FX: ‘Justified’ Renewed For Season Five

justified-season-2_shoot

Yeah, big shocker, we know…

Via Press Release:

FX logoNEW YORK, March 28, 2013 – FX Networks announced a slew of pickups this morning, with Justified getting a fifth season pickup on FX, while It’s Always Sunny in Philadelphia, The League and Legit will all return and move to FXX, announced John Landgraf, President & General Manager, FX Networks.The critically-acclaimed drama series Justified, starring Timothy Olyphant, will continue to run on FX. Season five begins production this fall and will air on FX in January 2014. Season four is currently airing, with the season finale slated to air next Tuesday, April 2, at 10:00 PM ET/PT. To date, season four is pacing to be Justified’s most-watched season ever.

It’s Always Sunny in Philadelphia, The League and Legit will all move to FXX.

It’s Always Sunny in Philadelphia’s ninth season will air on FXX this fall, and the network has also placed an order for a tenth season that will air in the fall of 2014. One of the most successful comedies in all of basic cable, Sunny’s eighth season ranked #2 in its basic cable time period in Men 18-49 and Men 18-34 (behind only the NFL on the NFL Network) and #2 in Adults 18-34 and Women 18-34 (behind Jersey Shore).

The League’s already announced fifth season will air on FXX this fall, and the network is announcing a sixth season pickup that will air on FXX in the fall of 2014. Last season, The League ranked #2 in its basic cable time period in M18-49, behind only the NFL on NFL Network.

The new critically-acclaimed comedy Legit’s first season will end on FX Thursday, April 11 at 10:30PM ET/PT. The show has officially been picked up for a second season, and will be moving to FXX, returning in early 2014. Legit continues to build an audience, growing by +25% from its first three episodes to its second three episodes.

Developed by Graham Yost and starring Timothy Olyphant, Justified is based on the works of crime novelist Elmore Leonard, including Leonard’s short story “Fire in the Hole.” The series co-stars Walton Goggins, Nick Searcy, Jacob Pitts, Erica Tazel and Joelle Carter. Yost wrote the pilot and serves as executive producer/showrunner on the series. Leonard is also an executive producer on the series along with Carl Beverly, Sarah Timberman, Michael Dinner and Fred Golan. Justified is produced by Sony Pictures Television and FX Productions.

New Police Series, ‘Golden Boy’ Premiering In March (VIDEO)

golden_boy

It’s rare that a series slips by us but it’s even rarer yet that a network does such a masterful job of burying a new series before its premiere but that’s exactly what CBS has done with its new, seemingly compelling police drama, Golden Boy, which follows the meteoric rise a of a young police officer in New York City from beat cop to police commissioner over the course of seven years.  CBS occasionally does this and it’s very puzzling. I saw ZERO trailers last year for the ill-fated police drama NYC 22 which lasted about 10 minutes on the network and it’s safe to say that the lack of promotion for the series contributed to its demise.

Here’s the thing, CBS, if you don’t have any interest in a show, don’t pick it up but for crap’s sake, don’t pick up a show and then not promote it.  Seriously, what are you… FOX?  In the case of Golden Boy, this seems particularly stupid because judging by the extended trailer below, it would seem to be the perfect lead-in for Blue Bloods on Friday nights.

Golden Boy premieres on March 5th at 10:00 p.m. and will move to its regular timeslot on Friday nights at 9:00 p.m. on March 8th.

TNT Renews ‘The Closer’ Spin-off ‘Major Crimes’ For Second Season

 

Via Press Release:

 

TNT RENEWS “MAJOR CRIMES,” CABLE’S #1 NEW SERIES

 

TNT has renewed its hit original series Major Crimesthe year’s #1 new cable drama. TNT has ordered 15 episodes of the Warner Bros. Television crime drama, which features two-time Oscar® nominee Mary McDonnell leading an outstanding ensemble cast. Major Crimes currently airs Mondays at 9 p.m. (ET/PT) on TNT, with the first season finale slated for mid-October and the second season scheduled to roll out in summer 2013.

“With Major Crimes, James Duff and his amazing production team have crafted an incredibly entertaining show that not only honors the spirit of The Closer, but also stands alone with its own voice and spirit,” said Michael Wright, president, head of programming for TNT, TBS and Turner Classic Movies (TCM). “Week after week, Major Crimes has drawn millions of fans with its combination of sharp writing and engaging characters brought to life by what can only be described as one of the best acting ensembles on television. We look forward to another season of this remarkable new drama.”

