May 26 2011

More Fall 2011 Cast Shakeups – FOX: Saffron Burrows Leaving Bones Spinoff, The Finder… Damon Wayans, Jr. Leaving New Girl

Before their pilot episodes will even air this Fall, two lead cast members from two of FOX’s new series are leaving their respective shows. Saffron Burrows, who played Ike on the Bones back-door pilot for the new series The Finder is exiting as producers are re-imagining the character. In related news, Damon Wayans, Jr.’s role on the Zooey Deschanel comedy, New Girl will also have to be recast as Wayans’ other show, ABC’s Happy Endings, was renewed for a second season.

Check out the FOX 2011- 2012 schedule, here, and check out the our Preview – Reviews for all of FOX’s new shows, here, along with all the new trailers.

May 18 2011

Meet ABC’s New Shows For 2011 – 2012 (VIDEOS!)… And Watch How We Tear Them Apart (Preview – Review)

: “The ‘Tastic Says: You FAIL!”

As promised, The ‘Tastic is proud to present the first-look trailers for all of ABC’s new shows… and there are a lot of them (you can see the full Fall schedule right here.). Along with synopses and videos, in true TV-Tastic-style we’ll give you a preview assessment of each of the new series (in other words, we plan to pretty much rip most of them apart) letting you know what we think about them and if it’s worth your time to check them out this Fall and just to give everyone a heads up: overall we are amazed at how good most of these shows look despite the fact that ABC is becoming the Big-5’s version of Lifetime.

FALL

Last Man Standing: Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.

Tim Allen returns to ABC in this new comedy from Jack Burditt (“30 Rock”). Men may have built civilizations, invented the locomotive and created ESPN, but they’re about to find out that it’s not a man’s world anymore. You can’t get manlier than Mike Baxter. He’s the marketing director for an iconic outdoor sporting goods store, he loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he’s the odd man out in a home that is dominated by women — namely his wife, Vanessa, and their three daughters, 22- year-old Kristin, 17-year-old Mandy and 14-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa’s increased work load, Mike is pulled into more hands-on parenting than ever before.

The ‘Tastic Says: Say hello to the first installment of male emasculating and male-bashing. This show in and of itself doesn’t look particularly awful, however it looks like a clone of Home Improvement sans the tools and Wilson peeking over the fence imparting sage advice. Also, we simply CANNOT get over this obvious radical gyno-centric agenda that ABC is adopting and it’s particularly insidious with this show, using the reverse-psychology method, trying to convince us that this is a pro-masculinity empowerment show while all the male characters are boorish buffoons. We’re not buying it, ABC. We certainly get wanting to expand your audience but this seems like a desperate ploy to get women viewers because they know they have no chance in Hell of getting the 18 – 49 male audience any more. The only saving grace for LMS is that Tim Allen has probably been one of the most likable guys on TV for the last 20 years second maybe only to Jay Leno. Out of deference to Tim, we’ll reserve our judgment for a few episodes.

Man Up: Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.

Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His evolved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering — in a world of Axe ads and manscaping — what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s (Jake Johnson) 13th birthday than in doing his job selling insurance; sensitive soul Craig (Christopher Moynihan) still pines for his college ex, Lisa; and Kenny (Dan Fogler) clamps down on his anger and asks himself, “What would Tobey Maguire do?,” when his ex, Brenda (Amanda Detmer), starts seeing a guy (Henry Simmons) who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, they are all faced with an opportunity to Man Up and be like their forefathers.

The ‘Tastic Says: And the hits just keep on coming! More men who keep their testicles firmly entrenched deep in their wives purses or who are fat, disgusting slobs whose exes are dating guys who are built like comic book superheroes. We are convinced that this is what happens when Sex and The City fans smoke a joint and then decided to create a television series. And of course, the men overgrown children who play Call of Duty on the X-Box 360 all night long (because everyone knows that if they actually were adults they’d be playing on a Playstation 3). As bad and recycled as the premise is (didn’t NBC just fail with this when it was called Perfect Couples?), this show looks pretty funny and probably only because it stars Fanboys‘ neurotic star, Dan Fogler. We’ll give it a shot but like LMS, we’re not promising anything.

Suburgatory: Single father George only wants the best for his 16-year-old daughter, Tessa. So when he finds a box of condoms on her nightstand, he moves them out of their apartment in New York City to a house in the suburbs. But all Tessa sees is the horror of over-manicured lawns and plastic Franken-moms. Being in the ‘burbs can be hell, but it also may just bring Tessa and George closer than they’ve ever been.

Tessa (Jane Levy) and George (Jeremy Sisto) have been on their own ever since Tessa’s mom pulled a “Kramer vs. Kramer” before she was even potty trained. So far, George has done a pretty good job of raising Tessa without a maternal figure in their lives, but suddenly he’s feeling a little out of his league. So it’s goodbye New York City and hello suburbs. At first Tessa is horrified by the big-haired, fake-boobed mothers and their sugar-free Red Bull-chugging kids. But little by little she and her dad begin finding a way to survive on the clean streets of the ‘burbs. Sure, the neighbors might smother you with love while their kids stare daggers at your back, but underneath all that plastic and caffeine, they’re really not half bad. And they do make a tasty pot roast.

The ‘Tastic Says: OK… this just looks absolutely horrific. We don’t know what more to say but we do expect it to die a quick death. Of course, we’ll endure at least the pilot for the sake of all of you so we can properly review it.

Revenge: Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.

Emily Thorne (Emily Van Camp) is new to the Hamptons. She’s met some of her wealthy neighbors, has made a few new friends and seemingly blends into the town. But something is a little odd about a young girl living in a wealthy town all on her own, and the truth is that Emily isn’t exactly new to the neighborhood. In fact, this was once her old neighborhood, until something bad happened that ruined her family and their reputation. Now Emily is back, and she’s returned to right some of those wrongs in the best way she knows how – with a vengeance.

The ‘Tastic Says: Is there a reason that ABC insists on recycling old plots from failed scripted series? Do we not all remember the failed (but awesome) NBC series, Life, from 2007 starring Damian Lewis as a cop who is framed by fellow cops and wrongfully convicted of murder, spends 12 years in prison before he’s exonerated, and under the terms of his settlement with the city, gets his old job as a detective back and uses his resources to hunt down, one-by-one, the people involved in the conspiracy? Call us crazy, but this is the exact same show… but with a chick. Surprisingly, though, the trailer below does look pretty flippin’ good. It gave us chills. Not sure if we’re crazy about Emily Van Camp in the lead as she seems a little soft for such a hardcore character, however maybe that’s why this will work… no one will see her coming. We’re guessing that this is going to be pretty good, but it’s a serial and we know how today’s audiences feel about serials. However, this show, like every other show on this network’s schedule is targeting women viewers and that section of the audience has far more tolerance for serialized drama then the rest of the audience.

Charlie’s Angels: Everyone deserves a second chance — even a thief, a street racer and a cop who got in a little too deep. After all, the three women who solve cases for their elusive boss, Charlie Townsend, are no saints. They’re angels… Charlie’s Angels.

Set in Miami, this fun, glamorous, action-packed take on the 1970s smash hit series introduces us to three new angels, all fearless detectives, head-turning beauties and close friends. There’s Abby (Rachael Taylor), a Park Avenue princess who became a world-class thief. Then there’s Kate (Annie Ilonzeh), a Miami cop who fell from grace, losing both her career and her fiancé. Finally there’s Gloria, a disgraced army lieutenant who has a way with explosives. When one of the angels’ missions ends in Gloria’s tragic death, Charlie persuades them to partner with Gloria’s childhood friend, Eve (Minka Kelly), a street racer with a mysterious past. They may not know each other yet, but one thing’s for sure — Abby, Kate and Eve will always have each others’ backs.

The ‘Tastic Says: Whoot… whoot! Girl power and a reboot! No… just no. Everything about this looks awful. Wrong, wrong, wrong. Much like The CW needed to be smacked on the nose with a newspaper for Hellcats, the same punishment should apply to ABC for this completely unnecessary relaunch.

Once Upon A Time: From the inventive minds of “Lost” executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day are about to collide.

And they all lived happily ever after – or so everyone was led to believe. Emma Swan knows how to take care of herself. She’s a 28-year-old bail bonds collector who’s been on her own ever since she was abandoned as a baby. But when the son she gave up years ago finds her, everything starts to change. Henry is now 10 years old and in desperate need of Emma’s help. He believes that Emma actually comes from an alternate world and is Snow White and Prince Charming’s missing daughter. According to his book of fairytales, they sent her away to protect her from the Evil Queen’s curse, which trapped the fairytale world forever, frozen in time, and brought them into our modern world. Of course Emma doesn’t believe a word, but when she brings Henry back to Storybrooke, she finds herself drawn to this unusual boy and his strange New England town. Concerned for Henry, she decides to stay for a while, but she soon suspects that Storybrooke is more than it seems. It’s a place where magic has been forgotten, but is still powerfully close… where fairytale characters are alive, even though they don’t remember who they once were. The epic battle for the future of all worlds is beginning, but for good to win, Emma will have to accept her destiny and fight like hell.

