Showtime: Weeds Canceled After Eight Seasons

On June 13th, Showtime officially announced the cancellation of the successful Comedy Weeds after eight seasons.  This was not unexpected and though we’ve really never gotten into the show (we don’t attach ourselves to many half-hour comedies, it’s nothing personal), we think it’s a nice touch for the series and the fans that the show goes out on a scheduled high-note as opposed to having to wait to find out whether the ratings gods would have the last word.  It’s obvious that this was planned well in advance so that means that they have written a resolution to the series into the storyline and for that, they are to be commended.  On that note, Showtime President of Entertainment David Nevins had this to say:

“TV fans love nothing better than to complain about how shows end and we really want to end this one the right way.”

Couldn’t agree with you more, David.

Via Press Release:

Eighth & Final Season of the Network’s Long-Running Hit Comedy Series to Bow July 1st at 10 PM ET/PT

LOS ANGELES, CA – (June 13, 2012) – The show that introduced America to a pot-dealing soccer mom and changed the face of the network is sparking up its final toke: after eight Unforgettable, jaw-dropping seasons, WEEDS is coming to an end. SHOWTIME will air the final 13 episodes beginning Sunday, July 1st at 10:00 p.m. ET/PT. In addition, the series will achieve a much-coveted television milestone: the 11th episode of the season will mark the series’ 100th. Created by Jenji Kohan and produced by Lionsgate, WEEDS has been honored with multiple award nominations, including 21 Emmys®, 10 Golden Globes® and six SAG® Awards over the course of its seven seasons on air. Its success put SHOWTIME on the map as a destination for top-quality original series and set the stage for hits like DEXTER®, Nurse Jackie, Californication and Homeland.

“WEEDS has been a seminal series for SHOWTIME and was key in establishing the network as a home for great original programming,” said David Nevins, President of Entertainment, Showtime Networks Inc. “It has had a groundbreaking run, and will be one of the longest-running comedies in the history of cable. It was very important to us that we bring the story of Nancy Botwin and her family to a satisfying conclusion for the devoted fans who have spent years following these characters. Jenji has surprised us every step of the way with her storytelling and I am confident in her plan for a spectacular series conclusion.”

Since its debut on August 7, 2005, viewers have watched and marveled as Nancy Botwin (series star Mary-Louise Parker in her Golden Globe Award-winning role) progressed from a suburban widow who turned to selling dime bags to make ends meet for her family to a full-fledged marijuana queenpin. She was aided by brother-in-law Andy (Justin Kirk) to help raise her sons Silas (Hunter Parrish) and Shane (Alexander Gould) – along with fellow Agrestic neighbor Doug (Kevin Nealon) in constant tow. Her narcissistic, danger-junkie antics paved the way for future sympathetic yet highly flawed anti-heroes who have since become standard television fare. The show and its many signature moments (including Nancy setting Agrestic ablaze, Shane’s croquet mallet-bludgeoning, Andy’s dog-eaten toes and self-gratification speech, the Armenian mafia Mexican stand-off, etc.) generated critical acclaim, a legion of fans and watercooler buzz for their sheer outrageousness.

“WEEDS was a groundbreaking series for us,” said Kevin Beggs, President, Lionsgate Television Group. “The brilliant work of Jenji Kohan, Mary-Louise Parker and the entire cast and creative team — and the resulting popularity of the series both here and abroad – were game-changing for our TV division and set the stage for all the shows we’ve produced since. Though it will be hard to say goodbye, this last season will be an exciting one that we trust will reward fans with a conclusion befitting their support and loyalty for so many years.”

For the final season, it’s back to the ‘burbs for the Botwins. The fallout from the shot heard round the Tri-State area will transform everyone for the better, at least initially. The tragedy has caused Nancy to turn over a new (pot) leaf and return to her pre-dealing soccer mom ways. Meanwhile, Andy finds some semblance of love with someone uncomfortably close to Nancy, and Doug uses his hedge-fund money in a surprisingly good way. But just as it was in Agrestic, nothing is as serene as it seems in Old Sandwich, Connecticut. Just how long before the Botwins return to their old ways and blow up this new neighborhood, literally and/or figuratively, will remain to be seen.

