flesh out some compelling story lines. It has more the feel of a summer blockbuster than it does a weekly prime-time drama.

What hurts The Cape is the aforementioned lack of originality. On its surface it doesn’t bring anything new to the table and this generation of audience is a fickle lot with genre in prime time. The Cape has a lot of potential to be a great show. Let’s just hope it becomes a great show that people want to tune in to.

Watch full episodes of The Cape, here.

‘Chase’ (NBC – Monday, 10:00 p.m.)

 

From Emmy Award-winning executive producer Jerry Bruckheimer (“CSI” franchise, “The Amazing Race,” “Pirates of the Caribbean”) and executive producer Jennifer Johnson (“Cold Case,” “Reunion,” “Lost”), “Chase” is a lightning-fast drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. Marshals hunts down America’s most dangerous fugitives.

Kelli Giddish (“Past Life”) stars as U.S. Marshal Annie Frost, a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down violent criminals on the run. Starring as the members of Frost’s elite team are Cole Hauser (“K-Ville”) as Jimmy Godfrey, an East Texas kid who never grew up and is a true American cowboy; Amaury Nolasco (“Prison Break”) who plays Marco Martinez, a good intelligence guy who loves to talk; and Rose Rollins (“The L Word”), who portrays Daisy Ogbaa, a weapons/tactical specialist and a woman of few words. Rounding out the cast is Jesse Metcalfe (“Desperate Housewives”), who stars as Luke Watson, the fresh-faced newcomer whose Washington, D.C. upbringing did little to prepare him for the Lone Star State. – NBC

The Preview (Posted 9/15/2010):

Shawn: Although, seemingly formulaic and reeking suspiciously of U.S. Marshalls (I was waiting for Tommy Lee Jones to pop out and start barking orders about finding Richard Kimball in the trailer), the high-energy and the strong cast of Chase makes it certainly worthy of consideration.  I’m not jumping out of my pants about it yet but it is a Jerry Bruckheimer production and that definitely makes it worth watching for at least the first three or four episodes.  “Cautiously optimistic” is the best way to describe my enthusiasm for Chase.

The Review:

3 out of 10

Shawn:     Alright, that is the absolute last time I automatically give a show the benefit of the doubt for being a Jerry Bruckheimer production and I should have had this policy in place a long time ago because of CSI alone (but let’s be fair… I did use the phrase “cautiously optimistic.”).  Bruckheimer’s problem in general is that when he really gives a damn, he gets behind projects that although may not have long-term success are at least original (see: Justice, E-Ring).  When he doesn’t, he reverts to bland and intelligence-insulting procedurals like Chase

One thing I can say about Chase is that the there is certainly a lot of that during the hour, in fact that’s about all they do and yes it gets very stale, very quickly.  When they aren’t running all over Texas, they are sitting around a room and doing the psychoanalysis version of CSI but instead of a forensics investigation based on actual evidence, this crew comes up with off-the-wall behavioral theories about their fugitive’s psyche and it just so happens that everything they predict about the fugitive’s current and next moves is absolutely what the bad guy is doing!  They literally NEVER make a mistake or misstep and it left me with one conclusion: these jokers don’t need to be working for the Marshal Service collecting government salaries, they need to hook up with Miss Cleo and make some real money.

CALL MEH’NOW!

Chase is boring and contrived.  The characters are clichéd, poorly written and conceived, and furthermore generally cringe-worthy and unlikable.  The dialog is ridiculous, and the general premise of the show is that all you need to know about Texas is that everyone in the state worships Waylon Jennings and knowing that will allow you to track any fugitive.  The only thing that this show has going for it at all is that it’s fast paced and very well-shot which I think was done on purpose to distract the audience from how bad the show is plot and character-wise.  Either that, or they just sunk all of their money into the technical side of production and NONE into the writing side. 

For the record, the actors are fine and actually all have been traditionally very good.  The problem is the writing.  You can’t polish a turd and Jeff Gordon can’t win a race driving a 1993 3-cylinder Geo Metro.

