‘The Cape’ (NBC – Monday, 9:00 p.m.)

“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Vince Faraday becomes “The Cape” – his son’s favorite comic book superhero – and takes the law into his own hands.

Rounding out the cast are James Frain (“The Tudors”) as billionaire Peter Fleming, The Cape’s nemesis who moonlights as the twisted killer Chess; Keith David (“Death at a Funeral”) as Max Milani, the ringleader of a circus gang of bank robbers who mentors Vince Faraday and trains him to be The Cape; Summer Glau (“Terminator: The Sarah Connor Chronicles”) as Orwell, an investigative blogger who wages war on crime and corruption in Palm City; Dorian Missick (“Six Degrees”) as Marty Voyt, a former police detective and friend to Faraday; Martin Klebba (“Pirates of the Caribbean”) as Rollo, member and unassuming muscle of the circus gang of bank robbers; and Vinnie Jones (“Lock, Stock and Two Smoking Barrels”) as Scales, resident thug and cohort of The Cape’s nemesis Chess. – NBC

7 out of 10

*Sigh*

Let’s us start by saying that the relatively high rating that we’ve given The Cape of a “7” is a very qualified “7” and we kind of had to convince ourselves that it was worth the rating. The problem for us in reviewing The Cape is despite its glaring flaws and no matter how much we wanted to give it a rating of about a 5 or 6, we kept coming back to the fact that we really liked it. That being said, if it starts getting stupid, we reserve to take back that VERY generous rating.

Here’s the thing about The Cape: it’s exciting, it is literally a comic book come-to-life, and it’s very well-produced. The problem is that there is nothing original about it at all.

EVERYTHING is a conglomeration of other comic book/superhero and genre story lines and to make it worse, it rips-off elements from the more modern incarnations (see: Sam Raimi’s Spider-Man, Christopher Nolan’s Batman, Jon Favreau’s Iron Man, The Punisher, Robocop, Superman and, yes, even Teenage Mutant Ninja Turtles… to name a few). Now, we’re not suggesting that they use these elements badly, but it’s such an obvious copy-and-paste that you can’t help but notice and cringe… a lot. Hell, they even ripped-off Heroes which would seem like a bad idea considering that NBC just canceled that show.

(Extended Trailer)

Now, that’s the biggest issue with The Cape. The other more irksome issue is the absolute ridiculousness of the action sequences and the visual effects. They are way over-the-top and go beyond the level of, “Well, we’ll just have to suspend our disbelief.” We are personally sick and tired of standard bullets from sub-machine guns and pistols causing fuel tanks explode. Has no one in Hollywood watched Mythbusters?  The only way to make a fuel tank explode into a massive fireball is with with incendiary rounds…. and a FRAKKIN’ mini-gun.

Oh, and one more thing: a human being cannot survive a fall out of a 50 story building by using a car to break their fall. Do you now see why these sequences irk us?

Beyond those problems, though, we hate saying this but this show is a crap-load of fun and has a lot of potential to be one heck of a ride week after week if audiences are patient with it. The characters are pretty are well-developed and the performances are strong and believable and there’s enough complexities with them to flesh out some compelling story lines. It has more the feel of a summer blockbuster than it does a weekly prime-time drama.

What hurts The Cape is the aforementioned lack of originality. On its surface it doesn’t bring anything new to the table and this generation of audience is a fickle lot with genre in prime time. The Cape has a lot of potential to be a great show. Let’s just hope it becomes a great show that people want to tune in to.

Watch full episodes of The Cape, here.

‘The Event’ (NBC – Monday, 9:00 p.m.)

The Event is an emotional, high-octane conspiracy thriller that follows Sean Walker (Jason Ritter, “The Class”), an everyman who investigates the mysterious disappearance of his would-be fiancée Leila (Sarah Roemer, “Disturbia”), and unwittingly begins to expose the biggest cover-up in U.S. history.

Sean’s quest will send ripples through the lives of an eclectic band of strangers, including newly elected U.S. President Elias Martinez (Golden Globe nominee Blair Underwood, “In Treatment”); Sophia Maguire (Emmy Award nominee Laura Innes, “ER”), who is the leader of a mysterious group of detainees; and Leila’s shadowy father (Scott Patterson, “Gilmore Girls”). Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind. – NBC

The Preview (Posted on 9/15/2010):

Shawn:     This is by far the most anticipated show of the new year and for good reason. It’s a spy/action/political thriller à la 24 shown from multiple perspectives with a Lost-type/FlashForward-type mystery to it. The cast is amazing and the effects look killer. This is one of those moral imperative shows. You must watch this. I’d comment more on it but the trailer confused the crap out of me and I still haven’t processed all of it.

