100th Post! ABC Cancels V, Brothers And Sisters & 5 More Shows, Renews Body of Proof, Happy Endings, Picks Up Charlie’s Angels, 11 More…

It’s our 100th Post, Yay!

The Hollywood Reporter is reporting that ABC went mad-crazy on Friday dumping seven shows including five freshman shows, renewing two and picking up a whopping twelve new scripted shows, all in advance of tomorrow’s upfront advertising event where they’ll announce their schedule for the 2011 – 2012 season.

Canceled:

VThe phrase “no surprise here” is really a running theme with all of these canceled shows on ABC but never is it more appropriate than for V. V was phenomenal in its first season but by the third episode of the second season, it had become one of the most ridiculous and embarrassing SciFi shows ever produced.  Fans will of course blame ABC for how they scheduled, this is nonsense.  The show turned and we’ve actually been working on a remedial course that will published i na couple of weeks for folks who don’t understand why V was so damned ridiculous.  We’re not saying that we’re happy about its departure, but we sure as Hell understand why it was canceled and make no doubt about it, it deserved to be canceled.

Detroit 1-8-7This is a very sad, albeit necessary cancellation.  D-187 was one of the best police procedurals in recent memory and we were sure it was going to be terrible.  It’s unfortunate that it couldn’t find an audience.  Again, the writing for this show was on the wall since November 2010.

No Ordinary Family*sigh*  What’s unfortunate about this cancellation is how much potential this series had and how it completely fell off the rails.  The show became less about superheroes and more about this dysfunctional family and wore thin very quickly.  Not to mention, Jim Powell (Michael Chiklis) is the probably the most emasculated male lead character in the history of television.

Off the Map:  We got through twenty minutes of the pilot, to turn it off.  Terrible writing, terrible acting and just complete and utter tripe.  It’s nothing but typical recycled procedural crap.  Good-bye, you won’t be missed. We hated this show so much, we couldn’t bring ourselves to do a review on it.  Fortunately, Off the Map is off the map.

Mr. SunshineWe actually forced ourselves to sit through two episodes of this mess. This was a very poor rip-off if 30 Rock was one of the worst shows we’ve seen this season.  It was nothing ut really bad recycled jokes, recycled characters and recycled plotlines.  Good Riddance.  Maybe it will be another decade before we’ll have to be subjected to Matthew Perry again. What?  We can’t be the only ones who thinks Friends is one of the worst pieces of crap shows ever made.

Better With You:  We made it through three episodes and the last two minutes of every episode that wound up on our DVR recordings of Modern Family.  This may be one of the worst shows ever made next to $#*! My Dad Says.  There was nothing funny about this and it abused every sitcom cliché from the last 50 years of television and it made us angry that the producers had such a low opinion of their audience.

Brothers and Sisters:  We have no problem with this show and in fact we’ve never watched it but we understand that it had a loyal following (Little Sister ‘Tastic was a big fan).  The problem was that viewership had been steadily declining and once you get past the fifth season, if the ratings aren’t there to justify higher ad-revenues it’s impossible to keep a show because at this point the production costs (including cast salaried) increase dramatically.

Renewed:

Body of ProofWe don’t understand the appeal of this show, but then again we don’t understand the appeal of all safe procedurals.  This show really particularly stupid, with dopey and recycled premises and really bad dialogue.  But, alas, what do we know as audiences seem to love it.

Happy Endings:  We have to be honest, we haven’t had time to watch this show but it does look very funny and it does have strong critical buzz surrounding it so we’re looking forward to watching it over the summer and reviewing it.  Part of the reason we didn’t put it to the front of our schedule is that based on the ratings, we weren’t expecting it to be renewed.  Good for them!

Picked Up (We’ll be providing our assessments of the new shows shortly after the schedule announcement is made on Tuesday):

Charlie’s Angels:  A modern take on the 1970s series starring Annie Ilonzeh (Melrose Place), Minka Kelly (Friday Night Lights, Parenthood) and Rachael Taylor (Grey’s Anatomy) as Charlie’s (Robert Wagner) new Angels. The Miami-set drama, from Sony Pictures Television, is written by Smallville duo Alfred Gough and Miles Millar and produced by Nancy Juvonen (Whip It), Leonard Goldberg (the Charlie’s Angels features) and Drew Barrymore, who appeared in the big-screen reboot. Marcos Siega (The Vampire Diaries) directed the pilot.