The ‘Tastic Says: Yet another series with a strong female lead using a (at least partially) recycled premise. Despite that, this is quite an original twist on the genre and the second show this season that mixes the contemporary with the classic fairy tale (the first being NBC’s new show, Grimm). It really looks quite epic and it’s got some big-time writers associated with it but we’re thinking it might be a little too epic for Big-5 TV and seriously, how long can a premise like this last? 22 episodes per season for five to seven seasons? Doubtful. It seems more appropriate as a SyFy or HBO miniseries, really. However, on the other hand, who would have thought that these same writers could have given us six seasons and 115 episodes of the second greatest show of all-time, Lost? If this is as good and as well put-together as it looks, we’d love for this to survive but this type of serial genre programming is very questionable on major network TV in this climate.

Pan Am: Passion, jealousy and espionage… They do it all – and they do it at 30,000 feet. The style of the 1960s, the energy and excitement of the Jet Age and a drama full of sexy entanglements deliciously mesh in this thrilling and highly-original new series.

In this modern world, air travel represents the height of luxury and Pan Am is the biggest name in the business. The planes are glamorous, the pilots are rock stars and the stewardesses are the most desirable women in the world. Not only are these flyboys and girls young and good looking, but to represent Pan Am they also have to be educated, cultured and refined. They’re trained to handle everything from in-air emergencies to unwanted advances – all without rumpling their pristine uniforms or mussing their hair. There’s Dean (Jonah Lotan) – a cocky, charismatic and ambitious new pilot – the first of a new breed not trained in the war. On the sly against company policy, he’s dating Bridget, a stunning beauty with a mysterious past. A rebellious bohemian, Maggie (Christina Ricci) turns into a buttoned up professional for work so she can see the world. Rounding out the crew are flirtatious Collette (Karine Vanasse), the adventurous Kate (Kelli Garner) and, finally, Laura (Margot Robbie) – Kate’s beauty queen younger sister, a runaway bride, who recently fled a life of domestic boredom to take to the skies.

The ‘Tastic Says: The more we go through these new shows the more we’re actually starting to admire ABC for their ability to either make every series have a strong, empowering female lead and/or make men look like complete jackasses and often without the audience realizing it. What they’ve done with this show is just brilliant: They took the infancy of the women’s lib movement where women were still thought of as second-class citizens, put them in the most sexualized role they could possibly be in for that era (other than wearing bunny ears and a cotton tail… thank you, NBC for not missing a beat and covering that particular base) and turned it around into an empowering position as the perfect cover for a covert operative! Like we said, BRILLIANT! Of course, in the aggregate, this is a combination of Alias and Steven Spielberg’s Catch Me if You Can (goodness, half of the scenes in the trailer AND the Sinatra song Come Fly With Me are directly from that film), but still, this looks VERY clever and hip and we think it’s going to be a lot of fun. We are really looking forward to this. By the way here’s one thing from Catch Me If You Can that wasn’t in the trailer and it’s doubtful it will be in this new series.

The Greatest Joke of All Time

(NSFW… just play it quietly, will ya? Use a little discretion at work. Waitaminute… shouldn’t you be working?)

MIDSEASON

Good Christian Belles: The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.

Amanda Vaughn (Leslie Bibb), once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. Amanda is nothing like the girl she was 20 years ago, but as her old classmates reacquaint themselves with the new Amanda, will her home town welcome her with open arms or seek revenge? No one in this town is a saint, but that doesn’t mean they can’t have a heart. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.

The ‘Tastic Says: First keep in mind that this show was originally entitled Good Christian Bitches, so apparently empowering women and treating them with respect only extends so far. This seems like a ripoff of Desperate Housewives which means that we certainly won’t be watching it as this genre is simply not our bag, however, we have a much bigger problem with the underlying premise of the show to begin with which seems to be to want to expose the moral hypocrisy of Christians. This is not a particularly smart place to start from for any series in the U.S. First of all, religion is a very private matter to begin with and most people simply prefer it be kept out of their primetime entertainment fare, but secondly, it’s just not very smart to alienate 79% of your audience right out of the gate. All of that notwithstanding, this show looks hideous. The writing is horrible as are the performances and we could figure that out in the minute and 46 seconds we saw below.

Missing: Becca Winstone (Ashley Judd) learns that her son, Michael, disappears while studying abroad, and it’s a race against time when she travels to Europe to track him down. A surprising turn of events reveals just how far one mother will go to protect her family. Exotic locations and thrilling twists will keep you riveted in “Missing.”

How far would you go to save the only thing you have left in the world? At 8 years old, Michael watched as his father, CIA Agent Paul Winstone, was murdered. Now 10 years later, Paul’s wife, Becca, is faced with the reality of her son growing up. When Michael is afforded the opportunity to study abroad, his mother reluctantly agrees it’s time to let him go. Just a few weeks into his trip Michael disappears, and Becca immediately suspects foul play. When she arrives in Rome, she begins piecing together the clues left behind. It isn’t long before the kidnappers realize they’ve picked a fight with the wrong woman. Becca Winstone has a secret of her own — before Paul’s death, she was also a lethal CIA Agent. But if she wants to find her son alive, Becca will have to rely on old friends and reopen old wounds. Her resourcefulness, skill and determination will be put to the test – but a mother’s love knows no limits.

The ‘Tastic Says: Broken Record here: recycled plot from a failed series and a strong female lead. If you’re wondering what failed series we’re talking about it would be none other than FOX’s Vanished from 2006 that lasted a grand total of 13 episodes. It’s also got the feel of Alias, Taken and the Bourne franchise for obvious reasons. Still, the production values are insane on this. This is a TV show? This looks like one of the few bright spots for action this year on all of the networks, and of course we love Ashley Judd going all the way back to when she played Ensign Robin Lefler on Star Trek: The Next Generation. There are of course two big problems with this show, the first being the serial factor, but again that may be mitigated by the female audience that we referred to earlier discussing Revenge. The second is the same issue that OUaT has, and that is, how long can they really go with this premise? Seriously, are they going to keep that kid missing for five to seven years. Audiences will grow tired of that quickly and it seems like a very lazy plot device for the central theme of the show considering how well-developed it seems… kinda like it was drawn out of a hat. Despite this, it really does look good and we’re looking forward to it.

The River: “The River” follows the story of wildlife expert and TV personality Emmet Cole. Emmet set course around the world with his wife, Tess, and son, Lincoln, while filming what would become one of the most popular shows in television. After he goes missing deep in the Amazon, his family, friends and crew set out on a mysterious and deadly journey to find him.

Famed explorer Dr. Emmet Cole (Bruce Greenwood) went looking for magic deep in the uncharted Amazon and never returned. The shocking truth about his disappearance is out there, somewhere, just waiting to be discovered. To the millions of kids who grew up watching his nature show, Dr. Cole was a hero. To his own son, Lincoln (Joe Anderson), he was more of an enigma. Now, six months after he vanished, Lincoln is finally ready to bury the past when Dr. Cole’s emergency beacon suddenly goes off. At the urging of his mother, Tess (Leslie Hope), Lincoln reluctantly joins her on a search for his father. To fund the rescue, they agree to let Dr. Cole’s cagey ex-producer, Clark (Paul Blackthorne), film the mission documentary-style. The mixed crew of old friends and new acquaintances includes the sexy and resourceful Lena (Eloise Mumford), loyal mechanic Emilio (Daniel Zacapa) and lethal bodyguard Captain Kurt Brynildson (Thomas Kretschmann).

The ‘Tastic Says: Holy Crap! This looks awesome! This show has one of the few truly ensemble casts of the new schedule but of course, it has a super ninja-type strong female lead who has to lead the rescue for the man who got lost in the jungle. But this show looks absolutely amazing and with Steven Spielberg’s Amblin Television producing it (with Spielberg himself exec. producing) you know that this is going to be a tight, well-done show. It has a very big LOST vibe to it and we certainly can’t complain about that. This looks like the best new show of the season.

Scandal: From the creator and executive producers of “Grey’s Anatomy” and “Private Practice” comes a drama revolving around the life and work of a professional crisis manager and her dysfunctional staff.

A former media relations consultant to the President, Olivia Pope (Kerry Washington) dedicates her life to protecting and defending the public images of our nation’s elite. After leaving the White House, the power consultant opened her own firm, hoping to start a new chapter — both professionally and personally — but she can’t seem to completely cut ties with her past. Slowly it becomes apparent that her staff, who specialize in fixing the lives of other people, can’t quite fix the ones closest at hand — their own.

The ‘Tastic Says: Oh, good Lord, this looks stupid and surprise, surprise, surprise, yet another ridiculously strong female lead who’s so tough that she can stand in the middle of two guys with handguns and with nothing more than a firm voice make them lower their weapons. Stupid and predictable procedural that is trying fool the audience into thinking that it’s actually original because they filled in the Mad-Libs blanks with the phrases “Crisis Management” and “Fixer.” Forget it.

Apartment 23: After a naïve Midwestern girl’s big city dreams are dashed her first week in New York, she finds herself living with her worst nightmare in this hilarious, contemporary comedy about a female odd couple who are surrounded by an outrageous cast of characters.