The Review:

9 out of 10

Shawn:     First things first: my assumptions about The Event couldn’t have been more prophetic and it doesn’t mean that I’m that great of a judge of a show’s character, it just means that NBC marketed it perfectly. As noted above, I said it looked like Lost and 24 had a baby and considering an hour before it premiered, NBC was quoting Us Magazine (who had seen it) as saying the EXACT SAME THING, I’d say that’s precisely what NBC is going for and it wasn’t a plan that they just dreamt up over the summer.  This has been in the works for almost year, now.

Fans of 24 may not know this, but the last season of 24 (last year’s season 8 ) was not necessarily going to be the end of 24 as of mid-season ’09 – ’10, and in fact, 24‘s ratings weren’t even particularly bad (9.31 million viewers but they were dropping and had been for some time).  Despite the obvious repetitiveness of each season and the notion that the tank was clearly empty (the writers themselves admitted this), 24‘s main problem production-wise was that it was a very expensive show to produce every week and the ratings weren’t high enough for FOX to be able to ask for the advertising dollars they needed to produce it AND keep it profitable. Around the same time, NBC realized that they had made perhaps one of the biggest mistakes of all time in television programming history by completely eliminating their 10:00 p.m. drama slot, Monday through Friday (to save money), in favor of demoting Jay Leno (and, yes, it was a demotion) and putting him in there all week. If you don’t understand how colossal of a mistake this was, consider this: there was serious talk about NBC shutting down completely as a network.

So, in order to save itself from itself, NBC got some new people in and re-evaluated their situation and realized they needed a strong shot in the arm and actually inquired seriously about bringing 24 over to the Peacock Network. Well, then they got a look at the books and found out how much 24 was actually costing and of course 20th Century slapped a ridiculous price tag on it to boot, and NBC said, “Thanks, but no, thanks.”

So, although the idea of 24 never came to fruition on NBC, the concept of reviving the network with a bang was still alive and well and it’s pretty clear NBC REALLY wanted their own 24. They wanted their own 24 so bad that they hired the Executive Producer of 24, Evan Katz to a seven-figure, two-year deal to run The Event.  Truly, though, it’s not just about having their own 24, it’s about having their own Genre show with the built-in audience from the day the pilot airs.  Genre fans are the most dedicated of all television fans and NBC knew this most recently because they had a genre hit with Heroes until it started to suck (and don’t ask me when it started to suck because it’s all a blur to me.  I stuck with it until the December break last year before I was bored to tears with it.  Apparently it started to suck a long time before that.).  So, this is why you see the comparisons to 24, Lost, FlashForward and Heroes and even though Katz  claims that The Event is none of these shows, it really is certainly in the same vein because if it wasn’t, NBC would never have picked it up, nor would they have signed Katz immediately at the end of 24 for a ridiculous amount of money for 2 years.

Which brings up yet another good point about this series:  the confidence NBC has in it.  NBC had the opportunity to get 24 and with it one of the most popular characters in prime-time television history and an automatic large built-in audience carried over from eight previous seasons.  Now yes, there were the cost issues involved with acquiring and producing the series and of course it’s far cheaper to not pay Kiefer Sutherland the $13.2 million per season that he was making on 24, but having the kind of gravitas that 24 brings to your network right out of the gate might even be worth risking the scratch on… that is of course, unless you’ve got a show in the chute that you really believe will take Genre audiences to a whole new level and that is precisely what The Event does.

The Event redefines Genre television for a new generation of fans.  You undoubtedly see elements of 24, Lost, Fringe and FlashForward but the story is very unique, the mysteries are compelling and the style of the series with the repeated time-shifting (i.e., the show goes back and forth in time repeatedly and it’s not consistent), albeit a little difficult to keep up with at times, makes the drama that unfolds that much more intense.

The casting for The Event is very impressive.  Jason Ritter (son of the late John Ritter) is a bit of a newcomer but he seems perfectly cast as the average guy trying to find answers.  The rest of the cast is excellent as well with a lot of well-known television faces and character actors (Blair Underwood, Tony Todd, Laura Innes, Zeljko Ivanek, Clifton Collins Jr., Scott Patterson, Bill Smitrovich, to name a few. ) and no real superstars was very smart for a few reasons.  First, you have seasoned pros on this show who ALL can act (and if I’ve never mentioned this before please understand that all of my favorite actors are character actors).  Second, they come at a much cheaper price than, say, a Kiefer Sutherland would so think of it like a professional sports salary cap: you have the option of having one superstar and a team of mediocre players or a team full of really good players.  The latter is the preferred and it’s a necessity with a new series.  It’s also a necessity because unlike 24, The Event is… well… event-driven and not single-character driven like 24 was.  A show like this requires a diverse ensemble cast as to not distract the audience from the complex and engaging drama that is unfolding.

