Meet ABC’s New Shows For 2011 – 2012 (VIDEOS!)… And Watch How We Tear Them Apart (Preview – Review)

“The ‘Tastic Says: You FAIL!”

As promised, The ‘Tastic is proud to present the first-look trailers for all of ABC’s new shows… and there are a lot of them (you can see the full Fall schedule right here.).  Along with synopses and videos, in true TV-Tastic-style we’ll give you a preview assessment of each of the new series (in other words, we plan to pretty much rip most of them apart) letting you know what we think about them and if it’s worth your time to check them out this Fall and just to give everyone a heads up: overall we are amazed at how good most of these shows look despite the fact that ABC is becoming the Big-5’s version of Lifetime.

FALL

Last Man Standing:  Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.

Tim Allen returns to ABC in this new comedy from Jack Burditt (“30 Rock”). Men may have built civilizations, invented the locomotive and created ESPN, but they’re about to find out that it’s not a man’s world anymore. You can’t get manlier than Mike Baxter. He’s the marketing director for an iconic outdoor sporting goods store, he loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he’s the odd man out in a home that is dominated by women — namely his wife, Vanessa, and their three daughters, 22- year-old Kristin, 17-year-old Mandy and 14-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa’s increased work load, Mike is pulled into more hands-on parenting than ever before.

The ‘Tastic Says:   Say hello to the first installment of male emasculating and male-bashing.  This show in and of itself doesn’t look particularly awful, however it looks like a clone of Home Improvement sans the tools and Wilson peeking over the fence imparting sage advice.  Also, we simply CANNOT get over this obvious radical gyno-centric agenda that ABC is adopting and it’s particularly insidious with this show, using the reverse-psychology method, trying to convince us that this is a pro-masculinity empowerment show while all the male characters are boorish buffoons. We’re not buying it, ABC.  We certainly get wanting to expand your audience but this seems like a desperate ploy to get women viewers because they know they have no chance in Hell of getting the 18 – 49 male audience any more. The only saving grace for LMS is that Tim Allen  has probably been one of the most likable guys on TV for the last 20 years second maybe only to Jay Leno.  Out of deference to Tim, we’ll reserve our judgment for a few episodes.

Man Up:  Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.

Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His evolved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering — in a world of Axe ads and manscaping — what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s (Jake Johnson) 13th birthday than in doing his job selling insurance; sensitive soul Craig (Christopher Moynihan) still pines for his college ex, Lisa; and Kenny (Dan Fogler) clamps down on his anger and asks himself, “What would Tobey Maguire do?,” when his ex, Brenda (Amanda Detmer), starts seeing a guy (Henry Simmons) who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, they are all faced with an opportunity to Man Up and be like their forefathers.

The ‘Tastic Says: And the hits just keep on coming!  More men who keep their testicles firmly entrenched deep in their wives purses or who are fat, disgusting slobs whose exes are dating guys who are built like comic book superheroes.  We are convinced that this is what happens when Sex and The City fans smoke a joint and then decided to create a television series.  And of course, the men overgrown children who play Call of Duty on the X-Box 360 all night long (because everyone knows that if they actually were adults they’d be playing on a Playstation 3).  As bad and recycled as the premise is (didn’t NBC just fail with this when it was called Perfect Couples?), this show looks pretty funny and probably only because it stars Fanboys neurotic star, Dan Fogler.  We’ll give it a shot but like LMS, we’re not promising anything.

Suburgatory: Single father George only wants the best for his 16-year-old daughter, Tessa. So when he finds a box of condoms on her nightstand, he moves them out of their apartment in New York City to a house in the suburbs. But all Tessa sees is the horror of over-manicured lawns and plastic Franken-moms. Being in the ‘burbs can be hell, but it also may just bring Tessa and George closer than they’ve ever been.

Tessa (Jane Levy) and George (Jeremy Sisto) have been on their own ever since Tessa’s mom pulled a “Kramer vs. Kramer” before she was even potty trained. So far, George has done a pretty good job of raising Tessa without a maternal figure in their lives, but suddenly he’s feeling a little out of his league. So it’s goodbye New York City and hello suburbs. At first Tessa is horrified by the big-haired, fake-boobed mothers and their sugar-free Red Bull-chugging kids. But little by little she and her dad begin finding a way to survive on the clean streets of the ‘burbs. Sure, the neighbors might smother you with love while their kids stare daggers at your back, but underneath all that plastic and caffeine, they’re really not half bad. And they do make a tasty pot roast.

The ‘Tastic Says:  OK… this just looks absolutely horrific.  We don’t know what more to say but we do expect it to die a quick death.  Of course, we’ll endure at least the pilot for the sake of all of you so we can properly review it.

Revenge:  Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.

Emily Thorne (Emily Van Camp) is new to the Hamptons. She’s met some of her wealthy neighbors, has made a few new friends and seemingly blends into the town. But something is a little odd about a young girl living in a wealthy town all on her own, and the truth is that Emily isn’t exactly new to the neighborhood. In fact, this was once her old neighborhood, until something bad happened that ruined her family and their reputation. Now Emily is back, and she’s returned to right some of those wrongs in the best way she knows how – with a vengeance.

The ‘Tastic Says:  Is there a reason that ABC insists on recycling old plots from failed scripted series?  Do we not all remember the failed (but awesome) NBC series, Life, from 2007 starring Damian Lewis as a cop who is framed by fellow cops and wrongfully convicted of murder, spends 12 years in prison before he’s exonerated, and under the terms of his settlement with the city, gets his old job as a detective back and uses his resources to hunt down, one-by-one, the people involved in the conspiracy?  Call us crazy, but this is the exact same show… but with a chick.  Surprisingly, though, the trailer below does look pretty flippin’ good.  It gave us chills.  Not sure if we’re crazy about Emily Van Camp in the lead as she seems a little soft for such a hardcore character, however maybe that’s why this will work… no one will see her coming.  We’re guessing that this is going to be pretty good, but it’s a serial and we know how today’s audiences feel about serials.  However, this show, like every other show on this network’s schedule is targeting women viewers and that section of the audience has far more tolerance for serialized drama then the rest of the audience.

Charlie’s AngelsEveryone deserves a second chance — even a thief, a street racer and a cop who got in a little too deep. After all, the three women who solve cases for their elusive boss, Charlie Townsend, are no saints. They’re angels… Charlie’s Angels.

Set in Miami, this fun, glamorous, action-packed take on the 1970s smash hit series introduces us to three new angels, all fearless detectives, head-turning beauties and close friends. There’s Abby (Rachael Taylor), a Park Avenue princess who became a world-class thief. Then there’s Kate (Annie Ilonzeh), a Miami cop who fell from grace, losing both her career and her fiancé. Finally there’s Gloria, a disgraced army lieutenant who has a way with explosives. When one of the angels’ missions ends in Gloria’s tragic death, Charlie persuades them to partner with Gloria’s childhood friend, Eve (Minka Kelly), a street racer with a mysterious past. They may not know each other yet, but one thing’s for sure — Abby, Kate and Eve will always have each others’ backs.

The ‘Tastic Says:  Whoot… whoot!  Girl power and a reboot!  No… just no.  Everything about this looks awful. Wrong, wrong, wrong.  Much like The CW needed to be smacked on the nose with a newspaper for Hellcats, the same punishment should apply to ABC for this completely unnecessary relaunch.

Once Upon A Time:  From the inventive minds of “Lost” executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day are about to collide.

And they all lived happily ever after – or so everyone was led to believe. Emma Swan knows how to take care of herself. She’s a 28-year-old bail bonds collector who’s been on her own ever since she was abandoned as a baby. But when the son she gave up years ago finds her, everything starts to change. Henry is now 10 years old and in desperate need of Emma’s help. He believes that Emma actually comes from an alternate world and is Snow White and Prince Charming’s missing daughter. According to his book of fairytales, they sent her away to protect her from the Evil Queen’s curse, which trapped the fairytale world forever, frozen in time, and brought them into our modern world. Of course Emma doesn’t believe a word, but when she brings Henry back to Storybrooke, she finds herself drawn to this unusual boy and his strange New England town. Concerned for Henry, she decides to stay for a while, but she soon suspects that Storybrooke is more than it seems. It’s a place where magic has been forgotten, but is still powerfully close… where fairytale characters are alive, even though they don’t remember who they once were. The epic battle for the future of all worlds is beginning, but for good to win, Emma will have to accept her destiny and fight like hell.

The ‘Tastic Says:  Yet another series with a strong female lead using a (at least partially) recycled premise.  Despite that, this is quite an original twist on the  genre and the second show this season that mixes the contemporary with the classic fairy tale (the first being NBC’s new show, Grimm).  It really looks quite epic and it’s got some big-time writers associated with it but we’re thinking it might be a little too epic for Big-5 TV and seriously, how long can a premise like this last?  22 episodes per season for five to seven seasons?  Doubtful.  It seems more appropriate as a SyFy or HBO miniseries, really. However, on the other hand, who would have thought that these same writers could have given us six seasons and 115 episodes of the second greatest show of all-time, Lost?   If this is as good and as well put-together as it looks, we’d love for this to survive but this type of serial genre programming is very questionable on major network TV in this climate.

Pan Am:  Passion, jealousy and espionage… They do it all – and they do it at 30,000 feet. The style of the 1960s, the energy and excitement of the Jet Age and a drama full of sexy entanglements deliciously mesh in this thrilling and highly-original new series.