Last Man Standing: The project centers on the former Home Improvement star, who is fighting for his manhood in a world increasingly dominated by women. Nancy Travis (So I Married an Axe Murderer) co-stars in the multicamera comedy from 20th Television. Jack Burditt (30 Rock) penned the pilot, with Marty Adelstein (Prison Break), Becky Clements and Shawn Levy (Date Night) on board as producers. Insiders believe the mutlicam Allen vehicle, which has had “lock” status for weeks, will launch a second ABC comedy block, likely on Tuesdays (Improvement‘s old stomping ground).

Pan Am: From Sony, the sexy soap set in the 1960s focuses on stewardesses and pilots, some of whom live double lives as spies. Christina Ricci stars in her first series regular role in the drama written and produced by Jack Orman (ER). Also producing are Sid Ganis, Nancy Hult Ganis and Thomas Schlamme (The West Wing), who helmed the pilot.

Apartment 23: The a single-camera comedy from 20th TV centers on a Midwestern girl (Dreama Walker, The Good Wife) whose big-city dreams are dashed after her first week in New York, where she finds herself living with her worst nightmare (Krysten Ritter, Breaking Bad). James Van Der Beek (Dawson’s Creek) co-stars as himself in his first series comedy role. Nahnatchka Khan (American Dad) and Dave Hemingson (Traffic Light) penned the pilot and will produce along with Jeffrey Morton (Traffic Light). Jason Winer (Modern Family) helmed the pilot.

Good Christian Belles (formerly Good Christian Bitches): The soap revolves around a former high school “mean girl” (Leslie Bibb, Popular) who returns home to Dallas after her marriage ends in scandal. The series, from ABC Studios, also stars Kristin Chenoweth (Glee) and Annie Potts (Designing Women). Robert Harling(Laws of Attraction), who penned the pilot, produces alongside Darren Star (Sex and the City) and Aaron Kaplan. Alan Poul (Six Feet Under) directed the pilot. The series is based on the book by Kim Gatlin.

Revenge: The Count of Monte Cristo-inspired soap from Mike Kelley (Swingtown), centers on a woman (Emily VanCamp, Brothers and Sisters) who moves to the Hamptons. The ABC Studios pilot, which was directed by Phillip Noyce, counts Marty Bowen and Wyck Godfrey as executive producers.

Once Upon a Time: A fantasy drama that revolves around a woman (Jennifer Morrison, How I Met Your Mother) who, after a boy who claims to be her son shows up, is drawn into a town where fairy tales might be real. Ginnifer Goodwin (Big Love) co-stars as Snow White in a cast that also includes Robert Carlyle (Stargate Universe) and Josh Dallas (Thor) as Prince Charming.Lost’s Edward Kitsis and Adam Horowitz penned the pilot and will produce alongside Steve Pearlman (V) and Mark Mylod (Shameless), who directed the pilot from ABC’s sister studio.

Scandal (formerly Damage Control): The drama revolves around the life and work of a professional fixer (Kerry Washington) and her staff. Lost’s Henry Ian Cusick co-stars as her right-hand man and Tony Goldwyn plays the president. It is based on the career of crisis management consultant Judy Smith, who serves alongside producers including Shonda Rhimes (Grey’s Anatomy, Private Practice) and Betsy Beers (Grey’s Anatomy). From ABC Studios, the pilot was directed by Paul McGuigan (Lucky Number Slevin).

The River: A stylized project that follows a crew through the Amazon in search of a missing adventurer. Eloise Mumford (Lone Star) stars in the ABC Studios drama written by Michael Green (Kings) and Michael R. Perry (Persons Unknown). Executive producers include Oren Peliand Jason Blum (Paranormal Activity), Darryl Frank and Justin Falvey (United States of Tara), Zack Estrin (No Ordinary Family) and Steven Schneider (Paranormal Activity). Jaume Collet-Serra directed the pilot, which was shot in Puerto Rico.