June (Dreama Walker) moves to Manhattan for a dream job and the perfect company apartment, only to have them disappear in a puff of reality, thanks to a CEO from the Bernie Madoff school of embezzlement. Deep in debt and out on the streets, June scrambles to land a job and place to live. It seems her luck has turned around when she gets hired at a coffee shop and finds Chloe (Krysten Ritter), a charming, vivacious roommate… with the morals of a pirate. She swindles June out of all her savings, but she and her snarky friend, James Van Der Beek (playing himself), soon learn that, just because June’s naïve, she isn’t stupid. June ingeniously turns the tables on Chloe, who is so shocked about being scammed herself that she decides to pull June into her colorful band of friends. Sure, it’s all dysfunctional, bizarre and overwhelming, but so is New York City. And with the help of Chloe and the other oddballs around her, June might just learn the survival secrets she needs to make it there.

The ‘Tastic Says: Big shocker… strong female leads again. This looks actually very funny. Out of all the trailers we’ve seen this one actually made us laugh three or four times. That’s already more laughs in a minute and a half than we had during the entire season of $#*! My Dad Says. Seems to have some very clever writing, and it reminds us of Friends if Friends could come back as a series that didn’t suck. We also find it quite clever that James Van Der Beek keeps getting roles in comedies playing himself. This should do well. We hope they stick this on Wednesday night as the lead out for Modern Family as that’s where it belongs.

Work It: This high-concept comedy centers on two unrepentant guy’s guys who, unable to find work, dress as women to get jobs as pharmaceutical reps. Not only do they pull it off, but they might just learn to be better men in the process.

With unemployment an ongoing issue and women now outnumbering men in the workforce, the new comedy series “Work It” follows two alpha males who realize the only way to beat the current “mancession” and land a job in pharmaceutical sales is to pass themselves off as women. Combining all the best elements of the workplace comedy, the buddy comedy and the family comedy, “Work It” centers on Lee Standish (Ben Koldyke) — a quick-witted and likable family man who used to be a top car salesman until he got laid off — and Angel Ortiz (Amaury Nolasco) — a single, hot-headed ladies’ man with no filter — who quickly learn there are fundamental differences in the worlds of men and women that go beyond teetering in high heels and tightening up with Spanx. Lee and Angel are determined to keep their ruse going for as long as they can — and keep their newly found jobs — in this smart, funny and relevant look at male and female relationships at work, at home and socially. Being a better man sometimes means having to be a better woman.

The ‘Tastic says: Ugh… and the trend continues. This time, turning heterosexual misogynistic men into transvestites so that they can get jobs in this mythical universe where women run everything. What we can’t believe is that they actually called this “high-concept.” We’re sorry, but didn’t ABC already try this show with Tom Hanks and Peter Scolari 30 years ago and call it Bosom Buddies (except the guys weren’t absolute pigs)? My God, who on God’s green Earth would ever confuse the two of those dopes in this show for women. At least Scolari and Hanks were kinda pretty for dudes. Reboot FAIL. This show is a big floating turd and they don’t even have a catchy theme song by Billy Joel to look forward to. And on that note to make up for the minute and a half of your life that will be wasted and the fact that you probably will vomit after watching the trailer below, here’s a little treat for you:

Billy Joel – My Life

May 17 2011

ALERT! ABC Announces 2011 – 2012 Schedule

Here it is, folks, direct from the ABC Upfront Advertising Event, ABC’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule). Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here.

If you have any questions about other shows, post them below.

Some programming notes:

With all of the slashing and burning ABC has done over the last four days, they really haven’t put up much of an impressive schedule. It’s heavy with reality and dramas that have a lot “familiar” (OK… recycled) themes to them.
ABC’s new strategy is apparently to become the Lifetime of the major Networks. Notice the heavily gyno-centric storylines and soaps. The shows that do feature men prominently, portray them as emasculated and buffoonish. ABC, you suck enough already. Who is this going to appeal to? Isn’t it enough that you completely emasculated Michael Chiklis in No Ordinary Family, turning Vic Mackie into Victoria Mackie?
These new comedies look terrible.
You’ll see the phrase “high-concept” appear regularly throughout these and other network’s show descriptions. What this means is that audiences probably won’t like but ABC is going to blame that on the fact that you’re just too stupid to get it.
We see one maybe two new shows that look interesting, the rest looks pretty awful.
NOTE: you’ll notice that the Fall schedule is pretty thin for new shows considering that they picked up a dozen of them on Friday. ABC has not released their midseason 2011 – 2012 schedule and won’t until December. All of the new show descriptions for 2011 – 2012 are listed at below the schedule. We’ll be doing a preview assessment on all of the new shows as well as providing trailers as soon as they are available.

ABC’S FALL 2011 SCHEDULE

Via Press Release:

MONDAY

8:00 p.m. Dancing with the Stars

10:00 p.m. Castle

TUESDAY

8:00 p.m. Last Man Standing (NEW!)

8:30 p.m. Man Up (NEW!)

9:00 p.m. Dancing with the Stars the Results Show

10:00 p.m. Body of Proof

WEDNESDAY

8:00 p.m. The Middle

8:30 p.m. Suburgatory (NEW!)

9:00 p.m. Modern Family

9:30 p.m. Happy Endings

10:00 p.m. Revenge (NEW!)

THURSDAY

8:00 p.m. Charlie’s Angels (NEW!)

9:00 p.m. Grey’s Anatomy

10:00 p.m. Private Practice

FRIDAY

8:00 p.m. Extreme Makeover: Home Edition

9:00 p.m. Shark Tank

10:00 p.m. 20/20

SATURDAY

8:00 p.m. Saturday Night College Football

SUNDAY

7:00 p.m. America’s Funniest Home Videos

8:00 p.m. Once Upon a Time (NEW!)

9:00 p.m. Desperate Housewives

10:00 p.m. Pan Am (NEW!)

ABC’S NEW SHOW DESCRIPTIONS:

FALL

Last Man Standing: Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.

The show stars Tim Allen (“Home Improvement”) as Mike, Nancy Travis (“So I Married an Axe Murderer,” “Three Men and a Baby”) as Vanessa, Molly Ephraim as Mandy, Alexandra Krosney as Kristin, Kaitlyn Dever as Eve and Hector Elizondo (“Chicago Hope”) as Ed.

“Last Man Standing” was written by Jack Burditt (“30 Rock”), who also serves as executive producer with Tim Allen, Becky Clements, Marty Adelstein (“Prison Break”), Shawn Levy (“Night at the Museum”), Richard Baker (“The Santa Clause,” The Santa Clause 2”) and Rick Messina (“The Santa Clause,” The Santa Clause 2”). John Pasquin (“Home Improvement,” “The Santa Clause”) directed. “Last Man Standing” is from Twentieth Century Fox Television.

Man Up: Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.

The show stars Christopher Moynihan as Craig, Mather Zickel (“The Cape”) as Will, Dan Fogler (“Balls of Fury”) as Kenny, Teri Polo (“Meet the Fockers”) as Theresa, Amanda Detmer (“What About Brian”) as Brenda and Henry Simmons (“Shark”) as Grant.

“Man Up” comes from writer/executive producer/actor Christopher Moynihan (“100 Questions”), executive producer Victor Fresco (“Better off Ted”), Ron West and Kelly Kulchak of Tagline Television (Psych) and director Beth McCarthy-Miller (“SNL,” “30 Rock”). ”Man Up” is produced by ABC Studios.

The show stars Jeremy Sisto (“Law & Order”) as George Altman, Jane Levy (“Shameless”) as Tessa Altman, Carly Chaikin (“The Last Song”) as Dalia Royce, Allie Grant (“Weeds”) as Lisa, Alan Tudyk (“V”) as Noah Lerner and Cheryl Hines (“Curb Your Enthusiasm”) as Dallas Royce. Ana Gasteyer (“Saturday Night Live”) guest stars.

Emily Kapnek (“Hung”) writes and executive-produces this bitingly ironic single-camera comedy. “Suburgatory” was directed by Michael Fresco (“Raising Hope”), who also executive-produced the pilot. It is produced by Warner Bros. Television.

Revenge: Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.

“Revenge” stars Madeleine Stowe (“We Were Soldiers,” “The Last of the Mohicans”) as Victoria Grayson, Emily Van Camp (“Brothers & Sisters,” “Everwood”) as Emily Thorne, Gabriel Mann (“The Bourne Identity”) as Nolan Ross, Henry Czerny (“Mission: Impossible,” “Clear and Present Danger”) as Conrad Grayson, Ashley Madekwe (“Secret Diary of a Call Girl”) as Ashley Davenport, Nick Wechsler (“Roswell”) as Jack Porter, Josh Bowman (“Prowl”) as Daniel Grayson, Christa B. Allen (“13 Going on 30”) as Charlotte Grayson and Connor Paolo (“Gossip Girl”) as Declan Porter.

“Revenge” is written and executive-produced by Mike Kelley (“Swingtown”), along with executive producers Marty Bowen and Wyck Godfrey (“Twilight”). The pilot is directed and executive-produced by Phillip Noyce (“Salt”). “Revenge” is produced by ABC Studios.