All in all, The Event is excellent and has truly lived up to its hype so far and I don’t really have any doubt that with Evan Katz at the helm it’s going do anything but get better and better.  This is the best new network show of the season and the only thing even on cable that’s better is Boardwalk Empire.

Watch full episodes of The Event, here and here.

‘Nikita’ (The CW – Thursday, 9:00 p.m.)

When she was a deeply troubled teenager, Nikita (Maggie Q, “Live Free or Die Hard,” “Mission Impossible 3”) was rescued from death row by a secret U.S. agency known only as Division, who faked her execution and told her she was being given a second chance to start a new life and serve her country. What they didn’t tell her was that she was being trained as a spy and assassin. Throughout her grueling training at Division, Nikita never lost her humanity, even falling in love with a civilian. When her fiancé was murdered, Nikita realized she had been betrayed and her dreams shattered by the only people she thought she could trust, so she did what no one else before her had been able to do: she escaped. Now, after three years in hiding, Nikita is seeking retribution and making it clear to her former bosses that she will stop at nothing to expose and destroy their covert operation.

For the time being, however, Division continues to recruit and train other young people, erasing all evidence of their former lives and turning them into cold and efficient killers. One of these new recruits, Alex (Lyndsy Fonseca, “Kick-Ass,” “Desperate Housewives”), is a beautiful girl with a violent past and a story not so different from Nikita’s. After her parents were murdered, Alex’s life completely derailed. Haunted by her horrific past, she ended up drug-addicted and homeless until Division “rescued” her and brought her into the fold.

Division’s top authority, Percy (Xander Berkeley, “Kick-Ass,” “24”) spent years being a good government soldier, taking his role as an insider and using it to turn the secret organization into a lucrative spy-for-hire shop. With Nikita gone rogue, Percy will do whatever it takes to destroy her and protect the empire he’s built, and he often turns to his top lieutenant, Michael (Shane West, “ER,” Once and Again”), for help. Michael trained Nikita when she was a recruit and is now faced with the responsibility of tracking down his renegade student. At the same time, Michael is in charge of training Alex, Nikita’s young replacement, along with other recruits, including Thom (Ashton Holmes, “Boston Legal”), who has been at Division for a year and is anxious to prove himself, and Jaden (Tiffany Hines, “Bones”), a beautiful and tough young woman who challenges Alex at every turn.

The recruits all spend part of their training with Amanda (Melinda Clarke, “The O.C.,” “The Vampire Diaries”), a master manipulator who can turn any ugly duckling into a swan and any bleeding heart into a killer. Her use of psychological warfare and strategy is key to Percy’s entire operation. Amanda has only had one failure during her tenure at Division: Nikita, the recruit she was never able to break.

Nikita also left her mark on Birkhoff (Aaron Stanford, “Traveler,” “X-Men: The Last Stand”), the nonconformist computer genius who was caught hacking into the Pentagon’s system from his college dorm room and was recruited into Division at the same time as Nikita. Birkhoff never admits to anyone that he misses his former colleague, and he has managed to hold onto his own rebel spirit, his geek-speak and his slacker dress code.

This is the world of Division that Alex now finds herself facing everyday, and she is just beginning to understand why the legendary Nikita has dedicated herself to taking them down. – The CW

5 out of 10

This is the second attempt by American television to bring the French film La Femme Nikita (which was turned into the 1993 American film, Point of No Return starring Bridget Fonda) to the small screen and it is the most ambitious and best written and performed yet. That doesn’t mean that it’s great or that I love it.

This is a pretty short review because there’s not much to say about it.  The premise is exactly what the show description says it is and Maggie Q brings sexy to a whole new level here and the violence and action is on par with the best of any action show of the last decade.

The plot is pretty compelling, if not that original but the supporting cast is doing nothing for this show except for Nikita’s protegé Alex who is a plant in Division to bring it down. The only problem with Alex is the ridiculously convoluted way that she was able to infiltrate Division to begin with.

It’s very well shot and is pretty visually stunning and I’m actually pretty impressed with the music arrangement.

At the end of the day, it’s a decent show but I’m not sure how much patience audiences will have for it but I expect to personally give it until at least mid-season.

Watch full episodes of Nikita, here.