Work It: The cross-dressing comedy from Warner Bros. TV and Andrew Reich and Ted Cohen(Friends), revolves around two out-of-work car salesmen (Amaury Nolasco, Ben Koldyke) who dress as women in order to get jobs as pharmaceutical reps. Beth McCarthy Miller directed the pilot.

Suburgatory: The project stars Jane Levy as a New Yorker who moves to a cookie-cutter community and discovers that the suburbs is more frightening than any horror movie she’s seen. Jeremy Sisto (Law & Order), Alan Tudyk (Firefly) and Cheryl Hines (Curb Your Enthusiasm) co-star. The single-camera comedy from Warner Bros. TV was written by Emily Kapnek (Hung, Parks and Recreation), with the pilot directed by Mike Fresco (Raising Hope, Better Off Ted).

Man Up: The single-camera comedy from ABC Studios and Chris Moynihan (Coupling) is a look at what it takes to survive as a modern man, as told through the eyes of three best friends and the women in their lives.

Fall 2010 Post-Game Wrap-Up (Sunday)

It’s that time of year again, folks.  The time where we come together to say good-bye to an old year and we usher a in a new one.  At TV-Tastic, it’s also the time of year where we review the Fall 2010 television lineup, tell you what was good, what sucked and everything in between and why as well as where all of these shows are going to be in the new year (if they haven’t gotten canceled already).  Keep in mind that it’s only the stuff we watched for the most part so not every piece of schlock is in here.  So let the games begin.

Sunday

8:00 p.m.

FOX – The Simpsons

We gave up on The Simpsons around 2000 because frankly, it had gotten to the point where they were abusing the social commentary satire that they were famous for and basically began preaching and not being funny.  The biggest problem really was that strayed away from the old format of filling every obscure situation with a good joke.  That being said, we’ve been dipping our toes back into the Simpsons water for the last couple of years and we have to say that this season is one of the funniest in a very long time.  It is as brilliant and original in this its 22nd season as it was during its first ten.  They’ve brought back everything that made The Simpsons great and we love it.

8:30 p.m.

FOX – The Cleveland Show

We have to be honest: we don’t like The Cleveland Show.  We think it’s incredibly poorly written, a poor rip-off of Family Guy and ridiculously exploits racial stereotypes with little-to-no comedic value.  We’re still trying to figure out why Cleveland Brown was given his own show to begin with.  The random Cleveland appearance on Family Guy was always funny but the character was never written to be a major presence even on that show so why would the producers think setting him or any secondary character up with their own series is a good idea?  The only positive statement we can make about Cleveland this season is that it is slightly funnier than it was last season, but we seriously don’t know if you can call going from a 1 to a 3 on a scale of 10 an accomplishment.   Anyway, apparently we’re the idiots because FOX has already renewed it for another season.  Waitaminute… this is FOX we’re talking about, after all.  Maybe we’re not the idiots after all.

9:00 p.m.

FOX – Family Guy

We’ve been devoted fans of Family Guy since its pilot episode on Fox in 1999.  Needless to say, we were heartbroken when it was canceled by the idiots at FOX in 2002, and subsequently rejoiced when it was resurrected again in 2005 (thank you, Cartoon Network).  When it first came back after the hiatus, we were kind of disappointed as it just didn’t feel like the same show.  The jokes weren’t as funny, weren’t as fast and more importantly, the musical numbers had all but disappeared and any true fan will tell you, the musical numbers were what made old-school Family Guy so damned good.

After a couple of seasons of kind of boring us to death (with the exception of a few standout episodes) there was something else that we picked up that was really starting to bug us:  Family Guy was becoming very mean-spirited with their jokes.  Now, Family Guy has never shied away from controversy and we’ve never had a problem with the shock-value material, but some of this stuff was just downright awful, alienating and again, very mean-spirited.  Old-school Family Guy, as controversial as it was, was NEVER mean and it didn’t have to be because the material stood on its own.  It was becoming very clear to long-time fans and objective viewers that Family Guy was resorting to these tactics because the writing frankly wasn’t that good and they knew it.