By the way, I don’t even like NASCAR but I figured if Chase can make a whole show based on clichés and stereotypes about Texas, the South and rednecks, why not get in on that as well with the analogies.  When in Dallas…

Oh, and one last thing, Jerry… no one likes seeing the portrayal of a family terrified and graphically murdered execution-style during the opening sequence of a pilot… NO ONE.

Watch full episodes of Chase, here.

Fall 2010 Prime Time Preview – Mondays

Welcome to the TV-Tastic First Annual Fall TV Preview.   This is the first of what we hope to be many television season previews.  In January we’ll be doing a Mid-Season Replacement Preview and in Summer 2011, we’ll be doing a preview of the cable offerings and random shows that FOX just throws out there June through August to fill up airtime that no one seems to care about (see: The Good Guys).   This is a seven part series and today we are covering Monday night television.

We will not be including a preview of every single show that’s in the Fall lineup.  We’re only previewing the stuff  we care about and of course the new offerings on network and cable.  Our rating scale for this will be based on whether we think you should waste your time with it or not and we’ll tell you why.  No numbers on this just, simple recommendations like “you have to see this” or “pass on this” or “I think I just puked in my mouth a little bit.”  Vic’s been very busy so I’m going solo on this for right now but he will be adding his two-cents later and I’ll update the blog and the subscribers accordingly.

So, without further ado, let the games begin, and by the way, this is one of the best Fall Lineups in years and it mostly is because of NBC (which is a phrase I never thought I would utter).

TV Guide Fall Schedule

TV Guide Fall Schedule Calendar

Monday:

8:00 p.m.

FOX:     House – September 20, 2010

Shawn: I love House, it’s a “can’t-miss.”  You know it and I know it.  How many shows can they change the night and timeslot every two weeks and it’s still be successful?  There is one reason and one reason only to watch House, and that’s House, himself.  I hate medical dramas as they’re all the same tripe.  House could be a show set on submarine or in a cannery (or a nunnery) and it would still be great.

NBC:     Chuck – September 20, 2010

Shawn: I unfortunately missed all of season 2 and 3 because of scheduling issues but I love this show and I’m glad it got a fourth season.  It’s just a fun show that’s got something for everyone.  Humor, action, romance and of course, Adam Baldwin.  I dare say, what more do you need?  I’ll be catching up with Seasons 2 & 3 and saving season 4 for later.

9:00 p.m.

FOX:     Lone Star – September 20, 2010 (NEW SERIES!)

Shawn: I’ve already seen the pilot and it is definitely worth watching.  See my full review with trailer here.  Upon further review my biggest concern for it is it is in the same time-slot as this:

NBC:     The Event – September 20, 2010 (NEW SERIES!)

The Event is an emotional, high-octane conspiracy thriller that follows Sean Walker (Jason Ritter, “The Class”), an everyman who investigates the mysterious disappearance of his would-be fiancée Leila (Sarah Roemer, “Disturbia”), and unwittingly begins to expose the biggest cover-up in U.S. history.

Sean’s quest will send ripples through the lives of an eclectic band of strangers, including newly elected U.S. President Elias Martinez (Golden Globe nominee Blair Underwood, “In Treatment”); Sophia Maguire (Emmy Award nominee Laura Innes, “ER”), who is the leader of a mysterious group of detainees; and Leila’s shadowy father (Scott Patterson, “Gilmore Girls”). Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind. – NBC

Shawn: This is by far the most anticipated show of the new year and for good reason.  It’s a spy/action/political thriller à la 24 shown from multiple perspectives with a Lost-type/FlashForward-type mystery to it.   The cast is amazing and the effects look killer.  This is one of those moral imperative shows.  You must watch this.  I’d comment more on it but the trailer confused the crap out of me and I still haven’t processed all of it.

9:30 p.m.

CBS:     Mike & Molly – September 20, 2010 (NEW SERIES!)

A couple finds love at an Overeaters Anonymous meeting in this multicamera comedy from Chuck Lorre, the force behind Two and a Half Men and The Big Bang Theory.