“Charlie’s Angels” stars Annie Ilonzeh (“General Hospital”) as Kate Prince, Minka Kelly (“Parenthood,” “Friday Night Lights”) as Eve, Rachael Taylor (“Grey’s Anatomy”) as Abby Sampson and Ramon Rodriguez (“The Wire,” “Daybreak”) as Bosley.

Written and executive-produced by Alfred Gough & Miles Millar (“Smallville”), “Charlie’s Angels” is also executive-produced by Drew Barrymore (“Charlie’s Angels” movies), Leonard Goldberg (the original “Charlie’s Angels”) and Nancy Juvonen (“Charlie’s Angels” movies). It’s directed and executive-produced by Marcos Siega (“Vampire Diaries,” “Dexter”). “Charlie’s Angels” is produced by Millar/Gough Ink, Flower Films and Panda Productions in association with Sony Pictures Television.

“Once Upon a Time” stars Ginnifer Goodwin (“Big Love”) as Snow White/Sister Mary Margaret, Jennifer Morrison (“House MD”) as Emma Swan, Robert Carlyle (“The Full Monty,” “Trainspotting,” “SGU Stargate Universe”) as Rumplestiltskin/Mr. Gold, Lana Parrilla as Evil Queen/Regina, Jamie Dornan as Sheriff Graham, Jared Gilmore (“Mad Men”) as Henry, Josh Dallas as Prince Charming/John Doe and Raphael Sbarge as Jiminy Cricket/Archie.

“Once Upon a Time” was written by Edward Kitsis and Adam Horowitz, who are also executive producers, along with Steve Pearlman (ABC’s “V”). The pilot is directed and executive-produced by Mark Mylod (“Entourage”). “Once Upon a Time” is from ABC Studios.

“Pan Am” stars Christina Ricci (“Penelope”) as Maggie, Kelli Garner (“Going the Distance”) as Kate, Karine Vanasse (“Polytechnique”) as Colette, Margot Robbie (“Neighbours”) as Laura, Jonah Lotan (“24”) as Dean and Michael Mosley (“Justified”) as Ted.

Jack Orman (“ER,” “Men of a Certain Age,”), Tommy Schlamme (“The West Wing,” “Parenthood,”

“Mr. Sunshine”) and Nancy Hult Ganis (“Akeelah and the Bee”) are the executive producers of “Pan Am.” Orman is also the writer, with Schlamme directing. “Pan Am” is produced by Jack Orman Productions, Out of the Blue Entertainment and Shoe Money Productions in association with Sony Pictures Television.

MIDSEASON

Good Christian Belles: The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.

“Good Christian Belles” stars Leslie Bibb (“Iron Man”) as Amanda Vaughn, Kristin Chenoweth (“Pushing Daisies”) as Carlene Cockburn, Annie Potts (“Law And Order: Special Victims Unit,” “Joan of Arcadia”) as Gigi Stopper, Jennifer Aspen (“Rodney”) as Sharon Peacham, Miriam Shor (“Swingtown” “Damages”) as Cricket Caruth-Reilly, Marisol Nichols (“24”) as Heather Cruz, Brad Beyer (“Jericho”) as Zack Peacham, Mark Deklin (“Lone Star”) as Blake Reilly and David James Elliott (“JAG”) as Ripp Cockburn.

Based on Kim Gatlin’s hit book, Good Christian Bitches, “Good Christian Belles” is executive-produced by Darren Star (“Sex and the City”), Robert Harling (“Steel Magnolias”) and Aaron Kaplan. The pilot is written by Robert Harling and executive-produced and directed by Alan Poul. “Good Christian Belles” is produced by ABC Studios.

“Missing” stars Ashley Judd (“Double Jeopardy,” “Kiss the Girls”) as Becca Winstone, Sean Bean (“Game Of Thrones”) as Paul Winstone, Cliff Curtis (“Trauma”) as Dax, Adriano Giannini (“Oceans Twelve”) as Giancarlo, Nick Eversman (“Cinema Verite”) as Michael Winstone and Tereza Voriskova (“Borgia”) as Oksana.

“Missing” comes from writer Gregory Poirier (“National Treasure: Book of Secrets”) and executive producers Gina Matthews, Grant Scharbo (“The Gates”), Steve Shill (Emmy winner for directing “Dexter” who will direct episodes of “Missing”) and James Parriott (“Sons Of Anarchy”). “Missing” is produced by Stillking Films.

“The River” stars Bruce Greenwood (“Star Trek”) as Emmet Cole, Joe Anderson (“The Twilight Saga: Breaking Dawn Parts 1 and 2”) as Lincoln Cole, Paul Blackthorne (“Lipstick Jungle”) as Clark, Paulina Gaitan as Jahel, Leslie Hope (“24”) as Tess Cole, Eloise Mumford (“Lone Star”) as Lena, Shaun Parkes (“The Mummy Returns”) as Adjay, Thomas Kretschmann (“King Kong”) as Captain Kurt Brynildson and Daniel Zacapa (“Resurrection Blvd.”) as Emilio.

“The River,” from Amblin’s Steven Spielberg, Daryl Frank and Justin Falvey, showrunner/executive producer Michael Green (“Heroes,” “Kings”), is also executive-produced by Oren Peli (creator of “Paranormal Activity”), Zack Estrin, Jason Blum and Steven Schneider. Teleplay by Michael R. Perry and Michael Green, story by Oren Peli & Michael R. Perry and Michael Green. The pilot is directed by Jaume Collet-Serra and produced by ABC Studios.

“Scandal” stars Kerry Washington (“Ray”) as Olivia Pope, Henry Ian Cusick (“Lost”) as Stephen Finch, Columbus Short (“Stomp the Yard”) as Harrison Wright, Guillermo Diaz (“Half-Baked”) as Huck, Darby Stanchfield as Abby Whelan, Katie Lowes as Quinn Perkins, Tony Goldwyn (“Ghost”) as President Fitzgerald Grant and Jeff Perry (“Grey’s Anatomy”) as Cyrus.

“Scandal” was written by Shonda Rhimes (“Grey’s Anatomy,” “Private Practice”). Rhimes and Betsy Beers (“Grey’s Anatomy,” “Private Practice”) are executive producers. Paul McGuigan is the director. “Scandal” is produced by ABC Studios.

“Apartment 23” stars Krysten Ritter (“Breaking Bad,” “Gilmore Girls”) as Chloe, Dreama Walker (“The Good Wife,” “Gossip Girl”) as June, Eric André as Mark, Michael Blaiklock as Eli and James Van Der Beek (“Varsity Blues,” “Dawson’s Creek”) as James Van Der Beek.

Created and written by Nahnatchka Kahn (“American Dad”), “Apartment 23” is executive-produced by Kahn, Jason Winer (“Modern Family”), Dave Hemingson (“American Dad,” “How I Met Your Mother”) and Jeff Morton (“Modern Family”). Winer is also the director. “Apartment 23” is a production of 20th Century Fox Television.

The show stars Ben Koldyke (“How I Met Your Mother”) as Lee, Amaury Nolasco (“Prison Break”) as Angel, Beth Lacke (“Happy Hour”) as Connie, John Caparulo (“Chelsea Lately”) as Brian, Rebecca Mader (“Lost”) as Grace, Rochelle Aytes (“Detroit 1-8-7”) as Vanessa, Kate Reinders (“Sherrie”) as Kelly, Kirstin Eggers (“Aussie and Ted’s Great Adventure”) as Kristin and Kacie Lynch (“Barney and Friends”) as Kat.

“Work It” was written by Andrew Reich & Ted Cohen (“Friends,” “Rules of Engagement”). Reich and Cohen are the executive producers. Beth McCarthy Miller (“Saturday Night Live,” “30 Rock”) is the director. “Work It” is produced by Bonanza Productions, Inc. in association with Summer School Productions and Warner Bros. Television.

May 17 2011

100th Post! ABC Cancels V, Brothers And Sisters & 5 More Shows, Renews Body of Proof, Happy Endings, Picks Up Charlie’s Angels, 11 More…

It’s our 100th Post, Yay!

The Hollywood Reporter is reporting that ABC went mad-crazy on Friday dumping seven shows including five freshman shows, renewing two and picking up a whopping twelve new scripted shows, all in advance of tomorrow’s upfront advertising event where they’ll announce their schedule for the 2011 – 2012 season.

Canceled:

V: The phrase “no surprise here” is really a running theme with all of these canceled shows on ABC but never is it more appropriate than for V. V was phenomenal in its first season but by the third episode of the second season, it had become one of the most ridiculous and embarrassing SciFi shows ever produced. Fans will of course blame ABC for how they scheduled, this is nonsense. The show turned and we’ve actually been working on a remedial course that will published i na couple of weeks for folks who don’t understand why V was so damned ridiculous. We’re not saying that we’re happy about its departure, but we sure as Hell understand why it was canceled and make no doubt about it, it deserved to be canceled.

Detroit 1-8-7: This is a very sad, albeit necessary cancellation. D-187 was one of the best police procedurals in recent memory and we were sure it was going to be terrible. It’s unfortunate that it couldn’t find an audience. Again, the writing for this show was on the wall since November 2010.