In this modern world, air travel represents the height of luxury and Pan Am is the biggest name in the business. The planes are glamorous, the pilots are rock stars and the stewardesses are the most desirable women in the world. Not only are these flyboys and girls young and good looking, but to represent Pan Am they also have to be educated, cultured and refined. They’re trained to handle everything from in-air emergencies to unwanted advances – all without rumpling their pristine uniforms or mussing their hair. There’s Dean (Jonah Lotan) – a cocky, charismatic and ambitious new pilot – the first of a new breed not trained in the war. On the sly against company policy, he’s dating Bridget, a stunning beauty with a mysterious past. A rebellious bohemian, Maggie (Christina Ricci) turns into a buttoned up professional for work so she can see the world. Rounding out the crew are flirtatious Collette (Karine Vanasse), the adventurous Kate (Kelli Garner) and, finally, Laura (Margot Robbie) – Kate’s beauty queen younger sister, a runaway bride, who recently fled a life of domestic boredom to take to the skies.

The ‘Tastic Says:  The more we go through these new shows the more we’re actually starting to admire ABC for their ability to either make every series have a strong, empowering female lead and/or make men look like complete jackasses and often without the audience realizing it.  What they’ve done with this show is just brilliant:  They took the infancy of the women’s lib movement where women were still thought of as second-class citizens, put them in the most sexualized role they could possibly be in for that era (other than wearing bunny ears and a cotton tail… thank you, NBC for not missing a beat and covering that particular base) and turned it around into an empowering position as the perfect cover for a covert operative!  Like we said, BRILLIANT!  Of course, in the aggregate, this is a combination of Alias and Steven Spielberg’s Catch Me if You Can (goodness, half of the scenes in the trailer AND the Sinatra song Come Fly With Me are directly from that film), but still, this looks VERY clever and hip and we think it’s going to be a lot of fun.  We are really looking forward to this.  By the way here’s one thing from Catch Me If You Can that wasn’t in the trailer and it’s doubtful it will be in this new series.

The Greatest Joke of All Time

(NSFW… just play it quietly, will ya?  Use a little discretion at work.  Waitaminute… shouldn’t you be working?)

MIDSEASON

Good Christian Belles:  The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.

Amanda Vaughn (Leslie Bibb), once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. Amanda is nothing like the girl she was 20 years ago, but as her old classmates reacquaint themselves with the new Amanda, will her home town welcome her with open arms or seek revenge? No one in this town is a saint, but that doesn’t mean they can’t have a heart. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.

The ‘Tastic Says:  First keep in mind that this show was originally entitled Good Christian Bitches, so apparently empowering women and treating them with respect only extends so far.  This seems like a ripoff of Desperate Housewives which means that we certainly won’t be watching it as this genre is simply not our bag, however, we have a much bigger problem with the underlying premise of the show to begin with which seems to be to want to expose the moral hypocrisy of Christians.  This is not a particularly smart place to start from for any series in the U.S.  First of all, religion is a very private matter to begin with and most people simply prefer it be kept out of their primetime entertainment fare, but secondly, it’s just not very smart to alienate 79% of your audience right out of the gate.  All of that notwithstanding, this show looks hideous.  The writing is horrible as are the performances and we could figure that out in the minute and 46 seconds we saw below.

Missing: Becca Winstone (Ashley Judd) learns that her son, Michael, disappears while studying abroad, and it’s a race against time when she travels to Europe to track him down. A surprising turn of events reveals just how far one mother will go to protect her family. Exotic locations and thrilling twists will keep you riveted in “Missing.”

How far would you go to save the only thing you have left in the world? At 8 years old, Michael watched as his father, CIA Agent Paul Winstone, was murdered. Now 10 years later, Paul’s wife, Becca, is faced with the reality of her son growing up. When Michael is afforded the opportunity to study abroad, his mother reluctantly agrees it’s time to let him go. Just a few weeks into his trip Michael disappears, and Becca immediately suspects foul play. When she arrives in Rome, she begins piecing together the clues left behind. It isn’t long before the kidnappers realize they’ve picked a fight with the wrong woman. Becca Winstone has a secret of her own — before Paul’s death, she was also a lethal CIA Agent. But if she wants to find her son alive, Becca will have to rely on old friends and reopen old wounds. Her resourcefulness, skill and determination will be put to the test – but a mother’s love knows no limits.

The ‘Tastic Says:  Broken Record here: recycled plot from a failed series and a strong female lead.  If you’re wondering what failed series we’re talking about it would be none other than FOX’s  Vanished from 2006 that lasted a grand total of 13 episodes.  It’s also got the feel of AliasTaken and the Bourne franchise for obvious reasons.  Still, the production values are insane on this.  This is a TV show?  This looks like one of the few bright spots for action this year on all of the networks, and of course we love Ashley Judd going  all the way back to when she played Ensign Robin Lefler on Star Trek: The Next Generation.  There are of course two big problems with this show, the first being the serial factor, but again that may be mitigated by the female audience that we referred to earlier discussing Revenge.  The second is the same issue that OUaT has, and that is, how long can they really go with this premise?  Seriously, are they going to keep that kid missing for five to seven years.  Audiences will grow tired of that quickly and it seems like a very lazy plot device for the central theme of the show considering how well-developed it seems… kinda like it was drawn out of a hat.  Despite this, it really does look good and we’re looking forward to it.

The River:  “The River” follows the story of wildlife expert and TV personality Emmet Cole. Emmet set course around the world with his wife, Tess, and son, Lincoln, while filming what would become one of the most popular shows in television. After he goes missing deep in the Amazon, his family, friends and crew set out on a mysterious and deadly journey to find him.

Famed explorer Dr. Emmet Cole (Bruce Greenwood) went looking for magic deep in the uncharted Amazon and never returned. The shocking truth about his disappearance is out there, somewhere, just waiting to be discovered. To the millions of kids who grew up watching his nature show, Dr. Cole was a hero. To his own son, Lincoln (Joe Anderson), he was more of an enigma. Now, six months after he vanished, Lincoln is finally ready to bury the past when Dr. Cole’s emergency beacon suddenly goes off. At the urging of his mother, Tess (Leslie Hope), Lincoln reluctantly joins her on a search for his father. To fund the rescue, they agree to let Dr. Cole’s cagey ex-producer, Clark (Paul Blackthorne), film the mission documentary-style. The mixed crew of old friends and new acquaintances includes the sexy and resourceful Lena (Eloise Mumford), loyal mechanic Emilio (Daniel Zacapa) and lethal bodyguard Captain Kurt Brynildson (Thomas Kretschmann).

The ‘Tastic Says:  Holy Crap!  This looks awesome!  This show has one of the few truly ensemble casts of the new schedule but of course, it has a super ninja-type strong female lead who has to lead the rescue for the man who got lost in the jungle. But this show looks absolutely amazing and with Steven Spielberg’s Amblin Television producing it (with Spielberg himself exec. producing) you know that this is going to be a tight, well-done show.  It has a very big LOST vibe to it and we certainly can’t complain about that.  This looks like the best new show of the season.

Scandal:  From the creator and executive producers of “Grey’s Anatomy” and “Private Practice” comes a drama revolving around the life and work of a professional crisis manager and her dysfunctional staff.

A former media relations consultant to the President, Olivia Pope (Kerry Washington) dedicates her life to protecting and defending the public images of our nation’s elite. After leaving the White House, the power consultant opened her own firm, hoping to start a new chapter — both professionally and personally — but she can’t seem to completely cut ties with her past. Slowly it becomes apparent that her staff, who specialize in fixing the lives of other people, can’t quite fix the ones closest at hand — their own.

The ‘Tastic Says:  Oh, good Lord, this looks stupid and surprise, surprise, surprise, yet another ridiculously strong female lead who’s so tough that she can stand in the middle of two guys with handguns and with nothing more than a firm voice make them lower their weapons.  Stupid and predictable procedural that is trying fool the audience into thinking that it’s actually original because they filled in the Mad-Libs blanks with the phrases “Crisis Management” and “Fixer.”  Forget it.

Apartment 23:  After a naïve Midwestern girl’s big city dreams are dashed her first week in New York, she finds herself living with her worst nightmare in this hilarious, contemporary comedy about a female odd couple who are surrounded by an outrageous cast of characters.

June (Dreama Walker) moves to Manhattan for a dream job and the perfect company apartment, only to have them disappear in a puff of reality, thanks to a CEO from the Bernie Madoff school of embezzlement. Deep in debt and out on the streets, June scrambles to land a job and place to live. It seems her luck has turned around when she gets hired at a coffee shop and finds Chloe (Krysten Ritter), a charming, vivacious roommate… with the morals of a pirate. She swindles June out of all her savings, but she and her snarky friend, James Van Der Beek (playing himself), soon learn that, just because June’s naïve, she isn’t stupid. June ingeniously turns the tables on Chloe, who is so shocked about being scammed herself that she decides to pull June into her colorful band of friends. Sure, it’s all dysfunctional, bizarre and overwhelming, but so is New York City. And with the help of Chloe and the other oddballs around her, June might just learn the survival secrets she needs to make it there.

The ‘Tastic Says:  Big shocker… strong female leads again.  This looks actually very funny. Out of all the trailers we’ve seen this one actually made us laugh three or four times.  That’s already more laughs in a minute and a half  than we had during the entire season of $#*! My Dad SaysSeems to have some very clever writing, and it reminds us of Friends if Friends could come back as a series that didn’t suck.  We also find it quite clever that James Van Der Beek keeps getting roles in comedies playing himself.  This should do well.  We hope they  stick this on Wednesday night as the lead out for Modern Family as that’s where it belongs.