With an audience of nearly 7 million viewersMajor Crimes ranks as cable’s #1 new series for the year-to-date. It also holds position as one of basic cable’s Top 3 new dramas with key adult demos, averaging 1.6 million adults 18-49 and 2.1 million adults 25-54. Among all original series on cable, Major Crimes ranks third behind TNT’s The Closer and Rizzoli & Isles for the quarter-to-date. In addition, the series’ Aug. 13 premiere audience of 9.5 million viewers set a new record as basic cable’s most-watched series launch ever.

With the renewal of Major Crimes, TNT has now gone three-for-three when it comes to ordering second seasons of its new scripted dramas. The network previously renewed its hit primetime drama Dallas, which brought together iconic stars from the original series with a new generation of cast members. More recently, TNT renewed the crime drama Perception, starring Eric McCormack.

TNT’s all-new drama series Major Crimes takes television’s favorite squad of detectives into bold new territory. Two-time Oscar® nominee Mary McDonnell stars in the series, continuing her Emmy®-nominated role from The Closer, along with G.W. BaileyTony DenisonMichael Paul ChanRaymond CruzPhillip P. KeeneKearran Giovanni and Graham Patrick Martin, with guest stars Robert GossettJon Tenney and Jonathan Del Arco. In Major Crimes, McDonnell plays Captain Sharon Raydor, who leads the Major Crimes unit of the L.A.P.D. The series follows Raydor and her squad of detectives as they work to solve high-profile cases and secure airtight convictions.

Major Crimes is produced by The Shephard/Robin Company, in association with Warner Bros. TelevisionThe Closer‘s James DuffGreer Shephard, Michael M. Robin, and Rick Wallace serve as executive producers on the new series.

 

 

 

VIC’S REVIEWS: ‘Alaska State Troopers’ (National Geographic – Sundays, 8:00 p.m.)

Follow one of the toughest law enforcement agencies in the nation, patrolling alone on unforgiving terrains. Responding by land, air, and sea—with backup sometimes days away—these troopers patrol hundreds of miles of rugged terrain in bone-chilling temperatures to protect the people and wildlife of Alaska. Whether it’s overturned snow machines in 22-degree weather, violent chainsaw crimes, volatile fishermen zigzagging down waterways, thieves stealing essential village items, moose-hunting checks, gunman confrontations in the wilderness, or intoxicated gold miners blocking roads—being prepared for anything is just part of the job.

Cameras ride along with Alaskan State Troopers as they keep the streets safe and hunters honest while at the same time taking advantage of the breathtaking landscape that Alaska State Troopers are lucky enough to call “their office.” -NatGeo

Score:     80 out of 100

EDITOR’S NOTE:  I have to give credit to NatGeo for providing several episodes of Alaska State Troopers on YouTube, uncut and for free (they also charge on YouTube for full seasons, so that’s saying something).  While we can’t post them to our channel without a guarantee of a copyright strike against us, we have posted them at the end of this review for you to enjoy while they are still up.  At the time of publishing there was one episode from season one and nine episodes from season two.  Enjoy!

NatGeo’s Alaska State Troopers is not just another pedestrian Cops knock-off… y’know, like the kind of crap that permeates Spike TV on a regular basis; the typical police cruiser/fleeing suspect chase show where we see endless loops of speeding perps and footage consisting almost entirely of bad dash-cam video.  No offense to Spike (you guys do air the Star Wars films, after all), and I can see where some might offhandedly dismiss it as Cops in Alaska, however, I think that comparing AST to its well-known predecessor and  less-than worthy successors does a disservice to this very original series. I grew to enjoy the show and I became a steady viewer of it after the first season which aired back in 2009.  At first, it was just a show that would serve as background noise while I would write or do some studying (something I still do with Ancient Aliens or Star Trek: Deep Space Nine), but every now and then I’d glance over at the TV and get pretty involved with the way the show was delivered to the audience, with the first feature being the obvious: the photography.

