Meet ABC’s New Shows For 2011 – 2012 (VIDEOS!)… And Watch How We Tear Them Apart (Preview – Review)

“The ‘Tastic Says: You FAIL!”

As promised, The ‘Tastic is proud to present the first-look trailers for all of ABC’s new shows… and there are a lot of them (you can see the full Fall schedule right here.).  Along with synopses and videos, in true TV-Tastic-style we’ll give you a preview assessment of each of the new series (in other words, we plan to pretty much rip most of them apart) letting you know what we think about them and if it’s worth your time to check them out this Fall and just to give everyone a heads up: overall we are amazed at how good most of these shows look despite the fact that ABC is becoming the Big-5’s version of Lifetime.

FALL

Last Man Standing:  Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.

Tim Allen returns to ABC in this new comedy from Jack Burditt (“30 Rock”). Men may have built civilizations, invented the locomotive and created ESPN, but they’re about to find out that it’s not a man’s world anymore. You can’t get manlier than Mike Baxter. He’s the marketing director for an iconic outdoor sporting goods store, he loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he’s the odd man out in a home that is dominated by women — namely his wife, Vanessa, and their three daughters, 22- year-old Kristin, 17-year-old Mandy and 14-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa’s increased work load, Mike is pulled into more hands-on parenting than ever before.

The ‘Tastic Says:   Say hello to the first installment of male emasculating and male-bashing.  This show in and of itself doesn’t look particularly awful, however it looks like a clone of Home Improvement sans the tools and Wilson peeking over the fence imparting sage advice.  Also, we simply CANNOT get over this obvious radical gyno-centric agenda that ABC is adopting and it’s particularly insidious with this show, using the reverse-psychology method, trying to convince us that this is a pro-masculinity empowerment show while all the male characters are boorish buffoons. We’re not buying it, ABC.  We certainly get wanting to expand your audience but this seems like a desperate ploy to get women viewers because they know they have no chance in Hell of getting the 18 – 49 male audience any more. The only saving grace for LMS is that Tim Allen  has probably been one of the most likable guys on TV for the last 20 years second maybe only to Jay Leno.  Out of deference to Tim, we’ll reserve our judgment for a few episodes.

Man Up:  Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.

Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His evolved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering — in a world of Axe ads and manscaping — what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s (Jake Johnson) 13th birthday than in doing his job selling insurance; sensitive soul Craig (Christopher Moynihan) still pines for his college ex, Lisa; and Kenny (Dan Fogler) clamps down on his anger and asks himself, “What would Tobey Maguire do?,” when his ex, Brenda (Amanda Detmer), starts seeing a guy (Henry Simmons) who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, they are all faced with an opportunity to Man Up and be like their forefathers.

The ‘Tastic Says: And the hits just keep on coming!  More men who keep their testicles firmly entrenched deep in their wives purses or who are fat, disgusting slobs whose exes are dating guys who are built like comic book superheroes.  We are convinced that this is what happens when Sex and The City fans smoke a joint and then decided to create a television series.  And of course, the men overgrown children who play Call of Duty on the X-Box 360 all night long (because everyone knows that if they actually were adults they’d be playing on a Playstation 3).  As bad and recycled as the premise is (didn’t NBC just fail with this when it was called Perfect Couples?), this show looks pretty funny and probably only because it stars Fanboys neurotic star, Dan Fogler.  We’ll give it a shot but like LMS, we’re not promising anything.

Suburgatory: Single father George only wants the best for his 16-year-old daughter, Tessa. So when he finds a box of condoms on her nightstand, he moves them out of their apartment in New York City to a house in the suburbs. But all Tessa sees is the horror of over-manicured lawns and plastic Franken-moms. Being in the ‘burbs can be hell, but it also may just bring Tessa and George closer than they’ve ever been.

Tessa (Jane Levy) and George (Jeremy Sisto) have been on their own ever since Tessa’s mom pulled a “Kramer vs. Kramer” before she was even potty trained. So far, George has done a pretty good job of raising Tessa without a maternal figure in their lives, but suddenly he’s feeling a little out of his league. So it’s goodbye New York City and hello suburbs. At first Tessa is horrified by the big-haired, fake-boobed mothers and their sugar-free Red Bull-chugging kids. But little by little she and her dad begin finding a way to survive on the clean streets of the ‘burbs. Sure, the neighbors might smother you with love while their kids stare daggers at your back, but underneath all that plastic and caffeine, they’re really not half bad. And they do make a tasty pot roast.

The ‘Tastic Says:  OK… this just looks absolutely horrific.  We don’t know what more to say but we do expect it to die a quick death.  Of course, we’ll endure at least the pilot for the sake of all of you so we can properly review it.

Revenge:  Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.

Emily Thorne (Emily Van Camp) is new to the Hamptons. She’s met some of her wealthy neighbors, has made a few new friends and seemingly blends into the town. But something is a little odd about a young girl living in a wealthy town all on her own, and the truth is that Emily isn’t exactly new to the neighborhood. In fact, this was once her old neighborhood, until something bad happened that ruined her family and their reputation. Now Emily is back, and she’s returned to right some of those wrongs in the best way she knows how – with a vengeance.

The ‘Tastic Says:  Is there a reason that ABC insists on recycling old plots from failed scripted series?  Do we not all remember the failed (but awesome) NBC series, Life, from 2007 starring Damian Lewis as a cop who is framed by fellow cops and wrongfully convicted of murder, spends 12 years in prison before he’s exonerated, and under the terms of his settlement with the city, gets his old job as a detective back and uses his resources to hunt down, one-by-one, the people involved in the conspiracy?  Call us crazy, but this is the exact same show… but with a chick.  Surprisingly, though, the trailer below does look pretty flippin’ good.  It gave us chills.  Not sure if we’re crazy about Emily Van Camp in the lead as she seems a little soft for such a hardcore character, however maybe that’s why this will work… no one will see her coming.  We’re guessing that this is going to be pretty good, but it’s a serial and we know how today’s audiences feel about serials.  However, this show, like every other show on this network’s schedule is targeting women viewers and that section of the audience has far more tolerance for serialized drama then the rest of the audience.

Charlie’s AngelsEveryone deserves a second chance — even a thief, a street racer and a cop who got in a little too deep. After all, the three women who solve cases for their elusive boss, Charlie Townsend, are no saints. They’re angels… Charlie’s Angels.

Set in Miami, this fun, glamorous, action-packed take on the 1970s smash hit series introduces us to three new angels, all fearless detectives, head-turning beauties and close friends. There’s Abby (Rachael Taylor), a Park Avenue princess who became a world-class thief. Then there’s Kate (Annie Ilonzeh), a Miami cop who fell from grace, losing both her career and her fiancé. Finally there’s Gloria, a disgraced army lieutenant who has a way with explosives. When one of the angels’ missions ends in Gloria’s tragic death, Charlie persuades them to partner with Gloria’s childhood friend, Eve (Minka Kelly), a street racer with a mysterious past. They may not know each other yet, but one thing’s for sure — Abby, Kate and Eve will always have each others’ backs.

The ‘Tastic Says:  Whoot… whoot!  Girl power and a reboot!  No… just no.  Everything about this looks awful. Wrong, wrong, wrong.  Much like The CW needed to be smacked on the nose with a newspaper for Hellcats, the same punishment should apply to ABC for this completely unnecessary relaunch.

Once Upon A Time:  From the inventive minds of “Lost” executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day are about to collide.

And they all lived happily ever after – or so everyone was led to believe. Emma Swan knows how to take care of herself. She’s a 28-year-old bail bonds collector who’s been on her own ever since she was abandoned as a baby. But when the son she gave up years ago finds her, everything starts to change. Henry is now 10 years old and in desperate need of Emma’s help. He believes that Emma actually comes from an alternate world and is Snow White and Prince Charming’s missing daughter. According to his book of fairytales, they sent her away to protect her from the Evil Queen’s curse, which trapped the fairytale world forever, frozen in time, and brought them into our modern world. Of course Emma doesn’t believe a word, but when she brings Henry back to Storybrooke, she finds herself drawn to this unusual boy and his strange New England town. Concerned for Henry, she decides to stay for a while, but she soon suspects that Storybrooke is more than it seems. It’s a place where magic has been forgotten, but is still powerfully close… where fairytale characters are alive, even though they don’t remember who they once were. The epic battle for the future of all worlds is beginning, but for good to win, Emma will have to accept her destiny and fight like hell.

The ‘Tastic Says:  Yet another series with a strong female lead using a (at least partially) recycled premise.  Despite that, this is quite an original twist on the  genre and the second show this season that mixes the contemporary with the classic fairy tale (the first being NBC’s new show, Grimm).  It really looks quite epic and it’s got some big-time writers associated with it but we’re thinking it might be a little too epic for Big-5 TV and seriously, how long can a premise like this last?  22 episodes per season for five to seven seasons?  Doubtful.  It seems more appropriate as a SyFy or HBO miniseries, really. However, on the other hand, who would have thought that these same writers could have given us six seasons and 115 episodes of the second greatest show of all-time, Lost?   If this is as good and as well put-together as it looks, we’d love for this to survive but this type of serial genre programming is very questionable on major network TV in this climate.