About Showtime Networks Inc.:

Showtime Networks Inc. (SNI), a wholly-owned subsidiary of CBS Corporation, owns and operates the premium television networks SHOWTIME®, THE MOVIE CHANNEL and FLIX®, as well as the multiplex channels SHOWTIME 2, SHOWTIME® SHOWCASE, SHOWTIME EXTREME®, SHOWTIME BEYOND®, SHOWTIME NEXT®, SHOWTIME WOMEN®, SHOWTIME FAMILY ZONE® and THE MOVIE CHANNEL XTRA. SNI also offers SHOWTIME HD, THE MOVIE CHANNEL HD, SHOWTIME ON DEMAND® and THE MOVIE CHANNEL ON DEMAND, and the network’s authentication service SHOWTIME ANYTIME®. SNI also manages Smithsonian Networks, a joint venture between SNI and the Smithsonian Institution, which offers Smithsonian Channel. All SNI feeds provide enhanced sound using Dolby Digital 5.1. SNI markets and distributes sports and entertainment events for exhibition to subscribers on a pay-per-view basis through SHOWTIME PPV®.

Showtime Reveals Summer Schedule With Announcements Of Weeds And Episodes Premiere Dates

Showtime has announced premiere dates for the eighth season of Weeds and the second season of Episodes.  On Sunday, July 1st, Weeds will premiere at 10:00 p.m. followed by Episodes at 10:30 p.m.  In what might be its final season, Weeds will air 13 episodes and Episodes will air nine episodes.  Read the full press-release below.

Via Press Release:

LOS ANGELES, CA – (March 14, 2012) – It’s going to be a sizzling summer of comedy on SHOWTIME with the season premieres of the hit series WEEDS (10 p.m. ET/PT) and EPISODES (10:30 p.m. ET/PT) on Sunday, July 1st. Thirteen half-hour episodes of WEEDS’ eighth season go into production in Los Angeles in April, and nine half-hours of EPISODES’ second season recently wrapped production in London and Los Angeles.

WEEDS stars Mary-Louise Parker in her Golden Globe® Award-winning performance as Nancy Botwin, a former suburban widow who turned to selling marijuana to make ends meet and has bloomed into a full-fledged queenpin. The series is created by Emmy® Award winner Jenji Kohan and produced by Lionsgate.

EPISODES stars Matt LeBlanc, in his recent 2012 Golden Globe Award-winning role as a fictional version of himself.  EPISODES is a co-production between SHOWTIME Networks in the U.S. and the BBC in the UK, written and executive produced by David Crane (Friends, The Class) and Jeffrey Klarik (Mad About You, The Class). Jimmy Mulville executive produces through his successful Hat Trick production company (Whose Line Is It Anyway?, Worst Week).

The WEEDS season finale was punctuated at a family dinner by a fateful bullet from a lone gunman. Which of our beloved Botwins was the target and who pulled the trigger? Last season jumped ahead three years and picked up with Nancy finishing a stint in federal prison. She, her brother-in-law Andy (Justin Kirk) and sons, Silas (Hunter Parrish) and Shane (Alexander Gould) – with Doug (Kevin Nealon) in tow – were reunited in New York City where she re-launched her pot business, worked at a hedge fund, and fought for custody of her son, little Stevie, from her sister Jill (special guest star Jennifer Jason Leigh).

The second season of EPISODES picks up four months after the finale with Sean (Stephen Mangan) and Beverly (Tamsin Greig) no longer living together, but forced into an Awkward working relationship with Matt, as Pucks! goes from a pilot to full-blown series. As Beverly struggles to save her marriage, Matt is determined to save his “bromance” with Sean, and all of them are forced to try to save Pucks! as its ratings start to plummet and the pressure mounts. EPISODES centers around Sean and Beverly, a husband–and-wife producing team who are forced to navigate the many pitfalls of the Hollywood television business when their successful British show is brought to America, and the U.S. network insists on making the show more audience friendly by replacing their venerable thespian lead with…Matt LeBlanc.  Season one left off with Beverly and Sean’s comedy, Lyman’s Boys, mangled beyond recognition by the Hollywood powers-that-be into Pucks!, a sitcom about a high-school hockey coach starring Matt LeBlanc. When Beverly sleeps with Matt in a moment of drunken madness, her marriage is left as battered as the state of their TV show.

Summer Sci-Fi Alert! TNT’s Falling Skies Two Hour Premiere – Sunday, June 19th At 9:00 p.m.