Done in documentary style,  AST is beautifully filmed by a host of well-known cinematographers including Josh Becker and Jason Fierst, whose credits include Frontier Force and I (Almost) Got Away With it. The audience is regularly treated to beautiful aerial shots of surrounding snow-covered mountains, hills, valleys and lakes that are scattered across the Alaskan landscape, in locales such as Wasilla and Anchorage. The camera coverage of Alaska is absolutely stunning and amazing to watch, so there is never any wasted “filler” footage, there. We are drawn into the show by the different locations that the brave troopers cover. Usually, an episode will alternate between these locales and we ride along with a variety of troopers, each with their own unique personalities, incredible tales and history. These troopers are diligent, strong and have amazing stamina to not only weather the climate that Alaska beats down on them but to have to deal with hunters, roadkill, drug dealers, meth addicts and even the occasional inebriated Alaskan or two.

Veteran voice actor Marc Graue (Fallout, Resistance 3) provides the narration for AST and is pitch perfect here. Graue has a great voice and he can pull us into the drama with that velvet tenor of his. He carries the show’s narrative as we meet up with the various troopers that include troopers Howie Peterson, Dan Cox, Abraham Garcia and Lance Ewers who represent just a few of the troopers from different regions of the great state.

As far as the “main cast of characters” goes and what I truly appreciate about AST, these guys are hardcore, real and they have an amazing capacity for taking what Alaska dishes out… even when it’s not from a human. Snowstorms, ice storms, fog, moose, bears, etc., they see it all. At times they are dispatched to move hurt animals from the side of the freeways. They do it mercifully, with compassion and are not shy about displaying emotion. In one episode  a trooper even tracks down an injured Moose and has to put it down. This is pretty heavy stuff from an unscripted police show.

Sometimes, our heroes are dispatched to chase wanted felons and criminals while enduring poachers and moose season. Some of the braver troopers get called out with frequency to very isolated areas and deal with arrest warrants and dangerous felons that hide out in log cabins, run down shacks, mountains and rusted-out trailers. These are usually the very militant types that don’t take too well to trespassers… even if they are the law.

DUI on the 4th of July is one of the many standout episodes of the series. The troopers have to contend with some very rowdy party goers who are enjoying themselves a bit too much and as usual, we see our troopers handle stressful situations with professionalism and grace. Then, some other troopers handle a very precarious search and rescue on melting ice. I have to really give these officers credit and respect for all they do. What differentiates this show from Cops and the rest is that the show’s director,  Brian Michel,  gives us raw, real and very visceral footage here and no two episodes are the same. We get some fun and frivolous stuff like a dude trying his damndest to hide from the troopers while he is clearly in plain sight to some more serious stuff like when a poor meth-addicted girl cries for help from her addiction. It’s all very emotionally gripping.  So all in all, AST is a very engaging series from NatGeo. Kudos to them for making me look up from my laptop and involving me in some captivating TV.  

As an aside, in an awesome display of the show’s popularity, some puppies were dropped off at dog Shelter in Kentucky and two pups were named Trooper Dahl and Trooper Peterson after the brave officers from the show.  Read about it here.

Season four of Alaska State Troopers starts this Sunday, October 7th.

(A & E) The Glades Season 2 Premieres This Sunday, June 5th At 10:00 p.m.

We’re a little late on the draw on this, but dammit, upfront week was flippin’ tiring and we’re trying to catch up.  A&E’s hit summer series from last year The Glades (which we loved) roars back like a hurricane this Sunday night, June 5th, at 10:00 p.m.  Good times indeed.  Here’s the trailer for the new season and a little sneak peek at what we have to look forward to with Detective Jim Longworth and the rest of the characters:

Via Press Release:

A&E’S HIT SCRIPTED DRAMA “THE GLADES” SEASON 2 PREMIERES

SUNDAY, JUNE 5 AT 10PM ET/PT

SERIES STARS MATT PASSMORE, KIELE SANCHEZ, CARLOS GOMEZ AND MICHELLE HURD

NEW YORK – April 21, 2011 – Season two of the hit A&E original scripted drama series “The Glades,” starring Matt Passmore, Kiele Sanchez, Carlos Gomez and Michelle Hurd premieres Sunday, June 5 at 10PM ET/PT. The second season will feature thirteen one-hour episodes.

In its first season, “The Glades” became the most-watched drama series in network history, averaging 3.1 million total viewers. These ratings propelled A&E to ad-supported cable’s number one network on Sunday nights among total viewers.