Pan Am:  Passion, jealousy and espionage… They do it all – and they do it at 30,000 feet. The style of the 1960s, the energy and excitement of the Jet Age and a drama full of sexy entanglements deliciously mesh in this thrilling and highly-original new series.

In this modern world, air travel represents the height of luxury and Pan Am is the biggest name in the business. The planes are glamorous, the pilots are rock stars and the stewardesses are the most desirable women in the world. Not only are these flyboys and girls young and good looking, but to represent Pan Am they also have to be educated, cultured and refined. They’re trained to handle everything from in-air emergencies to unwanted advances – all without rumpling their pristine uniforms or mussing their hair. There’s Dean (Jonah Lotan) – a cocky, charismatic and ambitious new pilot – the first of a new breed not trained in the war. On the sly against company policy, he’s dating Bridget, a stunning beauty with a mysterious past. A rebellious bohemian, Maggie (Christina Ricci) turns into a buttoned up professional for work so she can see the world. Rounding out the crew are flirtatious Collette (Karine Vanasse), the adventurous Kate (Kelli Garner) and, finally, Laura (Margot Robbie) – Kate’s beauty queen younger sister, a runaway bride, who recently fled a life of domestic boredom to take to the skies.

The ‘Tastic Says:  The more we go through these new shows the more we’re actually starting to admire ABC for their ability to either make every series have a strong, empowering female lead and/or make men look like complete jackasses and often without the audience realizing it.  What they’ve done with this show is just brilliant:  They took the infancy of the women’s lib movement where women were still thought of as second-class citizens, put them in the most sexualized role they could possibly be in for that era (other than wearing bunny ears and a cotton tail… thank you, NBC for not missing a beat and covering that particular base) and turned it around into an empowering position as the perfect cover for a covert operative!  Like we said, BRILLIANT!  Of course, in the aggregate, this is a combination of Alias and Steven Spielberg’s Catch Me if You Can (goodness, half of the scenes in the trailer AND the Sinatra song Come Fly With Me are directly from that film), but still, this looks VERY clever and hip and we think it’s going to be a lot of fun.  We are really looking forward to this.  By the way here’s one thing from Catch Me If You Can that wasn’t in the trailer and it’s doubtful it will be in this new series.

The Greatest Joke of All Time

(NSFW… just play it quietly, will ya?  Use a little discretion at work.  Waitaminute… shouldn’t you be working?)

MIDSEASON

Good Christian Belles:  The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.

Amanda Vaughn (Leslie Bibb), once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. Amanda is nothing like the girl she was 20 years ago, but as her old classmates reacquaint themselves with the new Amanda, will her home town welcome her with open arms or seek revenge? No one in this town is a saint, but that doesn’t mean they can’t have a heart. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.

The ‘Tastic Says:  First keep in mind that this show was originally entitled Good Christian Bitches, so apparently empowering women and treating them with respect only extends so far.  This seems like a ripoff of Desperate Housewives which means that we certainly won’t be watching it as this genre is simply not our bag, however, we have a much bigger problem with the underlying premise of the show to begin with which seems to be to want to expose the moral hypocrisy of Christians.  This is not a particularly smart place to start from for any series in the U.S.  First of all, religion is a very private matter to begin with and most people simply prefer it be kept out of their primetime entertainment fare, but secondly, it’s just not very smart to alienate 79% of your audience right out of the gate.  All of that notwithstanding, this show looks hideous.  The writing is horrible as are the performances and we could figure that out in the minute and 46 seconds we saw below.

Missing: Becca Winstone (Ashley Judd) learns that her son, Michael, disappears while studying abroad, and it’s a race against time when she travels to Europe to track him down. A surprising turn of events reveals just how far one mother will go to protect her family. Exotic locations and thrilling twists will keep you riveted in “Missing.”

How far would you go to save the only thing you have left in the world? At 8 years old, Michael watched as his father, CIA Agent Paul Winstone, was murdered. Now 10 years later, Paul’s wife, Becca, is faced with the reality of her son growing up. When Michael is afforded the opportunity to study abroad, his mother reluctantly agrees it’s time to let him go. Just a few weeks into his trip Michael disappears, and Becca immediately suspects foul play. When she arrives in Rome, she begins piecing together the clues left behind. It isn’t long before the kidnappers realize they’ve picked a fight with the wrong woman. Becca Winstone has a secret of her own — before Paul’s death, she was also a lethal CIA Agent. But if she wants to find her son alive, Becca will have to rely on old friends and reopen old wounds. Her resourcefulness, skill and determination will be put to the test – but a mother’s love knows no limits.

The ‘Tastic Says:  Broken Record here: recycled plot from a failed series and a strong female lead.  If you’re wondering what failed series we’re talking about it would be none other than FOX’s  Vanished from 2006 that lasted a grand total of 13 episodes.  It’s also got the feel of AliasTaken and the Bourne franchise for obvious reasons.  Still, the production values are insane on this.  This is a TV show?  This looks like one of the few bright spots for action this year on all of the networks, and of course we love Ashley Judd going  all the way back to when she played Ensign Robin Lefler on Star Trek: The Next Generation.  There are of course two big problems with this show, the first being the serial factor, but again that may be mitigated by the female audience that we referred to earlier discussing Revenge.  The second is the same issue that OUaT has, and that is, how long can they really go with this premise?  Seriously, are they going to keep that kid missing for five to seven years.  Audiences will grow tired of that quickly and it seems like a very lazy plot device for the central theme of the show considering how well-developed it seems… kinda like it was drawn out of a hat.  Despite this, it really does look good and we’re looking forward to it.

The River:  “The River” follows the story of wildlife expert and TV personality Emmet Cole. Emmet set course around the world with his wife, Tess, and son, Lincoln, while filming what would become one of the most popular shows in television. After he goes missing deep in the Amazon, his family, friends and crew set out on a mysterious and deadly journey to find him.

Famed explorer Dr. Emmet Cole (Bruce Greenwood) went looking for magic deep in the uncharted Amazon and never returned. The shocking truth about his disappearance is out there, somewhere, just waiting to be discovered. To the millions of kids who grew up watching his nature show, Dr. Cole was a hero. To his own son, Lincoln (Joe Anderson), he was more of an enigma. Now, six months after he vanished, Lincoln is finally ready to bury the past when Dr. Cole’s emergency beacon suddenly goes off. At the urging of his mother, Tess (Leslie Hope), Lincoln reluctantly joins her on a search for his father. To fund the rescue, they agree to let Dr. Cole’s cagey ex-producer, Clark (Paul Blackthorne), film the mission documentary-style. The mixed crew of old friends and new acquaintances includes the sexy and resourceful Lena (Eloise Mumford), loyal mechanic Emilio (Daniel Zacapa) and lethal bodyguard Captain Kurt Brynildson (Thomas Kretschmann).

The ‘Tastic Says:  Holy Crap!  This looks awesome!  This show has one of the few truly ensemble casts of the new schedule but of course, it has a super ninja-type strong female lead who has to lead the rescue for the man who got lost in the jungle. But this show looks absolutely amazing and with Steven Spielberg’s Amblin Television producing it (with Spielberg himself exec. producing) you know that this is going to be a tight, well-done show.  It has a very big LOST vibe to it and we certainly can’t complain about that.  This looks like the best new show of the season.

Scandal:  From the creator and executive producers of “Grey’s Anatomy” and “Private Practice” comes a drama revolving around the life and work of a professional crisis manager and her dysfunctional staff.

A former media relations consultant to the President, Olivia Pope (Kerry Washington) dedicates her life to protecting and defending the public images of our nation’s elite. After leaving the White House, the power consultant opened her own firm, hoping to start a new chapter — both professionally and personally — but she can’t seem to completely cut ties with her past. Slowly it becomes apparent that her staff, who specialize in fixing the lives of other people, can’t quite fix the ones closest at hand — their own.

The ‘Tastic Says:  Oh, good Lord, this looks stupid and surprise, surprise, surprise, yet another ridiculously strong female lead who’s so tough that she can stand in the middle of two guys with handguns and with nothing more than a firm voice make them lower their weapons.  Stupid and predictable procedural that is trying fool the audience into thinking that it’s actually original because they filled in the Mad-Libs blanks with the phrases “Crisis Management” and “Fixer.”  Forget it.

Apartment 23:  After a naïve Midwestern girl’s big city dreams are dashed her first week in New York, she finds herself living with her worst nightmare in this hilarious, contemporary comedy about a female odd couple who are surrounded by an outrageous cast of characters.