No Ordinary Family: *sigh* What’s unfortunate about this cancellation is how much potential this series had and how it completely fell off the rails. The show became less about superheroes and more about this dysfunctional family and wore thin very quickly. Not to mention, Jim Powell (Michael Chiklis) is the probably the most emasculated male lead character in the history of television.

Off the Map: We got through twenty minutes of the pilot, to turn it off. Terrible writing, terrible acting and just complete and utter tripe. It’s nothing but typical recycled procedural crap. Good-bye, you won’t be missed. We hated this show so much, we couldn’t bring ourselves to do a review on it. Fortunately, Off the Map is off the map.

Mr. Sunshine: We actually forced ourselves to sit through two episodes of this mess. This was a very poor rip-off if 30 Rock was one of the worst shows we’ve seen this season. It was nothing ut really bad recycled jokes, recycled characters and recycled plotlines. Good Riddance. Maybe it will be another decade before we’ll have to be subjected to Matthew Perry again. What? We can’t be the only ones who thinks Friends is one of the worst pieces of crap shows ever made.

Better With You: We made it through three episodes and the last two minutes of every episode that wound up on our DVR recordings of Modern Family. This may be one of the worst shows ever made next to $#*! My Dad Says. There was nothing funny about this and it abused every sitcom cliché from the last 50 years of television and it made us angry that the producers had such a low opinion of their audience.

Brothers and Sisters: We have no problem with this show and in fact we’ve never watched it but we understand that it had a loyal following (Little Sister ‘Tastic was a big fan). The problem was that viewership had been steadily declining and once you get past the fifth season, if the ratings aren’t there to justify higher ad-revenues it’s impossible to keep a show because at this point the production costs (including cast salaried) increase dramatically.

Renewed:

Body of Proof: We don’t understand the appeal of this show, but then again we don’t understand the appeal of all safe procedurals. This show really particularly stupid, with dopey and recycled premises and really bad dialogue. But, alas, what do we know as audiences seem to love it.

Happy Endings: We have to be honest, we haven’t had time to watch this show but it does look very funny and it does have strong critical buzz surrounding it so we’re looking forward to watching it over the summer and reviewing it. Part of the reason we didn’t put it to the front of our schedule is that based on the ratings, we weren’t expecting it to be renewed. Good for them!

Picked Up (We’ll be providing our assessments of the new shows shortly after the schedule announcement is made on Tuesday):

Charlie’s Angels: A modern take on the 1970s series starring Annie Ilonzeh (Melrose Place), Minka Kelly (Friday Night Lights, Parenthood) and Rachael Taylor (Grey’s Anatomy) as Charlie’s (Robert Wagner) new Angels. The Miami-set drama, from Sony Pictures Television, is written by Smallville duo Alfred Gough and Miles Millar and produced by Nancy Juvonen (Whip It), Leonard Goldberg (the Charlie’s Angels features) and Drew Barrymore, who appeared in the big-screen reboot. Marcos Siega (The Vampire Diaries) directed the pilot.

Last Man Standing: The project centers on the former Home Improvement star, who is fighting for his manhood in a world increasingly dominated by women. Nancy Travis (So I Married an Axe Murderer) co-stars in the multicamera comedy from 20th Television. Jack Burditt (30 Rock) penned the pilot, with Marty Adelstein (Prison Break), Becky Clements and Shawn Levy (Date Night) on board as producers. Insiders believe the mutlicam Allen vehicle, which has had “lock” status for weeks, will launch a second ABC comedy block, likely on Tuesdays (Improvement‘s old stomping ground).

Pan Am: From Sony, the sexy soap set in the 1960s focuses on stewardesses and pilots, some of whom live double lives as spies. Christina Ricci stars in her first series regular role in the drama written and produced by Jack Orman (ER). Also producing are Sid Ganis, Nancy Hult Ganis and Thomas Schlamme (The West Wing), who helmed the pilot.

Apartment 23: The a single-camera comedy from 20th TV centers on a Midwestern girl (Dreama Walker, The Good Wife) whose big-city dreams are dashed after her first week in New York, where she finds herself living with her worst nightmare (Krysten Ritter, Breaking Bad). James Van Der Beek (Dawson’s Creek) co-stars as himself in his first series comedy role. Nahnatchka Khan (American Dad) and Dave Hemingson (Traffic Light) penned the pilot and will produce along with Jeffrey Morton (Traffic Light). Jason Winer (Modern Family) helmed the pilot.

Good Christian Belles (formerly Good Christian Bitches): The soap revolves around a former high school “mean girl” (Leslie Bibb, Popular) who returns home to Dallas after her marriage ends in scandal. The series, from ABC Studios, also stars Kristin Chenoweth (Glee) and Annie Potts (Designing Women). Robert Harling(Laws of Attraction), who penned the pilot, produces alongside Darren Star (Sex and the City) and Aaron Kaplan. Alan Poul (Six Feet Under) directed the pilot. The series is based on the book by Kim Gatlin.

Revenge: The Count of Monte Cristo-inspired soap from Mike Kelley (Swingtown), centers on a woman (Emily VanCamp, Brothers and Sisters) who moves to the Hamptons. The ABC Studios pilot, which was directed by Phillip Noyce, counts Marty Bowen and Wyck Godfrey as executive producers.

Once Upon a Time: A fantasy drama that revolves around a woman (Jennifer Morrison, How I Met Your Mother) who, after a boy who claims to be her son shows up, is drawn into a town where fairy tales might be real. Ginnifer Goodwin (Big Love) co-stars as Snow White in a cast that also includes Robert Carlyle (Stargate Universe) and Josh Dallas (Thor) as Prince Charming.Lost’s Edward Kitsis and Adam Horowitz penned the pilot and will produce alongside Steve Pearlman (V) and Mark Mylod (Shameless), who directed the pilot from ABC’s sister studio.

Scandal (formerly Damage Control): The drama revolves around the life and work of a professional fixer (Kerry Washington) and her staff. Lost’s Henry Ian Cusick co-stars as her right-hand man and Tony Goldwyn plays the president. It is based on the career of crisis management consultant Judy Smith, who serves alongside producers including Shonda Rhimes (Grey’s Anatomy, Private Practice) and Betsy Beers (Grey’s Anatomy). From ABC Studios, the pilot was directed by Paul McGuigan (Lucky Number Slevin).

The River: A stylized project that follows a crew through the Amazon in search of a missing adventurer. Eloise Mumford (Lone Star) stars in the ABC Studios drama written by Michael Green (Kings) and Michael R. Perry (Persons Unknown). Executive producers include Oren Peliand Jason Blum (Paranormal Activity), Darryl Frank and Justin Falvey (United States of Tara), Zack Estrin (No Ordinary Family) and Steven Schneider (Paranormal Activity). Jaume Collet-Serra directed the pilot, which was shot in Puerto Rico.

Work It: The cross-dressing comedy from Warner Bros. TV and Andrew Reich and Ted Cohen(Friends), revolves around two out-of-work car salesmen (Amaury Nolasco, Ben Koldyke) who dress as women in order to get jobs as pharmaceutical reps. Beth McCarthy Miller directed the pilot.

Suburgatory: The project stars Jane Levy as a New Yorker who moves to a cookie-cutter community and discovers that the suburbs is more frightening than any horror movie she’s seen. Jeremy Sisto (Law & Order), Alan Tudyk (Firefly) and Cheryl Hines (Curb Your Enthusiasm) co-star. The single-camera comedy from Warner Bros. TV was written by Emily Kapnek (Hung, Parks and Recreation), with the pilot directed by Mike Fresco (Raising Hope, Better Off Ted).

Man Up: The single-camera comedy from ABC Studios and Chris Moynihan (Coupling) is a look at what it takes to survive as a modern man, as told through the eyes of three best friends and the women in their lives.

May 16 2011

ALERT! FOX Announces 2011 – 2012 Schedule

Here it is, folks, direct from the FOX Upfront Advertising Event, FOX’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule). Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here, however as we reported, the status of Breaking In is reported to be still up in the air.

If you have any questions about other shows, post them below.

Some programming notes:

Some solid scripted shows, however the new comedies seem weak, despite the star power behind them.
The elephant in the room that is Terra Nova: The Big Gamble. Depending on how well or poorly this does could change the direction of the entire schedule. Read why we believe TN is such a big gamble, here and here. Believe us, we’re rooting for it, we’re just nervous about it and we think FOX is too. We’re still trying to figure out if they plan to run this for an entire 22 episode run because it’s nowhere on the mid-season schedule. So it’s either going for 13 episodes (which we believe would be the smarter move) or it will have an abbreviated 19 episode season non-stop through December.
New J.J. Abrams, series Alcatraz to premiere mid-season. Perhaps the smartest move of the schedule to avoid hiatuses and loss of interest by audiences of what no doubt will be a Lost-type serial.
After 24 seasons, America’s Most Wanted is no longer a regular series. It will now be shown as four specials throughout the year.
The Cleveland Show has swapped places with American Dad, going to the less desirable 7:30 – 8:30 PM spot on Sunday and putting AD back into its longstanding 9:30 – 10:00 PM for the first half of the season. New series Allen Gregory will be in the 8:30 – 9:30 PM slot, a slot that was filled by The Cleveland Show for the first half of the season and Bob’s Burgers for the second half. This gives credence to our suggestion that we made when the announcement for AD‘s renewal was made in which the press release claimed that an order had been placed for 22 episodes, however it contradicted itself by stating that the show was renewed through 2013. We suggested that one of the only ways this would make sense would be if AD was going to get half-season treatment, although we did find that scenario the most unlikely. This could change, however depending on the success/failure of AG and ND.
We’re not expecting a whole lot from AG and ND and we don’t think FOX is either. We explain why here. We expect these shows to both be canceled pretty quickly as the two had seven and six episodes orders, respectively. We hear that FOX has at least two more animated shows in the hopper waiting to go, though, just in case.
Finally, keep in mind that an NFL lockout is looming. This could send ripples through the entire FOX schedule.