Work It:  This high-concept comedy centers on two unrepentant guy’s guys who, unable to find work, dress as women to get jobs as pharmaceutical reps. Not only do they pull it off, but they might just learn to be better men in the process.

With unemployment an ongoing issue and women now outnumbering men in the workforce, the new comedy series “Work It” follows two alpha males who realize the only way to beat the current “mancession” and land a job in pharmaceutical sales is to pass themselves off as women. Combining all the best elements of the workplace comedy, the buddy comedy and the family comedy, “Work It” centers on Lee Standish (Ben Koldyke) — a quick-witted and likable family man who used to be a top car salesman until he got laid off — and Angel Ortiz (Amaury Nolasco) — a single, hot-headed ladies’ man with no filter — who quickly learn there are fundamental differences in the worlds of men and women that go beyond teetering in high heels and tightening up with Spanx. Lee and Angel are determined to keep their ruse going for as long as they can — and keep their newly found jobs — in this smart, funny and relevant look at male and female relationships at work, at home and socially. Being a better man sometimes means having to be a better woman.

The ‘Tastic says:  Ugh… and the trend continues.  This time, turning heterosexual misogynistic men into transvestites so that they can get jobs in this mythical universe where women run everything.  What we can’t believe is that they actually called this “high-concept.”  We’re sorry, but didn’t ABC already try this show with Tom Hanks and Peter Scolari 30 years ago and call it Bosom Buddies (except the guys weren’t absolute pigs)?  My God, who on God’s green Earth would ever confuse the two of those dopes in this show for women.  At least Scolari and Hanks were kinda pretty for dudes.  Reboot FAIL.  This show is a big floating turd and they don’t even have a catchy theme song by Billy Joel to look forward to.  And on that note to make up for the minute and a half of your life that will be wasted and the fact that you probably will vomit after watching the trailer below, here’s a little treat for you:

Billy Joel – My Life

ALERT! ABC Announces 2011 – 2012 Schedule

Here it is, folks, direct from the ABC Upfront Advertising Event, ABC’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule).  Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here.

If you have any questions about other shows, post them below.

Some programming notes:

  • With all of the slashing and burning ABC has done over the last four days, they really haven’t put up much of an impressive schedule.  It’s heavy with reality and dramas that have a lot “familiar” (OK… recycled) themes to them.
  • ABC’s new strategy is apparently to become the Lifetime of the major Networks. Notice the heavily gyno-centric storylines and soaps.  The shows that do feature men prominently, portray them as emasculated and buffoonish. ABC, you suck enough already. Who is this going to appeal to?  Isn’t it enough that you completely emasculated Michael Chiklis in No Ordinary Family, turning Vic Mackie into Victoria Mackie?
  • These new comedies look terrible.
  • You’ll see the phrase “high-concept” appear regularly throughout these and other network’s show descriptions.  What this means is that audiences probably won’t like but ABC is going to blame that on the fact that you’re just too stupid to get it.
  • We see one maybe two new shows that look interesting, the rest looks pretty awful.
  • NOTE: you’ll notice that the Fall schedule is pretty thin for new shows considering that they picked up a dozen of them on Friday.  ABC has not released their midseason 2011 – 2012 schedule and won’t until December.  All of the new show descriptions for 2011 – 2012 are listed at below the schedule.   We’ll be doing a preview assessment on all of the new shows as well as providing trailers as soon as they are available.

ABC’S FALL 2011 SCHEDULE

Via Press Release:

MONDAY

8:00 p.m.             Dancing with the Stars

10:00 p.m.           Castle

TUESDAY

8:00 p.m.             Last Man Standing (NEW!)

8:30 p.m.             Man Up (NEW!)

9:00 p.m.             Dancing with the Stars the Results Show

10:00 p.m.           Body of Proof

WEDNESDAY

8:00 p.m.            The Middle

8:30 p.m.            Suburgatory (NEW!)

9:00 p.m.            Modern Family

9:30 p.m.            Happy Endings

10:00 p.m.          Revenge (NEW!)

THURSDAY

8:00 p.m.             Charlie’s Angels (NEW!)

9:00 p.m.             Grey’s Anatomy

10:00 p.m.           Private Practice

FRIDAY

8:00 p.m.              Extreme Makeover: Home Edition

9:00 p.m.              Shark Tank

10:00 p.m.            20/20

SATURDAY

8:00 p.m.              Saturday Night College Football

SUNDAY

7:00 p.m.              America’s Funniest Home Videos

8:00 p.m.              Once Upon a Time (NEW!)

9:00 p.m.              Desperate Housewives

10:00 p.m.            Pan Am (NEW!)

ABC’S NEW SHOW DESCRIPTIONS: 

FALL

Last Man Standing:  Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.

Tim Allen returns to ABC in this new comedy from Jack Burditt (“30 Rock”). Men may have built civilizations, invented the locomotive and created ESPN, but they’re about to find out that it’s not a man’s world anymore. You can’t get manlier than Mike Baxter. He’s the marketing director for an iconic outdoor sporting goods store, he loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he’s the odd man out in a home that is dominated by women — namely his wife, Vanessa, and their three daughters, 22- year-old Kristin, 17-year-old Mandy and 14-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa’s increased work load, Mike is pulled into more hands-on parenting than ever before.

The show stars Tim Allen (“Home Improvement”) as Mike, Nancy Travis (“So I Married an Axe Murderer,” “Three Men and a Baby”) as Vanessa, Molly Ephraim as Mandy, Alexandra Krosney as Kristin, Kaitlyn Dever as Eve and Hector Elizondo (“Chicago Hope”) as Ed.

“Last Man Standing” was written by Jack Burditt (“30 Rock”), who also serves as executive producer with Tim Allen, Becky Clements, Marty Adelstein (“Prison Break”), Shawn Levy (“Night at the Museum”), Richard Baker (“The Santa Clause,” The Santa Clause 2”) and Rick Messina (“The Santa Clause,” The Santa Clause 2”). John Pasquin (“Home Improvement,” “The Santa Clause”) directed. “Last Man Standing” is from Twentieth Century Fox Television.

Man Up:  Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.

Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His evolved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering — in a world of Axe ads and manscaping — what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s (Jake Johnson) 13th birthday than in doing his job selling insurance; sensitive soul Craig (Christopher Moynihan) still pines for his college ex, Lisa; and Kenny (Dan Fogler) clamps down on his anger and asks himself, “What would Tobey Maguire do?,” when his ex, Brenda (Amanda Detmer), starts seeing a guy (Henry Simmons) who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, they are all faced with an opportunity to Man Up and be like their forefathers.

The show stars Christopher Moynihan as Craig, Mather Zickel (“The Cape”) as Will, Dan Fogler (“Balls of Fury”) as Kenny, Teri Polo (“Meet the Fockers”) as Theresa, Amanda Detmer (“What About Brian”) as Brenda and Henry Simmons (“Shark”) as Grant.

“Man Up” comes from writer/executive producer/actor Christopher Moynihan (“100 Questions”), executive producer Victor Fresco (“Better off Ted”), Ron West and Kelly Kulchak of Tagline Television (Psych) and director Beth McCarthy-Miller (“SNL,” “30 Rock”). ”Man Up” is produced by ABC Studios.

Suburgatory: Single father George only wants the best for his 16-year-old daughter, Tessa. So when he finds a box of condoms on her nightstand, he moves them out of their apartment in New York City to a house in the suburbs. But all Tessa sees is the horror of over-manicured lawns and plastic Franken-moms. Being in the ‘burbs can be hell, but it also may just bring Tessa and George closer than they’ve ever been.

Tessa (Jane Levy) and George (Jeremy Sisto) have been on their own ever since Tessa’s mom pulled a “Kramer vs. Kramer” before she was even potty trained. So far, George has done a pretty good job of raising Tessa without a maternal figure in their lives, but suddenly he’s feeling a little out of his league. So it’s goodbye New York City and hello suburbs. At first Tessa is horrified by the big-haired, fake-boobed mothers and their sugar-free Red Bull-chugging kids. But little by little she and her dad begin finding a way to survive on the clean streets of the ‘burbs. Sure, the neighbors might smother you with love while their kids stare daggers at your back, but underneath all that plastic and caffeine, they’re really not half bad. And they do make a tasty pot roast.

The show stars Jeremy Sisto (“Law & Order”) as George Altman, Jane Levy (“Shameless”) as Tessa Altman, Carly Chaikin (“The Last Song”) as Dalia Royce, Allie Grant (“Weeds”) as Lisa, Alan Tudyk (“V”) as Noah Lerner and Cheryl Hines (“Curb Your Enthusiasm”) as Dallas Royce. Ana Gasteyer (“Saturday Night Live”) guest stars.

Emily Kapnek (“Hung”) writes and executive-produces this bitingly ironic single-camera comedy. “Suburgatory” was directed by Michael Fresco (“Raising Hope”), who also executive-produced the pilot. It is produced by Warner Bros. Television.

Revenge:  Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.

Emily Thorne (Emily Van Camp) is new to the Hamptons. She’s met some of her wealthy neighbors, has made a few new friends and seemingly blends into the town. But something is a little odd about a young girl living in a wealthy town all on her own, and the truth is that Emily isn’t exactly new to the neighborhood. In fact, this was once her old neighborhood, until something bad happened that ruined her family and their reputation. Now Emily is back, and she’s returned to right some of those wrongs in the best way she knows how – with a vengeance.