FALLING SKIES opens in the chaotic aftermath of an alien attack that has left most of the world completely incapacitated. In the six months since the initial invasion, the few survivors have banded together outside major cities to begin the difficult task of fighting back. Each day is a test of survival as citizen soldiers work to protect the people in their care while also engaging in an insurgency campaign against the occupying alien force. 

At the center of the series is Tom Mason (Noah Wyle), a Boston history professor whose family has been torn apart. His wife was killed in the initial attack, and one of his three sons has been captured. Determined to get his son back and to ensure the safety of his other two sons, Tom must put his extensive knowledge of military history to the test as one of the leaders of the resistance movement known as the 2nd Mass, because of their location in Boston, Mass. They are constantly trying to gain intelligence about the aliens in order to one day outsmart and overtake them and hopefully rebuild their lives. 

Moon Bloodgood (Terminator Salvation) co-stars as Anne Glass, a pediatrician who works with the surviving children to help them cope with the traumatic upheaval in their lives. Will Patton (Armageddon, TNT’s Into the West) plays a fierce leader of the resistance, Weaver. The series also stars Drew Roy (Secretariat) as Hal, Tom’s oldest son and a growing fighter in the resistance movement; Maxim Knight (Brothers & Sisters) as Matt, Tom’s youngest son; Connor Jessup (The Saddle Club) as Ben, Tom’s son who was captured by aliens; and Seychelle Gabriel (Weeds) as Lourdes, an orphaned teenager who helps Anne in the group’s makeshift medical clinic. Colin Cunningham (Living in Your Car) is John Pope, the leader of an outlaw motorcycle gang and Sarah Carter (Shark) is Margaret, a wary survivor of Pope’s gang. 

FALLING SKIES focuses on the resilience of the survivors and their determination to maintain their humanity when all else has been destroyed. It is a tale of endurance, commitment and courage in which everyday people are called upon to become heroes. They may be outmatched, outnumbered and outgunned, but nothing can beat the human spirit. Most of all, the series is about the ties that bind people together in the most difficult of circumstances. 

The aliens in the series are mighty, mysterious and merciless. They are highly intelligent and use military-like tactics, which makes them an overwhelming force against the 2nd Mass. There are two types of aliens that the human survivors have named Skitters and Mechs. Combining live action and special visual effects, the Skitters have spider-like bodies and incredible strength and agility. The deadly, robotic Mechs stand upright and can shoot bullets from their arms. The aliens control captured children, like Tom’s son Ben, through bio-mechanical harnesses but have yet to reveal their ultimate plan for them. 

FALLING SKIES is executive-produced by Steven Spielberg, along with DreamWorks Television heads Justin Falvey and Darryl Frank, Graham Yost (Justified, The Pacific) and screenwriter Robert Rodat. Rodat, who earned an Oscar® nomination for his screenplay for Saving Private Ryan, wrote the pilot from an idea he co-conceived with Spielberg. Mark Verheiden (Heroes, Battlestar Galactica) and Greg Beeman (Heroes, Smallville) are co-executive producers. The pilot was directed by Carl Franklin (One False Move, Out of Time).  – TNT

Official Trailer:

Longer First Look Extended Trailer:


Steven Spielberg

So, here’s the question of the month:  How the H-E-Double-Hockey-Sticks did we miss this. Seriously, we’re genetically predisposed to have the first scoop on all new SciFi programming out there.  This is just embarrassing.  We only heard about Falling Skies yesterday when we saw the trailer on TNT and thought it was for a summer blockbuster that we didn’t know about.

That being said, this looks exceptionally well-done for basic cable with Dreamworks producing it and Steven Spielberg heavily involved with creating the aliens. Dare we say, it looks even better than Terra Nova and we think it has a better chance of staying on the air for a second season then TN as well because basically they’ve done everything right, so far, as far as production of Sci-Fi television is concerned.