So without further adieu:

FOX FALL 2011 PRIMETIME SCHEDULE
(All Times ET/PT)

MONDAY

8:00-9:00 PM Terra Nova (NEW!)
9:00-10:00 PM House

TUESDAY
8:00-9:00 PM Glee
9:00-9:30 PM The New Girl (NEW!)
9:30-10:00 PM Raising Hope

WEDNESDAY
8:00-9:30 PM The X-Factor (NEW!)
9:30-10:00 PM I Hate My Teenage Daughter (NEW!)

THURSDAY
8:00-9:00 PM The X-Factor (Results Show) (NEW!)
9:00-10:00 PM Bones

FRIDAY
8:00-9:00 PM Kitchen Nightmares
9:00-10:00 PM Fringe

SATURDAY
8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM (Encores) / America’s Most Wanted (Specials)

SUNDAY
7:00-7:30 PM    The OT (NFL post-game show)
7:30-8:00 PM    The Cleveland Show
8:00-8:30 PM    The Simpsons
8:30-9:00 PM    Allen Gregory (NEW!)
9:00-9:30 PM    Family Guy
9:30-10:00 PM   American Dad

FOX MIDSEASON 2012 PRIMETIME SCHEDULE
(All Times ET/PT)

MONDAY
8:00-9:00 PM House
9:00-10:00 PM Alcatraz (NEW!)

TUESDAY
8:00-9:00 PM    Glee
9:00-9:30 PM    The New Girl (NEW!)
9:30-10:00 PM   Raising Hope

WEDNESDAY
8:00-9:30 PM American Idol
9:30-10:00 PM I Hate My Teenage Daughter (NEW!)

THURSDAY
8:00-9:00 PM American Idol (Results Show)
9:00-10:00 PM The Finder (NEW!) / Bones (Spring)

FRIDAY
8:00-9:00 PM Kitchen Nightmares
9:00-10:00 PM Fringe

SATURDAY
8:00-8:30 PM    COPS
8:30-9:00 PM    COPS
9:00-10:00 PM   (Encores) / America’s Most Wanted (Specials)

SUNDAY
7:00-7:30 PM    The OT (NFL post-game)
7:30-8:00 PM    The Cleveland Show
8:00-8:30 PM    The Simpsons
8:30-9:00 PM    Napoleon Dynamite (NEW!)
9:00-9:30 PM    Family Guy
9:30-10:00 PM   American Dad

May 6 2011

TV NEWS ALERT! Discovery Channel Will Air Special ‘Killing Bin Laden’ On Sunday May 15th

Heroes

From the “Well-they-certainly-don’t-waste-any-time” file, Discovery announced on Monday that they would be airing an hour long special about the hunt for Osama Bin Laden on Sunday, May 15th. You’ll notice the lack of a Bin Laden Photo on this site unlike every other site. Sorry, but we’d rather enjoy a picture of the S.E.A.L.’s than a dead terrorist who murdered innocent Americans.

via Press Release:

DISCOVERY CHANNEL ONE HOUR SPECIAL KILLING BIN LADEN (WT) PROVIDES
SECOND-BY-SECOND ACCOUNT OF HISTORIC OPERATION

– Premieres Sunday, May 15 at 10PM ET/PT –

(Silver Spring, Md.) – “Bin Laden Dead.” For ten years – since Osama Bin Laden masterminded the 2001 attack on the World Trade Center — it’s been the headline Americans have waited for. On Sunday, May 15 at 10PM ET/PT, Discovery Channel will premiere KILLING BIN LADEN (WT), a one-hour special that provides an intimate second-by-second account of the Bin Laden operation — from the time the crucial intelligence was gathered in 2010, through the burial of bin Laden at sea.

More Heroes

Utilizing a global team of local reporters, fixers and cameras on the ground in Abbottabad, Pakistan, KILLING BIN LADEN (WT) will delve into the details of how the operation was planned and executed, seeking to answer key questions that are to date unresolved, including: How many special ops forces were involved? From where did they deploy? How was facial recognition used to identify bin Laden? Why was one of the helicopters abandoned and destroyed?

“Bringing Osama Bin Laden to justice is one of the biggest stories of our country’s lifetime,” said Clark Bunting, President and GM, Discovery Channel. “Discovery Channel’s global reach, strong partnerships and unique nonfiction storytelling ability allow us to delve deep into this story and provide viewers with answers to the questions they are asking as well as context and historical perspective.”

KILLING BIN LADEN (WT) will also investigate how intelligence gathered the information that led to Bin Laden’s hideout, including the tracking of a senior Al Qaeda courier. In August 2010, investigators tagged the heavily fortified compound, where the courier lived with his brother, as a possible terrorist hideout. Once intelligence experts were convinced that the compound contained a senior “high value” terrorist target with a strong likelihood that it could be Osama Bin Laden himself, they launched the plan that would end with U.S. Special Forces making a pre-dawn raid on the compound by helicopter.

Encore airings of KILLING BIN LADEN (WT) will air on Discovery Communications’ Military Channel, Science Channel ID and Planet Green in the United States. The special will also air internationally within Discovery’s portfolio of global networks.

May 3 2011

Summer Sci-Fi Alert! TNT’s Falling Skies Two Hour Premiere – Sunday, June 19th At 9:00 p.m.

FALLING SKIES opens in the chaotic aftermath of an alien attack that has left most of the world completely incapacitated. In the six months since the initial invasion, the few survivors have banded together outside major cities to begin the difficult task of fighting back. Each day is a test of survival as citizen soldiers work to protect the people in their care while also engaging in an insurgency campaign against the occupying alien force.

At the center of the series is Tom Mason (Noah Wyle), a Boston history professor whose family has been torn apart. His wife was killed in the initial attack, and one of his three sons has been captured. Determined to get his son back and to ensure the safety of his other two sons, Tom must put his extensive knowledge of military history to the test as one of the leaders of the resistance movement known as the 2nd Mass, because of their location in Boston, Mass. They are constantly trying to gain intelligence about the aliens in order to one day outsmart and overtake them and hopefully rebuild their lives.

Moon Bloodgood (Terminator Salvation) co-stars as Anne Glass, a pediatrician who works with the surviving children to help them cope with the traumatic upheaval in their lives. Will Patton (Armageddon, TNT’s Into the West) plays a fierce leader of the resistance, Weaver. The series also stars Drew Roy (Secretariat) as Hal, Tom’s oldest son and a growing fighter in the resistance movement; Maxim Knight (Brothers & Sisters) as Matt, Tom’s youngest son; Connor Jessup (The Saddle Club) as Ben, Tom’s son who was captured by aliens; and Seychelle Gabriel (Weeds) as Lourdes, an orphaned teenager who helps Anne in the group’s makeshift medical clinic. Colin Cunningham (Living in Your Car) is John Pope, the leader of an outlaw motorcycle gang and Sarah Carter (Shark) is Margaret, a wary survivor of Pope’s gang.

FALLING SKIES focuses on the resilience of the survivors and their determination to maintain their humanity when all else has been destroyed. It is a tale of endurance, commitment and courage in which everyday people are called upon to become heroes. They may be outmatched, outnumbered and outgunned, but nothing can beat the human spirit. Most of all, the series is about the ties that bind people together in the most difficult of circumstances.

The aliens in the series are mighty, mysterious and merciless. They are highly intelligent and use military-like tactics, which makes them an overwhelming force against the 2nd Mass. There are two types of aliens that the human survivors have named Skitters and Mechs. Combining live action and special visual effects, the Skitters have spider-like bodies and incredible strength and agility. The deadly, robotic Mechs stand upright and can shoot bullets from their arms. The aliens control captured children, like Tom’s son Ben, through bio-mechanical harnesses but have yet to reveal their ultimate plan for them.

FALLING SKIES is executive-produced by Steven Spielberg, along with DreamWorks Television heads Justin Falvey and Darryl Frank, Graham Yost (Justified, The Pacific) and screenwriter Robert Rodat. Rodat, who earned an Oscar® nomination for his screenplay for Saving Private Ryan, wrote the pilot from an idea he co-conceived with Spielberg. Mark Verheiden (Heroes, Battlestar Galactica) and Greg Beeman (Heroes, Smallville) are co-executive producers. The pilot was directed by Carl Franklin (One False Move, Out of Time). – TNT

Official Trailer:

Longer First Look Extended Trailer:

: Steven Spielberg

So, here’s the question of the month: How the H-E-Double-Hockey-Sticks did we miss this. Seriously, we’re genetically predisposed to have the first scoop on all new SciFi programming out there. This is just embarrassing. We only heard about Falling Skies yesterday when we saw the trailer on TNT and thought it was for a summer blockbuster that we didn’t know about.