“Revenge” stars Madeleine Stowe (“We Were Soldiers,” “The Last of the Mohicans”) as Victoria Grayson, Emily Van Camp (“Brothers & Sisters,” “Everwood”) as Emily Thorne, Gabriel Mann (“The Bourne Identity”) as Nolan Ross, Henry Czerny (“Mission: Impossible,” “Clear and Present Danger”) as Conrad Grayson, Ashley Madekwe (“Secret Diary of a Call Girl”) as Ashley Davenport, Nick Wechsler (“Roswell”) as Jack Porter, Josh Bowman (“Prowl”) as Daniel Grayson, Christa B. Allen (“13 Going on 30”) as Charlotte Grayson and Connor Paolo (“Gossip Girl”) as Declan Porter.

“Revenge” is written and executive-produced by Mike Kelley (“Swingtown”), along with executive producers Marty Bowen and Wyck Godfrey (“Twilight”). The pilot is directed and executive-produced by Phillip Noyce (“Salt”). “Revenge” is produced by ABC Studios.

Charlie’s AngelsEveryone deserves a second chance — even a thief, a street racer and a cop who got in a little too deep. After all, the three women who solve cases for their elusive boss, Charlie Townsend, are no saints. They’re angels… Charlie’s Angels.

Set in Miami, this fun, glamorous, action-packed take on the 1970s smash hit series introduces us to three new angels, all fearless detectives, head-turning beauties and close friends. There’s Abby (Rachael Taylor), a Park Avenue princess who became a world-class thief. Then there’s Kate (Annie Ilonzeh), a Miami cop who fell from grace, losing both her career and her fiancé. Finally there’s Gloria, a disgraced army lieutenant who has a way with explosives. When one of the angels’ missions ends in Gloria’s tragic death, Charlie persuades them to partner with Gloria’s childhood friend, Eve (Minka Kelly), a street racer with a mysterious past. They may not know each other yet, but one thing’s for sure — Abby, Kate and Eve will always have each others’ backs.

“Charlie’s Angels” stars Annie Ilonzeh (“General Hospital”) as Kate Prince, Minka Kelly (“Parenthood,” “Friday Night Lights”) as Eve, Rachael Taylor (“Grey’s Anatomy”) as Abby Sampson and Ramon Rodriguez (“The Wire,” “Daybreak”) as Bosley.

Written and executive-produced by Alfred Gough & Miles Millar (“Smallville”), “Charlie’s Angels” is also executive-produced by Drew Barrymore (“Charlie’s Angels” movies), Leonard Goldberg (the original “Charlie’s Angels”) and Nancy Juvonen (“Charlie’s Angels” movies). It’s directed and executive-produced by Marcos Siega (“Vampire Diaries,” “Dexter”). “Charlie’s Angels” is produced by Millar/Gough Ink, Flower Films and Panda Productions in association with Sony Pictures Television.

Once Upon A Time:  From the inventive minds of “Lost” executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day are about to collide.

And they all lived happily ever after – or so everyone was led to believe. Emma Swan knows how to take care of herself. She’s a 28-year-old bail bonds collector who’s been on her own ever since she was abandoned as a baby. But when the son she gave up years ago finds her, everything starts to change. Henry is now 10 years old and in desperate need of Emma’s help. He believes that Emma actually comes from an alternate world and is Snow White and Prince Charming’s missing daughter. According to his book of fairytales, they sent her away to protect her from the Evil Queen’s curse, which trapped the fairytale world forever, frozen in time, and brought them into our modern world. Of course Emma doesn’t believe a word, but when she brings Henry back to Storybrooke, she finds herself drawn to this unusual boy and his strange New England town. Concerned for Henry, she decides to stay for a while, but she soon suspects that Storybrooke is more than it seems. It’s a place where magic has been forgotten, but is still powerfully close… where fairytale characters are alive, even though they don’t remember who they once were. The epic battle for the future of all worlds is beginning, but for good to win, Emma will have to accept her destiny and fight like hell.

“Once Upon a Time” stars Ginnifer Goodwin (“Big Love”) as Snow White/Sister Mary Margaret, Jennifer Morrison (“House MD”) as Emma Swan, Robert Carlyle (“The Full Monty,” “Trainspotting,” “SGU Stargate Universe”) as Rumplestiltskin/Mr. Gold, Lana Parrilla as Evil Queen/Regina, Jamie Dornan as Sheriff Graham, Jared Gilmore (“Mad Men”) as Henry, Josh Dallas as Prince Charming/John Doe and Raphael Sbarge as Jiminy Cricket/Archie.

“Once Upon a Time” was written by Edward Kitsis and Adam Horowitz, who are also executive producers, along with Steve Pearlman (ABC’s “V”). The pilot is directed and executive-produced by Mark Mylod (“Entourage”). “Once Upon a Time” is from ABC Studios.

Pan Am:  Passion, jealousy and espionage… They do it all – and they do it at 30,000 feet. The style of the 1960s, the energy and excitement of the Jet Age and a drama full of sexy entanglements deliciously mesh in this thrilling and highly-original new series.

In this modern world, air travel represents the height of luxury and Pan Am is the biggest name in the business. The planes are glamorous, the pilots are rock stars and the stewardesses are the most desirable women in the world. Not only are these flyboys and girls young and good looking, but to represent Pan Am they also have to be educated, cultured and refined. They’re trained to handle everything from in-air emergencies to unwanted advances – all without rumpling their pristine uniforms or mussing their hair. There’s Dean (Jonah Lotan) – a cocky, charismatic and ambitious new pilot – the first of a new breed not trained in the war. On the sly against company policy, he’s dating Bridget, a stunning beauty with a mysterious past. A rebellious bohemian, Maggie (Christina Ricci) turns into a buttoned up professional for work so she can see the world. Rounding out the crew are flirtatious Collette (Karine Vanasse), the adventurous Kate (Kelli Garner) and, finally, Laura (Margot Robbie) – Kate’s beauty queen younger sister, a runaway bride, who recently fled a life of domestic boredom to take to the skies.

“Pan Am” stars Christina Ricci (“Penelope”) as Maggie, Kelli Garner (“Going the Distance”) as Kate, Karine Vanasse (“Polytechnique”) as Colette, Margot Robbie (“Neighbours”) as Laura, Jonah Lotan (“24”) as Dean and Michael Mosley (“Justified”) as Ted.

Jack Orman (“ER,” “Men of a Certain Age,”), Tommy Schlamme (“The West Wing,” “Parenthood,”

“Mr. Sunshine”) and Nancy Hult Ganis (“Akeelah and the Bee”) are the executive producers of “Pan Am.” Orman is also the writer, with Schlamme directing. “Pan Am” is produced by Jack Orman Productions, Out of the Blue Entertainment and Shoe Money Productions in association with Sony Pictures Television.

MIDSEASON

Good Christian Belles:  The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.

Amanda Vaughn (Leslie Bibb), once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. Amanda is nothing like the girl she was 20 years ago, but as her old classmates reacquaint themselves with the new Amanda, will her home town welcome her with open arms or seek revenge? No one in this town is a saint, but that doesn’t mean they can’t have a heart. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.

“Good Christian Belles” stars Leslie Bibb (“Iron Man”) as Amanda Vaughn, Kristin Chenoweth (“Pushing Daisies”) as Carlene Cockburn, Annie Potts (“Law And Order: Special Victims Unit,” “Joan of Arcadia”) as Gigi Stopper, Jennifer Aspen (“Rodney”) as Sharon Peacham, Miriam Shor (“Swingtown” “Damages”) as Cricket Caruth-Reilly, Marisol Nichols (“24”) as Heather Cruz, Brad Beyer (“Jericho”) as Zack Peacham, Mark Deklin (“Lone Star”) as Blake Reilly and David James Elliott (“JAG”) as Ripp Cockburn.

Based on Kim Gatlin’s hit book, Good Christian Bitches, “Good Christian Belles” is executive-produced by Darren Star (“Sex and the City”), Robert Harling (“Steel Magnolias”) and Aaron Kaplan. The pilot is written by Robert Harling and executive-produced and directed by Alan Poul. “Good Christian Belles” is produced by ABC Studios.

Missing: Becca Winstone (Ashley Judd) learns that her son, Michael, disappears while studying abroad, and it’s a race against time when she travels to Europe to track him down. A surprising turn of events reveals just how far one mother will go to protect her family. Exotic locations and thrilling twists will keep you riveted in “Missing.”

How far would you go to save the only thing you have left in the world? At 8 years old, Michael watched as his father, CIA Agent Paul Winstone, was murdered. Now 10 years later, Paul’s wife, Becca, is faced with the reality of her son growing up. When Michael is afforded the opportunity to study abroad, his mother reluctantly agrees it’s time to let him go. Just a few weeks into his trip Michael disappears, and Becca immediately suspects foul play. When she arrives in Rome, she begins piecing together the clues left behind. It isn’t long before the kidnappers realize they’ve picked a fight with the wrong woman. Becca Winstone has a secret of her own — before Paul’s death, she was also a lethal CIA Agent. But if she wants to find her son alive, Becca will have to rely on old friends and reopen old wounds. Her resourcefulness, skill and determination will be put to the test – but a mother’s love knows no limits.

