We’re a little late on the draw on this, but dammit, upfront week was flippin’ tiring and we’re trying to catch up. A&E’s hit summer series from last year The Glades (which we loved) roars back like a hurricane this Sunday night, June 5th, at 10:00 p.m. Good times indeed. Here’s the trailer for the new season and a little sneak peek at what we have to look forward to with Detective Jim Longworth and the rest of the characters:
Via Press Release:
A&E’S HIT SCRIPTED DRAMA “THE GLADES” SEASON 2 PREMIERES
SUNDAY, JUNE 5 AT 10PM ET/PT
SERIES STARS MATT PASSMORE, KIELE SANCHEZ, CARLOS GOMEZ AND MICHELLE HURD
NEW YORK – April 21, 2011 – Season two of the hit A&E original scripted drama series “The Glades,” starring Matt Passmore, Kiele Sanchez, Carlos Gomez and Michelle Hurd premieres Sunday, June 5 at 10PM ET/PT. The second season will feature thirteen one-hour episodes.
In its first season, “The Glades” became the most-watched drama series in network history, averaging 3.1 million total viewers. These ratings propelled A&E to ad-supported cable’s number one network on Sunday nights among total viewers.
In “The Glades,” Passmore stars as Jim Longworth, an attractive and brilliant Chicago homicide detective with a reputation for being difficult. When his captain wrongfully accuses him of sleeping with his wife and shoots him, he is exiled and forced to relocate. He lands in the sleepy, middle-of-nowhere town of Palm Glade, outside of the Florida Everglades, where sunshine and golf are plentiful and crime is seemingly at a minimum. But Longworth soon finds out this town isn’t quite as idyllic as he originally thought, when murders keep piling up. Each case pulls Longworth off the golf course and reluctantly into his element as one of the sharpest homicide detectives to wear a badge.
In the season premiere, the daughter of a notorious Cuban mobster turns up dead in a Little Havana alley, and Longworth and the rest of the Florida Department of Law Enforcement must solve her murder to prevent an all-out war between two rival mob families. Meanwhile, Callie (Sanchez) prepares for her husband’s release from prison.
“The Glades” is produced by Fox Television Studios for A&E Network. The series executive producers are Clifton Campbell (“White Collar,” “Profiler,” “21 Jump Street”) for Innuendo Productions and Gary Randall (“Saving Grace”) for Grand Productions, Inc. The series is created by Clifton Campbell.
About Fox Television Studios
Fox Television Studios produces scripted and unscripted programming for US broadcast and cable networks, and international broadcasters. In addition to “The Glades,” hit series include “Burn Notice” and “White Collar” for USA, and “The Killing” for AMC. The studio also is in production on the pilots “Outlaw Country” for FX, “Three Inches” for SyFy, and “Wild Card” and “Over/Under” for USA. Fox TV Studios also produces the reality hits “The Girls Next Door,” “Kendra and Holly’s World” for E!, and will launch this summer the late-night comedy series “In the Flow with Affion Crockett” for FOX.
About A&E Network
A&E is “Real Life. Drama.” Now reaching 100 million homes, A&E is television that you can’t turn away from; where unscripted shows are dramatic and scripted dramas are authentic. A&E offers a diverse mix of high quality entertainment ranging from the network’s original scripted series, including “The Glades,” to signature non-fiction franchises, including the Emmy-winning “Intervention,” “Dog the Bounty Hunter,” “Hoarders,” “Billy the Exterminator” and “Storage Wars,” and the most successful justice shows on cable, including “The First 48” and “Manhunters.” The A&E website is located at www.aetv.com.
BLUE BLOODS is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York City Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief. A source of pride and concern for Frank is his eldest son Danny, a seasoned detective, family man, and Iraqi War vet who on occasion uses dubious tactics to solve cases. The sole Reagan woman in the family, Erin, is a N.Y. Assistant D.A. and newly single parent, who also serves as the legal compass for her siblings and father. Jamie is the youngest Reagan, fresh out of Harvard Law and the family’s “golden boy;” however, unable to deny the family tradition, Jamie decided to give up a lucrative future in law and is now a newly minted cop. Jamie’s life takes an abrupt turn when he’s asked to become part of a clandestine police investigation even his father knows nothing about, and one that could impact the family’s legacy. – CBS
Shawn: Blue Bloods is one of the most anticipated dramas this Fall for good reason. Simply look at this cast. Your leads are Tom Selleck, Donnie Wahlberg, and Bridget Moynihan… all television and film superstars (Len Cariou is no slouch either). Superstars like that don’t just arbitrarily sign on to do a show if they don’t already know it’s brilliant. The concept is definitely unique. An original cop show that focuses on a multigenerational family of cops and all of the dynamics that go along with that. I’m very excited about Blue Bloods.