In “The Glades,” Passmore stars as Jim Longworth, an attractive and brilliant Chicago homicide detective with a reputation for being difficult.  When his captain wrongfully accuses him of sleeping with his wife and shoots him, he is exiled and forced to relocate. He lands in the sleepy, middle-of-nowhere town of Palm Glade, outside of the Florida Everglades, where sunshine and golf are plentiful and crime is seemingly at a minimum. But Longworth soon finds out this town isn’t quite as idyllic as he originally thought, when murders keep piling up. Each case pulls Longworth off the golf course and reluctantly into his element as one of the sharpest homicide detectives to wear a badge.

In the season premiere, the daughter of a notorious Cuban mobster turns up dead in a Little Havana alley, and Longworth and the rest of the Florida Department of Law Enforcement must solve her murder to prevent an all-out war between two rival mob families. Meanwhile, Callie (Sanchez) prepares for her husband’s release from prison.
“The Glades” is produced by Fox Television Studios for A&E Network. The series executive producers are Clifton Campbell (“White Collar,” “Profiler,” “21 Jump Street”) for Innuendo Productions and Gary Randall (“Saving Grace”) for Grand Productions, Inc. The series is created by Clifton Campbell.

About Fox Television Studios
Fox Television Studios produces scripted and unscripted programming for US broadcast and cable networks, and international broadcasters. In addition to “The Glades,” hit series include “Burn Notice” and “White Collar” for USA, and “The Killing” for AMC. The studio also is in production on the pilots “Outlaw Country” for FX, “Three Inches” for SyFy, and “Wild Card” and “Over/Under” for USA. Fox TV Studios also produces the reality hits “The Girls Next Door,” “Kendra and Holly’s World” for E!, and will launch this summer the late-night comedy series “In the Flow with Affion Crockett” for FOX.

About A&E Network

A&E is “Real Life. Drama.”  Now reaching 100 million homes, A&E is television that you can’t turn away from; where unscripted shows are dramatic and scripted dramas are authentic.  A&E offers a diverse mix of high quality entertainment ranging from the network’s original scripted series, including “The Glades,” to signature non-fiction franchises, including the Emmy-winning “Intervention,” “Dog the Bounty Hunter,” “Hoarders,” “Billy the Exterminator” and “Storage Wars,” and the most successful justice shows on cable, including “The First 48” and “Manhunters.”  The A&E website is located at www.aetv.com.

The Chicago Code (FOX – Monday, 9:00 p.m)

THE CHICAGO CODE, the compelling new police drama from critically acclaimed creator Shawn Ryan (“The Shield”), follows the Windy City’s most powerful and respected cops as they navigate the city’s underbelly to fight crime and expose corruption within Chicago’s notorious political machine.

Set and shot on location in Chicago, THE CHICAGO CODE is a fast-paced series centered on JAREK WYSOCKI (Jason Clarke), a local legend and a larger-than-life veteran of the Chicago Police Department who wields considerable power thanks to his relationship with TERESA COLVIN (Jennifer Beals), his ex-partner and the city’s first female superintendent, now in charge of a 10,000-member police force. While Teresa diplomatically governs amidst the complicated landscape of Chicago politics, Jarek works the streets on a crusade to clean up corruption and crime and avenge his brother’s murder. Along the way, they will stop at nothing to bring down their powerful adversaries, including ALDERMAN RONIN GIBBONS (Delroy Lindo), a building-magnate-turned-politician who has ruled his ward with a velvet glove for over two decades.

Joining Jarek on the street is CALEB EVERS (Matt Lauria), an eager young detective trying desperately to prove himself. Also in Jarek’s charge is his niece, VONDA WYSOCKI (Devin Kelley), a rookie beat cop whose father – Jarek’s brother – was killed in the line of duty when she was young. Jarek keeps close tabs on her and is less than thrilled with the risk-taking ways of her cocky hotshot partner, ISAAC JOINER (Todd Williams). Also in the mix is low-life LIAM HENNESSEY (Billy Lush), an Irish thug who blends in with the gritty world of local crime. – FOX

8 out of 10

So here we are asking ourselves again, why, oh why, do the best scripted dramas always wind up on FOX?  They are only going to canceled when FOX inevitably pisses their pants after a couple of episodes.  The Chicago Code is eerily similar to Lone Star in that it’s a serialized, well-written, well-casted and well-acted dramatic series… that probably won’t last a single season because FOX has no patience for shows like this.  For the sake of this review, though, let’s pretend that FOX won’t cancel it before the end of the first season.