  1. Yes... yes they do.

    It’s on Basic Cable and NOT on a Major Network. Better yet, it’s on TNT which overall in 2010 was the #4 cable Network on television and #2 for original non-niche scripted programming (for clarification, Disney and ESPN, #2 and #3, respectively, are niche networks) behind only USA.  The expectation for high audience numbers is dramatically lower on basic cable than it is on major network which is a luxury that TN doesn’t have on FOX and to make matters worse for TN, over the past decade, Sci-Fi is DEAD on Network television for this generation of audiences and has been an abysmal failure every time it’s been attempted and this dovetails into the next advantage for renewal FS has…

  2. $$$$ Because FS is on basic cable, the production costs will be dramatically lower than any show on a major network and considering that TN is the most expensive show in the history of television, we can only imagine that the production costs of FS is infinitesimal in comparison to TN.  Again, this goes back to the ratings expectations that TNT will have for  FS as opposed to what FOX will have for TN. One of the biggest factors a show has to overcome is production costs.  When  24 was canceled last year, even though the ratings were continuing to drop they weren’t particularly awful.  The problem was (besides the fact that the producers admitted that the well had run dry) that the show was just so damned expensive to produce that they couldn’t justify renewing it.  A show has to get high enough ratings in order to justify high ad rates in order to justify high production costs. It’s that simple.  Considering what we said about the recent history of Sci-Fi on network, the advantage again goes to FS.
  3. The real reason why so many Sci-Fi shows are produced in Canada

    “O, Canada, Our Home and Native Land!” As soon as we saw the trailers for FS, the first thing we thought was, “Oh, this has to be being produced in Canada,” and as we confirmed with iMDB, it sure as heck is (Hamilton, Ontario to be precise).   It’s well-known that the key to keeping production costs down dramatically with Sci-Fi television is to film in Canada. Don’t believe us? Take a look at this list of Sci-Fi shows filmed in Canada over the last two decades.  Where is TN being produced? In ridiculously cost-prohibitive Australia which is just adding to the enormous price-tag of that show. Advantage, FS.

  4. Shorter Schedule Beyond the obvious fact that producing more than twice as many episodes per season (22 for TN as opposed to 10 for FS) will cost twice as much for FOX, there’s also a much bigger issue and that is that a 22 episode season, by its nature, will air over the course of an entire television season, in this case (allegedly) 2011 – 2012.  This means long hiatuses and reruns for the show which has proven time and time again to be catastrophic for Sci-Fi and genre which is exactly why they eventually stopped doing it with 24, Lost, and Alias to name a few, instead, choosing to air their entire seasons as mid-season replacements without anything more than the random one week break between new episodes.  Today’s audiences have ZERO patience for serials to begin with, nevertheless Sci-Fi serials,  and they will not tolerate shows that leave them hanging for six weeks to several months at a time.  FS will air new episodes continuously for ten weeks and it’s airing in the middle of summer with no competition from the major networks which is a strategy that continues to be proven successful for basic cable networks.

Finally, 22 episodes of Sci-Fi is just too much for major network television (and no, even though The CW is a major network, they don’t count for the purpose of this discussion for obvious reasons.).  Today’s major network audiences just will not hang in there for 22 episodes of Sci-Fi any more.  Now, we love Fringe and we’re certainly thrilled it got picked up for a fourth season but that is an anomaly and the audience numbers haven’t been particularly great for it which is why it got moved from the middle of the week to Friday to begin with.  The standard 10 – 13 episode seasons for original programming on basic cable works just fine for Sci-Fi. Advantage, FS.

Will the real Slim Shady please stand up?

So why are we so excited about FS? Well, first, the trailers look fantastic and yes, we know it’s not a particularly original concept stealing aspects from The Terminator, Battlestar Galactica, V,  The Road, Independence Day and War of the Worlds, to name a few (not to mention that the whole “stealing children and technologically altering them” concept is eerily similar to the Borg in Star Trek) but heck, we like that kind of Sci-Fi because it invariably promises us great action and character development.  We also don’t think that it’s a coincidence that Noah Wyle looks like he was separated at birth from Terminator: Salvation star and leader of the resistance Christian Bale (John Connor).

Along with the great action, though, is that shows like this invariably raise thought-provoking philosophical questions about humanity, often without the audience realizing it until after it’s happened. This is one of the marks of great Sci-Fi storytelling which this particular brand of Sci-Fi excels at and we really expect nothing less considering the heavy hitters that are on board for this and their experience and success they bring to this in the writing and production department (see the last paragraph of the show description at the top).

Also, just to preempt the inevitable cries of “it’s not an original concept” from the peanut gallery (that have already begun), we’ve got news for you:  there are no original concepts in Sci-Fi anymore. Every concept you can think of has been thought up by someone else in this genre and been done already.  It’s the execution of concept that counts and that’s what will be the deciding factor in FS‘s success or failure.

Check out the official Falling Skies webpage, here.