The Review:
9 out of 10
Yes, I know Blue Bloods has been on for over a month but good things come to those who wait.As noted by the preview, I knew Blue Bloods was going to be good, but I didn’t expect it to be as good as it is and I really wanted to do the show justice by watching several episodes and taking notes before I reviewed it.
Unlike other cop/legal procedurals, Blue Bloods isn’t beating you over the head with preachy, one-sided political propaganda (see: Outlaw, The Whole Truth, Boston Legal, Law & Order – the entire franchise) telling you what your opinion should be on various issues. Rather, every week, there’s a new and original plotline that invariably leads to a politically volatile issue and instead of the producers having the protagonists all carry the torch for one side of the issue without any inclination that a contrary opinion even has any merit, they intentionally present both sides as having merit and leave it to the audience to decide.
What makes this even more effective is the plot-device they use to address these issues: the family dining room table. It’s a fantastic and effective metaphor because it’s representative of not only how families often talk about the issues of the day so it’s relatable on that level but it’s also representative of American culture as a whole. Americans have vast and varying opinions on all ranges of political issues and like family members discussing them, the debates can also get quite heated as passions get involved.
The question that comes into play quite often is balancing act of following the law and doing what is the morally correct thing to do, because as we all know, the two don’t always coincide.
****(MINOR SPOILER ALERT!)****
Example: in the pilot Danny (Donnie Wahlberg – Boomtown, Band of Brothers) is faced with a dilemma. A ten year-old girl has been abducted and time is running out. He and his partner have found the kidnapper/deviant yet he will not tell them where the girl is. Danny proceeds to beat the confession out of the suspect specifically by repeatedly putting his head in a toilet bowl. Call it a poor-man’s waterboarding.
Now, no one would ever suggest that they we would want our police coercing confessions out of suspects using violence or torture, but on the other side of the coin, if you were the parent of that ten year-old wouldn’t you want Danny Reagan doing whatever he could no matter how much outside the constraints of the law it was to find your little girl even if it meant that he violated a pervert’s civil rights along the way? I know that I sure as Hell would. But, that of course leads to the inevitable question of, “Where do you draw the line?”
The truth is that with all issues, there is no “black and white,” just varying shades of gray and Blue Bloods recognizes this whereas most dramas treat the audience with an air of condescending superiority suggesting that they are too stupid to figure out right from wrong on their own without Hollywood explaining it to them. Blue Bloods respects its audience and because of that provides compelling, though-provoking drama every week.
These characters couldn’t have been written any better. They are nothing like the clichéd shells that you expect on most shows. Frank Reagan (Tom Selleck – Boston Legal, Magnum, P.I.), is the patriarch of this family and he deeply loves and cares about all of his children and unlike other cookie-cutter TV characters Frank wears his heart on his sleeve. There is a particularly touching scene between Danny and Frank where Frank expresses concern about his son’s well-being after coming back from war and lets him know that there’s no shame in talking to someone (a therapist) about it.
Now, how about that for a change in pace from the old gruff, TV cop/dads who would have just told their kid to suck it up and get over it. On the contrary, you can see the concern on Frank’s face when he’s having this discussion with Danny the same way any REAL dad would have if they were worried about their own kid.
The surprise to me on this show is Jamie (Will Estes – American Dreams, Reunion) because I didn’t think his character was going to be that compelling and quite honestly, Estes’ résumé is kind of thin. Not only is he doing an excellent job with developing his character as a rookie cop on a beat in the shadow of his big brother, but the writers have done an excellent job making him the focal point of the aforementioned clandestine investigation because he’s the last guy in the world you would ever think would be tapped for an undercover investigation of other cops. Oh, and by the way, did I mention that John Torturro (Third Watch, NYPD Blue) plays Jamie’s partner and mentor, Sgt. Anthony Renzulli. How ’bout them apples, huh? Like I said, this cast has some stones.
Bridget Moynihan (I Robot, Lord of War) does very well as the idealistic academic A.D.A., Erin Reagan-Boyle, constantly butting heads with the men in the family and she holds her own very well with the boys. As far as father to Frank and former police chief Henry Reaganthey couldn’t have casted anyone better than noted character actor Len Cariou (Damages, Brotherhood) . Nowadays, Henry is more concerned with spending time with his family and putting together toys for the grandkids but he’s always happy to throw his two cents in on the issue of the day… especially around that family dining room table.