Near the end of the 2007 – 2008 season, we had decided that as much as we didn’t want to do it,  we were going to remove Family Guy from DVR schedule in the Fall of 2008 if we didn’t see marked improvement.

We can honestly say now that we’re certainly glad we gave Family Guy a chance because like The Simpsons, Family Guy began to go back to what made the show great and left the mean-spiritedness behind.  The show has gotten progressively better over the past two seasons (with more musical numbers to boot) and this season is one of the funniest in history.

We normally just erase shows immediately after watching them off the DVR but Family Guy has become so good again that you literally have to watch an episode at least twice to catch the jokes you missed the first time around because you were laughing so hard and so long at one joke that the next one blew right by you.  THAT is what Family Guy was all about.  This season’s episode, Excellence in Broadcasting guest-starring (of all people) Rush Limbaugh may be the funniest episode in the history of the series… I’m not kidding.   It’s definitely up there with the greats such as Wasted Talent, Petarded and PTV.  We don’t care if you love Limbaugh or hate him, if you can’t appreciate how brilliant that episode is, you should not be watching Family Guy.

Watch that full episode here.

Here is one of the funniest scenes ever done on Family Guy from the episode Baby, You Knock Me Out, again, from this season and available in its entirety here.

HBO – Boardwalk Empire

We did a review the night after the series premiere of Boardwalk Empire where we proclaimed that it was the best show on television (the review can be read here.).  After watching the entire first  season there is absolutely nothing I would change about my analysis of this series, it is the best show on television… period.  That being said, as ana aside, there is something that I have noticed on the series for some time now that viewers really should be aware of.  The show isn’t completely historically accurate.  In the aggregate, yes, the overall story is true, but many of the nitty-gritty details have been dramatized… A LOT.  For example: there’s a whole storyline about Warren G. Harding’s mistress who had his baby.  In reality, this story of the mistress and the baby was a rumor that was never historically confirmed yet Boardwalk Empire puts it into the storyline as if it were fact.  We have no problem with creative license, but there should be full disclosure especially from a fictional show that revolves around actual historical figures.  Just sayin’, is all.

Showtime – Dexter

Well, Dexter has officially gone 24 on us.  Allow us to explain:  After four seasons of improving storylines, 24 had its masterpiece season in season 4.  The problem is that there was absolutely no way the producers could ever top that season so the next three seasons seemed disappointing by comparison.  This is exactly what happened with Dexter in season 5.  Season 4 of Dexter with John Lithgow as “The Trinity Killer” was one of the best seasons in television history and had one the best shock-finale of any series in recent memory and that hurt season 5.  The anticipation was so built-up because of season 4 that this season, although very good, was a bit of a let-down and nowhere near as satisfying as season 4.  We still love the series and we can’t wait until season 6 airs but the fans need to understand that season 4 was the defining season and its never going to get any better than that.

9:30 p.m.

FOX – American Dad

American Dad has been the one consistent bright spot in the FOX ‘Animation Domination’ lineup on Sunday night. The show is absolutely hilarious and every now and then they throw in an episode that completely breaks from the sitcom fare and goes into the column of “epic event.” If you’ve seen the Christmas episode from season five Rapture’s Delight, you know what we’re talking about.

Unfortunately, it seems as if American Dad is always on the list of shows to be canceled each year and this season is no different. I blame the time-slot and usually I would just say “don’t worry, it will be picked up next year,” but this year we were a little concerned because of the mid-season replacement, Bob’s Burgers looked VERY funny based on the sneak-preview we saw on the Family Guy: It’s a Trap! Blu-Ray. That being said, FOX has had a history of trying to upset the apple cart in recent years on Sunday night and it hasn’t worked. Besides the fact that none of the shows they’ve tried to knock off American Dad with have been very good, I think audiences have gotten very comfortable with American Dad and though its audience numbers haven’t been as huge as Family Guy, they’ve been consistent.

Also, now that we’ve had a chance to see Bob’s Burgers, we think it’s safe to say that it won’t be around long.  Read the full review of Bob’s Burgershere.

Next, we take a look at Mondays.

‘Outsourced’ (NBC – Thursday, 9:30 p.m.)