“Missing” stars Ashley Judd (“Double Jeopardy,” “Kiss the Girls”) as Becca Winstone, Sean Bean (“Game Of Thrones”) as Paul Winstone, Cliff Curtis (“Trauma”) as Dax, Adriano Giannini (“Oceans Twelve”) as Giancarlo, Nick Eversman (“Cinema Verite”) as Michael Winstone and Tereza Voriskova (“Borgia”) as Oksana.

“Missing” comes from writer Gregory Poirier (“National Treasure: Book of Secrets”) and executive producers Gina Matthews, Grant Scharbo (“The Gates”), Steve Shill (Emmy winner for directing “Dexter” who will direct episodes of “Missing”) and James Parriott (“Sons Of Anarchy”). “Missing” is produced by Stillking Films.

The River:  “The River” follows the story of wildlife expert and TV personality Emmet Cole. Emmet set course around the world with his wife, Tess, and son, Lincoln, while filming what would become one of the most popular shows in television. After he goes missing deep in the Amazon, his family, friends and crew set out on a mysterious and deadly journey to find him.

Famed explorer Dr. Emmet Cole (Bruce Greenwood) went looking for magic deep in the uncharted Amazon and never returned. The shocking truth about his disappearance is out there, somewhere, just waiting to be discovered. To the millions of kids who grew up watching his nature show, Dr. Cole was a hero. To his own son, Lincoln (Joe Anderson), he was more of an enigma. Now, six months after he vanished, Lincoln is finally ready to bury the past when Dr. Cole’s emergency beacon suddenly goes off. At the urging of his mother, Tess (Leslie Hope), Lincoln reluctantly joins her on a search for his father. To fund the rescue, they agree to let Dr. Cole’s cagey ex-producer, Clark (Paul Blackthorne), film the mission documentary-style. The mixed crew of old friends and new acquaintances includes the sexy and resourceful Lena (Eloise Mumford), loyal mechanic Emilio (Daniel Zacapa) and lethal bodyguard Captain Kurt Brynildson (Thomas Kretschmann).

“The River” stars Bruce Greenwood (“Star Trek”) as Emmet Cole, Joe Anderson (“The Twilight Saga: Breaking Dawn Parts 1 and 2”) as Lincoln Cole, Paul Blackthorne (“Lipstick Jungle”) as Clark, Paulina Gaitan as Jahel, Leslie Hope (“24”) as Tess Cole, Eloise Mumford (“Lone Star”) as Lena, Shaun Parkes (“The Mummy Returns”) as Adjay, Thomas Kretschmann (“King Kong”) as Captain Kurt Brynildson and Daniel Zacapa (“Resurrection Blvd.”) as Emilio.

“The River,” from Amblin’s Steven Spielberg, Daryl Frank and Justin Falvey, showrunner/executive producer Michael Green (“Heroes,” “Kings”), is also executive-produced by Oren Peli (creator of “Paranormal Activity”), Zack Estrin, Jason Blum and Steven Schneider. Teleplay by Michael R. Perry and Michael Green, story by Oren Peli & Michael R. Perry and Michael Green. The pilot is directed by Jaume Collet-Serra and produced by ABC Studios.

Scandal:  From the creator and executive producers of “Grey’s Anatomy” and “Private Practice” comes a drama revolving around the life and work of a professional crisis manager and her dysfunctional staff.

A former media relations consultant to the President, Olivia Pope (Kerry Washington) dedicates her life to protecting and defending the public images of our nation’s elite. After leaving the White House, the power consultant opened her own firm, hoping to start a new chapter — both professionally and personally — but she can’t seem to completely cut ties with her past. Slowly it becomes apparent that her staff, who specialize in fixing the lives of other people, can’t quite fix the ones closest at hand — their own.

“Scandal” stars Kerry Washington (“Ray”) as Olivia Pope, Henry Ian Cusick (“Lost”) as Stephen Finch, Columbus Short (“Stomp the Yard”) as Harrison Wright, Guillermo Diaz (“Half-Baked”) as Huck, Darby Stanchfield as Abby Whelan, Katie Lowes as Quinn Perkins, Tony Goldwyn (“Ghost”) as President Fitzgerald Grant and Jeff Perry (“Grey’s Anatomy”) as Cyrus.

“Scandal” was written by Shonda Rhimes (“Grey’s Anatomy,” “Private Practice”). Rhimes and Betsy Beers (“Grey’s Anatomy,” “Private Practice”) are executive producers. Paul McGuigan is the director. “Scandal” is produced by ABC Studios.

Apartment 23:  After a naïve Midwestern girl’s big city dreams are dashed her first week in New York, she finds herself living with her worst nightmare in this hilarious, contemporary comedy about a female odd couple who are surrounded by an outrageous cast of characters.

June (Dreama Walker) moves to Manhattan for a dream job and the perfect company apartment, only to have them disappear in a puff of reality, thanks to a CEO from the Bernie Madoff school of embezzlement. Deep in debt and out on the streets, June scrambles to land a job and place to live. It seems her luck has turned around when she gets hired at a coffee shop and finds Chloe (Krysten Ritter), a charming, vivacious roommate… with the morals of a pirate. She swindles June out of all her savings, but she and her snarky friend, James Van Der Beek (playing himself), soon learn that, just because June’s naïve, she isn’t stupid. June ingeniously turns the tables on Chloe, who is so shocked about being scammed herself that she decides to pull June into her colorful band of friends. Sure, it’s all dysfunctional, bizarre and overwhelming, but so is New York City. And with the help of Chloe and the other oddballs around her, June might just learn the survival secrets she needs to make it there.

“Apartment 23” stars Krysten Ritter (“Breaking Bad,” “Gilmore Girls”) as Chloe, Dreama Walker (“The Good Wife,” “Gossip Girl”) as June, Eric André as Mark, Michael Blaiklock as Eli and James Van Der Beek (“Varsity Blues,” “Dawson’s Creek”) as James Van Der Beek.

Created and written by Nahnatchka Kahn (“American Dad”), “Apartment 23” is executive-produced by Kahn, Jason Winer (“Modern Family”), Dave Hemingson (“American Dad,” “How I Met Your Mother”) and Jeff Morton (“Modern Family”). Winer is also the director. “Apartment 23” is a production of 20th Century Fox Television.

Work It:  This high-concept comedy centers on two unrepentant guy’s guys who, unable to find work, dress as women to get jobs as pharmaceutical reps. Not only do they pull it off, but they might just learn to be better men in the process.

With unemployment an ongoing issue and women now outnumbering men in the workforce, the new comedy series “Work It” follows two alpha males who realize the only way to beat the current “mancession” and land a job in pharmaceutical sales is to pass themselves off as women. Combining all the best elements of the workplace comedy, the buddy comedy and the family comedy, “Work It” centers on Lee Standish (Ben Koldyke) — a quick-witted and likable family man who used to be a top car salesman until he got laid off — and Angel Ortiz (Amaury Nolasco) — a single, hot-headed ladies’ man with no filter — who quickly learn there are fundamental differences in the worlds of men and women that go beyond teetering in high heels and tightening up with Spanx. Lee and Angel are determined to keep their ruse going for as long as they can — and keep their newly found jobs — in this smart, funny and relevant look at male and female relationships at work, at home and socially. Being a better man sometimes means having to be a better woman.

The show stars Ben Koldyke (“How I Met Your Mother”) as Lee, Amaury Nolasco (“Prison Break”) as Angel, Beth Lacke (“Happy Hour”) as Connie, John Caparulo (“Chelsea Lately”) as Brian, Rebecca Mader (“Lost”) as Grace, Rochelle Aytes (“Detroit 1-8-7”) as Vanessa, Kate Reinders (“Sherrie”) as Kelly, Kirstin Eggers (“Aussie and Ted’s Great Adventure”) as Kristin and Kacie Lynch (“Barney and Friends”) as Kat.

“Work It” was written by Andrew Reich & Ted Cohen (“Friends,” “Rules of Engagement”). Reich and Cohen are the executive producers. Beth McCarthy Miller (“Saturday Night Live,” “30 Rock”) is the director. “Work It” is produced by Bonanza Productions, Inc. in association with Summer School Productions and Warner Bros. Television.

100th Post! ABC Cancels V, Brothers And Sisters & 5 More Shows, Renews Body of Proof, Happy Endings, Picks Up Charlie’s Angels, 11 More…

It’s our 100th Post, Yay!

The Hollywood Reporter is reporting that ABC went mad-crazy on Friday dumping seven shows including five freshman shows, renewing two and picking up a whopping twelve new scripted shows, all in advance of tomorrow’s upfront advertising event where they’ll announce their schedule for the 2011 – 2012 season.

Canceled:

VThe phrase “no surprise here” is really a running theme with all of these canceled shows on ABC but never is it more appropriate than for V. V was phenomenal in its first season but by the third episode of the second season, it had become one of the most ridiculous and embarrassing SciFi shows ever produced.  Fans will of course blame ABC for how they scheduled, this is nonsense.  The show turned and we’ve actually been working on a remedial course that will published i na couple of weeks for folks who don’t understand why V was so damned ridiculous.  We’re not saying that we’re happy about its departure, but we sure as Hell understand why it was canceled and make no doubt about it, it deserved to be canceled.

Detroit 1-8-7This is a very sad, albeit necessary cancellation.  D-187 was one of the best police procedurals in recent memory and we were sure it was going to be terrible.  It’s unfortunate that it couldn’t find an audience.  Again, the writing for this show was on the wall since November 2010.