That being said, this looks exceptionally well-done for basic cable with Dreamworks producing it and Steven Spielberg heavily involved with creating the aliens. Dare we say, it looks even better than Terra Nova and we think it has a better chance of staying on the air for a second season then TN as well because basically they’ve done everything right, so far, as far as production of Sci-Fi television is concerned.

Yes... yes they do.

It’s on Basic Cable and NOT on a Major Network. Better yet, it’s on TNT which overall in 2010 was the #4 cable Network on television and #2 for original non-niche scripted programming (for clarification, Disney and ESPN, #2 and #3, respectively, are niche networks) behind only USA. The expectation for high audience numbers is dramatically lower on basic cable than it is on major network which is a luxury that TN doesn’t have on FOX and to make matters worse for TN, over the past decade, Sci-Fi is DEAD on Network television for this generation of audiences and has been an abysmal failure every time it’s been attempted and this dovetails into the next advantage for renewal FS has…
$$$$ Because FS is on basic cable, the production costs will be dramatically lower than any show on a major network and considering that TN is the most expensive show in the history of television, we can only imagine that the production costs of FS is infinitesimal in comparison to TN. Again, this goes back to the ratings expectations that TNT will have for FS as opposed to what FOX will have for TN. One of the biggest factors a show has to overcome is production costs. When 24 was canceled last year, even though the ratings were continuing to drop they weren’t particularly awful. The problem was (besides the fact that the producers admitted that the well had run dry) that the show was just so damned expensive to produce that they couldn’t justify renewing it. A show has to get high enough ratings in order to justify high ad rates in order to justify high production costs. It’s that simple. Considering what we said about the recent history of Sci-Fi on network, the advantage again goes to FS.
The real reason why so many Sci-Fi shows are produced in Canada

“O, Canada, Our Home and Native Land!” As soon as we saw the trailers for FS, the first thing we thought was, “Oh, this has to be being produced in Canada,” and as we confirmed with iMDB, it sure as heck is (Hamilton, Ontario to be precise). It’s well-known that the key to keeping production costs down dramatically with Sci-Fi television is to film in Canada. Don’t believe us? Take a look at this list of Sci-Fi shows filmed in Canada over the last two decades. Where is TN being produced? In ridiculously cost-prohibitive Australia which is just adding to the enormous price-tag of that show. Advantage, FS.
Shorter Schedule Beyond the obvious fact that producing more than twice as many episodes per season (22 for TN as opposed to 10 for FS) will cost twice as much for FOX, there’s also a much bigger issue and that is that a 22 episode season, by its nature, will air over the course of an entire television season, in this case (allegedly) 2011 – 2012. This means long hiatuses and reruns for the show which has proven time and time again to be catastrophic for Sci-Fi and genre which is exactly why they eventually stopped doing it with 24, Lost, and Alias to name a few, instead, choosing to air their entire seasons as mid-season replacements without anything more than the random one week break between new episodes. Today’s audiences have ZERO patience for serials to begin with, nevertheless Sci-Fi serials, and they will not tolerate shows that leave them hanging for six weeks to several months at a time. FS will air new episodes continuously for ten weeks and it’s airing in the middle of summer with no competition from the major networks which is a strategy that continues to be proven successful for basic cable networks.

Finally, 22 episodes of Sci-Fi is just too much for major network television (and no, even though The CW is a major network, they don’t count for the purpose of this discussion for obvious reasons.). Today’s major network audiences just will not hang in there for 22 episodes of Sci-Fi any more. Now, we love Fringe and we’re certainly thrilled it got picked up for a fourth season but that is an anomaly and the audience numbers haven’t been particularly great for it which is why it got moved from the middle of the week to Friday to begin with. The standard 10 – 13 episode seasons for original programming on basic cable works just fine for Sci-Fi. Advantage, FS.

: Will the real Slim Shady please stand up?

So why are we so excited about FS? Well, first, the trailers look fantastic and yes, we know it’s not a particularly original concept stealing aspects from The Terminator, Battlestar Galactica, V, The Road, Independence Day and War of the Worlds, to name a few (not to mention that the whole “stealing children and technologically altering them” concept is eerily similar to the Borg in Star Trek) but heck, we like that kind of Sci-Fi because it invariably promises us great action and character development. We also don’t think that it’s a coincidence that Noah Wyle looks like he was separated at birth from Terminator: Salvation star and leader of the resistance Christian Bale (John Connor).

Along with the great action, though, is that shows like this invariably raise thought-provoking philosophical questions about humanity, often without the audience realizing it until after it’s happened. This is one of the marks of great Sci-Fi storytelling which this particular brand of Sci-Fi excels at and we really expect nothing less considering the heavy hitters that are on board for this and their experience and success they bring to this in the writing and production department (see the last paragraph of the show description at the top).

Also, just to preempt the inevitable cries of “it’s not an original concept” from the peanut gallery (that have already begun), we’ve got news for you: there are no original concepts in Sci-Fi anymore. Every concept you can think of has been thought up by someone else in this genre and been done already. It’s the execution of concept that counts and that’s what will be the deciding factor in FS‘s success or failure.

Check out the official Falling Skies webpage, here.

Apr 22 2011

Game of Thrones (HBO – Sunday, 9:00 p.m.)

Game of Thrones is an American medieval fantasy television series created for HBO by David Benioff and Dan Weiss. The series is based on author George R. R. Martin’s best-selling A Song of Ice and Fire series of seven fantasy novels; HBO’s overall series’ title is derived from the first novel. The premium cable television series closely follows the multiple story lines of the A Song of Ice and Fire series, and author Martin has stated that the show’s pilot script was very faithful to his work. Set in the seven Kingdoms of Westeros, where “summers span decades and winters can last a lifetime,” Game of Thrones chronicles the violent dynastic struggles among the kingdom’s seven noble families for control of the Iron Throne. – Wikipedia

Seven noble families fight for control of the mythical land of Westeros. Political and sexual intrigue abound. The primary families are the Stark, Lannister, and Baratheon families. Robert Baratheon, King of Westeros, asks his old friend Eddard Stark to serve as his chief advisor. Eddard, suspecting that his predecessor had been murdered, accepts so that he can investigate further. It turns out more than one family is plotting to take the throne. The Queen’s family, the Lannisters, may be hatching a plot to take control. Across the sea, the last surviving members of the previously deposed ruling family, the Targaryens, are also plotting a return to power. The conflict between these families and others, including the Greyjoys, the Tullys, the Arryns, and the Tyrells, leads to war. Meanwhile, in the north, an ancient evil awakens. Amidst war and the political confusion, a brotherhood of misfits, The Night’s Watch, is all that stands between the realms of men and the horrors beyond. – iMDB

8 out of 10

First of all, we apologize for the double description but you’d be amazed at how difficult it is to actually find a decent show description at the usual suspects like Metacritic… or HBO’s homepage for the show. We suspect the reason for this is that no one but the most devoted fanboy knows enough to be able to sum up coherently what the show is about. On our end, we’re in the same boat. After watching the first episode, we can say that we reasonably understand what’s going on, but we would have no idea how to explain it. There’s a lot going on in this show with the different subplots and characters and it really plays out an awful lot like a soap opera (not a complaint, just an observation), and its serial nature and what looks like will be a weekly cliffhanger will have us coming back week after week, even though this genre has never really been our cup of tea. Don’t get us wrong, we like this stuff but we’ve always been more interested in traditional science fiction (particularly of the space based variety) than we ever have been of medieval fantasy.

That being said, Game of Thrones is the most amazingly produced series we’ve ever seen (so far… Terra Nova may be even better… if it ever airs). With a reported $5 to $10 million spent on the pilot and an estimated budget for the first season between $50 and $60 million, it’s easy to understand why. The show feels much more like a big-budget summer blockbuster film than it does a TV series and as you watch it, you really don’t want to get up to even use the bathroom because the absolute aesthetic beauty of the photography is just spell-binding. The cinematography, lighting, filters used on the lenses, and even the CGI is absolutely perfect. The Northern Ireland and Malta filming locations are absolutely stunning and authentic as are the costumes. Have we mentioned the music? Well, the score, which is composed by Ramin Djawadi, is modern and absolutely beautiful. It reminds us of the work of Sean Callery and Bear McCreary.

As far as the plot is concerned, as noted it is quite compelling but, we have to say that so far, the characters leave a lot to be desired in the likability/relatability department. Most of them, even the heroes, are pretty nasty human beings who are pretty self-centered with ZERO regard for human life and yes, we understand that the story is being told from a medieval perspective, however, it is a story for a contemporary audience (Hell, the novels were written in 1996) and the general amorality of the characters is a bit off-putting and uncomfortable. The male characters also display very misogynistic tendencies and they are quite vulgar in their misogyny as well and it really does make us a tad uncomfortable especially when watching it with Mrs. Tastic:

“I would let his whole tribe f**k you – all 40,000 men, and their horses, too, if that’s what it took.” – Viserys Targaryen… to his sister, Daenerys

Yikes! Yeah, thanks for that visual. Noooo… that wasn’t awkward at all. We suspect that the characters will become more sympathetic as the series progresses simply because we will become more attached to the storyline, but of course that will take time and as an audience, we’ll need to suspend our modern preconceptions of morality and decency for this to happen (and we’re pretty sure that despite the number of times they dropped it, the F-bomb didn’t exist during medieval times). Seriously, the characters are like a bunch of hedonistic Klingons and this dovetails into the only real issue we have with the show.