“Outsourced” is NBC’s new workplace comedy series centered around a catalog-based company, Mid America Novelties, that sells American novelty goods including whoopee cushions, foam fingers and wallets made of bacon, and whose call center has suddenly been outsourced to India.

After recently completing Mid America Novelties’ manager training program, Todd Dempsy (Ben Rappaport, off-Broadway’s “The Gingerbread House”) learns that the call center is being outsourced to India, and he is asked to move there to be the manager. Having never ventured out of the country, he is unprepared for the culture shock. Overwhelmed, Todd discovers that his new staff needs a crash course in all things American if they are to understand the U.S. product line and ramp up sales from halfway around the world.

The sales team Todd inherits includes Gupta (Parvesh Cheena, “Help Me Help You”), a socially awkward employee; Manmeet (Sacha Dhawan, BBC’s “Five Days II”), a young romantic who is enamored with America; Asha (Rebecca Hazlewood, BBC’s “Doctors”), a smart, striking woman who finds herself intrigued by Todd; Rajiv (Rizwan Manji, “Privileged”) the assistant manager who wants Todd’s job; and Madhuri (Anisha Nagarajan, Broadway’s “Bombay Dreams”), a wallflower who suffers from extreme shyness.

Todd also discovers other transplants working in his office building, including an American expatriate, Charlie Davies (Diedrich Bader, “The Drew Carey Show”), who runs the All-American Hunter call center, and Tonya (Pippa Black, “Neighbours”), a beautiful Australian who runs the call center for Koala Air. – NBC

The Preview (Originally posted on 9/23/2010):

Shawn: I don’t know what appeals to me more, the politically incorrect tone of this series or the fact that it looks absolutely hilarious. I also like the premise that they telemarket novelties like rubber vomit and whoopee cushions. Looking forward to this, I hope the show can live up to the hype in the trailer.

The Review:

7 out of 10

Unfortunately, Outsourced looked a lot funnier in the trailer than it has turned out to be. I’m not saying that I don’t like the show but I think the whole concept of the series works better for a film than it does for a weekly sitcom.

The hilarious trailer is literally a four-minute summation of the entire pilot episode and though the jokes while rapid-fire in the trailer are very funny, they don’t work particularly well for comedic value over the course of 23 minutes. That or it was one of those issues like with the film The Hangover where they literally showed every funny scene in the movie in the trailers and because of that when I actually saw it I didn’t think it was that funny. Probably not, though, because every episode following the pilot has followed the same trend and I’m still not laughing as much as I would have hoped.

Every single episode kind of follows the same formula and that is Todd dealing with an issue involving the differences between American culture and Indian culture. Some of the jokes work but a lot of them don’t and the reason why is that they keep reverting to this standby of taking an American turn-of-phrase and having one of the Indian characters repeat it using a funny accent and saying it in the style of… well… an Indian. Here’s an example:

Gupta: As you say in America, it looks like you are up a creek and have forgotten your paddle. Also, this is a creek of feces… a most unpleasant creek for you.

See what I mean? That line was one of the funnier ones but every episode is full of these and it gets a little stale when there’s a dozen of those per episode because you really just start expecting it. Like I said, it’s the kind of thing that works sporadically in a feature film but it can’t carry a series. Just think of how well it worked during the few cameo scenes with Mooj (Gerry Bednob) in The 40 Year-Old Virgin (and it was even funnier because he was so foul-mouthed).

WARNING: NSFW (LANGUAGE, SEXUAL REMARKS)

But you wouldn’t want a whole series based around that (foul language and sexual remarks notwithstanding). It would be like having an entire series based around people who tried to speak American English but they also sounded like Yoda. It would be funny the first couple of times but it would lose its appeal rather quickly.

Beyond that, though, these characters are very likable and although the different scenarios all have the same general premise, I find myself still wanting to tune in every week. It’s very charming.

So, in the end, Outsourced is an enjoyable show even if it’s not as funny as I would have expected and it does have the potential to pick up steam and become a lot funnier with a little bit of effort on the writer’s part.

Watch full episodes of Outsourced, here.