Blue Bloods is one of the best three new shows on TV this fall and I’m thrilled that it’s finding success on Friday nights as well as the fact that it was on opposite of NBC’s failed series Outlaw to highlight just how bad that show was and just how well a police/legal procedural can be made when there’s some effort and talent behind it.
The Glades stars Australian actor Matt Passmore as Jim Longworth, an attractive, brilliant, yet hard to get along with homicide detective from Chicago who is forced into exile after being wrongfully accused of sleeping with his former captain’s wife. Longworth relocates to the sleepy, middle-of-nowhere town of Palm Glade, Florida, where the sunshine and golf are plentiful and crime is seemingly at a minimum. But this town outside the Florida Everglades isn’t quite as idyllic as he thought, as he finds people keep turning up murdered. Each case pulls Longworth off the golf course and reluctantly into his element as one of the sharpest homicide detectives in the field. (A&E)
8.5 out of 10
I’ve been watching police procedural shows for years and I hate most of them that people seem to drool over. I gave up on the entire Law & Order franchise years go, I was never a fan of NYPD Blue (although I concede that it was occasionally entertaining) and I absolutely hate the inane CSI franchise and question the intelligence of the millions of fans who think that it’s actually any good. I could go into my hatred of CSI all day but I’m reserving that for a separate post. Needless to say, for a police procedural to really get my attention it has to be unique and well-written, but most importantly it has to be character-driven as opposed to event-driven which is what most of the generic police fare is. A few of the shows that really stand out in this genre and meet those standards over the last decade for me are The Wire (HBO), the short-lived but brilliant Boomtown (NBC), The Shield (FX) and most recently, one of my favorite new shows, Justified (FX, review forthcoming). Well, add The Glades to that list.
Like its predecessors, The Glades weaves excellent storytelling around and a well-written group of complex supporting characters with a central character that not only brings it all together but stands out as the reason to come back week-to-week.
Passmore is brilliantly cast as Longworth, which is really no small feat because the truth is that the character could easily come off as the clichéd cocky, big fish/small pond, I’m-smarter-than-all-of-these-small-town-hicks cop who every week learns a little lesson from living in small town America that gives him a greater appreciation for his colleagues. We, of course, have seen this more than once in TV and film and of course we’re bored by it. Instead, though, Longworth, cocky as he is, is cocky for a reason: he’s a really good cop, knows it, but isn’t arrogant about it. It’s just kind of a matter-of-fact deal with him but he respects his fellow colleagues who are competent and though he’s tolerant of his unmotivated colleagues like his partner, he recognizes their weaknesses and just goes about his business to make sure that they don’t impede his work. The point is that unlike other clichéd cops on TV, Longworth isn’t all up in anybody’s face about how good he is and how bad anyone else is, he just does the job and does it well. The character is witty and sarcastic and as a viewer you appreciate his ability to think outside of the box to bring clues together from unexpected sources.
Another reason why I put The Glades into the category of unique police procedurals is because it does something that most cop shows really don’t do: it makes the town of Palm Glades, Florida as important of a supporting character as anyone else in the cast, as opposed to just a backdrop for the drama. All of the other shows I mentioned all have this in common. The Wire with Baltimore, The Shield and Boomtown with Los Angeles and Justified with Leland, Kentucky. I always appreciate shows that understand that the locale is an integral character to any good story. It provides a depth to all of the live characters and their perspectives and it acts as a device to truly engage the audience, giving them a sense that they too, truly know what it’s like to be from Baltimore, L.A. or even Leland, Kentucky, even though they may have never even been there before. This approach has been done in film for decades but it is a relatively new concept in television and almost non-existent on network television. That being said, it’s entirely refreshing that a central character of The Glades is the Glades itself.
The pilot was excellent and the writing near flawless, albeit a bit rushed at the end because it’s obvious that they were trying to cram character development/establishment and a complex plot all into one hour (NOTE TO A&E: If a show is as good as The Glades is, a two-hour pilot will keep our attention). The story takes us on Longworth’s journey to connect clues and if you blink, you might miss something which is of course the true sign of a good mystery. The twist at the end is brilliant and of the quality you would expect from premium channels like HBO or Showtime (again, I just wished it wasn’t so rushed) and believe me, unlike everyone spoiling Shutter Island by telling you there’s a twist and ergo you expected it (and like me, probably figured it within the first 20 minutes), it is highly unlikely you will expect this particular twist even though you know one is coming. I just hope that they keep the twists coming like this every week.
You can watch the entire pilot episode right here on A&E’s website if you missed it or don’t have cable (make sure to scroll down and choose Pilot as the latest episode will automatically play when you click the link) and in fact, it looks like you can catch all of the episodes online (yay!).
The SuperGeeks Super Blog 