Shawn: Did Kevin James get taller, fatter and less articulate?  As a rule, I’m skeptical of sitcoms to begin with because for the most part they are unoriginal and they all recycle the same stupid jokes decade after decade.  Even the more original and funny comedies like The Office eventually wind up being copied (see: Parks & Recreation) and eventually run out of steam… waitaminute… The Office was a copy as well.  Anyway, the point being is that Mike & Molly is the reason that I hate sitcoms.  This is just embarrassing.  Seriously who does this simple-minded crap appeal to?  What I find humorous is that they brag how this show is from the producers of Two and a Half Men.  Hey… newsflash:  despite how many people watch it, Two and a Half Men is complete crap as well. I would definitely pass on this.

10:00 p.m.

CBS:     Hawaii Five-O – September 20, 2010 (NEW SERIES!)

When Steve McGarrett’s father is murdered, he decided to return home to Oahu in order to catch the killer. The governor offers him the opportunity to run a new task force where he is able to call the shots. Detective Steve McGarrett brings together his own team, beginning with Chin Ho Kelly; an ex-Honolulu Police Detective and former protégé of McGarrett’s father. Kelly has been assigned to a federal security patrol after being suspected of corruption. Detective Danny “Danno” Williams is a New Jersey cop who recently moved to the island and is raising his 8-year-old daughter. Kono Kalakaua is Kelly’s cousin and a rookie officer, fresh from the academy. McGarrett’s team is giving full backing from the governor and plays only by their own rules. – CBS

Shawn: Way to go CBS for making this show sound like every other dry, formulaic cop show.  Thank God for trailers, eh?  I have to say,  I was just going to recommend the pilot and only the pilot simply for the sake of novelty (and the great cast). Watch it, know it’s probably going to be crap-tastic and forget about it. Then I saw the trailer below.  This isn’t Hawaii Five-O, this is friggin’ Alias in Hawaii with cops and it looks great!  Back to that great cast, you’ve got Alex O’Loughlin (The Shield) as McGarrett, Scott Caan (Boiler Room and the Ocean’s Eleven films) as “Danno,” Daniel Dae Kim (Lost, 24) and the smoking hot Grace Park (Battlestar Galactica) as Kono Kalakaua.  This one of the best casts of any show this season and I’m really glad to see Kim in a more prominent lead-role where he actually speaks his native language for a change… which of course is Eastern Pennsylvania English.  Heck, he didn’t even have to move for this show considering his last gig was on Lost for six seasons which is was of course, also filmed in Hawaii.  And, by the way, I am well aware that for a cop show the amount of action looks ridiculous.  That’s part of the reason why it appeals to me so much.  I mean, crap, if you’re going to go camp, go all the way… and we’d better see Wo Fat, too or I’m writing a letter.  This is another definite must-watch show.

NBC:     Chase – September 20, 2010 (NEW SERIES!)

From Emmy Award-winning executive producer Jerry Bruckheimer (“CSI” franchise, “The Amazing Race,” “Pirates of the Caribbean”) and executive producer Jennifer Johnson (“Cold Case,” “Reunion,” “Lost”), “Chase” is a lightning-fast drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. Marshals hunts down America’s most dangerous fugitives.

Kelli Giddish (“Past Life”) stars as U.S. Marshal Annie Frost, a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down violent criminals on the run. Starring as the members of Frost’s elite team are Cole Hauser (“K-Ville”) as Jimmy Godfrey, an East Texas kid who never grew up and is a true American cowboy; Amaury Nolasco (“Prison Break”) who plays Marco Martinez, a good intelligence guy who loves to talk; and Rose Rollins (“The L Word”), who portrays Daisy Ogbaa, a weapons/tactical specialist and a woman of few words. Rounding out the cast is Jesse Metcalfe (“Desperate Housewives”), who stars as Luke Watson, the fresh-faced newcomer whose Washington, D.C. upbringing did little to prepare him for the Lone Star State. – NBC

Shawn: Although, seemingly formulaic and reeking suspiciously of U.S. Marshals (I was waiting for Tommy Lee Jones to pop out and start barking orders about finding Richard Kimball in the trailer), the high-energy and the strong cast of Chase makes it certainly worthy of consideration.  I’m not jumping out of my pants about it yet but it is a Jerry Bruckheimer production and that definitely makes it worth watching for at least the first three or four episodes.  “Cautiously optimistic” is the best way to describe my enthusiasm for Chase.

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