June (Dreama Walker) moves to Manhattan for a dream job and the perfect company apartment, only to have them disappear in a puff of reality, thanks to a CEO from the Bernie Madoff school of embezzlement. Deep in debt and out on the streets, June scrambles to land a job and place to live. It seems her luck has turned around when she gets hired at a coffee shop and finds Chloe (Krysten Ritter), a charming, vivacious roommate… with the morals of a pirate. She swindles June out of all her savings, but she and her snarky friend, James Van Der Beek (playing himself), soon learn that, just because June’s naïve, she isn’t stupid. June ingeniously turns the tables on Chloe, who is so shocked about being scammed herself that she decides to pull June into her colorful band of friends. Sure, it’s all dysfunctional, bizarre and overwhelming, but so is New York City. And with the help of Chloe and the other oddballs around her, June might just learn the survival secrets she needs to make it there.

The ‘Tastic Says:  Big shocker… strong female leads again.  This looks actually very funny. Out of all the trailers we’ve seen this one actually made us laugh three or four times.  That’s already more laughs in a minute and a half  than we had during the entire season of $#*! My Dad SaysSeems to have some very clever writing, and it reminds us of Friends if Friends could come back as a series that didn’t suck.  We also find it quite clever that James Van Der Beek keeps getting roles in comedies playing himself.  This should do well.  We hope they  stick this on Wednesday night as the lead out for Modern Family as that’s where it belongs.


Work It:  This high-concept comedy centers on two unrepentant guy’s guys who, unable to find work, dress as women to get jobs as pharmaceutical reps. Not only do they pull it off, but they might just learn to be better men in the process.

With unemployment an ongoing issue and women now outnumbering men in the workforce, the new comedy series “Work It” follows two alpha males who realize the only way to beat the current “mancession” and land a job in pharmaceutical sales is to pass themselves off as women. Combining all the best elements of the workplace comedy, the buddy comedy and the family comedy, “Work It” centers on Lee Standish (Ben Koldyke) — a quick-witted and likable family man who used to be a top car salesman until he got laid off — and Angel Ortiz (Amaury Nolasco) — a single, hot-headed ladies’ man with no filter — who quickly learn there are fundamental differences in the worlds of men and women that go beyond teetering in high heels and tightening up with Spanx. Lee and Angel are determined to keep their ruse going for as long as they can — and keep their newly found jobs — in this smart, funny and relevant look at male and female relationships at work, at home and socially. Being a better man sometimes means having to be a better woman.

The ‘Tastic says:  Ugh… and the trend continues.  This time, turning heterosexual misogynistic men into transvestites so that they can get jobs in this mythical universe where women run everything.  What we can’t believe is that they actually called this “high-concept.”  We’re sorry, but didn’t ABC already try this show with Tom Hanks and Peter Scolari 30 years ago and call it Bosom Buddies (except the guys weren’t absolute pigs)?  My God, who on God’s green Earth would ever confuse the two of those dopes in this show for women.  At least Scolari and Hanks were kinda pretty for dudes.  Reboot FAIL.  This show is a big floating turd and they don’t even have a catchy theme song by Billy Joel to look forward to.  And on that note to make up for the minute and a half of your life that will be wasted and the fact that you probably will vomit after watching the trailer below, here’s a little treat for you:

Billy Joel – My Life

ALERT! ABC Announces 2011 – 2012 Schedule

Here it is, folks, direct from the ABC Upfront Advertising Event, ABC’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule).  Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here.

If you have any questions about other shows, post them below.

Some programming notes:

  • With all of the slashing and burning ABC has done over the last four days, they really haven’t put up much of an impressive schedule.  It’s heavy with reality and dramas that have a lot “familiar” (OK… recycled) themes to them.
  • ABC’s new strategy is apparently to become the Lifetime of the major Networks. Notice the heavily gyno-centric storylines and soaps.  The shows that do feature men prominently, portray them as emasculated and buffoonish. ABC, you suck enough already. Who is this going to appeal to?  Isn’t it enough that you completely emasculated Michael Chiklis in No Ordinary Family, turning Vic Mackie into Victoria Mackie?
  • These new comedies look terrible.
  • You’ll see the phrase “high-concept” appear regularly throughout these and other network’s show descriptions.  What this means is that audiences probably won’t like but ABC is going to blame that on the fact that you’re just too stupid to get it.
  • We see one maybe two new shows that look interesting, the rest looks pretty awful.
  • NOTE: you’ll notice that the Fall schedule is pretty thin for new shows considering that they picked up a dozen of them on Friday.  ABC has not released their midseason 2011 – 2012 schedule and won’t until December.  All of the new show descriptions for 2011 – 2012 are listed at below the schedule.   We’ll be doing a preview assessment on all of the new shows as well as providing trailers as soon as they are available.

ABC’S FALL 2011 SCHEDULE

Via Press Release:

MONDAY

8:00 p.m.             Dancing with the Stars

10:00 p.m.           Castle

TUESDAY

8:00 p.m.             Last Man Standing (NEW!)

8:30 p.m.             Man Up (NEW!)

9:00 p.m.             Dancing with the Stars the Results Show

10:00 p.m.           Body of Proof

WEDNESDAY

8:00 p.m.            The Middle

8:30 p.m.            Suburgatory (NEW!)

9:00 p.m.            Modern Family

9:30 p.m.            Happy Endings

10:00 p.m.          Revenge (NEW!)

THURSDAY

8:00 p.m.             Charlie’s Angels (NEW!)

9:00 p.m.             Grey’s Anatomy

10:00 p.m.           Private Practice

FRIDAY

8:00 p.m.              Extreme Makeover: Home Edition

9:00 p.m.              Shark Tank

10:00 p.m.            20/20

SATURDAY

8:00 p.m.              Saturday Night College Football

SUNDAY

7:00 p.m.              America’s Funniest Home Videos

8:00 p.m.              Once Upon a Time (NEW!)

9:00 p.m.              Desperate Housewives

10:00 p.m.            Pan Am (NEW!)

ABC’S NEW SHOW DESCRIPTIONS: 

FALL

Last Man Standing:  Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.

Tim Allen returns to ABC in this new comedy from Jack Burditt (“30 Rock”). Men may have built civilizations, invented the locomotive and created ESPN, but they’re about to find out that it’s not a man’s world anymore. You can’t get manlier than Mike Baxter. He’s the marketing director for an iconic outdoor sporting goods store, he loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he’s the odd man out in a home that is dominated by women — namely his wife, Vanessa, and their three daughters, 22- year-old Kristin, 17-year-old Mandy and 14-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa’s increased work load, Mike is pulled into more hands-on parenting than ever before.

The show stars Tim Allen (“Home Improvement”) as Mike, Nancy Travis (“So I Married an Axe Murderer,” “Three Men and a Baby”) as Vanessa, Molly Ephraim as Mandy, Alexandra Krosney as Kristin, Kaitlyn Dever as Eve and Hector Elizondo (“Chicago Hope”) as Ed.

“Last Man Standing” was written by Jack Burditt (“30 Rock”), who also serves as executive producer with Tim Allen, Becky Clements, Marty Adelstein (“Prison Break”), Shawn Levy (“Night at the Museum”), Richard Baker (“The Santa Clause,” The Santa Clause 2”) and Rick Messina (“The Santa Clause,” The Santa Clause 2”). John Pasquin (“Home Improvement,” “The Santa Clause”) directed. “Last Man Standing” is from Twentieth Century Fox Television.

Man Up:  Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.

Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His evolved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering — in a world of Axe ads and manscaping — what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s (Jake Johnson) 13th birthday than in doing his job selling insurance; sensitive soul Craig (Christopher Moynihan) still pines for his college ex, Lisa; and Kenny (Dan Fogler) clamps down on his anger and asks himself, “What would Tobey Maguire do?,” when his ex, Brenda (Amanda Detmer), starts seeing a guy (Henry Simmons) who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, they are all faced with an opportunity to Man Up and be like their forefathers.

The show stars Christopher Moynihan as Craig, Mather Zickel (“The Cape”) as Will, Dan Fogler (“Balls of Fury”) as Kenny, Teri Polo (“Meet the Fockers”) as Theresa, Amanda Detmer (“What About Brian”) as Brenda and Henry Simmons (“Shark”) as Grant.

“Man Up” comes from writer/executive producer/actor Christopher Moynihan (“100 Questions”), executive producer Victor Fresco (“Better off Ted”), Ron West and Kelly Kulchak of Tagline Television (Psych) and director Beth McCarthy-Miller (“SNL,” “30 Rock”). ”Man Up” is produced by ABC Studios.

Suburgatory: Single father George only wants the best for his 16-year-old daughter, Tessa. So when he finds a box of condoms on her nightstand, he moves them out of their apartment in New York City to a house in the suburbs. But all Tessa sees is the horror of over-manicured lawns and plastic Franken-moms. Being in the ‘burbs can be hell, but it also may just bring Tessa and George closer than they’ve ever been.