No Ordinary Family*sigh*  What’s unfortunate about this cancellation is how much potential this series had and how it completely fell off the rails.  The show became less about superheroes and more about this dysfunctional family and wore thin very quickly.  Not to mention, Jim Powell (Michael Chiklis) is the probably the most emasculated male lead character in the history of television.

Off the Map:  We got through twenty minutes of the pilot, to turn it off.  Terrible writing, terrible acting and just complete and utter tripe.  It’s nothing but typical recycled procedural crap.  Good-bye, you won’t be missed. We hated this show so much, we couldn’t bring ourselves to do a review on it.  Fortunately, Off the Map is off the map.

Mr. SunshineWe actually forced ourselves to sit through two episodes of this mess. This was a very poor rip-off if 30 Rock was one of the worst shows we’ve seen this season.  It was nothing ut really bad recycled jokes, recycled characters and recycled plotlines.  Good Riddance.  Maybe it will be another decade before we’ll have to be subjected to Matthew Perry again. What?  We can’t be the only ones who thinks Friends is one of the worst pieces of crap shows ever made.

Better With You:  We made it through three episodes and the last two minutes of every episode that wound up on our DVR recordings of Modern Family.  This may be one of the worst shows ever made next to $#*! My Dad Says.  There was nothing funny about this and it abused every sitcom cliché from the last 50 years of television and it made us angry that the producers had such a low opinion of their audience.

Brothers and Sisters:  We have no problem with this show and in fact we’ve never watched it but we understand that it had a loyal following (Little Sister ‘Tastic was a big fan).  The problem was that viewership had been steadily declining and once you get past the fifth season, if the ratings aren’t there to justify higher ad-revenues it’s impossible to keep a show because at this point the production costs (including cast salaried) increase dramatically.

Renewed:

Body of ProofWe don’t understand the appeal of this show, but then again we don’t understand the appeal of all safe procedurals.  This show really particularly stupid, with dopey and recycled premises and really bad dialogue.  But, alas, what do we know as audiences seem to love it.

Happy Endings:  We have to be honest, we haven’t had time to watch this show but it does look very funny and it does have strong critical buzz surrounding it so we’re looking forward to watching it over the summer and reviewing it.  Part of the reason we didn’t put it to the front of our schedule is that based on the ratings, we weren’t expecting it to be renewed.  Good for them!

Picked Up (We’ll be providing our assessments of the new shows shortly after the schedule announcement is made on Tuesday):

Charlie’s Angels:  A modern take on the 1970s series starring Annie Ilonzeh (Melrose Place), Minka Kelly (Friday Night Lights, Parenthood) and Rachael Taylor (Grey’s Anatomy) as Charlie’s (Robert Wagner) new Angels. The Miami-set drama, from Sony Pictures Television, is written by Smallville duo Alfred Gough and Miles Millar and produced by Nancy Juvonen (Whip It), Leonard Goldberg (the Charlie’s Angels features) and Drew Barrymore, who appeared in the big-screen reboot. Marcos Siega (The Vampire Diaries) directed the pilot.

Last Man Standing: The project centers on the former Home Improvement star, who is fighting for his manhood in a world increasingly dominated by women. Nancy Travis (So I Married an Axe Murderer) co-stars in the multicamera comedy from 20th Television. Jack Burditt (30 Rock) penned the pilot, with Marty Adelstein (Prison Break), Becky Clements and Shawn Levy (Date Night) on board as producers. Insiders believe the mutlicam Allen vehicle, which has had “lock” status for weeks, will launch a second ABC comedy block, likely on Tuesdays (Improvement‘s old stomping ground).

Pan Am: From Sony, the sexy soap set in the 1960s focuses on stewardesses and pilots, some of whom live double lives as spies. Christina Ricci stars in her first series regular role in the drama written and produced by Jack Orman (ER). Also producing are Sid Ganis, Nancy Hult Ganis and Thomas Schlamme (The West Wing), who helmed the pilot.

Apartment 23: The a single-camera comedy from 20th TV centers on a Midwestern girl (Dreama Walker, The Good Wife) whose big-city dreams are dashed after her first week in New York, where she finds herself living with her worst nightmare (Krysten Ritter, Breaking Bad). James Van Der Beek (Dawson’s Creek) co-stars as himself in his first series comedy role. Nahnatchka Khan (American Dad) and Dave Hemingson (Traffic Light) penned the pilot and will produce along with Jeffrey Morton (Traffic Light). Jason Winer (Modern Family) helmed the pilot.

Good Christian Belles (formerly Good Christian Bitches): The soap revolves around a former high school “mean girl” (Leslie Bibb, Popular) who returns home to Dallas after her marriage ends in scandal. The series, from ABC Studios, also stars Kristin Chenoweth (Glee) and Annie Potts (Designing Women). Robert Harling(Laws of Attraction), who penned the pilot, produces alongside Darren Star (Sex and the City) and Aaron Kaplan. Alan Poul (Six Feet Under) directed the pilot. The series is based on the book by Kim Gatlin.

Revenge: The Count of Monte Cristo-inspired soap from Mike Kelley (Swingtown), centers on a woman (Emily VanCamp, Brothers and Sisters) who moves to the Hamptons. The ABC Studios pilot, which was directed by Phillip Noyce, counts Marty Bowen and Wyck Godfrey as executive producers.

Once Upon a Time: A fantasy drama that revolves around a woman (Jennifer Morrison, How I Met Your Mother) who, after a boy who claims to be her son shows up, is drawn into a town where fairy tales might be real. Ginnifer Goodwin (Big Love) co-stars as Snow White in a cast that also includes Robert Carlyle (Stargate Universe) and Josh Dallas (Thor) as Prince Charming.Lost’s Edward Kitsis and Adam Horowitz penned the pilot and will produce alongside Steve Pearlman (V) and Mark Mylod (Shameless), who directed the pilot from ABC’s sister studio.

Scandal (formerly Damage Control): The drama revolves around the life and work of a professional fixer (Kerry Washington) and her staff. Lost’s Henry Ian Cusick co-stars as her right-hand man and Tony Goldwyn plays the president. It is based on the career of crisis management consultant Judy Smith, who serves alongside producers including Shonda Rhimes (Grey’s Anatomy, Private Practice) and Betsy Beers (Grey’s Anatomy). From ABC Studios, the pilot was directed by Paul McGuigan (Lucky Number Slevin).

The River: A stylized project that follows a crew through the Amazon in search of a missing adventurer. Eloise Mumford (Lone Star) stars in the ABC Studios drama written by Michael Green (Kings) and Michael R. Perry (Persons Unknown). Executive producers include Oren Peliand Jason Blum (Paranormal Activity), Darryl Frank and Justin Falvey (United States of Tara), Zack Estrin (No Ordinary Family) and Steven Schneider (Paranormal Activity). Jaume Collet-Serra directed the pilot, which was shot in Puerto Rico.

Work It: The cross-dressing comedy from Warner Bros. TV and Andrew Reich and Ted Cohen(Friends), revolves around two out-of-work car salesmen (Amaury Nolasco, Ben Koldyke) who dress as women in order to get jobs as pharmaceutical reps. Beth McCarthy Miller directed the pilot.

Suburgatory: The project stars Jane Levy as a New Yorker who moves to a cookie-cutter community and discovers that the suburbs is more frightening than any horror movie she’s seen. Jeremy Sisto (Law & Order), Alan Tudyk (Firefly) and Cheryl Hines (Curb Your Enthusiasm) co-star. The single-camera comedy from Warner Bros. TV was written by Emily Kapnek (Hung, Parks and Recreation), with the pilot directed by Mike Fresco (Raising Hope, Better Off Ted).

Man Up: The single-camera comedy from ABC Studios and Chris Moynihan (Coupling) is a look at what it takes to survive as a modern man, as told through the eyes of three best friends and the women in their lives.

Summer Sci-Fi Alert! TNT’s Falling Skies Two Hour Premiere – Sunday, June 19th At 9:00 p.m.

FALLING SKIES opens in the chaotic aftermath of an alien attack that has left most of the world completely incapacitated. In the six months since the initial invasion, the few survivors have banded together outside major cities to begin the difficult task of fighting back. Each day is a test of survival as citizen soldiers work to protect the people in their care while also engaging in an insurgency campaign against the occupying alien force. 

At the center of the series is Tom Mason (Noah Wyle), a Boston history professor whose family has been torn apart. His wife was killed in the initial attack, and one of his three sons has been captured. Determined to get his son back and to ensure the safety of his other two sons, Tom must put his extensive knowledge of military history to the test as one of the leaders of the resistance movement known as the 2nd Mass, because of their location in Boston, Mass. They are constantly trying to gain intelligence about the aliens in order to one day outsmart and overtake them and hopefully rebuild their lives. 

Moon Bloodgood (Terminator Salvation) co-stars as Anne Glass, a pediatrician who works with the surviving children to help them cope with the traumatic upheaval in their lives. Will Patton (Armageddon, TNT’s Into the West) plays a fierce leader of the resistance, Weaver. The series also stars Drew Roy (Secretariat) as Hal, Tom’s oldest son and a growing fighter in the resistance movement; Maxim Knight (Brothers & Sisters) as Matt, Tom’s youngest son; Connor Jessup (The Saddle Club) as Ben, Tom’s son who was captured by aliens; and Seychelle Gabriel (Weeds) as Lourdes, an orphaned teenager who helps Anne in the group’s makeshift medical clinic. Colin Cunningham (Living in Your Car) is John Pope, the leader of an outlaw motorcycle gang and Sarah Carter (Shark) is Margaret, a wary survivor of Pope’s gang. 