The Chicago Code is everything it claims to be and perhaps a bit more.  Jason Clarke (Brotherhood) is brilliantly cast as the down-to-earth, old-school detective who is used to thinking unconventionally and using unorthodox methods in order to effectively do his job.  Beals, is his former partner and newly appointed Police Superintendant who has recruited him to help her to clean up the corruption in Chicago.  If you think you’ve seen this before, you have.  This is almost the exact same scenario as in Brian De Palma’s 1987 classic The Untouchables when Eliot Ness (Kevin Costner) recruits Jim Malone (Sean Connery) to help him take down the corrupt politicians, corrupt police department and Al Capone.

Watch this scene to understand The Chicago Code:

… and THAT’S The Chicago Code.  There is no sugar-coating it.  This is a modern-day telling of a classic story of crime and corruption and Shawn Ryan (The Shield, The Unit) is not even being subtle with his homage to The Untouchables.  Good for him because he’s a brilliant writer and he’s smart enough to know that if you are going to use someone else’s source material for inspiration, use only the good stuff.  What made HBO’s Deadwood so good was the fact that it was Shakespeare set in the Old West.  It’s no different with any good drama and The Chicago Code excels in exploiting its predecessor.

Ryan’s no slouch, either, when it comes to stories about corruption having been the creator of F/X’s hit The Shield which lasted for six seasons which revolved around a group of corrupt detectives in the L.A.P.D.  And like The Shield, The Chicago Code does something that we absolutely love and we praised it before in our review of A & E’s The Glades; it uses the city itself as not just a backdrop, but as a living, breathing character.  One gets the feeling that they know Chicago as well as the residents do by watching The Chicago Code and that is a key factor that makes the show compelling and worth investing in for audiences.  It’s also beautifully shot and is a visual pleasure to enjoy in high-definition. Unfortunately, though, as previously noted, we don’t think the show has much of a chance at survival.

To be fair to FOX, and as much as we rip on them, there is a big problem with The Chicago Code that has nothing to do with bad management at FOX: it’s a serial.  Serialized television has no place in major network schedules any more.  It just doesn’t play with this generation of viewers who are inundated with 300 plus channels of cable television, the Internet, and reality television.  This generation of television viewers expects everything to be immediate with their entertainment and they simply have no patience for a story that doesn’t effectively conclude itself at the end of the hour.  This isn’t a criticism, this is just a fact and if you’re wondering when the end of serialized drama on network television officially occurred, it was May 24, 2010, which is the day of the series finale of 24 and the day after the series finale of Lost.  It’s getting more and more difficult to put any effort in writing reviews for serialized drama on network television because we are kind of at the “what’s the point?” stage as we expect every serialized drama on network television to be canceled no later than the end of its first season.

Now, that being said, we believe that FOX has made the same mistake with this show that they did with Lone Star and that is airing it on FOX instead of F/X.  F/X has been consistently able to support to serialized dramas and The Chicago Code would be a perfect fit there.

Of course, we certainly hope that we are dead-wrong about the lifespan of The Chicago Code on FOX but the numbers were only OK for the premiere (2.4 rating for 18-49) and the tendency for serialized shows is to lose audience after the premiere, not pick them up.  So we’ll keep our fingers crossed but we aren’t very optimistic about any long-term success for this show.

Watch full episodes of The Chicago Code, here.

‘Blue Bloods’ (CBS – Friday, 10:00 p.m.)

­BLUE BLOODS is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York City Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief. A source of pride and concern for Frank is his eldest son Danny, a seasoned detective, family man, and Iraqi War vet who on occasion uses dubious tactics to solve cases. The sole Reagan woman in the family, Erin, is a N.Y. Assistant D.A. and newly single parent, who also serves as the legal compass for her siblings and father. Jamie is the youngest Reagan, fresh out of Harvard Law and the family’s “golden boy;” however, unable to deny the family tradition, Jamie decided to give up a lucrative future in law and is now a newly minted cop. Jamie’s life takes an abrupt turn when he’s asked to become part of a clandestine police investigation even his father knows nothing about, and one that could impact the family’s legacy.­ – CBS

The Preview (Originally posted on 9/25/2010):

Shawn: Blue Bloods is one of the most anticipated dramas this Fall for good reason.  Simply look at this cast.  Your leads are Tom Selleck, Donnie Wahlberg, and Bridget Moynihan… all television and film superstars (Len Cariou is no slouch either).  Superstars like that don’t just arbitrarily sign on to do a show if they don’t already know it’s brilliant.  The concept is definitely unique.  An original cop show that focuses on a multigenerational family of cops and all of the dynamics that go along with that.  I’m very excited about Blue Bloods.