Tessa (Jane Levy) and George (Jeremy Sisto) have been on their own ever since Tessa’s mom pulled a “Kramer vs. Kramer” before she was even potty trained. So far, George has done a pretty good job of raising Tessa without a maternal figure in their lives, but suddenly he’s feeling a little out of his league. So it’s goodbye New York City and hello suburbs. At first Tessa is horrified by the big-haired, fake-boobed mothers and their sugar-free Red Bull-chugging kids. But little by little she and her dad begin finding a way to survive on the clean streets of the ‘burbs. Sure, the neighbors might smother you with love while their kids stare daggers at your back, but underneath all that plastic and caffeine, they’re really not half bad. And they do make a tasty pot roast.

The show stars Jeremy Sisto (“Law & Order”) as George Altman, Jane Levy (“Shameless”) as Tessa Altman, Carly Chaikin (“The Last Song”) as Dalia Royce, Allie Grant (“Weeds”) as Lisa, Alan Tudyk (“V”) as Noah Lerner and Cheryl Hines (“Curb Your Enthusiasm”) as Dallas Royce. Ana Gasteyer (“Saturday Night Live”) guest stars.

Emily Kapnek (“Hung”) writes and executive-produces this bitingly ironic single-camera comedy. “Suburgatory” was directed by Michael Fresco (“Raising Hope”), who also executive-produced the pilot. It is produced by Warner Bros. Television.

Revenge:  Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.

Emily Thorne (Emily Van Camp) is new to the Hamptons. She’s met some of her wealthy neighbors, has made a few new friends and seemingly blends into the town. But something is a little odd about a young girl living in a wealthy town all on her own, and the truth is that Emily isn’t exactly new to the neighborhood. In fact, this was once her old neighborhood, until something bad happened that ruined her family and their reputation. Now Emily is back, and she’s returned to right some of those wrongs in the best way she knows how – with a vengeance.

“Revenge” stars Madeleine Stowe (“We Were Soldiers,” “The Last of the Mohicans”) as Victoria Grayson, Emily Van Camp (“Brothers & Sisters,” “Everwood”) as Emily Thorne, Gabriel Mann (“The Bourne Identity”) as Nolan Ross, Henry Czerny (“Mission: Impossible,” “Clear and Present Danger”) as Conrad Grayson, Ashley Madekwe (“Secret Diary of a Call Girl”) as Ashley Davenport, Nick Wechsler (“Roswell”) as Jack Porter, Josh Bowman (“Prowl”) as Daniel Grayson, Christa B. Allen (“13 Going on 30”) as Charlotte Grayson and Connor Paolo (“Gossip Girl”) as Declan Porter.

“Revenge” is written and executive-produced by Mike Kelley (“Swingtown”), along with executive producers Marty Bowen and Wyck Godfrey (“Twilight”). The pilot is directed and executive-produced by Phillip Noyce (“Salt”). “Revenge” is produced by ABC Studios.

Charlie’s AngelsEveryone deserves a second chance — even a thief, a street racer and a cop who got in a little too deep. After all, the three women who solve cases for their elusive boss, Charlie Townsend, are no saints. They’re angels… Charlie’s Angels.

Set in Miami, this fun, glamorous, action-packed take on the 1970s smash hit series introduces us to three new angels, all fearless detectives, head-turning beauties and close friends. There’s Abby (Rachael Taylor), a Park Avenue princess who became a world-class thief. Then there’s Kate (Annie Ilonzeh), a Miami cop who fell from grace, losing both her career and her fiancé. Finally there’s Gloria, a disgraced army lieutenant who has a way with explosives. When one of the angels’ missions ends in Gloria’s tragic death, Charlie persuades them to partner with Gloria’s childhood friend, Eve (Minka Kelly), a street racer with a mysterious past. They may not know each other yet, but one thing’s for sure — Abby, Kate and Eve will always have each others’ backs.

“Charlie’s Angels” stars Annie Ilonzeh (“General Hospital”) as Kate Prince, Minka Kelly (“Parenthood,” “Friday Night Lights”) as Eve, Rachael Taylor (“Grey’s Anatomy”) as Abby Sampson and Ramon Rodriguez (“The Wire,” “Daybreak”) as Bosley.

Written and executive-produced by Alfred Gough & Miles Millar (“Smallville”), “Charlie’s Angels” is also executive-produced by Drew Barrymore (“Charlie’s Angels” movies), Leonard Goldberg (the original “Charlie’s Angels”) and Nancy Juvonen (“Charlie’s Angels” movies). It’s directed and executive-produced by Marcos Siega (“Vampire Diaries,” “Dexter”). “Charlie’s Angels” is produced by Millar/Gough Ink, Flower Films and Panda Productions in association with Sony Pictures Television.

Once Upon A Time:  From the inventive minds of “Lost” executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day are about to collide.

And they all lived happily ever after – or so everyone was led to believe. Emma Swan knows how to take care of herself. She’s a 28-year-old bail bonds collector who’s been on her own ever since she was abandoned as a baby. But when the son she gave up years ago finds her, everything starts to change. Henry is now 10 years old and in desperate need of Emma’s help. He believes that Emma actually comes from an alternate world and is Snow White and Prince Charming’s missing daughter. According to his book of fairytales, they sent her away to protect her from the Evil Queen’s curse, which trapped the fairytale world forever, frozen in time, and brought them into our modern world. Of course Emma doesn’t believe a word, but when she brings Henry back to Storybrooke, she finds herself drawn to this unusual boy and his strange New England town. Concerned for Henry, she decides to stay for a while, but she soon suspects that Storybrooke is more than it seems. It’s a place where magic has been forgotten, but is still powerfully close… where fairytale characters are alive, even though they don’t remember who they once were. The epic battle for the future of all worlds is beginning, but for good to win, Emma will have to accept her destiny and fight like hell.

“Once Upon a Time” stars Ginnifer Goodwin (“Big Love”) as Snow White/Sister Mary Margaret, Jennifer Morrison (“House MD”) as Emma Swan, Robert Carlyle (“The Full Monty,” “Trainspotting,” “SGU Stargate Universe”) as Rumplestiltskin/Mr. Gold, Lana Parrilla as Evil Queen/Regina, Jamie Dornan as Sheriff Graham, Jared Gilmore (“Mad Men”) as Henry, Josh Dallas as Prince Charming/John Doe and Raphael Sbarge as Jiminy Cricket/Archie.

“Once Upon a Time” was written by Edward Kitsis and Adam Horowitz, who are also executive producers, along with Steve Pearlman (ABC’s “V”). The pilot is directed and executive-produced by Mark Mylod (“Entourage”). “Once Upon a Time” is from ABC Studios.

Pan Am:  Passion, jealousy and espionage… They do it all – and they do it at 30,000 feet. The style of the 1960s, the energy and excitement of the Jet Age and a drama full of sexy entanglements deliciously mesh in this thrilling and highly-original new series.

In this modern world, air travel represents the height of luxury and Pan Am is the biggest name in the business. The planes are glamorous, the pilots are rock stars and the stewardesses are the most desirable women in the world. Not only are these flyboys and girls young and good looking, but to represent Pan Am they also have to be educated, cultured and refined. They’re trained to handle everything from in-air emergencies to unwanted advances – all without rumpling their pristine uniforms or mussing their hair. There’s Dean (Jonah Lotan) – a cocky, charismatic and ambitious new pilot – the first of a new breed not trained in the war. On the sly against company policy, he’s dating Bridget, a stunning beauty with a mysterious past. A rebellious bohemian, Maggie (Christina Ricci) turns into a buttoned up professional for work so she can see the world. Rounding out the crew are flirtatious Collette (Karine Vanasse), the adventurous Kate (Kelli Garner) and, finally, Laura (Margot Robbie) – Kate’s beauty queen younger sister, a runaway bride, who recently fled a life of domestic boredom to take to the skies.

“Pan Am” stars Christina Ricci (“Penelope”) as Maggie, Kelli Garner (“Going the Distance”) as Kate, Karine Vanasse (“Polytechnique”) as Colette, Margot Robbie (“Neighbours”) as Laura, Jonah Lotan (“24”) as Dean and Michael Mosley (“Justified”) as Ted.

Jack Orman (“ER,” “Men of a Certain Age,”), Tommy Schlamme (“The West Wing,” “Parenthood,”

“Mr. Sunshine”) and Nancy Hult Ganis (“Akeelah and the Bee”) are the executive producers of “Pan Am.” Orman is also the writer, with Schlamme directing. “Pan Am” is produced by Jack Orman Productions, Out of the Blue Entertainment and Shoe Money Productions in association with Sony Pictures Television.

MIDSEASON

Good Christian Belles:  The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.