FALLING SKIES focuses on the resilience of the survivors and their determination to maintain their humanity when all else has been destroyed. It is a tale of endurance, commitment and courage in which everyday people are called upon to become heroes. They may be outmatched, outnumbered and outgunned, but nothing can beat the human spirit. Most of all, the series is about the ties that bind people together in the most difficult of circumstances. 

The aliens in the series are mighty, mysterious and merciless. They are highly intelligent and use military-like tactics, which makes them an overwhelming force against the 2nd Mass. There are two types of aliens that the human survivors have named Skitters and Mechs. Combining live action and special visual effects, the Skitters have spider-like bodies and incredible strength and agility. The deadly, robotic Mechs stand upright and can shoot bullets from their arms. The aliens control captured children, like Tom’s son Ben, through bio-mechanical harnesses but have yet to reveal their ultimate plan for them. 

FALLING SKIES is executive-produced by Steven Spielberg, along with DreamWorks Television heads Justin Falvey and Darryl Frank, Graham Yost (Justified, The Pacific) and screenwriter Robert Rodat. Rodat, who earned an Oscar® nomination for his screenplay for Saving Private Ryan, wrote the pilot from an idea he co-conceived with Spielberg. Mark Verheiden (Heroes, Battlestar Galactica) and Greg Beeman (Heroes, Smallville) are co-executive producers. The pilot was directed by Carl Franklin (One False Move, Out of Time).  – TNT

Official Trailer:

Longer First Look Extended Trailer:


Steven Spielberg

So, here’s the question of the month:  How the H-E-Double-Hockey-Sticks did we miss this. Seriously, we’re genetically predisposed to have the first scoop on all new SciFi programming out there.  This is just embarrassing.  We only heard about Falling Skies yesterday when we saw the trailer on TNT and thought it was for a summer blockbuster that we didn’t know about.

That being said, this looks exceptionally well-done for basic cable with Dreamworks producing it and Steven Spielberg heavily involved with creating the aliens. Dare we say, it looks even better than Terra Nova and we think it has a better chance of staying on the air for a second season then TN as well because basically they’ve done everything right, so far, as far as production of Sci-Fi television is concerned.

  1. Yes... yes they do.

    It’s on Basic Cable and NOT on a Major Network. Better yet, it’s on TNT which overall in 2010 was the #4 cable Network on television and #2 for original non-niche scripted programming (for clarification, Disney and ESPN, #2 and #3, respectively, are niche networks) behind only USA.  The expectation for high audience numbers is dramatically lower on basic cable than it is on major network which is a luxury that TN doesn’t have on FOX and to make matters worse for TN, over the past decade, Sci-Fi is DEAD on Network television for this generation of audiences and has been an abysmal failure every time it’s been attempted and this dovetails into the next advantage for renewal FS has…

  2. $$$$ Because FS is on basic cable, the production costs will be dramatically lower than any show on a major network and considering that TN is the most expensive show in the history of television, we can only imagine that the production costs of FS is infinitesimal in comparison to TN.  Again, this goes back to the ratings expectations that TNT will have for  FS as opposed to what FOX will have for TN. One of the biggest factors a show has to overcome is production costs.  When  24 was canceled last year, even though the ratings were continuing to drop they weren’t particularly awful.  The problem was (besides the fact that the producers admitted that the well had run dry) that the show was just so damned expensive to produce that they couldn’t justify renewing it.  A show has to get high enough ratings in order to justify high ad rates in order to justify high production costs. It’s that simple.  Considering what we said about the recent history of Sci-Fi on network, the advantage again goes to FS.
  3. The real reason why so many Sci-Fi shows are produced in Canada

    “O, Canada, Our Home and Native Land!” As soon as we saw the trailers for FS, the first thing we thought was, “Oh, this has to be being produced in Canada,” and as we confirmed with iMDB, it sure as heck is (Hamilton, Ontario to be precise).   It’s well-known that the key to keeping production costs down dramatically with Sci-Fi television is to film in Canada. Don’t believe us? Take a look at this list of Sci-Fi shows filmed in Canada over the last two decades.  Where is TN being produced? In ridiculously cost-prohibitive Australia which is just adding to the enormous price-tag of that show. Advantage, FS.

  4. Shorter Schedule Beyond the obvious fact that producing more than twice as many episodes per season (22 for TN as opposed to 10 for FS) will cost twice as much for FOX, there’s also a much bigger issue and that is that a 22 episode season, by its nature, will air over the course of an entire television season, in this case (allegedly) 2011 – 2012.  This means long hiatuses and reruns for the show which has proven time and time again to be catastrophic for Sci-Fi and genre which is exactly why they eventually stopped doing it with 24, Lost, and Alias to name a few, instead, choosing to air their entire seasons as mid-season replacements without anything more than the random one week break between new episodes.  Today’s audiences have ZERO patience for serials to begin with, nevertheless Sci-Fi serials,  and they will not tolerate shows that leave them hanging for six weeks to several months at a time.  FS will air new episodes continuously for ten weeks and it’s airing in the middle of summer with no competition from the major networks which is a strategy that continues to be proven successful for basic cable networks.

Finally, 22 episodes of Sci-Fi is just too much for major network television (and no, even though The CW is a major network, they don’t count for the purpose of this discussion for obvious reasons.).  Today’s major network audiences just will not hang in there for 22 episodes of Sci-Fi any more.  Now, we love Fringe and we’re certainly thrilled it got picked up for a fourth season but that is an anomaly and the audience numbers haven’t been particularly great for it which is why it got moved from the middle of the week to Friday to begin with.  The standard 10 – 13 episode seasons for original programming on basic cable works just fine for Sci-Fi. Advantage, FS.

Will the real Slim Shady please stand up?

So why are we so excited about FS? Well, first, the trailers look fantastic and yes, we know it’s not a particularly original concept stealing aspects from The Terminator, Battlestar Galactica, V,  The Road, Independence Day and War of the Worlds, to name a few (not to mention that the whole “stealing children and technologically altering them” concept is eerily similar to the Borg in Star Trek) but heck, we like that kind of Sci-Fi because it invariably promises us great action and character development.  We also don’t think that it’s a coincidence that Noah Wyle looks like he was separated at birth from Terminator: Salvation star and leader of the resistance Christian Bale (John Connor).

Along with the great action, though, is that shows like this invariably raise thought-provoking philosophical questions about humanity, often without the audience realizing it until after it’s happened. This is one of the marks of great Sci-Fi storytelling which this particular brand of Sci-Fi excels at and we really expect nothing less considering the heavy hitters that are on board for this and their experience and success they bring to this in the writing and production department (see the last paragraph of the show description at the top).

Also, just to preempt the inevitable cries of “it’s not an original concept” from the peanut gallery (that have already begun), we’ve got news for you:  there are no original concepts in Sci-Fi anymore. Every concept you can think of has been thought up by someone else in this genre and been done already.  It’s the execution of concept that counts and that’s what will be the deciding factor in FS‘s success or failure.

Check out the official Falling Skies webpage, here.

‘The Defenders’ (CBS – Wednesday, 10:00 p.m.)

Two colorful Las Vegas defense attorneys who go all-in when it comes to representing their clients. Nick and Pete are the local go-to guys with an eclectic client list who are still looking to hit their own jackpot. Leading the law firm of Morelli & Kaczmarek are Nick Morelli, an earnest, hard-charging attorney who represents his clients to the best of his ability, no matter how big or small the case; and his partner, Pete Kaczmarek, whose passion for the law is matched only by his love of fast cars, beautiful women and expensive clothes. Joining them in their growing law practice is new associate Lisa Tyler, an enthusiastic young attorney looking to put her exotic dancing days behind her; and their young assistant, Zoe Waters, a spunky and sweet ingénue who is eager to please her bosses. While Lady Luck shines on their legal careers, the partners have their hands full when it comes to their personal lives. With Pete busy cruising the Vegas Strip for his latest romantic conquest, Nick is focused on repairing a fractured marriage to his estranged wife and remaining present in the life of their young son. No matter the offense, Nick and Pete aim to prove that when the stakes are high, they’re willing to bet the house on the clients they defend in Sin City. – CBS

The Preview (originally posted on 9/17/2010)

Shawn: I have to keep reminding myself that I am sick of legal procedurals and why but then I get dragged right back in by shows like The Defenders starring Jim Belushi (According to Jim) and Jerry O’Connell (Sliders) who star as a couple of working-stiff lawyers here in my city, Las Vegas. Here’s the thing, I’m not going to be watching this show because I expect it be some fantastic weekly legal thriller, on the contrary, I expect that part of the show to be clichéd as every other legal show. No, I’m watching because I like Belushi and O’Connell and after seeing the trailers and interviews associated with this show, I think I like these characters. Again, how relatable the characters are can make or break a series. Truthfully, this show doesn’t have to be about lawyers, it could have been about cops, plumbers, copier salesmen, the Mexicans on The Strip shoving the cards in your four-year old’s face offering hookers direct to you hotel room… whatever. It doesn’t matter because this is a buddy-[insert profession here] show and nothing more and this could work with Belushi as the comedian and O’Connell as the straight man. I think I’ll need to watch the first few episodes to get a handle on whether this show is worth hanging on to, but I will say this: if they start that crap like they do on CSI of randomly mentioning streets and neighborhoods in Las Vegas without any actual resemblance to where these landmarks truly are geographically-speaking, I will shut it off.