The Review:

9 out of 10

Yes, I know Blue Bloods has been on for over a month but good things come to those who wait.  As noted by the preview, I knew Blue Bloods was going to be good, but I didn’t expect it to be as good as it is and I really wanted to do the show justice by watching several episodes and taking notes before I reviewed it.

Unlike other cop/legal procedurals, Blue Bloods isn’t beating you over the head with preachy, one-sided political propaganda (see: Outlaw, The Whole Truth, Boston Legal, Law & Order – the entire franchise) telling you what your opinion should be on various issues.  Rather, every week, there’s a new and original plotline that invariably leads to a politically volatile issue and instead of the producers having the protagonists all carry the torch for one side of the issue without any inclination that a contrary opinion even has any merit, they intentionally present both sides as having merit and leave it to the audience to decide.

What makes this even more effective is the plot-device they use to address these issues:  the family dining room table.  It’s a fantastic and effective metaphor because it’s representative of not only how families often talk about the issues of the day so it’s relatable on that level but it’s also representative of American culture as a whole.  Americans have vast and varying opinions on all ranges of political issues and like family members discussing them, the debates can also get quite heated as passions get involved.

The question that comes into play quite often is balancing act of following the law and doing what is the morally correct thing to do, because as we all know, the two don’t always coincide. 

****(MINOR SPOILER ALERT!)****

Example:  in the pilot Danny (Donnie Wahlberg – Boomtown, Band of Brothers) is faced with a dilemma.  A ten year-old girl has been abducted and time is running out.  He and his partner have found the kidnapper/deviant yet he will not tell them where the girl is.  Danny proceeds to beat the confession out of the suspect specifically by repeatedly putting his head in a toilet bowl.  Call it a poor-man’s waterboarding.

Now, no one would ever suggest that they we would want our police coercing confessions out of suspects using violence or torture, but on the other side of the coin, if you were the parent of that ten year-old wouldn’t you want Danny Reagan doing whatever he could no matter how much outside the constraints of the law it was to find your little girl even if it meant that he violated a pervert’s civil rights along the way?  I know that I sure as Hell would.  But, that of course leads to the inevitable question of, “Where do you draw the line?”

The truth is that with all issues, there is no “black and white,” just varying shades of gray and Blue Bloods recognizes this whereas most dramas treat the audience with an air of condescending superiority suggesting that they are too stupid to figure out right from wrong on their own without Hollywood explaining it to them.  Blue Bloods respects its audience and because of that provides compelling, though-provoking drama every week.

These characters couldn’t have been written any better.  They are nothing like the clichéd shells that you expect on most shows.  Frank Reagan (Tom Selleck – Boston Legal, Magnum, P.I.), is the patriarch of this family and he deeply loves and cares about all of his children and unlike other cookie-cutter TV characters Frank wears his heart on his sleeve.  There is a particularly touching scene between Danny and Frank where Frank expresses concern about his son’s well-being after coming back from war and lets him know that there’s no shame in talking to someone (a therapist) about it.

Now, how about that for a change in pace from the old gruff, TV cop/dads who would have just told their kid to suck it up and get over it.  On the contrary, you can see the concern on Frank’s face when he’s having this discussion with Danny the same way any REAL dad would have if they were worried about their own kid. 

The surprise to me on this show is Jamie (Will Estes – American Dreams, Reunion) because I didn’t think his character was going to be that compelling and quite honestly, Estes’ résumé is kind of thin.  Not only is he doing an excellent job with developing his character as a rookie cop on a beat in the shadow of his big brother, but the writers have done an excellent job making him the focal point of the aforementioned clandestine investigation because he’s the last guy in the world you would ever think would be tapped for an undercover investigation of other cops.  Oh, and by the way, did I mention that John Torturro (Third Watch, NYPD Blue) plays Jamie’s partner and mentor, Sgt. Anthony Renzulli.  How ’bout them apples, huh?  Like I said, this cast has some stones.

Bridget Moynihan (I Robot, Lord of War) does very well as the idealistic academic A.D.A., Erin Reagan-Boyle, constantly butting heads with the men in the family and she holds her own very well with the boys.  As far as father to Frank and former police chief Henry Reagan they couldn’t have casted anyone better than noted character actor Len Cariou (Damages, Brotherhood) .  Nowadays, Henry is more concerned with spending time with his family and putting together toys for the grandkids but he’s always happy to throw his two cents in on the issue of the day… especially around that family dining room table.

Blue Bloods is one of the best three new shows on TV this fall and I’m thrilled that it’s finding success on Friday nights as well as the fact that it was on opposite of NBC’s failed series Outlaw to highlight just how bad that show was and just how well a police/legal procedural can be made when there’s some effort and talent behind it.

Watch full episodes of Blue Bloods, here.

‘Law & Order: Los Angeles’ (NBC – Wednesday, 10:00 p.m.)

The newest addition to the Law & Order brand, “Law & Order: Los Angeles” fuses classic ripped-from-the-headlines storytelling with the distinctive backdrop of LA – delving into the unique attitudes, cultures and crimes of the West Coast.

The drama follows Detectives Rex Winters (Skeet Ulrich, “Jericho”) and Tomas “TJ” Jarusalski (Corey Stoll, “Midnight in Paris”) as they pursue cases through the diverse City of Angels. As members of the Los Angeles Police Department’s elite Robbery Homicide Division, Winters is a straight-shooting ex-Marine with a clear-cut worldview as stubborn as he is, while TJ, who grew up the son of an Oscar-winning Polish cinematographer, knows too well the dark underside that is behind-the-scenes Hollywood.

Deputy District Attorney Morales (Alfred Molina, “En Education,” “The Da Vinci Code,” “Spiderman 2″) is a sarcastic realist who believes moral righteousness is great in theory, but ineffective in a street fight. Though he knows how to manipulate both his public image and the behind-the-scenes politics, he’s still a killer in the courtroom who lives to see justice served. – NBC

The Preview (originally posted on 9/17/2010)

Shawn: Hi, my name’s Shawn and I’m a recovering Law & Order fan. You see, one day about four years ago, I decided that the entire franchise, which I had been watching faithfully since 1990, had turned to utter crap (and that includes SVU which people still think is good for some reason). The formula was stale and the “ripped from the headlines” garbage became a convenient crutch that was about as exciting as your local theater group practicing their ad-libbing skills by randomly choosing topics from a hat (which of course, is a common theme in television production lately. see: Running Wilde in the Tuesday Preview.). Unfortunately, it took about a decade too long for this show to be cancelled. What I can’t seem to figure out is why the arrogant Dick Wolf thinks that simply taking the brand of crap that is Law & Order and moving it from one side to the country to another is actually going to produce a better product.

And before you say to yourself, “Well, this could be different,” I’m going to have to stop you right there because, no, it’s not going to be different. Do you know how I know? There are two obvious reasons. First, take a look at the first sentence of the show description by NBC:

“Law & Order: Los Angeles” fuses classic ripped-from-the-headlines storytelling with the distinctive backdrop of LA – delving into the unique attitudes, cultures and crimes of the West Coast.”

The first thing that they mention as a selling point is what made the show suck to begin with (the “ripped from the headlines” crap). It’s the reason that people stopped watching… period, you unoriginal nit-wits at Dick Wolf Productions.

The second reason that stands out is the simple fact that NBC doesn’t have a single trailer of this new series out that shows a single scene from the show. What are they hiding? After all, this cast is amazing. Skeet Ulrich, Alfred Molina and Academy Award nominated Terrence Howard star in this and NBC isn’t highlighting any of them in the promotions for this new “hit” series? It makes absolutely no sense, unless of course, they know the moment that they show five seconds of this show in a trailer, audiences are going to sing in unison, “I thought they cancelled this stupid show.”