Amanda Vaughn (Leslie Bibb), once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. Amanda is nothing like the girl she was 20 years ago, but as her old classmates reacquaint themselves with the new Amanda, will her home town welcome her with open arms or seek revenge? No one in this town is a saint, but that doesn’t mean they can’t have a heart. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.

“Good Christian Belles” stars Leslie Bibb (“Iron Man”) as Amanda Vaughn, Kristin Chenoweth (“Pushing Daisies”) as Carlene Cockburn, Annie Potts (“Law And Order: Special Victims Unit,” “Joan of Arcadia”) as Gigi Stopper, Jennifer Aspen (“Rodney”) as Sharon Peacham, Miriam Shor (“Swingtown” “Damages”) as Cricket Caruth-Reilly, Marisol Nichols (“24”) as Heather Cruz, Brad Beyer (“Jericho”) as Zack Peacham, Mark Deklin (“Lone Star”) as Blake Reilly and David James Elliott (“JAG”) as Ripp Cockburn.

Based on Kim Gatlin’s hit book, Good Christian Bitches, “Good Christian Belles” is executive-produced by Darren Star (“Sex and the City”), Robert Harling (“Steel Magnolias”) and Aaron Kaplan. The pilot is written by Robert Harling and executive-produced and directed by Alan Poul. “Good Christian Belles” is produced by ABC Studios.

Missing: Becca Winstone (Ashley Judd) learns that her son, Michael, disappears while studying abroad, and it’s a race against time when she travels to Europe to track him down. A surprising turn of events reveals just how far one mother will go to protect her family. Exotic locations and thrilling twists will keep you riveted in “Missing.”

How far would you go to save the only thing you have left in the world? At 8 years old, Michael watched as his father, CIA Agent Paul Winstone, was murdered. Now 10 years later, Paul’s wife, Becca, is faced with the reality of her son growing up. When Michael is afforded the opportunity to study abroad, his mother reluctantly agrees it’s time to let him go. Just a few weeks into his trip Michael disappears, and Becca immediately suspects foul play. When she arrives in Rome, she begins piecing together the clues left behind. It isn’t long before the kidnappers realize they’ve picked a fight with the wrong woman. Becca Winstone has a secret of her own — before Paul’s death, she was also a lethal CIA Agent. But if she wants to find her son alive, Becca will have to rely on old friends and reopen old wounds. Her resourcefulness, skill and determination will be put to the test – but a mother’s love knows no limits.

“Missing” stars Ashley Judd (“Double Jeopardy,” “Kiss the Girls”) as Becca Winstone, Sean Bean (“Game Of Thrones”) as Paul Winstone, Cliff Curtis (“Trauma”) as Dax, Adriano Giannini (“Oceans Twelve”) as Giancarlo, Nick Eversman (“Cinema Verite”) as Michael Winstone and Tereza Voriskova (“Borgia”) as Oksana.

“Missing” comes from writer Gregory Poirier (“National Treasure: Book of Secrets”) and executive producers Gina Matthews, Grant Scharbo (“The Gates”), Steve Shill (Emmy winner for directing “Dexter” who will direct episodes of “Missing”) and James Parriott (“Sons Of Anarchy”). “Missing” is produced by Stillking Films.

The River:  “The River” follows the story of wildlife expert and TV personality Emmet Cole. Emmet set course around the world with his wife, Tess, and son, Lincoln, while filming what would become one of the most popular shows in television. After he goes missing deep in the Amazon, his family, friends and crew set out on a mysterious and deadly journey to find him.

Famed explorer Dr. Emmet Cole (Bruce Greenwood) went looking for magic deep in the uncharted Amazon and never returned. The shocking truth about his disappearance is out there, somewhere, just waiting to be discovered. To the millions of kids who grew up watching his nature show, Dr. Cole was a hero. To his own son, Lincoln (Joe Anderson), he was more of an enigma. Now, six months after he vanished, Lincoln is finally ready to bury the past when Dr. Cole’s emergency beacon suddenly goes off. At the urging of his mother, Tess (Leslie Hope), Lincoln reluctantly joins her on a search for his father. To fund the rescue, they agree to let Dr. Cole’s cagey ex-producer, Clark (Paul Blackthorne), film the mission documentary-style. The mixed crew of old friends and new acquaintances includes the sexy and resourceful Lena (Eloise Mumford), loyal mechanic Emilio (Daniel Zacapa) and lethal bodyguard Captain Kurt Brynildson (Thomas Kretschmann).

“The River” stars Bruce Greenwood (“Star Trek”) as Emmet Cole, Joe Anderson (“The Twilight Saga: Breaking Dawn Parts 1 and 2”) as Lincoln Cole, Paul Blackthorne (“Lipstick Jungle”) as Clark, Paulina Gaitan as Jahel, Leslie Hope (“24”) as Tess Cole, Eloise Mumford (“Lone Star”) as Lena, Shaun Parkes (“The Mummy Returns”) as Adjay, Thomas Kretschmann (“King Kong”) as Captain Kurt Brynildson and Daniel Zacapa (“Resurrection Blvd.”) as Emilio.

“The River,” from Amblin’s Steven Spielberg, Daryl Frank and Justin Falvey, showrunner/executive producer Michael Green (“Heroes,” “Kings”), is also executive-produced by Oren Peli (creator of “Paranormal Activity”), Zack Estrin, Jason Blum and Steven Schneider. Teleplay by Michael R. Perry and Michael Green, story by Oren Peli & Michael R. Perry and Michael Green. The pilot is directed by Jaume Collet-Serra and produced by ABC Studios.

Scandal:  From the creator and executive producers of “Grey’s Anatomy” and “Private Practice” comes a drama revolving around the life and work of a professional crisis manager and her dysfunctional staff.

A former media relations consultant to the President, Olivia Pope (Kerry Washington) dedicates her life to protecting and defending the public images of our nation’s elite. After leaving the White House, the power consultant opened her own firm, hoping to start a new chapter — both professionally and personally — but she can’t seem to completely cut ties with her past. Slowly it becomes apparent that her staff, who specialize in fixing the lives of other people, can’t quite fix the ones closest at hand — their own.

“Scandal” stars Kerry Washington (“Ray”) as Olivia Pope, Henry Ian Cusick (“Lost”) as Stephen Finch, Columbus Short (“Stomp the Yard”) as Harrison Wright, Guillermo Diaz (“Half-Baked”) as Huck, Darby Stanchfield as Abby Whelan, Katie Lowes as Quinn Perkins, Tony Goldwyn (“Ghost”) as President Fitzgerald Grant and Jeff Perry (“Grey’s Anatomy”) as Cyrus.

“Scandal” was written by Shonda Rhimes (“Grey’s Anatomy,” “Private Practice”). Rhimes and Betsy Beers (“Grey’s Anatomy,” “Private Practice”) are executive producers. Paul McGuigan is the director. “Scandal” is produced by ABC Studios.

Apartment 23:  After a naïve Midwestern girl’s big city dreams are dashed her first week in New York, she finds herself living with her worst nightmare in this hilarious, contemporary comedy about a female odd couple who are surrounded by an outrageous cast of characters.

June (Dreama Walker) moves to Manhattan for a dream job and the perfect company apartment, only to have them disappear in a puff of reality, thanks to a CEO from the Bernie Madoff school of embezzlement. Deep in debt and out on the streets, June scrambles to land a job and place to live. It seems her luck has turned around when she gets hired at a coffee shop and finds Chloe (Krysten Ritter), a charming, vivacious roommate… with the morals of a pirate. She swindles June out of all her savings, but she and her snarky friend, James Van Der Beek (playing himself), soon learn that, just because June’s naïve, she isn’t stupid. June ingeniously turns the tables on Chloe, who is so shocked about being scammed herself that she decides to pull June into her colorful band of friends. Sure, it’s all dysfunctional, bizarre and overwhelming, but so is New York City. And with the help of Chloe and the other oddballs around her, June might just learn the survival secrets she needs to make it there.

“Apartment 23” stars Krysten Ritter (“Breaking Bad,” “Gilmore Girls”) as Chloe, Dreama Walker (“The Good Wife,” “Gossip Girl”) as June, Eric André as Mark, Michael Blaiklock as Eli and James Van Der Beek (“Varsity Blues,” “Dawson’s Creek”) as James Van Der Beek.

Created and written by Nahnatchka Kahn (“American Dad”), “Apartment 23” is executive-produced by Kahn, Jason Winer (“Modern Family”), Dave Hemingson (“American Dad,” “How I Met Your Mother”) and Jeff Morton (“Modern Family”). Winer is also the director. “Apartment 23” is a production of 20th Century Fox Television.

Work It:  This high-concept comedy centers on two unrepentant guy’s guys who, unable to find work, dress as women to get jobs as pharmaceutical reps. Not only do they pull it off, but they might just learn to be better men in the process.