Fall 2010 TV Preview – Thursdays

Part Four of the Seven Six Part Series (This has been edited because  I realized that there’s nothing on Saturdays but College Football, COPS and America’s Most Wanted.  Do you really need a review of those?)

Thursday

8:00 p.m.

ABC:     My Generation (September 23, 2010 – NEW SERIES!)

What a difference ten years can make. In 2000, a documentary crew follows a disparate group of high schoolers from Greenbelt High School in Austin, TX as they prepare for graduation, then revisits these former classmates ten years later as they return home to rediscover that just because they’re not where they planned doesn’t mean they’re not right where they need to be.

These students couldn’t wait to graduate and head out into the real world. But the world they were entering got very real very fast. As these classmates return home to revisit their old hopes for their future, they’ll discover that, even if you don’t get exactly what you thought you wanted out of life, it’s not too late to get what you need. – ABC

Shawn: OK, ABC, that’s enough already with the pseudo-documentaries.  It’s becoming as overused as 3-D is for feature films and like 3-D it’s just a cheap gimmick to try to convince people that your crap show really isn’t a crap show.  Do you think audiences aren’t going to notice that this show is no different from any other show about 20-somethings from different walks of life who all have something in common that brings them together?  This entire premise alone is going to piss off your target demographic for that hour (namely me) because it points out how old I am at 35 compared to these knuckleheads.  Don’t need that, sorry.  Despite the fact that the show makes me feel old, let’s be honest, it just looks dopey.

8:30 p.m.

CBS:     $#’! My Dad Says – (September 23, 2010 – NEW SERIES!)

$#*! MY DAD SAYS (pronounced “Bleep My Dad Says”), based on the popular Twitter feed by Justin Halpern, stars Emmy Award winner William Shatner as Ed Goodson, a forthright and opinionated dad who relishes expressing his unsolicited and often wildly politically incorrect observations to anyone within earshot. Nobody is safe from Ed’s rants, including his sons, Henry, a struggling writer-turned-unpaid blogger; and Vince, the meek half of a husband/wife real estate duo with domineering Bonnie. When Henry finds he can no longer afford to pay rent, Ed reveals a soft spot and invites Henry to move in with him. Henry agrees, knowing that the verbal assault will not abate and now there will be no escape. Describing their father/son relationship is tricky, but Ed will easily come up with a few choice words. – CBS

Shawn:

This is by far the most unfortunate post I have to write.  You see, I’ve been a big fan of Justin Halpern’s Twitter Page “Shit My Dad Says” for well over a year now and of course, I’m a huge fan of all things The Shat is involved with but I’m sorry to say that this is going to suck.  Not only is it EVERYTHING that I absolutely hate about sitcoms with the recycled and clichéd jokes, characters and plots it’s 180 degrees backwards of the whole premise of “Shit  My Dad Says!”  Just watch the trailer below to see what I’m talking about but first read this from Amazon in which Halpern explains the premise of the book bearing the same title:

‘At 28 years old, I found myself living at home, with my 73-year-old father. As a child, my father never minced words, and when I screwed up, he had a way of cutting right through the bullshit and pointing out exactly why I was being an idiot. When I moved back in I was still, for the most part, an idiot. But this time, I was smart enough to write down all the things he said to me.’

Now please explain to me how a wise-cracking jerk of a father, who’s apparently pretty senile and his sensitive and always correct progeny bear any resemblance to the description you just read FROM THE GUY WHO INVENTED THE THING?!

The answer is simply that they don’t resemble each other whatsoever but Halpern isn’t stupid.  He must know that this is garbage and that his new-found fame from this silly little twitter account will be over in about 15 minutes and he’s cashing in while he can and you know what?  I don’t blame him whatsoever.  If a bunch of no-talent hacks like the cast of Jersey Shore or The Hills or Keeping up With the Kardashians can get paid, why not a guy who has actually made millions of people laugh?  But please, be honest and don’t kid yourself into thinking that this is going to be anything but the highest level of suckitude©.  Believe me, I sincerely hope I’m wrong about this, but I know I’m not.

AND WHY THE HELL IS HALF THE CAST OF MADtv IN THIS???