As we noted in our Being Human review, HBO has a tendency to overdo the gratuitous sex, graphic violence, nudity and profanity and it’s not necessary. It often becomes a distraction and usually it’s used for shock-value exclusively when the well has run dry in the writing department. After watching the Game of Thrones pilot, we are starting to think that they are just getting so used to using that particular crutch that they can’t help themselves anymore. There were three completely unnecessary nude scenes in the pilot, a sex scene that could have just as easily been implied, ditto on the fellatio scene with the dwarf, the aforementioned ridiculous and historically out of context use of the F-bomb, two graphic beheadings and an orgy/slash gang rape scene (at a wedding, no less) that was topped off by a disembowelment. Now, THAT’S our type of party.

The premium cable television series closely follows the multiple story lines of the A Song of Ice and Fire series, and author Martin has stated that the show’s pilot script was very faithful to his work.

As much as we appreciate adapted works remaining true the source material, and we’re assuming that this over-the-top content is in the novels as well, we’re kind of wishing that it wasn’t as true to the original and that the producers would tone it down just a tad. Now, we aren’t offended by any of those scenes, but as noted it just becomes distracting and it doesn’t seem really that necessary to advance the plot of what is a very good show that stands on its own merits without the need for gratuitous gimmickry.

Again, this was a bit of a minor issue and without a question, this is one of the best shows on TV and thanks to the fanboys, 48 hours after the pilot was aired on Sunday, the series was renewed for a second season. It also didn’t hurt that last weekend was HBO’s Free Preview Weekend and we’re curious if it wasn’t so much the ratings that got the show renewed, but the massive increase of subscribers to HBO post-premiere that did the trick. Boy, are we ever curious as to those Monday new subscription numbers.

As an aside, though, the fanboy factor in the success of this series cannot be overstated and inevitably will stir up the decade-old discussion of the viability of genre and Sci-Fi on premium cable. Until now, there haven’t been any successful examples to use as a point of reference. Who knows? Maybe Game of Thrones has opened the door for the possibility of the next Star Trek or Stargate series to air on premium cable (don’t forget, Stargate: SG-1 was on Showtime for five seasons before it was on SciFi) or even perhaps the rebirth of great shows that left us too early such as Terminator: The Sarah Connor Chronicles or even Firefly. *Sigh* Yes, we know; now our true fanboy colors are showing and we’re losing ourselves in fantasy.

Apr 19 2011

Bob’s Burgers Renewed For A Second Season? House & Bones May Be Leaving FOX? Where’s Terra Nova? What’s Going On Over There? (Part One)

In news that came as an absolute shock to us, the poorly-received (we gave it a 3 out of 10 and that was generous) and lackluster-rated Bob’s Burgers has been picked up for a second season by FOX as announced on April 7th.

Via Press Release:

FOX ORDERS UP A SECOND SERVING OF “BOB’S BURGERS”

Animated Series Renewed for a Second Season

All-New Episode Airs Sunday, April 10, on FOX

Animation Domination newcomer BOB’S BURGERS has been renewed for a second season, it was announced today by Kevin Reilly, President of Entertainment, Fox Broadcasting Company.

“BOB’S BURGERS has proved to be a perfect neighbor to our slate of fan-favorite animated families this year,” said Reilly. “The series has found its own really unique, irreverent voice and is doing consistent business for us on Sundays, so we’re excited to serve up another season to the fans.”

The premiere of BOB’S BURGERS this year was the highest-rated new series debut on any network so far this season. The series currently ranks among the Top 10 programs this season among young men.

In the all-new “Burger War” episode, airing Sunday, April 10 (8:30-9:00 PM ET/PT), BOB’s (H. Jon Benjamin) eccentric landlord, MR. FISCHOEDER (guest voice Kevin Kline), pays the family a visit to deliver some bad news. Bob’s rival across the street, JIMMY PESTO (guest voice Jay Johnston) of Jimmy Pesto’s Pizzeria, wants to take over Bob’s lease so that he can expand his gift shop. With little time and not enough money, the Belcher family must cook up some business or luck to save the restaurant.

BOB’S BURGERS follows a third-generation restaurateur as he runs his own burger joint with the help of his wife and their three kids. Bob has big ideas about burgers, condiments and sides, but only a few thoughts on customer service and business management. Despite his greasy counters, lousy location and occasionally spotty service, Bob is convinced his burgers speak for themselves. The animated series features the voice talents of H. Jon Benjamin, John Roberts, Dan Mintz, Eugene Mirman and Kristen Schaal.

BOB’S BURGERS is a 20^th Century Fox Television production. The series was created by Loren Bouchard. Bouchard and Jim Dauterive serve as executive producers and writers. Become a fan of the series on Facebook at www.facebook.com/bobsburgers and follow the series on Twitter at www.twitter.com/bobsburgersfox.

Now, you’re probably figuring that our response to this news would be outrage due to the fact of how much we dislike the show but surprisingly, it’s not. We not only aren’t bothered but we’re actually a little relieved because of all of the other news surrounding FOX programming over the last few weeks, particularly the renewals of American Dad and Fringe, both early and both with full season orders.

Seriously???

But first, there are two things about the renewal of Bob’s Burgers that need to be noted: Number one on the list is the fact FOX ordered two more animated shows last year for the 2011 – 2012 schedule; an animated version of Napoleon Dynamite (no, we’re not kidding) and a show by Jonah Hill called Allen Gregory, “which will have Hill voicing the title role of a freakishly smart, internationally acclaimed 7-year-old kid who’s about to take on the task of attending elementary school with kids his own age.” On the upside, at least it’s animated so we won’t have to see Hill’s absolute grotesqueness on the beautiful 65″ HDTV. But waitaminute… since they’ve ordered these two shows, how will there be room for the recently renewed American Dad and Bob’s Burgers on the Sunday night schedule?

That of course brings us to the second item of note: unlike American Dad, there has been absolutely no indication that FOX ordered a full season of 22 episodes for Bob’s Burgers whereas they made a point to brag about it in the press release announcing American Dad’s renewal. So, even though FOX renewed Bob’s Burgers, the show’s status would appear to be more precarious than this renewal would seem to indicate and FOX is hedging its bets by keeping Napoleon Dynamite and Allen Gregory in the hopper for 2011, despite the fact that there is ZERO room on the Sunday night schedule for them.

Now, this being said, does anyone in their right mind think that a cartoon based on an overrated film that came out seven years ago and a series with an absolutely uninteresting premise has as snowball’s chance in hell of surviving past the six and seven episodes, respectively, that were ordered? We don’t and we think that after a year of sitting on these projects and taking an inventory of the state of the network as far as scripted programming is concerned come Fall 2011, FOX execs are reconsidering their commitment to these two new shows and leaning toward full support of Bob’s Burgers, should, as we expect, Napoleon Dynamite and Allen Gregory fail quickly. We think FOX is starting to realize that it may be better for them to deal with the devil that they know as opposed to the one they don’t, but because they are still FOX, after all, they’re taking a “wait and see” approach with Bob’s Burgers.

And what exactly is the state of FOX come Fall 2011? And why aren’t we bothered by the renewal of Bob’s Burger’s, a show we really don’t like? What’s this about House and Bones possibly not being on FOX and Terra Nova that you dopes alluded to in the headline yet never mentioned in this piece? Tune in to the ‘Tastic tomorrow and we’ll give you some insights based on what we know for sure, and what we think all of this information means based on us piecing it all together and wildly speculating… including the news about House, Bones and Terra Nova.

The SuperGeeks Super Blog

Your Source For All of Your Geek News & Commentary

Tag Archives: sunday

More Fall 2011 Cast Shakeups – FOX: Saffron Burrows Leaving Bones Spinoff, The Finder… Damon Wayans, Jr. Leaving New Girl

Meet ABC’s New Shows For 2011 – 2012 (VIDEOS!)… And Watch How We Tear Them Apart (Preview – Review)

ALERT! ABC Announces 2011 – 2012 Schedule

100th Post! ABC Cancels V, Brothers And Sisters & 5 More Shows, Renews Body of Proof, Happy Endings, Picks Up Charlie’s Angels, 11 More…

ALERT! FOX Announces 2011 – 2012 Schedule

TV NEWS ALERT! Discovery Channel Will Air Special ‘Killing Bin Laden’ On Sunday May 15th

Summer Sci-Fi Alert! TNT’s Falling Skies Two Hour Premiere – Sunday, June 19th At 9:00 p.m.

Game of Thrones (HBO – Sunday, 9:00 p.m.)

Bob’s Burgers Renewed For A Second Season? House & Bones May Be Leaving FOX? Where’s Terra Nova? What’s Going On Over There? (Part One)

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this: