NBC: …And Even More Scripted Drama Changes: Brittany Snow and Aml Ameen Leaving Harry’s Law

…And now for news about a show that sucks and we hate:

In what is not a surprise, THR has confirmed that Brittany Snow and Aml Ameen (two of the four main cast members) have left the David E. Kelley extension of Boston Legal, Harry’s Law, under what is described as “amicable” circumstances.

…producers looked at the stories and roles and decided they weren’t going to be expanded and instead opted to give the duo the opportunity to pursue other projects.

Yeah… mmm… OK…

What this means in Hollywood-speak is that in typical David E. Kelley fashion, the stale writing that existed on the show to begin with has gotten even worse, the well has run completely dry and they can’t develop their bland, cookie-cutter, clichéd characters beyond one season nor can they write them into storylines.  We understand how developing characters and writing good stories can be difficult when every show you create is used for nothing more than a soapbox for a political agenda.

For the record, look at Kelley’s previous shows. They have a history of doing this.  Do you know why? Because like Jerry Bruckheimer, he’s just not that good or creative of a producer and he generally has lazy and uninspired writers.  As noted, we hate this show anyway and we were shocked that it was renewed.  The funny part is that it appears that the only reason that it was renewed was in deference to Kelley over not picking up Wonder Woman.  In other words, they threw Kelley a bone.

A note to NBC and the other networks:  STOP throwing Kelley a bone.  He’s overrated and audiences have grown tired of him (and Bruckheimer is nipping right at his heels in that department as well).  Time to open the door for new blood and ditch these dinosaurs.

Meet CBS’s New Shows For 2011 – 2012 (VIDEOS!)… And Watch How We Tear Them Apart (Preview – Review)

"The 'Tastic Says: You FAIL!"

As promised, The ‘Tastic is proud to present the first-look trailers for all of CBS’s new shows… the few that are there due to CBS hardly canceling anything.  Along with synopses and videos, in true TV-Tastic-style we’ll give you a preview assessment of each of the new series (in other words, we plan to pretty much rip most of them apart) letting you know what we think about them and if it’s worth your time to check them out this Fall and just to give everyone a heads up:   on CBS this season: drama = good, comedy = bad.

Unforgettable stars Poppy Montgomery as Carrie Wells, an enigmatic former police detective with a rare condition that makes her memory so flawless that every place, every conversation, every moment of joy and every heartbreak is forever embedded in her mind.  It’s not just that she doesn’t forget anything – she can’t; except for one thing: the details that would help solve her sister’s long-ago murder.  Carrie has tried to put her past behind her, but she’s unexpectedly reunited with her ex-boyfriend and partner, NYPD Detective Al Burns (Dylan Walsh), when she consults on a homicide case.  His squad includes Det. Mike Costello (Michael Gaston), Al’s right-hand man; Detective Roe Saunders (Kevin Rankin), the junior member of the team; and Detective Nina Inara (Daya Vaidya), a sassy, street-smart cop.  Being back on the job after a break feels surprisingly right for Carrie.  Despite her conflicted feelings for Al, she decides to permanently join his unit as a detective solving homicides – most notably, the unsolved murder of her sister.  All she needs to do is remember.  Ed Redlich, John Bellucci, Sarah Timberman and Carl Beverly are executive producers for Sony Television Studios in association with CBS Television Studios.

The ‘Tastic Says:  Well… we think it looks good, but it’s kind of hard to tell. We really do not like when instead of just getting a straight-up trailer on a new show, we wind up getting a hybrid trailer/cast & crew interviews video and that doesn’t really tell us a whole lot because the cast and crew always beam about the new shows they are in.  What are they going to say? “Don’t watch my new show, it sucks?”  So we will just go with what we know.  It’s a cop procedural,  alright, and you know how much we hate those, however, it has very unique twist on the main character and that could play out very well.  Can’t really say for sure whether or not if we like this so we’ll go with “maybe.”

Person of Interest stars Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson in a crime thriller about a presumed dead former-CIA agent who teams up with a mysterious billionaire to prevent violent crimes by using their own brand of vigilante justice.  Reese’s (Caviezel) special training in covert operations appeals to Finch (Emerson), a software genius who invented a program that uses pattern recognition to identify people about to be involved in violent crimes.  Using state-of-the-art surveillance technology, the two work outside of the law using Reese’s adept skills and Finch’s unlimited wealth to unravel the mystery of the person of interest and stop the crime before it happens.  Reese’s actions catch the attention of the NYPD, including homicide detective Carter (Henson), and Fusco (Kevin Chapman), a cop who Reese uses to his advantage.  With infinite crimes to investigate, Reese and Finch find that the right person, with the right information, at the right time, can change everything.

The ‘Tastic Says:  We were excited about this show from the moment we heard about it back in February. It’s not just a J.J. Abrams action-spy thriller, it’s a J.J. Abrams/Jonathan Nolan action-spy thriller that stars Jim Caviezel (The Prisoner, The Passion of the Christ) and Michael Emerson (Lost).  We didn’t even have to watch the trailer to know it was going to look fantastic, but of course we wanted to and even though it was another one of those hybrid trailers, it’s a lot better than Unforgettable‘s.  It’s not just action, this show has a serious level of mystery and suspense to it and very deep, shades-of-gray characters.  It also doesn’t hurt that it looks like a Summer blockbuster action flick.  This is going to be great and we can’t wait for the premiere.

A Gifted Man is a drama about a brilliant, charismatic surgeon whose life changes forever when his deceased ex-wife begins teaching him the meaning of life from the “hereafter.”  Michael Holt (Patrick Wilson) is an exceptional doctor who lives a materialistic life of luxury thanks to his work-obsessed career and powerful and wealthy patients; however, Michael’s ordered world is rocked when his ex-wife, Anna (Jennifer Ehle), an idealistic free-clinic doctor and the love of his life, mysteriously appears to him.  Michael’s off-beat sister, Christina (Julie Benz), a single mom to her teenaged son, Milo (Liam Aiken), is thrilled that Anna’s back in her brother’s life, even as an “illusion,” because Michael was always a better person with her.  Curious about Michael’s sudden change in behavior is his efficient assistant, Rita (Margo Martindale).  When Anna asks Michael to go to her clinic to help keep it running, he meets Autumn (Afton Williamson), a volunteer carrying on Anna’s work with the underprivileged.  Touched by those in need and accepting of Anna’s compassionate “presence,” Michael’s attitude toward serving the rich and poor is turned upside down, and he begins to see that there’s room in his life for everyone.

The ‘Tastic Says:  The show description sucks, however the trailer makes this show look very heart warming and charming.  We can’t believe that we’re saying that we’re actually looking forward to this because it’s a chick show completely.   This is the first trailer we’ve seen so far for the new season that actually falls into the category of “high-concept.”  Seriously, can CBS do any wrong any more?


2 Broke Girls is a comedy about two young women waitressing at a greasy spoon diner who strike up an unlikely friendship in the hopes of launching a successful business – if only they can raise the cash.  Sassy, streetwise Max (Kat Dennings) works two jobs just to get by, one of which is waiting tables during the night shift at the retro-hip Williamsburg Diner.  Sophisticated Caroline (Beth Behrs) is an uptown trust fund princess who’s having a run of bad luck that forces her to reluctantly give waitressing a shot.  At first, Max sees Caroline as yet another in a long line of inept servers she must cover for, but she’s surprised to find that Caroline has as much substance as she does style.  When Caroline discovers Max’s knack for baking amazing cupcakes, she sees a lucrative future for them, but they first need to raise the start-up money.  While they save their tips, they’ll stay at the restaurant, working with Oleg (Jonathan Kite), an overly flirtatious Russian cook; Earl (Garrett Morris), a 75-year-old kool-kat cashier; and Han Lee (Matthew Moy), the new, eager-to-please owner of the diner.  Working together, these two broke girls living in one expensive city might just find the perfect recipe for their big break.

The ‘Tastic Says:  Well, we obviously spoke to soon because this is awful but what are we expecting from the network that has made successful comedies out of both Two and a Half Men and Mike & Molly?  What’s shocking is that this show will probably become a hit because CBS comedy audiences check their brains at the door regularly.  Fish out of water, classic odd couple, world’s collide.. all the same typical crap with the same recycled jokes that sitcoms have been using for 30 years.  Boring and uninteresting.

How to be a Gentleman, inspired by the book of the same name, is a comedy about the unlikely friendship between a traditional, refined writer and an unrefined personal trainer.  Andrew Carlson (David Hornsby) is an etiquette columnist whose devotion to ideals from a more civilized time has lead to a life detached from modern society.  Infectiously optimistic, Bert Lansing (Kevin Dillon) is a reformed “bad boy” from Andrew’s past who inherited a fitness center, but can still be rude, loud and sloppy.  When Andrew’s editor, Jerry (Dave Foley), tells him to put a modern, sexy twist on his column or be fired, he hires Bert as a life coach in the hopes of learning to be less “gentle man” and more “real man.”  Andrew’s mom, Diane (Nancy Lenehan), and his bossy sister, Janet (Mary Lynn Rajskub), support the plan, as would Janet’s husband, Mike (Rhys Darby), if he was allowed to have an opinion.  Though Andrew and Bert’s views may be centuries apart, they may find they’re each other’s missing link.

The ‘Tastic Says:  Is it just us or is this not the same show as 2 Broke Girls except for it’s an odd-couple-with-dudes comedy.  This looks only slightly better than 2BG and probably only because it has Kevin Dillon in it. It still looks like the typical awful sitcom, though.

The New Midseason Series:

From Robert De Niro and Jane Rosenthal comes The 2-2, which follows six diverse NYPD rookies as they patrol the gritty streets of upper Manhattan.  The new trainees include Jennifer “White House” Perry (Leelee Sobieski), a former college volleyball star and Marine MP in Iraq with a take-charge attitude; Ray “Lazarus” Harper (Adam Goldberg), the oldest rookie and a former police news reporter with better sources than many seasoned cops; Tonya Sanchez (Judy Marte), who comes from a family with a criminal history and has a very personal connection inside the force; Ahmad “Kiterunner” Kahn (Tom Reed), an Afghani native who fought his way to freedom; Kenny McClaren (Stark Sands), a fourth-generation police officer with great instincts but qualms about joining the force; and Jayson Toney (Harold House Moore), a young basketball legend who squandered his opportunity in the NBA.  Their demanding Field Training Officer, Daniel “Yoda” Dean (Terry Kinney), is a case-hardened, unsentimental veteran of the force who emphasizes basics and holds each cop accountable for their actions.  With unique backgrounds, personalities and reasons for being on the force, the new cops will make their share of rookie mistakes while they figure out how to relate to their boss, each other and to the people they swore to protect.  Two-time Academy Award winner Robert De Niro (“The Godfather: Part II,” “Raging Bull”), Jane Rosenthal (“Meet the Parents”), Academy Award nominee Richard Price (“The Color of Money”), Ken Sanzel (“Numb3rs”) and James Mangold (“Walk the Line”) are executive producers for CBS Television Studios in association with Tribeca Productions.  The pilot was directed by James Mangold.

The ‘Tastic Says:  Yeah… we don’t know about this one.  It seem like another dull and boring police procedural just shown from different rookie-cop perspective.  The characters don’t seem to be very original at all and we don’t really see the necessity for another bland police procedural with nothing particularly unique about it (a cop show set in New York?  No way!  Get out of here!).  We’ll give it a shot because Robert De Niro’s name being attached to it but we can’t promise sticking around for it for very long. 

(Sorry, but no trailer on this one yet)

ALERT! CBS Announces 2011 – 2012 Schedule

Here it is, folks, direct from the CBS Upfront Advertising Event, CBS’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule).  Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here and here.

If you have any questions about other shows, post them below.

Some programming notes:

  • CBS’ very strong lineup has had limited changes.  So unless you were just dying for The Defenders, Mad Love or the worst television show ever made, $#*! My Dad Says, if you’re a fan of CBS, you did O.K., and in fact a lot better than anyone else.
  • As far as new programming is concerned, other than the J.J. Abrams/Jonathan Nolan Project,  Person of Interest, as with most of the new network offerings, there’s a recurring theme this fall with all of the networks, and that is that there a recurring themes in most of the new programming.  There really aren’t that may particularly original concepts showing up for any of the new scripted programming.
  • Rules of Engagement has been moved to… SATURDAY???  Why bother renewing it?
  • We’ll be doing a preview assessment on all of the new shows as well as providing trailers later tonight.

Via Press Release:

CBS ANNOUNCES 2011-2012 PRIMETIME SCHEDULE

America‘s Most Watched Network Adds Five New Series

New Dramas Include a Thriller from J.J. Abrams, PERSON OF INTEREST,

And Two Shows with Very Cerebral Twists – UNFORGETTABLE and

A GIFTED MAN

 Comedies Feature 2 BROKE GIRLS from

Michael Patrick King (“Sex and the City”), and Two ‘Odd Couple’ Guys

In HOW TO BE A GENTLEMAN

CSI Moves to Wednesday at 10:00 PM,

The Good Wife Relocates to Sunday at 9:00 PM and

Rules of Engagement Moves to Saturday at 8:00 PM

 19 Series Return to Top-Rated Line-Up

 Undercover Boss and THE 2-2, a New Drama from Tribeca Productions and Executive Producers Robert De Niro and Jane Rosenthal, to Premiere Mid-Season

NEW YORK — CBS announced today its new 2011-2012 primetime schedule, ordering five new series and making key time-period moves for CSI and The Good Wife to strengthen its already top-rated primetime lineup.  CBS will, once again, finish the season as America’s most watched network, marking the eighth time it has done so in the last nine years.

The new series include three new dramas and two new comedies: PERSON OF INTEREST, a crime thriller from renowned executive producer J.J. Abrams starring Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson; UNFORGETTABLE, starring Dylan Walsh and Poppy Montgomery as a former detective with a rare condition that enables her to remember virtually every detail from every day of her life; A GIFTED MAN about a preeminent surgeon whose life changes forever when his deceased ex-wife returns, starring Patrick Wilson and Jennifer Ehle; 2 BROKE GIRLS, a comedy about two strikingly different young waitresses who form an unlikely friendship, starring Kat Dennings and Beth Behrs; and an odd-couple comedy, HOW TO BE A GENTLEMAN, starring David Hornsby and Kevin Dillon, about a refined magazine columnist and his very unrefined personal trainer.

The freshman series will be joined by 19 returning shows, including the season’s #1 drama/scripted series,NCIS; #1 comedy, The Big Bang Theory; #1 news magazine, 60 Minutes; # 1 new comedy, MIKE & Molly; along with two franchise reality series, SURVIVOR and the seven-time Emmy Award winner, THE Amazing Race.

The other returning series include: How I Met Your Mother; Hawaii Five-0; NCIS: LOS ANGELES; Criminal Minds;CSI: CRIME SCENE INVESTIGATION; The Mentalist; CSI: NY; Blue Bloods; Rules of Engagement; 48 Hours Mystery; The Good Wife; and CSI: MIAMI.

For mid-season, CBS will present the third season of the reality series Undercover Boss, and the new police drama, THE 2-2, from Tribeca Productions and executive producers Robert De Niro and Jane Rosenthal.

The new 2011-2012 schedule is as follows:

On Monday, the veteran How I Met Your Mother returns at 8:00 PM, to provide a strong lead-in for another young comedy, 2 BROKE GIRLS, at 8:30 PM.  Ashton Kutcher joins the cast of the top-rated comedy, Two and a Half Men, at 9:00 PM, followed by returning freshman hits MIKE & Molly at 9:30 PM and Hawaii Five-0 at 10:00 PM.

On Tuesday, the #1-rated scripted series, NCIS, returns at 8:00 PM followed by the #2-rated scripted series,NCIS: LOS ANGELES, at 9:00 PM, providing a powerful lead-in to the new drama, UNFORGETTABLE, at 10:00 PM.

On Wednesday, SURVIVOR returns to the time period it improved 100% in viewers last season (8:00 PM). Criminal Minds, one of the top-rated dramas on television, is back at 9:00 PM, and is paired with CSI: CRIME SCENE INVESTIGATION to form a strong two-hour crime drama block from 9:00-11:00 PM.

On Thursday, CBS adds a new comedy and drama to the middle of the line-up, book-ended by two established hit series: television’s #1 comedy, The Big Bang Theory, returns at 8:00 PM, providing a strong lead-in to the new comedy, HOW TO BE A GENTLEMAN.  J.J. Abrams’ new crime-thriller, PERSON OF INTEREST, joins the line-up at 9:00 PM, followed by the time-period winning drama, The Mentalist, as the night’s strong anchor at 10:00 PM.

On Friday, CBS’s time-period winning, two-hour New York police drama block returns from 9:00-11:00 PM withCSI: NY and Blue Bloods.  A unique new series opens the night at 8:00 PM with A GIFTED MAN, a medical drama with a spiritual twist.

On Saturday, original programming opens the night at 8:00 PM with Rules of Engagement, which will be paired with COMEDYTIME at 8:30 PM, featuring encore broadcasts of CBS comedies.  The successful duo of CRIMETIME at 9:00 PM and the time period-winning 48 Hours Mystery at 10:00 PM closes the night.

Sunday night has an award-winning flare.  The acclaimed and always top-rated 60 Minutes opens at 7:00 PM, followed by the seven-time Emmy Award winning series, THE Amazing Race, at 8:00 PM, leading into the critically acclaimed, award-winning drama, The Good Wife, at 9:00 PM.  The always successful CSI: MIAMI caps the night at 10:00 PM.

The New Dramas are:

UNFORGETTABLE stars Poppy Montgomery as Carrie Wells, an enigmatic former police detective with a rare condition that makes her memory so flawless that every place, every conversation, every moment of joy and every heartbreak is forever embedded in her mind.  It’s not just that she doesn’t forget anything – she can’t; except for one thing: the details that would help solve her sister’s long-ago murder.  Carrie has tried to put her past behind her, but she’s unexpectedly reunited with her ex-boyfriend and partner, NYPD Detective Al Burns (Dylan Walsh), when she consults on a homicide case.  His squad includes Det. Mike Costello (Michael Gaston), Al’s right-hand man; Detective Roe Saunders (Kevin Rankin), the junior member of the team; and Detective Nina Inara (Daya Vaidya), a sassy, street-smart cop.  Being back on the job after a break feels surprisingly right for Carrie.  Despite her conflicted feelings for Al, she decides to permanently join his unit as a detective solving homicides – most notably, the unsolved murder of her sister.  All she needs to do is remember.  Ed Redlich, John Bellucci, Sarah Timberman and Carl Beverly are executive producers for Sony Television Studios in association with CBS Television Studios.

PERSON OF INTEREST stars Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson in a crime thriller about a presumed dead former-CIA agent who teams up with a mysterious billionaire to prevent violent crimes by using their own brand of vigilante justice.  Reese’s (Caviezel) special training in covert operations appeals to Finch (Emerson), a software genius who invented a program that uses pattern recognition to identify people about to be involved in violent crimes.  Using state-of-the-art surveillance technology, the two work outside of the law using Reese’s adept skills and Finch’s unlimited wealth to unravel the mystery of the person of interest and stop the crime before it happens.  Reese’s actions catch the attention of the NYPD, including homicide detective Carter (Henson), and Fusco (Kevin Chapman), a cop who Reese uses to his advantage.  With infinite crimes to investigate, Reese and Finch find that the right person, with the right information, at the right time, can change everything.  Emmy Award winners J.J. Abrams and Bryan Burk (“Lost”), Academy Award nominee Jonathan Nolan (“Memento”), David Semel (“Heroes”) and Greg Plageman (“Cold Case”) are the executive producers for Warner Bros. Television.

A GIFTED MAN is a drama about a brilliant, charismatic surgeon whose life changes forever when his deceased ex-wife begins teaching him the meaning of life from the “hereafter.”  Michael Holt (Patrick Wilson) is an exceptional doctor who lives a materialistic life of luxury thanks to his work-obsessed career and powerful and wealthy patients; however, Michael’s ordered world is rocked when his ex-wife, Anna (Jennifer Ehle), an idealistic free-clinic doctor and the love of his life, mysteriously appears to him.  Michael’s off-beat sister, Christina (Julie Benz), a single mom to her teenaged son, Milo (Liam Aiken), is thrilled that Anna’s back in her brother’s life, even as an “illusion,” because Michael was always a better person with her.  Curious about Michael’s sudden change in behavior is his efficient assistant, Rita (Margo Martindale).  When Anna asks Michael to go to her clinic to help keep it running, he meets Autumn (Afton Williamson), a volunteer carrying on Anna’s work with the underprivileged.  Touched by those in need and accepting of Anna’s compassionate “presence,” Michael’s attitude toward serving the rich and poor is turned upside down, and he begins to see that there’s room in his life for everyone.  Academy Award nominee Susannah Grant (“Erin Brockovich”), Academy Award winner Jonathan Demme (“The Silence of the Lambs”), Sarah Timberman, Carl Beverly and Neal Baer (“ER”) are executive producers for CBS Television Studios.

The New Comedies are:

2 BROKE GIRLS is a comedy about two young women waitressing at a greasy spoon diner who strike up an unlikely friendship in the hopes of launching a successful business – if only they can raise the cash.  Sassy, streetwise Max (Kat Dennings) works two jobs just to get by, one of which is waiting tables during the night shift at the retro-hip Williamsburg Diner.  Sophisticated Caroline (Beth Behrs) is an uptown trust fund princess who’s having a run of bad luck that forces her to reluctantly give waitressing a shot.  At first, Max sees Caroline as yet another in a long line of inept servers she must cover for, but she’s surprised to find that Caroline has as much substance as she does style.  When Caroline discovers Max’s knack for baking amazing cupcakes, she sees a lucrative future for them, but they first need to raise the start-up money.  While they save their tips, they’ll stay at the restaurant, working with Oleg (Jonathan Kite), an overly flirtatious Russian cook; Earl (Garrett Morris), a 75-year-old kool-kat cashier; and Han Lee (Matthew Moy), the new, eager-to-please owner of the diner.  Working together, these two broke girls living in one expensive city might just find the perfect recipe for their big break.  Michael Patrick King (“Sex and the City”) and writer-comedian Whitney Cummings (“Chelsea Lately”) are executive producers for Warner Bros. Television.

HOW TO BE A GENTLEMAN, inspired by the book of the same name, is a comedy about the unlikely friendship between a traditional, refined writer and an unrefined personal trainer.  Andrew Carlson (David Hornsby) is an etiquette columnist whose devotion to ideals from a more civilized time has lead to a life detached from modern society.  Infectiously optimistic, Bert Lansing (Kevin Dillon) is a reformed “bad boy” from Andrew’s past who inherited a fitness center, but can still be rude, loud and sloppy.  When Andrew’s editor, Jerry (Dave Foley), tells him to put a modern, sexy twist on his column or be fired, he hires Bert as a life coach in the hopes of learning to be less “gentle man” and more “real man.”  Andrew’s mom, Diane (Nancy Lenehan), and his bossy sister, Janet (Mary Lynn Rajskub), support the plan, as would Janet’s husband, Mike (Rhys Darby), if he was allowed to have an opinion.  Though Andrew and Bert’s views may be centuries apart, they may find they’re each other’s missing link.  David Hornsby (“It’s Always Sunny In Philadelphia”), Adam Chase (“Friends”), Ted Schachter (“The Invention of Lying”), Joe Hipps and Modi Wiczyk are executive producers for CBS Television Studios.

The New Midseason Series:

From Robert De Niro and Jane Rosenthal comes THE 2-2, which follows six diverse NYPD rookies as they patrol the gritty streets of upper Manhattan.  The new trainees include Jennifer “White House” Perry (Leelee Sobieski), a former college volleyball star and Marine MP in Iraq with a take-charge attitude; Ray “Lazarus” Harper (Adam Goldberg), the oldest rookie and a former police news reporter with better sources than many seasoned cops; Tonya Sanchez (Judy Marte), who comes from a family with a criminal history and has a very personal connection inside the force; Ahmad “Kiterunner” Kahn (Tom Reed), an Afghani native who fought his way to freedom; Kenny McClaren (Stark Sands), a fourth-generation police officer with great instincts but qualms about joining the force; and Jayson Toney (Harold House Moore), a young basketball legend who squandered his opportunity in the NBA.  Their demanding Field Training Officer, Daniel “Yoda” Dean (Terry Kinney), is a case-hardened, unsentimental veteran of the force who emphasizes basics and holds each cop accountable for their actions.  With unique backgrounds, personalities and reasons for being on the force, the new cops will make their share of rookie mistakes while they figure out how to relate to their boss, each other and to the people they swore to protect.  Two-time Academy Award winner Robert De Niro (“The Godfather: Part II,” “Raging Bull”), Jane Rosenthal (“Meet the Parents”), Academy Award nominee Richard Price (“The Color of Money”), Ken Sanzel (“Numb3rs”) and James Mangold (“Walk the Line”) are executive producers for CBS Television Studios in association with Tribeca Productions.  The pilot was directed by James Mangold.

CBS TELEVISION NETWORK

2011-2012 PRIMETIME SCHEDULE

(N=New, NT=New Time, all times ET/PT)

MONDAY

8:00-8:30 PM              How I Met Your Mother

8:30-9:00 PM              2 Broke Girls (NEW!)

9:00-9:30 PM              Two and a Half Men

9:30-10:00 PM            Mike & Molly

10:00-11:00 PM          Hawaii Five-0

TUESDAY

8:00-9:00 PM              NCIS

9:00-10:00 PM            NCIS: LOS ANGELES

10:00-11:00 PM          Unforgettable (NEW!)

WEDNESDAY

8:00-9:00 PM              Survivor: South Pacific

9:00-10:00 PM            Criminal Minds

10:00-11:00 PM          CSI: Crime Scene Investigation Unit

THURSDAY

8:00-8:30 PM              The Big Bang Theory

8:30-9:00 PM              How to be a Gentleman (NEW!)

9:00-10:00 PM            Person of Interest (NEW!)

10:00-11:00 PM          The Mentalist

FRIDAY

8:00-9:00 PM              A Gifted Man (NEW!)

9:00-10:00 PM            CSI: New York

10:00-11:00 PM          Blue Bloods

SATURDAY

8:00-8:30 PM              Rules of Engagement

8:30-9:00 PM              COMEDYTIME SATURDAY

9:00-10:00 PM            CRIMETIME SATURDAY

10:00-11:00 PM          48 Hours Mystery

SUNDAY

7:00-8:00 PM              60 Minutes

8:00-9:00 PM              The Amazing Race

9:00-10:00 PM            The Good Wife

10:00-11:00 PM          CSI: Miami

About CBS Television Network

CBS was established in 1928, when founder William Paley purchased 16 independent radio stations and christened them the Columbia Broadcast System.  Today, with more than 200 television stations and affiliates reaching virtually every home in the United States, CBS’s total primetime network lineup was watched by more than 100 million people a week during the 2010-2011 season.  The Network has the #1 drama/scripted program, NCIS; #1 sitcom, The Big Bang Theory; #1 newsmagazine, 60 Minutes; and #1 daytime drama, THE YOUNG AND The Restless.  Its programming arms include CBS Entertainment, CBS News and CBS Sports.  For more information, please visit http://www.cbs.com/.

About CBS Corporation

CBS Corporation is a mass media company with constituent parts that reach back to the beginnings of the broadcast industry, as well as newer businesses that operate on the leading edge of the media industry.  The Company, through its many and varied operations, combines broad reach with well-positioned local businesses, all of which provide it with an extensive distribution network by which it serves audiences and advertisers in all 50 states and key international markets.  It has operations in virtually every field of media and entertainment, including broadcast television (CBS and The CW – a joint venture between CBS Corporation and Warner Bros. Entertainment), cable television (Showtime Networks, Smithsonian Networks and CBS College Sports Network), local television (CBS Television Stations), television production and syndication (CBS Television Studios, CBS Studios International and CBS Television Distribution), radio (CBS Radio), advertising on out-of-home media (CBS Outdoor), publishing (Simon & Schuster), interactive media (CBS Interactive), music (CBS Records), licensing and merchandising (CBS Consumer Products), video/DVD (CBS Home Entertainment), motion pictures (CBS Films) and sustainable media (EcoMedia).  For more information, please visit www.cbscorporation.com.

Photos are available at www.cbspressexpress.com.

Follow us on Twitter @cbstweet


CBS Picks Up Four New Shows: A Gifted Man, The 2-2, Unforgettable, How to Be A Gentleman

With CBS’s upfront advertising event this Wednesday, four new shows have been picked up for the 2011 – 2012 lineup.  A Gifted Man, The 2-2, Unforgettable and How to be a Gentleman all got the green light for episode orders.  For more information on what shows from this season have been renewed, cancelled or picked up by CBS for 2011 – 2012 check out this piece we did earlier.

From The Hollywood Reporter:

A Gifted Man (formerly The untitled Susannah Grant Project)

Patrick Wilson (Little Children) stars as an ultra-competitive surgeon whose life is changed forever when his ex-wife (Jennifer EhleThe King’s Speech) dies and begins teaching him what life is all about. Julie Benz (No Ordinary Family) co-stars in the CBS Television Studios drama, produced by Susannah Grant (Erin Brockovich), Sarah Timberman, Carl Beverly andJonathan Demme (Rachel Getting Married), who directed the pilot.

The 2-2 (formerly Rookies)

From CBS Television Studios, the project revolves around six NYPD rookies who learn to balance their personal lives with working the streets of Manhattan. The ensemble cast includes Leelee Sobieski (Joan of Arc) and Adam Goldberg (The Unusuals). Robert De Niro is on board as an executive producer, along with Jane Rosenthal, showrunner Ken Sanzel, Alysse Bezahler (In Treatment), Brandon Brito, Meghan Lyvers andRichard Price (Blue Bloods), who wrote the pilot. James Mangold (Men in Trees) executive produced and directed the pilot.

Unforgettable (formerly The Rememberer)

The drama, from Sony and CBS Television Studios, centers on a NYPD detective who has the ability to remember everything. In a strategic shift to pepper its schedule with female leads, the show stars Poppy Montgomery, best known for her work in former CBS show Without a TraceEd Redlich (Without a Trace) writes and executive produces alongside EP Sarah Timberman, EP Carl Beverly and writer/co-EP John Bellucci.

How to be a Gentleman

A buddy comedy based on the book by John Bridges that follows an unlikely friendship between a traditional, uptight columnist (David HornsbyIt’s Always Sunny in Philadelphia) and his rough-around-the-edges friend and trainer (Kevin DillonEntourage). From CBS Television Studios, Hornsby penned the pilot and executive produces with Adam Chase, Joe Hipps and Modi WiczykPam Fryman (How I Met Your Mother) directed the pilot.

TV NEWS ALERT! FOX: Bones Renewed For Seventh Season… Now What About House?

You didn't have to be this guy to figure out that FOX would renew Bones.

FOX Broadcasting and 20th Century Fox Television have come to terms on a new license fee agreement and the hit series Bones has been renewed for a seventh season.  We predicted this would happen as merely a defensive move if nothing else because if the uncertain fate of House.  Universal Media Studios and FOX did not reach an agreement despite a deadline of April 15th and two extensions beyond that deadline.

To make matters more precarious for FOX and the future of House on the network, NBCUniversal head, Steve Burke, has announced that parent company Comcast will be investing an additional $200 million into the struggling NBC.  This, of course, just reaffirms our suspicions that it is quite possible that UMS may just opt instead to sell the hit medical show to NBC.  The issue at play here is money.  UMS wants the same they had with FOX in season five and have FOX share in the cast salaries. FOX’s position is that though the show is still strong it’s not as strong as it was in season five when the initial deal was made.  So considering that the deadlines have passed and UMS wants more money than FOX is willing to give, who better to turn to than fellow NBCUniversal subsidiary, NBC who will apparently be rolling in cash.  Steve

NBCUniversal Head, Steve Burke

Burke had this to say about the cash infusion at NBC:

The real key to turning around NBC is not necessarily increased investment. The real key is making better shows.

So apparently Mr. Burke certainly gets it and that’s good sign for NBC’s future. Even though he is stating the obvious, it simply amazes us how his predecessors couldn’t grasp that very simple concept. So now it’s our turn to ask the obvious: what better way is there to make better shows than by purchasing already established hits in their prime?  We can’t think of many.  As we’ve noted, the addition of House to the Peacock network would be a game changer for them or at the very least a life-preserver.

Via Press Release:

FOX UNCOVERS ANOTHER SEASON OF “Bones”

Fan-Favorite Series Renewed for Seventh Season

All-New Episode Airs Thursday, May 5, on FOX

FOX has renewed the hit series Bones for a seventh season, it was announced today by Kevin Reilly, President of Entertainment, Fox Broadcasting Company.

“Bones is creatively fresh, it’s a rock-solid player every time it airs and this season it has helped us win on Thursday nights for the first time in our history,” said Reilly. “Hart Hanson and the fantastic cast and crew, as well as the millions of loyal Bones fans, make this show really special, and I’m excited to have it on our air for another stellar season.”

In the all-new “The Signs in the Silence” episode, airing Thursday, May 5 (9:00-10:00 PM ET/PT), a 15-year-old Jane Doe, who is hearing impaired and unable to communicate, is found on the streets covered in blood and wielding a knife, leading the team to believe she is responsible for a recent murder. Meanwhile, Angela keeps Hodgins in the dark regarding the details of her pregnancy.

Bones is a darkly amusing procedural centered on a highly skilled forensic anthropologist who can read clues left behind in victims’ Bones and an FBI agent. These unlikely partners take on homicide cases involving human remains that most forensic specialists can’t handle. The series stars Emily Deschanel, David Boreanaz, TJ Thyne, Michaela Conlin, Tamara Taylor and John Francis Daley.

Bones is from Far Field Productions and Josephson Entertainment in association with 20th Century Fox Television. The series was created by Hart Hanson. Hanson, Stephen Nathan, Ian Toynton and Barry Josephson are executive producers. Become a fan of the series on Facebook at www.facebook.com/bones and follow the series on Twitter at www.twitter.com/bonesonfox (@bonesonfox).

Mr. Sunshine (ABC – Wednesday, 9:30 p.m.)

Matthew Perry stars as Ben Donovan, the general manager of the Sunshine Center, who every night navigates a never-ending series of bizarre requests, curious mishaps and employee screw ups to put on a show for 18,000 screaming people.

Working alongside him is his boss and arena owner Crystal, attractive, powerful and highly erratic; Alice, the cute, tomboyish marketing director and Ben’s friend with benefits; Alonzo, a former basketball player, handsome and unbelievably happy; Ben’s assistant, Heather, pretty, sweet, but terrifying because she once lit a boyfriend on fire; and Crystal’s son, Roman, sweet-faced, clueless and Ben’s newest employee.

“Mr. Sunshine” stars Matthew Perry (“Friends”) as Ben, Allison Janney (“The West Wing”) as Crystal, Andrea Anders as Alice, James Lesure as Alonzo and Nate Torrence as Roman. – ABC

2 out of 10

They say that familiarity breeds contempt and that particular axiom has special meaning for this “comedy” offering from ABC.  You see, everything is familiar about this show and for that we have contempt for it.  The story is familiar as it’s obviously just a cheap rip-off of NBC’s 30 Rock, the characters are familiar as they are obviously just cheap rip-offs of the characters on NBC’s 30 Rock, the stale jokes are familiar as they are obviously just cheap rip-offs of the jokes on 30 Rock, and the style of the show is familiar as it is – you guessed it – obviously just a cheap rip-off of 30 Rock.

Mr. Sunshine is unoriginal tripe.  As noted, the jokes aren’t original, they aren’t funny and there are really no likable characters.  The attempts at slapstick fail completely and the only message  we can really ascertain at the end of each episode is “don’t tune in again next week unless you want to more crap.”  We would also really like to know whose brilliant idea was it to make a sports arena as a backdrop for a show.  Have the writers been reduced to Mad Libs or are they just pulling slips of paper out of a hat for story ideas, now?  Also, actors delivering their dialogue like a machine gun doesn’t make it any funnier.

There’s one more thing that’s familiar about this show that needs to be addressed: Matthew Perry.  No offense to the guy, but we’re sick of him.  He does nothing for anything he is in.  He’s not horrible, he’s just vanilla… milquetoast… bland.  Like every other cast member on that horrible piece-of-crap show, Friends (we don’t care if you watched it… you know it sucks) they gave him a shot to do films in the 1990’s and 2000’s and like every other cast member with maybe the exception of Jennifer Aniston (we qualify Aniston with a “maybe” because although she’s had some successful films and her name is a draw because we guess she was hot at one point and married to Brad Pitt, other than Office Space, her films are crap) he has a history of box office failures and television failures.  The only films that were even worth watching that this guy has been in were  The Whole Nine Yards and Fools Rush In and the only reason why those two films were worth investing in was because one starred Bruce Willis and the other one starred Selma Hayek.  We’re sorry, but Perry simply does not bring much more to the table in 2011 than he has for the last 15 years.  If you don’t believe us, simply look at his résumé and tell us that we’re wrong.

We’re also finding the similarities to this show and 30 Rock a little creepy.  Has anyone else caught the fact that in 2006, NBC debuted two shows about what goes on backstage at a sketch comedy show, one of a highly acclaimed sit com in the form of 30 Rock and the other a highly acclaimed drama called Studio 60 on the Sunset Strip and that only 30 Rock was kept and that 30 Rock is now in its fifth season?  Has anyone else caught the fact that Matthew Perry was a regular cast member on Studio 60 on the Sunset Strip and has hardly worked since?

Here’s our theory:

Perry is trying to make up for the success that he didn’t have on Studio 60 on the Sunset Strip by duplicating almost everything in 30 Rock, the show that, let’s face it, won the battle at NBC amongst the shows about sketch comedy shows.  Now, why do we suggest that this is creepy or even happening?  Well, normally we don’t wait around for end credits when watching anything on VOD but we did for this because we wanted to see who the production company was.  To our surprise it was none other than Perry’s own production company, Anhedonia Productions.  You see, Perry co-wrote the pilot and is responsible for this mess coming to ABC and we feel it is his attempt to get back to the status that he once had in the 1990’s on television.

What makes it especially creepy is the name of the production company: “Anhedonia.” Ahedonia is a psychiatric condition defined as  an inability to experience pleasurable emotions from normally pleasurable life events such as eating, exercise, social interaction or sexual activities (i.e., joy).  It is a symptom associated with schizophrenia and drug addiction, in particular with amphetamines which Perry is well-known to have had addiction problems with.  The name of the production company, Perry’s history and the show’s tagline (as seen in the poster above) “Oh, Joy.” is not very encouraging to us.  Maybe we’re looking into this too much and this is only a strange bunch of coincidences but we’d be remiss if we didn’t do the analysis.

So, is the ironically named Mr. Sunshine really an attempt at sit com gold or is it just a desperate expression of melancholy from Perry.  We don’t know but we do know that it’s pretty awful and it has no business being the lead-out for Modern Family.

Watch full episodes of Mr. Sunshine, here.

Perfect Couples (NBC – Thursday, 8:30 p.m.)

“Perfect Couples” is a romantic comedy that follows three flawed pairs trying to get it right.

Dave (Kyle Bornheimer, “Worst Week”) and Julia (Christine Woods, “Flash Forward”) are the “everyday couple,” messed up in all the “normal” ways. Dave struggles to keep both his wife and his needy best friend, Vance (David Walton, NBC’s “100 Questions”) happy. Vance and the volatile Amy (Mary Elizabeth Ellis, “It’s Always Sunny in Philadelphia”) are the high-passion, high-drama couple who bring out the best and worst in each other.

The third duo features Rex (Hayes MacArthur, “She’s Out of My League”) and Leigh (Olivia Munn, “Attack of the Show,” “The Daily Show”). Rex is a reformed party guy who has channeled his jock energy into a competitive drive to be the ideal mate. Leigh, a self-anointed relationship guru, has formed the perfect union with Rex, and now considers it her duty to mold the other couples in their image. – NBC

3 out of 10

You will NOT see Olivia Munn looking like this on Perfect Couples.

We freely admit it: the only reason that we even bothered to watch Perfect Couples is because it stars former G4 Attack of the Show hottie, Olivia Munn.  It was partly curiosity to see if she could actually act (she was always very funny on AOTS) and partly because of the very likely chance that she might wind up in her bra and panties or at least a bikini at any moment which is generally the fall-back position for network television nowadays when it comes to generic scripted television.

Needless to say, we were disappointed on both counts.  Munn kept her clothes on throughout the entire pilot and to make matters worse her acting appears to leave a lot to be desired.  Now, we are being generous with that assessment by using the term “appears” because, she may not be a bad actress at all, it may just be an issue of incredibly bad writing because everyone’s performances were terrible.  Munn’s problem is that she has no real résumé to refer to outside of AOTS and the majority of her dopey lines were simply repeating the lines of her character’s husband.

Aside from what we will refer to from this point forward as the “Munn Disappointment,” there’s really nothing good about this show.  As noted, the writing is horrible.  The jokes don’t work, the timing isn’t there and it is completely predictable.  The characters are horrible cartoon versions of real human beings and completely unbelievable.  The show literally feels like aliens have come to Earth and this is what they think American couples are like based on something they read in a magazine or saw in a really awful romantic comedy that most likely starred Matthew McConaughey.  It tries to be clever and relatable and fails miserably.

Perfect Couples: Written by aliens? Perhaps.

You may have noticed the over-abundance of Olivia Munn pics in this piece in various states of undress.  Unlike the producers, we decided that we needed to do something to make Perfect Couples interesting and actually utilize its only asset.  This show is pretty bad all the way around.

Unfortunately, we couldn’t find any short trailers for this so if you watch the video you’ll be forced to endure 4 minutes and 31 seconds of propaganda by the cast about how great this show is.  Don’t believe them… especially when Christine Woods tells you that you know couples like this.  You don’t.  You’ve never seen any couples like this ever because they don’t exist.

Watch full episodes of Perfect Couples, here… if you must.

Harry’s Law (NBC – Monday, 10:00 p.m.)

Emmy Award-winning writer/producer David E. Kelley (“Boston Legal,” “The Practice,” “Ally McBeal”) weaves his rich storytelling into a new legal dramedy starring Academy Award winner Kathy Bates in the title role – about how people can embrace the unexpected and other curveballs that life can throw at them.

Harriet “Harry” Korn (Kathy Bates, “Misery,” “About Schmidt”) doesn’t believe things happen for a reason, but she discovers that they sometimes do. A curmudgeonly ex-patent lawyer, Harry is abruptly fired from her blue chip law firm, forcing her to search for a fresh start. She finds it when her world unexpectedly collides, literally, with Malcolm Davies (Aml Ameen, “Kidulthood”), a kind-hearted college student who desperately needs Harry’s help with his pending court case, and he subsequently goes to work for her.

Harry soon finds her balance as well as new offices in an abandoned shoe store just as legal hotshot Adam Branch (Nate Corddry, “The United States of Tara,” “Studio 60 on the Sunset Strip”) accidentally hits her while driving. Inspired by Harry’s no-nonsense understanding of the law, Adam decides to take leave of his shiny corporate firm to go and work with her. Harry, Adam and Malcolm – unlikely but kindred spirits – along with the help of Harry’s shoe-savant assistant, Jenna (Brittany Snow, “Hairspray,” “American Dreams”), are now ready for whatever walks in through the doors of their unique establishment – Harriet’s Law and Fine Shoes. – NBC

4 out of 10

Now, you would figure with the cleverly proposed premise and Kathy Bates and David E. Kelley on the marquis, Harry’s Law should be one of the most refreshing new shows of the spring.  I mean, how could they screw this up, right?  The answer is simple and really should have been expected: David E. Kelley.

We really, really wanted to like Harry’s Law and it almost sucked us in… until it morphed into Boston Legal 30 minutes into it.   Please don’t mistake this, it’s not kind-of like Boston Legal because it’s a David E. Kelley show, it’s the exact same frakking show except that this time Kelley figured that it was probably not a good idea to use a TV show as a pulpit for left-wing proselytizing and right-wing bashing when the evangelists are a bunch of uber-wealthy, Boston elitists.

Instead, we now have Harriet Korn (Bates) a well-respected Cincinnati patent attorney who decides that she’s bored of patent-law and goes on a mission of self-discovery that eventually puts her into a crime infested neighborhood that seems awfully clean and in fact it seems a lot like a Universal back lot.  Here she will now practice criminal law (which she has absolutely no experience in) and fight for the poor, downtrodden, misunderstood and those generally abused by the system.

Like Boston Legal before it, you have to suspend your disbelief with the speed of the legal process and the absurdity of the courtroom antics and you also have to suspend your disbelief that a 20 year-plus veteran patent attorney can now be taken seriously as a criminal defense attorney.

No, what kills this show and why it went from a “7” in our book to a “4” from the first half hour to the second is that it suffers from the exact same problems that Boston Legal did when it ended.  Kelley seems obsessed with preaching to the audience his brand of politics, not understanding that by doing so, he’s alienating at least half of his audience.  Conservatives sure as hell don’t want to hear it and Independents don’t want to hear it either and it’s why Boston Legal only got five seasons whereas its predecessor, The Practice got eight seasons.  We left it halfway through season four and there’s only been one other show that we’ve ever committed to that we left before its series run was over (Heroes).

The Practice, although it definitely had its share of issue-oriented shows, was never preachy.  It didn’t need to be.  The drama was compelling and thought-provoking in and of itself on a weekly basis without the need for anyone to tell the audience how to think politically. What we can’t figure out is what happened with Kelley.  Is it just an issue of hating the Bush Administration so much that he decided that all of his projects would now be propaganda outlets?  We could care less either way what anyone’s personal politics are but when it comes to scripted drama on television, no one wants to be lectured to.  Kelley should know this by now and NBC should have figured it out after the Jimmy Smits legal disaster-of-a-show Outlaw.

The only reason we’re not giving this show lower than a “4” is because there is hope for it and the only thing it needs to be enjoyable is to get rid of the political crap.  The performances are solid and the characters are generally likable.  Will they drop the political crap?  It’s doubtful that they will because Kelley has become an absolute egomaniac with his projects and even if they did dump the politics, it will be too late because we expect audiences to abandon it long before that. We believe Kelley is about to learn a valuable lesson about what you can experiment with and what you can’t when a show hasn’t built an established audience and we expect Harry’s Law to not be renewed for a second season in May for Fall 2011.

Watch full episodes of Harry’s Law, here.

‘The Cape’ (NBC – Monday, 9:00 p.m.)

“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Vince Faraday becomes “The Cape” – his son’s favorite comic book superhero – and takes the law into his own hands.

Rounding out the cast are James Frain (“The Tudors”) as billionaire Peter Fleming, The Cape’s nemesis who moonlights as the twisted killer Chess; Keith David (“Death at a Funeral”) as Max Milani, the ringleader of a circus gang of bank robbers who mentors Vince Faraday and trains him to be The Cape; Summer Glau (“Terminator: The Sarah Connor Chronicles”) as Orwell, an investigative blogger who wages war on crime and corruption in Palm City; Dorian Missick (“Six Degrees”) as Marty Voyt, a former police detective and friend to Faraday; Martin Klebba (“Pirates of the Caribbean”) as Rollo, member and unassuming muscle of the circus gang of bank robbers; and Vinnie Jones (“Lock, Stock and Two Smoking Barrels”) as Scales, resident thug and cohort of The Cape’s nemesis Chess. – NBC

7 out of 10

*Sigh*

Let’s us start by saying that the relatively high rating that we’ve given The Cape of a “7” is a very qualified “7” and we kind of had to convince ourselves that it was worth the rating. The problem for us in reviewing The Cape is despite its glaring flaws and no matter how much we wanted to give it a rating of about a 5 or 6, we kept coming back to the fact that we really liked it. That being said, if it starts getting stupid, we reserve to take back that VERY generous rating.

Here’s the thing about The Cape: it’s exciting, it is literally a comic book come-to-life, and it’s very well-produced. The problem is that there is nothing original about it at all.

EVERYTHING is a conglomeration of other comic book/superhero and genre story lines and to make it worse, it rips-off elements from the more modern incarnations (see: Sam Raimi’s Spider-Man, Christopher Nolan’s Batman, Jon Favreau’s Iron Man, The Punisher, Robocop, Superman and, yes, even Teenage Mutant Ninja Turtles… to name a few). Now, we’re not suggesting that they use these elements badly, but it’s such an obvious copy-and-paste that you can’t help but notice and cringe… a lot. Hell, they even ripped-off Heroes which would seem like a bad idea considering that NBC just canceled that show.

(Extended Trailer)

Now, that’s the biggest issue with The Cape. The other more irksome issue is the absolute ridiculousness of the action sequences and the visual effects. They are way over-the-top and go beyond the level of, “Well, we’ll just have to suspend our disbelief.” We are personally sick and tired of standard bullets from sub-machine guns and pistols causing fuel tanks explode. Has no one in Hollywood watched Mythbusters?  The only way to make a fuel tank explode into a massive fireball is with with incendiary rounds…. and a FRAKKIN’ mini-gun.

Oh, and one more thing: a human being cannot survive a fall out of a 50 story building by using a car to break their fall. Do you now see why these sequences irk us?

Beyond those problems, though, we hate saying this but this show is a crap-load of fun and has a lot of potential to be one heck of a ride week after week if audiences are patient with it. The characters are pretty are well-developed and the performances are strong and believable and there’s enough complexities with them to flesh out some compelling story lines. It has more the feel of a summer blockbuster than it does a weekly prime-time drama.

What hurts The Cape is the aforementioned lack of originality. On its surface it doesn’t bring anything new to the table and this generation of audience is a fickle lot with genre in prime time. The Cape has a lot of potential to be a great show. Let’s just hope it becomes a great show that people want to tune in to.

Watch full episodes of The Cape, here.