NBC:     Community – (September 23, 2010)

Shawn: I have to admit, I’m a convert to Community.  When it debuted in 2009, I had high hopes for it because it looked clever and starred E’s Joel McHale (The Soup) and he’s always clever and funny.  It took me three episodes to be very disappointed.  Then, around Christmas-time (I think), I was in the garage working on a project and NBC was running a back-to-back marathon of the sitcom and I completely changed my mind.  Community improved dramatically and is very funny. I definitely recommend Community.

Watch full episodes of Community, here.

… And check out this great sneak preview, here.

9:00 p.m.

The CW:     Nikita (September 9, 2010 – NEW SERIES)

When she was a deeply troubled teenager, Nikita (Maggie Q, “Live Free or Die Hard,” “Mission Impossible 3”) was rescued from death row by a secret U.S. agency known only as Division, who faked her execution and told her she was being given a second chance to start a new life and serve her country. What they didn’t tell her was that she was being trained as a spy and assassin. Throughout her grueling training at Division, Nikita never lost her humanity, even falling in love with a civilian. When her fiancé was murdered, Nikita realized she had been betrayed and her dreams shattered by the only people she thought she could trust, so she did what no one else before her had been able to do: she escaped. Now, after three years in hiding, Nikita is seeking retribution and making it clear to her former bosses that she will stop at nothing to expose and destroy their covert operation. – The CW

Shawn: I’ve already done a full review of Nikita, see it here.  Good but not great.

Watch full episodes of Nikita, here.

FOX:     Fringe (September 23, 2010)

Shawn: Fringe is one of my favorite shows on TV currently.  If you haven’t watched it before it’s like The X-Files on steroids with a J.J. Abrams spin.  The stories are great, the characters are well-developed and it’s grown into a wonderful and fascinating story arc.  For those of you who are new to the series, don’t bother starting in, now.  You’re going to have to go to Netflix and add the first two seasons to your queue, or you’ll be completely lost, but it’s certainly worth saving the new episodes on the divver recordification device for when you’re done watching the old episodes.

Watch full episodes of Fringe, here.

NBC:     The Office (September 23, 2010)

Shawn: Every time that I think The Office has run out of steam, it does something that keeps me coming back for more.  Looking forward to yet another year at Dunder Mifflin.

Watch full episodes of The Office, here.

9:30 p.m.

NBC:     Outsourced (September 23, 2010)

“Outsourced” is NBC’s new workplace comedy series centered around a catalog-based company, Mid America Novelties, that sells American novelty goods including whoopee cushions, foam fingers and wallets made of bacon, and whose call center has suddenly been outsourced to India.

After recently completing Mid America Novelties’ manager training program, Todd Dempsy (Ben Rappaport, off-Broadway’s “The Gingerbread House”) learns that the call center is being outsourced to India, and he is asked to move there to be the manager. Having never ventured out of the country, he is unprepared for the culture shock. Overwhelmed, Todd discovers that his new staff needs a crash course in all things American if they are to understand the U.S. product line and ramp up sales from halfway around the world.

The sales team Todd inherits includes Gupta (Parvesh Cheena, “Help Me Help You”), a socially awkward employee; Manmeet (Sacha Dhawan, BBC’s “Five Days II”), a young romantic who is enamored with America; Asha (Rebecca Hazlewood, BBC’s “Doctors”), a smart, striking woman who finds herself intrigued by Todd; Rajiv (Rizwan Manji, “Privileged”) the assistant manager who wants Todd’s job; and Madhuri (Anisha Nagarajan, Broadway’s “Bombay Dreams”), a wallflower who suffers from extreme shyness.

Todd also discovers other transplants working in his office building, including an American expatriate, Charlie Davies (Diedrich Bader, “The Drew Carey Show”), who runs the All-American Hunter call center, and Tonya (Pippa Black, “Neighbours”), a beautiful Australian who runs the call center for Koala Air. – NBC

Shawn: I don’t know what appeals to me more, the politically incorrect tone of this series or the fact that it looks absolutely hilarious.  I also like the premise that they telemarket novelties like rubber vomit and whoopee cushions.  Looking forward to this, I hope the show can live up to the hype in the trailer.

NEXT: Friday