Here’s my theory: NBC owes Dick Wolf a lot for twenty seasons of L & O, twelve seasons of SVU and amazingly, nine seasons of CI (whatever network it’s on now). That’s 41 seasons of television. To put that in perspective, that’s 50% more than all five series of the entire Star Trek franchise. So, Dick Wolf says, “You’re doing another ‘Law and Order’ series whether you like it or not and you’re going to do it in L.A., because that’s where I live now.” NBC’s response was, “How high did you say you want us to jump, Mr. Wolf?” and voila, L & O: L.A. is born. NBC knows it’s going to be crap but in order to keep it semi-profitable, they sunk a lot of money into casting and even I have to say that was a brilliant move on their part because as much as I have no interest in anything L & O, even I’m considering watching the pilot just for the cast. So, in principle, no, I would not recommend this but for curiosity’s sake I probably will watch the pilot and only make it halfway through because I’ll be so disgusted.

The Review (See above):

3 out of 10

This will be the shortest review of the season. Do you know why? It’s simple: everything I predicted in the preview was exactly spot-on. This show is nothing more than the original Law & Order that just got cancelled after 20 seasons except for the fact that it’s set in L.A.

What’s really disappointing is how poor the performances are from this all-star cast. It’s to the point where it’s embarrassing. I really want to chalk this up to poor writing, but I don’t know if I can. This whole show is just awful and no one is getting a free pass.

The only reason it’s getting three stars is because it’s not as bad as Outlaw.  I expect it to be canceled by the end of the season.

Watch full epsiodes of Law & Order: Los Angeles, here.

‘Terriers’ (F/X – Wednesdays, 10:00 p.m.)

 

 

Terriers from Creator/Executive Producer Ted Griffin (Ocean’s Eleven, Matchstick Men) and Executive Producer Shawn Ryan (The Shield), is a comedic drama starring Donal Logue (The Tao of Steve) and Michael Raymond-James (True Blood). It centers on “Hank Dolworth” (Logue), an ex-cop, who partners with his best friend “Britt Pollack” (Raymond-James) in an unlicensed private investigation business. – F/X

7 out of 10

Two weeks ago, my Dad was bemoaning the fact that there weren’t any private eye shows on television any more. He doesn’t have cable any more so he hasn’t seen Monk and he misses shows like Magnum P.I., Simon & Simon, Hardcastle & McCormick, Remington Steele and The Rockford Files (which I’m sure he’ll be happy to know is coming back). Well, if you like original private eye shows ike my Dad does, then Terriers is your type of show.

Terriers, on the surface hearkens back to the by-gone days of the classic buddy-detective shows but once you start getting into it, you realize it’s got a lot more going on with it than the classic procedural who done-its.

Hank Dolworth is a former detective for the Ocean Beach, California Police Department who was “dishonorably discharged” (I put that in quotes because it was mentioned in an episode but I don’t think they use that phrase outside the armed forces… whatever.) for reasons not mentioned as of yet, but one can assume it stems from the same issue that caused his marriage to end: his alcoholism.

This is important to note because Hank being a recovering alcoholic is an integral part of the character. We learn a lot about his personal character because of this skeleton in his closet that as any recovering will tell you, stays with you forever.  Hank seems like he’s on a continuous journey of redemption with everything he does.  

We see this in his approach to justice, where he often severely bends the rules to see that the right bad guys are put behind bars and it’s obvious that he is trying to make up for what he sees as his failings while he was with the police. From almost the opening scene of the pilot it’s obvious that he still deeply loves his ex-wife, Gretchen (Kimberly Quinn) constant attempts to make things right with his ex-wife , even going so far as not only buying the house they lived in together so that she could move on, but even knocking down the wall between the family room and the dining room that she had asked him to do five years earlier.  It was a pointless gesture, because he has just moved into the house and she was moved out but it was obvious that Hank is trying to make amends for everything, even for that.  

Now, on to the lighter side:  Hank’s partner, Britt, is there for one reason and one reason only as far as I can see it: to provide some kind of balance to Hank and comic relief for the audience.  Despite how the show is being billed, it’s not a comedy at all.  It’s a decent crime drama but what keeps you coming back is the back-and-forth between Hank and Britt.  The dialogue is very clever and all of the characters are very well-written and what’s refreshing is the often “shades of gray” approach to all of them, even some of the bad guys.

All in all, Terriers grew on me by the second episode and it’s the type of show that works perfectly on a network like F/X with only 13 episodes per season.

Watch  full episodes of Terriers, here.