With unemployment an ongoing issue and women now outnumbering men in the workforce, the new comedy series “Work It” follows two alpha males who realize the only way to beat the current “mancession” and land a job in pharmaceutical sales is to pass themselves off as women. Combining all the best elements of the workplace comedy, the buddy comedy and the family comedy, “Work It” centers on Lee Standish (Ben Koldyke) — a quick-witted and likable family man who used to be a top car salesman until he got laid off — and Angel Ortiz (Amaury Nolasco) — a single, hot-headed ladies’ man with no filter — who quickly learn there are fundamental differences in the worlds of men and women that go beyond teetering in high heels and tightening up with Spanx. Lee and Angel are determined to keep their ruse going for as long as they can — and keep their newly found jobs — in this smart, funny and relevant look at male and female relationships at work, at home and socially. Being a better man sometimes means having to be a better woman.

The show stars Ben Koldyke (“How I Met Your Mother”) as Lee, Amaury Nolasco (“Prison Break”) as Angel, Beth Lacke (“Happy Hour”) as Connie, John Caparulo (“Chelsea Lately”) as Brian, Rebecca Mader (“Lost”) as Grace, Rochelle Aytes (“Detroit 1-8-7”) as Vanessa, Kate Reinders (“Sherrie”) as Kelly, Kirstin Eggers (“Aussie and Ted’s Great Adventure”) as Kristin and Kacie Lynch (“Barney and Friends”) as Kat.

“Work It” was written by Andrew Reich & Ted Cohen (“Friends,” “Rules of Engagement”). Reich and Cohen are the executive producers. Beth McCarthy Miller (“Saturday Night Live,” “30 Rock”) is the director. “Work It” is produced by Bonanza Productions, Inc. in association with Summer School Productions and Warner Bros. Television.

100th Post! ABC Cancels V, Brothers And Sisters & 5 More Shows, Renews Body of Proof, Happy Endings, Picks Up Charlie’s Angels, 11 More…

It’s our 100th Post, Yay!

The Hollywood Reporter is reporting that ABC went mad-crazy on Friday dumping seven shows including five freshman shows, renewing two and picking up a whopping twelve new scripted shows, all in advance of tomorrow’s upfront advertising event where they’ll announce their schedule for the 2011 – 2012 season.

Canceled:

VThe phrase “no surprise here” is really a running theme with all of these canceled shows on ABC but never is it more appropriate than for V. V was phenomenal in its first season but by the third episode of the second season, it had become one of the most ridiculous and embarrassing SciFi shows ever produced.  Fans will of course blame ABC for how they scheduled, this is nonsense.  The show turned and we’ve actually been working on a remedial course that will published i na couple of weeks for folks who don’t understand why V was so damned ridiculous.  We’re not saying that we’re happy about its departure, but we sure as Hell understand why it was canceled and make no doubt about it, it deserved to be canceled.

Detroit 1-8-7This is a very sad, albeit necessary cancellation.  D-187 was one of the best police procedurals in recent memory and we were sure it was going to be terrible.  It’s unfortunate that it couldn’t find an audience.  Again, the writing for this show was on the wall since November 2010.

No Ordinary Family*sigh*  What’s unfortunate about this cancellation is how much potential this series had and how it completely fell off the rails.  The show became less about superheroes and more about this dysfunctional family and wore thin very quickly.  Not to mention, Jim Powell (Michael Chiklis) is the probably the most emasculated male lead character in the history of television.

Off the Map:  We got through twenty minutes of the pilot, to turn it off.  Terrible writing, terrible acting and just complete and utter tripe.  It’s nothing but typical recycled procedural crap.  Good-bye, you won’t be missed. We hated this show so much, we couldn’t bring ourselves to do a review on it.  Fortunately, Off the Map is off the map.

Mr. SunshineWe actually forced ourselves to sit through two episodes of this mess. This was a very poor rip-off if 30 Rock was one of the worst shows we’ve seen this season.  It was nothing ut really bad recycled jokes, recycled characters and recycled plotlines.  Good Riddance.  Maybe it will be another decade before we’ll have to be subjected to Matthew Perry again. What?  We can’t be the only ones who thinks Friends is one of the worst pieces of crap shows ever made.

Better With You:  We made it through three episodes and the last two minutes of every episode that wound up on our DVR recordings of Modern Family.  This may be one of the worst shows ever made next to $#*! My Dad Says.  There was nothing funny about this and it abused every sitcom cliché from the last 50 years of television and it made us angry that the producers had such a low opinion of their audience.

Brothers and Sisters:  We have no problem with this show and in fact we’ve never watched it but we understand that it had a loyal following (Little Sister ‘Tastic was a big fan).  The problem was that viewership had been steadily declining and once you get past the fifth season, if the ratings aren’t there to justify higher ad-revenues it’s impossible to keep a show because at this point the production costs (including cast salaried) increase dramatically.

Renewed:

Body of ProofWe don’t understand the appeal of this show, but then again we don’t understand the appeal of all safe procedurals.  This show really particularly stupid, with dopey and recycled premises and really bad dialogue.  But, alas, what do we know as audiences seem to love it.

Happy Endings:  We have to be honest, we haven’t had time to watch this show but it does look very funny and it does have strong critical buzz surrounding it so we’re looking forward to watching it over the summer and reviewing it.  Part of the reason we didn’t put it to the front of our schedule is that based on the ratings, we weren’t expecting it to be renewed.  Good for them!

Picked Up (We’ll be providing our assessments of the new shows shortly after the schedule announcement is made on Tuesday):

Charlie’s Angels:  A modern take on the 1970s series starring Annie Ilonzeh (Melrose Place), Minka Kelly (Friday Night Lights, Parenthood) and Rachael Taylor (Grey’s Anatomy) as Charlie’s (Robert Wagner) new Angels. The Miami-set drama, from Sony Pictures Television, is written by Smallville duo Alfred Gough and Miles Millar and produced by Nancy Juvonen (Whip It), Leonard Goldberg (the Charlie’s Angels features) and Drew Barrymore, who appeared in the big-screen reboot. Marcos Siega (The Vampire Diaries) directed the pilot.

Last Man Standing: The project centers on the former Home Improvement star, who is fighting for his manhood in a world increasingly dominated by women. Nancy Travis (So I Married an Axe Murderer) co-stars in the multicamera comedy from 20th Television. Jack Burditt (30 Rock) penned the pilot, with Marty Adelstein (Prison Break), Becky Clements and Shawn Levy (Date Night) on board as producers. Insiders believe the mutlicam Allen vehicle, which has had “lock” status for weeks, will launch a second ABC comedy block, likely on Tuesdays (Improvement‘s old stomping ground).

Pan Am: From Sony, the sexy soap set in the 1960s focuses on stewardesses and pilots, some of whom live double lives as spies. Christina Ricci stars in her first series regular role in the drama written and produced by Jack Orman (ER). Also producing are Sid Ganis, Nancy Hult Ganis and Thomas Schlamme (The West Wing), who helmed the pilot.

Apartment 23: The a single-camera comedy from 20th TV centers on a Midwestern girl (Dreama Walker, The Good Wife) whose big-city dreams are dashed after her first week in New York, where she finds herself living with her worst nightmare (Krysten Ritter, Breaking Bad). James Van Der Beek (Dawson’s Creek) co-stars as himself in his first series comedy role. Nahnatchka Khan (American Dad) and Dave Hemingson (Traffic Light) penned the pilot and will produce along with Jeffrey Morton (Traffic Light). Jason Winer (Modern Family) helmed the pilot.

Good Christian Belles (formerly Good Christian Bitches): The soap revolves around a former high school “mean girl” (Leslie Bibb, Popular) who returns home to Dallas after her marriage ends in scandal. The series, from ABC Studios, also stars Kristin Chenoweth (Glee) and Annie Potts (Designing Women). Robert Harling(Laws of Attraction), who penned the pilot, produces alongside Darren Star (Sex and the City) and Aaron Kaplan. Alan Poul (Six Feet Under) directed the pilot. The series is based on the book by Kim Gatlin.

Revenge: The Count of Monte Cristo-inspired soap from Mike Kelley (Swingtown), centers on a woman (Emily VanCamp, Brothers and Sisters) who moves to the Hamptons. The ABC Studios pilot, which was directed by Phillip Noyce, counts Marty Bowen and Wyck Godfrey as executive producers.

Once Upon a Time: A fantasy drama that revolves around a woman (Jennifer Morrison, How I Met Your Mother) who, after a boy who claims to be her son shows up, is drawn into a town where fairy tales might be real. Ginnifer Goodwin (Big Love) co-stars as Snow White in a cast that also includes Robert Carlyle (Stargate Universe) and Josh Dallas (Thor) as Prince Charming.Lost’s Edward Kitsis and Adam Horowitz penned the pilot and will produce alongside Steve Pearlman (V) and Mark Mylod (Shameless), who directed the pilot from ABC’s sister studio.

Scandal (formerly Damage Control): The drama revolves around the life and work of a professional fixer (Kerry Washington) and her staff. Lost’s Henry Ian Cusick co-stars as her right-hand man and Tony Goldwyn plays the president. It is based on the career of crisis management consultant Judy Smith, who serves alongside producers including Shonda Rhimes (Grey’s Anatomy, Private Practice) and Betsy Beers (Grey’s Anatomy). From ABC Studios, the pilot was directed by Paul McGuigan (Lucky Number Slevin).

The River: A stylized project that follows a crew through the Amazon in search of a missing adventurer. Eloise Mumford (Lone Star) stars in the ABC Studios drama written by Michael Green (Kings) and Michael R. Perry (Persons Unknown). Executive producers include Oren Peliand Jason Blum (Paranormal Activity), Darryl Frank and Justin Falvey (United States of Tara), Zack Estrin (No Ordinary Family) and Steven Schneider (Paranormal Activity). Jaume Collet-Serra directed the pilot, which was shot in Puerto Rico.

Work It: The cross-dressing comedy from Warner Bros. TV and Andrew Reich and Ted Cohen(Friends), revolves around two out-of-work car salesmen (Amaury Nolasco, Ben Koldyke) who dress as women in order to get jobs as pharmaceutical reps. Beth McCarthy Miller directed the pilot.

Suburgatory: The project stars Jane Levy as a New Yorker who moves to a cookie-cutter community and discovers that the suburbs is more frightening than any horror movie she’s seen. Jeremy Sisto (Law & Order), Alan Tudyk (Firefly) and Cheryl Hines (Curb Your Enthusiasm) co-star. The single-camera comedy from Warner Bros. TV was written by Emily Kapnek (Hung, Parks and Recreation), with the pilot directed by Mike Fresco (Raising Hope, Better Off Ted).

Man Up: The single-camera comedy from ABC Studios and Chris Moynihan (Coupling) is a look at what it takes to survive as a modern man, as told through the eyes of three best friends and the women in their lives.

‘Chase’ (NBC – Monday, 10:00 p.m.)

 

From Emmy Award-winning executive producer Jerry Bruckheimer (“CSI” franchise, “The Amazing Race,” “Pirates of the Caribbean”) and executive producer Jennifer Johnson (“Cold Case,” “Reunion,” “Lost”), “Chase” is a lightning-fast drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. Marshals hunts down America’s most dangerous fugitives.

Kelli Giddish (“Past Life”) stars as U.S. Marshal Annie Frost, a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down violent criminals on the run. Starring as the members of Frost’s elite team are Cole Hauser (“K-Ville”) as Jimmy Godfrey, an East Texas kid who never grew up and is a true American cowboy; Amaury Nolasco (“Prison Break”) who plays Marco Martinez, a good intelligence guy who loves to talk; and Rose Rollins (“The L Word”), who portrays Daisy Ogbaa, a weapons/tactical specialist and a woman of few words. Rounding out the cast is Jesse Metcalfe (“Desperate Housewives”), who stars as Luke Watson, the fresh-faced newcomer whose Washington, D.C. upbringing did little to prepare him for the Lone Star State. – NBC

The Preview (Posted 9/15/2010):

Shawn: Although, seemingly formulaic and reeking suspiciously of U.S. Marshalls (I was waiting for Tommy Lee Jones to pop out and start barking orders about finding Richard Kimball in the trailer), the high-energy and the strong cast of Chase makes it certainly worthy of consideration.  I’m not jumping out of my pants about it yet but it is a Jerry Bruckheimer production and that definitely makes it worth watching for at least the first three or four episodes.  “Cautiously optimistic” is the best way to describe my enthusiasm for Chase.

The Review:

3 out of 10

Shawn:     Alright, that is the absolute last time I automatically give a show the benefit of the doubt for being a Jerry Bruckheimer production and I should have had this policy in place a long time ago because of CSI alone (but let’s be fair… I did use the phrase “cautiously optimistic.”).  Bruckheimer’s problem in general is that when he really gives a damn, he gets behind projects that although may not have long-term success are at least original (see: Justice, E-Ring).  When he doesn’t, he reverts to bland and intelligence-insulting procedurals like Chase

One thing I can say about Chase is that the there is certainly a lot of that during the hour, in fact that’s about all they do and yes it gets very stale, very quickly.  When they aren’t running all over Texas, they are sitting around a room and doing the psychoanalysis version of CSI but instead of a forensics investigation based on actual evidence, this crew comes up with off-the-wall behavioral theories about their fugitive’s psyche and it just so happens that everything they predict about the fugitive’s current and next moves is absolutely what the bad guy is doing!  They literally NEVER make a mistake or misstep and it left me with one conclusion: these jokers don’t need to be working for the Marshal Service collecting government salaries, they need to hook up with Miss Cleo and make some real money.

CALL MEH’NOW!

Chase is boring and contrived.  The characters are clichéd, poorly written and conceived, and furthermore generally cringe-worthy and unlikable.  The dialog is ridiculous, and the general premise of the show is that all you need to know about Texas is that everyone in the state worships Waylon Jennings and knowing that will allow you to track any fugitive.  The only thing that this show has going for it at all is that it’s fast paced and very well-shot which I think was done on purpose to distract the audience from how bad the show is plot and character-wise.  Either that, or they just sunk all of their money into the technical side of production and NONE into the writing side. 

For the record, the actors are fine and actually all have been traditionally very good.  The problem is the writing.  You can’t polish a turd and Jeff Gordon can’t win a race driving a 1993 3-cylinder Geo Metro.

By the way, I don’t even like NASCAR but I figured if Chase can make a whole show based on clichés and stereotypes about Texas, the South and rednecks, why not get in on that as well with the analogies.  When in Dallas…

Oh, and one last thing, Jerry… no one likes seeing the portrayal of a family terrified and graphically murdered execution-style during the opening sequence of a pilot… NO ONE.

Watch full episodes of Chase, here.

‘Nikita’ (The CW – Thursday, 9:00 p.m.)

When she was a deeply troubled teenager, Nikita (Maggie Q, “Live Free or Die Hard,” “Mission Impossible 3”) was rescued from death row by a secret U.S. agency known only as Division, who faked her execution and told her she was being given a second chance to start a new life and serve her country. What they didn’t tell her was that she was being trained as a spy and assassin. Throughout her grueling training at Division, Nikita never lost her humanity, even falling in love with a civilian. When her fiancé was murdered, Nikita realized she had been betrayed and her dreams shattered by the only people she thought she could trust, so she did what no one else before her had been able to do: she escaped. Now, after three years in hiding, Nikita is seeking retribution and making it clear to her former bosses that she will stop at nothing to expose and destroy their covert operation.

For the time being, however, Division continues to recruit and train other young people, erasing all evidence of their former lives and turning them into cold and efficient killers. One of these new recruits, Alex (Lyndsy Fonseca, “Kick-Ass,” “Desperate Housewives”), is a beautiful girl with a violent past and a story not so different from Nikita’s. After her parents were murdered, Alex’s life completely derailed. Haunted by her horrific past, she ended up drug-addicted and homeless until Division “rescued” her and brought her into the fold.

Division’s top authority, Percy (Xander Berkeley, “Kick-Ass,” “24”) spent years being a good government soldier, taking his role as an insider and using it to turn the secret organization into a lucrative spy-for-hire shop. With Nikita gone rogue, Percy will do whatever it takes to destroy her and protect the empire he’s built, and he often turns to his top lieutenant, Michael (Shane West, “ER,” Once and Again”), for help. Michael trained Nikita when she was a recruit and is now faced with the responsibility of tracking down his renegade student. At the same time, Michael is in charge of training Alex, Nikita’s young replacement, along with other recruits, including Thom (Ashton Holmes, “Boston Legal”), who has been at Division for a year and is anxious to prove himself, and Jaden (Tiffany Hines, “Bones”), a beautiful and tough young woman who challenges Alex at every turn.

The recruits all spend part of their training with Amanda (Melinda Clarke, “The O.C.,” “The Vampire Diaries”), a master manipulator who can turn any ugly duckling into a swan and any bleeding heart into a killer. Her use of psychological warfare and strategy is key to Percy’s entire operation. Amanda has only had one failure during her tenure at Division: Nikita, the recruit she was never able to break.

Nikita also left her mark on Birkhoff (Aaron Stanford, “Traveler,” “X-Men: The Last Stand”), the nonconformist computer genius who was caught hacking into the Pentagon’s system from his college dorm room and was recruited into Division at the same time as Nikita. Birkhoff never admits to anyone that he misses his former colleague, and he has managed to hold onto his own rebel spirit, his geek-speak and his slacker dress code.

This is the world of Division that Alex now finds herself facing everyday, and she is just beginning to understand why the legendary Nikita has dedicated herself to taking them down. – The CW

5 out of 10

This is the second attempt by American television to bring the French film La Femme Nikita (which was turned into the 1993 American film, Point of No Return starring Bridget Fonda) to the small screen and it is the most ambitious and best written and performed yet. That doesn’t mean that it’s great or that I love it.

This is a pretty short review because there’s not much to say about it.  The premise is exactly what the show description says it is and Maggie Q brings sexy to a whole new level here and the violence and action is on par with the best of any action show of the last decade.

The plot is pretty compelling, if not that original but the supporting cast is doing nothing for this show except for Nikita’s protegé Alex who is a plant in Division to bring it down. The only problem with Alex is the ridiculously convoluted way that she was able to infiltrate Division to begin with.

It’s very well shot and is pretty visually stunning and I’m actually pretty impressed with the music arrangement.

At the end of the day, it’s a decent show but I’m not sure how much patience audiences will have for it but I expect to personally give it until at least mid-season.

Watch full episodes of Nikita, here.

Fall 2010 Prime Time Preview – Mondays

Welcome to the TV-Tastic First Annual Fall TV Preview.   This is the first of what we hope to be many television season previews.  In January we’ll be doing a Mid-Season Replacement Preview and in Summer 2011, we’ll be doing a preview of the cable offerings and random shows that FOX just throws out there June through August to fill up airtime that no one seems to care about (see: The Good Guys).   This is a seven part series and today we are covering Monday night television.

We will not be including a preview of every single show that’s in the Fall lineup.  We’re only previewing the stuff  we care about and of course the new offerings on network and cable.  Our rating scale for this will be based on whether we think you should waste your time with it or not and we’ll tell you why.  No numbers on this just, simple recommendations like “you have to see this” or “pass on this” or “I think I just puked in my mouth a little bit.”  Vic’s been very busy so I’m going solo on this for right now but he will be adding his two-cents later and I’ll update the blog and the subscribers accordingly.

So, without further ado, let the games begin, and by the way, this is one of the best Fall Lineups in years and it mostly is because of NBC (which is a phrase I never thought I would utter).

TV Guide Fall Schedule

TV Guide Fall Schedule Calendar

Monday:

8:00 p.m.

FOX:     House – September 20, 2010

Shawn: I love House, it’s a “can’t-miss.”  You know it and I know it.  How many shows can they change the night and timeslot every two weeks and it’s still be successful?  There is one reason and one reason only to watch House, and that’s House, himself.  I hate medical dramas as they’re all the same tripe.  House could be a show set on submarine or in a cannery (or a nunnery) and it would still be great.

NBC:     Chuck – September 20, 2010

Shawn: I unfortunately missed all of season 2 and 3 because of scheduling issues but I love this show and I’m glad it got a fourth season.  It’s just a fun show that’s got something for everyone.  Humor, action, romance and of course, Adam Baldwin.  I dare say, what more do you need?  I’ll be catching up with Seasons 2 & 3 and saving season 4 for later.

9:00 p.m.

FOX:     Lone Star – September 20, 2010 (NEW SERIES!)

Shawn: I’ve already seen the pilot and it is definitely worth watching.  See my full review with trailer here.  Upon further review my biggest concern for it is it is in the same time-slot as this:

NBC:     The Event – September 20, 2010 (NEW SERIES!)

The Event is an emotional, high-octane conspiracy thriller that follows Sean Walker (Jason Ritter, “The Class”), an everyman who investigates the mysterious disappearance of his would-be fiancée Leila (Sarah Roemer, “Disturbia”), and unwittingly begins to expose the biggest cover-up in U.S. history.

Sean’s quest will send ripples through the lives of an eclectic band of strangers, including newly elected U.S. President Elias Martinez (Golden Globe nominee Blair Underwood, “In Treatment”); Sophia Maguire (Emmy Award nominee Laura Innes, “ER”), who is the leader of a mysterious group of detainees; and Leila’s shadowy father (Scott Patterson, “Gilmore Girls”). Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind. – NBC

Shawn: This is by far the most anticipated show of the new year and for good reason.  It’s a spy/action/political thriller à la 24 shown from multiple perspectives with a Lost-type/FlashForward-type mystery to it.   The cast is amazing and the effects look killer.  This is one of those moral imperative shows.  You must watch this.  I’d comment more on it but the trailer confused the crap out of me and I still haven’t processed all of it.

9:30 p.m.

CBS:     Mike & Molly – September 20, 2010 (NEW SERIES!)

A couple finds love at an Overeaters Anonymous meeting in this multicamera comedy from Chuck Lorre, the force behind Two and a Half Men and The Big Bang Theory.

Shawn: Did Kevin James get taller, fatter and less articulate?  As a rule, I’m skeptical of sitcoms to begin with because for the most part they are unoriginal and they all recycle the same stupid jokes decade after decade.  Even the more original and funny comedies like The Office eventually wind up being copied (see: Parks & Recreation) and eventually run out of steam… waitaminute… The Office was a copy as well.  Anyway, the point being is that Mike & Molly is the reason that I hate sitcoms.  This is just embarrassing.  Seriously who does this simple-minded crap appeal to?  What I find humorous is that they brag how this show is from the producers of Two and a Half Men.  Hey… newsflash:  despite how many people watch it, Two and a Half Men is complete crap as well. I would definitely pass on this.

10:00 p.m.

CBS:     Hawaii Five-O – September 20, 2010 (NEW SERIES!)

When Steve McGarrett’s father is murdered, he decided to return home to Oahu in order to catch the killer. The governor offers him the opportunity to run a new task force where he is able to call the shots. Detective Steve McGarrett brings together his own team, beginning with Chin Ho Kelly; an ex-Honolulu Police Detective and former protégé of McGarrett’s father. Kelly has been assigned to a federal security patrol after being suspected of corruption. Detective Danny “Danno” Williams is a New Jersey cop who recently moved to the island and is raising his 8-year-old daughter. Kono Kalakaua is Kelly’s cousin and a rookie officer, fresh from the academy. McGarrett’s team is giving full backing from the governor and plays only by their own rules. – CBS

Shawn: Way to go CBS for making this show sound like every other dry, formulaic cop show.  Thank God for trailers, eh?  I have to say,  I was just going to recommend the pilot and only the pilot simply for the sake of novelty (and the great cast). Watch it, know it’s probably going to be crap-tastic and forget about it. Then I saw the trailer below.  This isn’t Hawaii Five-O, this is friggin’ Alias in Hawaii with cops and it looks great!  Back to that great cast, you’ve got Alex O’Loughlin (The Shield) as McGarrett, Scott Caan (Boiler Room and the Ocean’s Eleven films) as “Danno,” Daniel Dae Kim (Lost, 24) and the smoking hot Grace Park (Battlestar Galactica) as Kono Kalakaua.  This one of the best casts of any show this season and I’m really glad to see Kim in a more prominent lead-role where he actually speaks his native language for a change… which of course is Eastern Pennsylvania English.  Heck, he didn’t even have to move for this show considering his last gig was on Lost for six seasons which is was of course, also filmed in Hawaii.  And, by the way, I am well aware that for a cop show the amount of action looks ridiculous.  That’s part of the reason why it appeals to me so much.  I mean, crap, if you’re going to go camp, go all the way… and we’d better see Wo Fat, too or I’m writing a letter.  This is another definite must-watch show.

NBC:     Chase – September 20, 2010 (NEW SERIES!)

From Emmy Award-winning executive producer Jerry Bruckheimer (“CSI” franchise, “The Amazing Race,” “Pirates of the Caribbean”) and executive producer Jennifer Johnson (“Cold Case,” “Reunion,” “Lost”), “Chase” is a lightning-fast drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. Marshals hunts down America’s most dangerous fugitives.

Kelli Giddish (“Past Life”) stars as U.S. Marshal Annie Frost, a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down violent criminals on the run. Starring as the members of Frost’s elite team are Cole Hauser (“K-Ville”) as Jimmy Godfrey, an East Texas kid who never grew up and is a true American cowboy; Amaury Nolasco (“Prison Break”) who plays Marco Martinez, a good intelligence guy who loves to talk; and Rose Rollins (“The L Word”), who portrays Daisy Ogbaa, a weapons/tactical specialist and a woman of few words. Rounding out the cast is Jesse Metcalfe (“Desperate Housewives”), who stars as Luke Watson, the fresh-faced newcomer whose Washington, D.C. upbringing did little to prepare him for the Lone Star State. – NBC

Shawn: Although, seemingly formulaic and reeking suspiciously of U.S. Marshals (I was waiting for Tommy Lee Jones to pop out and start barking orders about finding Richard Kimball in the trailer), the high-energy and the strong cast of Chase makes it certainly worthy of consideration.  I’m not jumping out of my pants about it yet but it is a Jerry Bruckheimer production and that definitely makes it worth watching for at least the first three or four episodes.  “Cautiously optimistic” is the best way to describe my enthusiasm for Chase.

NEXT: Tuesdays