The Review:

8 out of 10

Congratulations, CBS! You’ve given me a legal procedural that actually enjoyed and only winced at a couple of times while watching.

The Defenders works for the reason I thought it would: Jim Belushi and Jerry O’Connell and it’s not just the fact that they were cast in the roles of Nick Morelli and Pete Kaczmarek, but that the characters themselves were apparently written for these two.  And for the record, I don’t care what anyone says, even though According to Jim was awful and lasted far too many seasons, Jim Belushi is a very good actor.

Our protagonists are a couple of working-class lawyers based on the real life Las Vegas attorneys, Michael Cristalli and Marc Saggese. I appreciate this on a couple of levels.

First, unlike what most legal procedurals portray, most attorneys are not the kind of lawyers you see on Boston Legal or L.A. Law. Most attorneys are working-class folks who work long hours and although make a good living aren’t Rockefeller rich by any stretch of the imagination. Nick’s a recently separated father who cares as much about getting to his little boy’s little league game and reading to him before he goes to bed as he does about representing his clients. Kascmarek is a bit more Hollywood, but he’s still very believable as Morelli’s loyal right-hand partner who’s fiercely dedicated to his clients and to doing the right thing. So the realism factor on that is pretty refreshing.

The other thing that I like is that, again, unlike most legal procedurals, this one isn’t composed of an ensemble cast at a big firm or in a D.A.’s office. One of my pet-peeves with legal procedurals is that there are just too many characters and they take away from the actual cases and become too much of the story themselves. Legal shows are supposed to be just that… dramas about law, not soap operas. Too many characters on a show tends to invariably water down the cases and make them clichéd and predictable. The Defenders is primarily about our two main characters, Nick and Pete, and to an extent their new associate, Lisa Walters (Jurnee Smollet, Friday Night Lights)… that’s it. That small core group of characters allows the audience to focus on the compelling cases and the character development without losing anything in either department. And after two episodes this formula is working very well. I love these guys.

These stories are very compelling and very topical and unlike the laziness associated with Law & Order’s “ripped from the headlines” nonsense, The Defenders deal with issues as opposed to specific news headlines and what’s even more impressive is that they are actually addressing issues specific to Las Vegas. The prime example of this is in the second episode, Nevada v. Carter, where they focus on the very well-known issue in Clark County of the problem in the Public Defender’s Office having massive, overflowing caseloads that they can’t handle because of the limited number of often inexperienced attorneys and it is causing serious miscarriages of justice. It really impressed me that in the second episode they addressed this very hot and important issue.

The only aspects that I don’t like about The Defenders are the nit-picky things that bug me about all legal shows (like not being able to get the law or court procedure correct sometimes) and shows that take place in Las Vegas (that I noted in the preview), but the show is so good that I’m just going to let them slide and not even mention specifics.

Watch full epsiodes of The Defenders, here.

Have the Networks (FINALLY) Started to Take Friday Nights Seriously???

In the past, Friday prime-time has been a notorious dumping ground for television shows that weren’t cancelled yet, but were on their last legs, at least for dramas.  Low-cost news magazines like Dateline and 20/20 have always found success here and of course in the last decade there have been several reality shows that have thrived here, but it’s been pretty much a foregone conclusion that if a drama winds up here, it’s not long for this world and will soon be gracing us only in syndication (if it has had a long enough run) or in your queue on Netflix.  Well, this season I’m noticing a trend of the networks taking the risk of putting new shows that they’ve invested in and some that are actually fantastic with money-making casts (see: Blue Bloods) on Friday.  They are also doing something else:  they are putting perennial solid veterans on Friday as well.  Now, I may not like or watch all of these shows (so you’re not going to see all of them reviewed or previewed) but it really is quite a change of pace for Fridays to say the least. 

The first example is (now) CBS’s Medium which has averaged 10 million per season the last six seasons.  What’s notable about this is that not only did Medium move from Monday to Fridays between seasons  5 and 6, they also switched networks (from NBC to CBS) yet still only dropped from 8.5 million viewers to 7.8 million.  It simply absurd that they kept 92% of their core audience while not only moving to Fridays but to a different network. 

CSI: NY on Fridays is the biggest head scratcher of all.  I hate the entire CSI franchise for a myriad of reasons that I’m not going to go into right now but there’s no denying its success.  Of the three shows in the franchise, CSI: NY is the worst performing of all of them but that’s kind of like saying that Tony Lazzeri was the worst run producer of the 1927 Yankees‘ three best in the infamous “Murderers Row” lineup with Babe Ruth and Lou Gherig being the two best.  Any team would have loved to have had the ’27 Lazzeri in their lineup just like any network would love to have CSI: NY in theirs.  By the way, I hate the Yankees more than I hate the CSI franchise but again there’s no denying their success. 

CSI: NY has consistently averaged 13.3 million viewers per week CONSISTENTLY for six seasons in the Wednesday night 10:00  p.m. slot which has typically been very competitive (although I must admit that with Leno on at 10:00 p.m. for a good portion of last season there wasn’t much of a challenge) and has been in the top 25 of all shows every season except one (it was #28 during the 2007 – 2008 season although it had the exact same number of viewers – 12.6 million – that it did last year when it was #23) going as high as #17 (2008 – 2009, 13.03 million).  Now it did take a dive last year falling to #44 with the 18 – 49 crowd but still, nearly 13 million is nothing to sneeze at even if you did drop in the “coveted” demographic.  Needless to say, CSI:NY is pretty much a sure-thing for CBS and they didn’t put it in the Friday night slot to cancel it.  Sorry… not with 13 million viewers.

An honorable mention needs to go out to Supernatural (and to an extent Smallville) which has been The CW’s stallion (for what that’s worth) on Thursday night at 9:00 p.m. for its first four seasons and that show is now on in the same slot on Fridays as well, but what REALLY caught my attention was not just all of the dramas on the major networks on Fridays but how Syfy has completely abandoned their original programming schedule on Friday nights that if I recall correctly, they’ve been going with for over a decade.  SyFy’s two most popular shows – the Battlestar Galactica prequel Caprica and the franchise favorite Stargate: Universe – have been moved to Tuesday nights, premiering on October 5th.  This is monumental and I haven’t seen anyone take note of this.  SyFy owned Friday nights and one can only assume that this waving of the white flag was in response to the major networks actually paying attention to Friday nights again.

So why this big change in attitude towards Friday night prime-time?  Historically, the reason why the Friday night line-up has been so mediocre is because viewers go out on Friday nights and don’t normally stay in to watch television… especially the “coveted” 18 – 49 demographic.  Mind you, this is entirely speculative on my part but I have a theory:  it’s the economy. More and more people are staying home for entertainment instead of going out in order to save money.  When you’ve got unemployment at around 10% and 40% of the population who are worried that they might possibly lose their job within the next year, that’s certainly not a situation conducive to spending a bunch of money out at the club.  People are saving more, spending less, paying off credit cards and when they are spending money on entertainment it’s on long-term appliances like HD TV’s and Blu Ray players, both of which have gone down dramatically in price this year.

So, there is no question that most of the networks now see value in Friday night but the question is: didn’t FOX get the memo?

You see, FOX bothers me to no end with their programming decisions.  They are notorious for giving up too quickly on quality shows, not giving them a chance for audiences to grow and if they do throw an audience a bone and renew a show with borderline ratings, they stick it in Friday night to die.  The decisions they make at FOX are mind-boggling and reactionary on a whole different level.  Why these morons don’t understand that when you have the highest rated show of all time on three nights a week that it actually gives you latitude when it comes to relaxing a little bit when a drama doesn’t immediately perform as you hoped it would is far beyond my level of comprehension.  Hell, put American Idol on every night and use it as a lead-in for every 9:00 p.m. show.  It worked for 24!  I will remind you that this is the same network that cancelled Family Guy.  I will also remind you that this is the same network that cancelled perhaps the greatest Sci Fi series of all time, Firefly, after 11 stinkin’ episodes.  Topless Robot has a great article that explains exactly how stupid the programming decisions at FOX have been.

And this is exactly the approach that FOX is going with for both Human Target and The Good Guys, both critically acclaimed shows that had marginal ratings when the aired last season.  It’s not even remotely fair what they’re doing to The Good Guys even by FOX’s idiotic standards, premiering it on a Monday in the middle of May when all of the other shows are wrapping up, letting it run for nine episodes over the summer and then dumping it into Friday night because it didn’t catch fire fast enough for them.  Human Target on the other hand is one of the best shows on TV, period and could very easily build a locked-in huge genre audience if FOX had the foresight to give it a chance like they did with 24 in 2001 which, by the way had the identical audience numbers that Human Target had during its first season.

Now, you might be saying, “Now, waitaminute, here… how do YOU know that FOX isn’t doing the same thing that the other networks are doing?”  Nope, wrong. First, consider that we’re talking about FOX and we’ve already established what is common knowledge about their programming practices.  Second, the other networks mentioned are putting up four strong veteran dramas with built-in audiences and three new shows that they have just sunk a bunch of money into in order to develop.  You NEVER put a show with weak/mediocre numbers in a Friday slot if you want it to survive and have the audience grow.  Hopefully, because of the other networks taking Friday night seriously for once, these two great shows can be successful despite the neglect from FOX.  I doubt it, but I remain hopeful… because I really love Human Target.

Watch full epsidoes of Human Target, here.

Watch full episodes of The Good Guys, here.