(A & E) The Glades Season 2 Premieres This Sunday, June 5th At 10:00 p.m.

We’re a little late on the draw on this, but dammit, upfront week was flippin’ tiring and we’re trying to catch up.  A&E’s hit summer series from last year The Glades (which we loved) roars back like a hurricane this Sunday night, June 5th, at 10:00 p.m.  Good times indeed.  Here’s the trailer for the new season and a little sneak peek at what we have to look forward to with Detective Jim Longworth and the rest of the characters:

Via Press Release:

A&E’S HIT SCRIPTED DRAMA “THE GLADES” SEASON 2 PREMIERES

SUNDAY, JUNE 5 AT 10PM ET/PT

SERIES STARS MATT PASSMORE, KIELE SANCHEZ, CARLOS GOMEZ AND MICHELLE HURD

NEW YORK – April 21, 2011 – Season two of the hit A&E original scripted drama series “The Glades,” starring Matt Passmore, Kiele Sanchez, Carlos Gomez and Michelle Hurd premieres Sunday, June 5 at 10PM ET/PT. The second season will feature thirteen one-hour episodes.

In its first season, “The Glades” became the most-watched drama series in network history, averaging 3.1 million total viewers. These ratings propelled A&E to ad-supported cable’s number one network on Sunday nights among total viewers.

In “The Glades,” Passmore stars as Jim Longworth, an attractive and brilliant Chicago homicide detective with a reputation for being difficult.  When his captain wrongfully accuses him of sleeping with his wife and shoots him, he is exiled and forced to relocate. He lands in the sleepy, middle-of-nowhere town of Palm Glade, outside of the Florida Everglades, where sunshine and golf are plentiful and crime is seemingly at a minimum. But Longworth soon finds out this town isn’t quite as idyllic as he originally thought, when murders keep piling up. Each case pulls Longworth off the golf course and reluctantly into his element as one of the sharpest homicide detectives to wear a badge.

In the season premiere, the daughter of a notorious Cuban mobster turns up dead in a Little Havana alley, and Longworth and the rest of the Florida Department of Law Enforcement must solve her murder to prevent an all-out war between two rival mob families. Meanwhile, Callie (Sanchez) prepares for her husband’s release from prison.
“The Glades” is produced by Fox Television Studios for A&E Network. The series executive producers are Clifton Campbell (“White Collar,” “Profiler,” “21 Jump Street”) for Innuendo Productions and Gary Randall (“Saving Grace”) for Grand Productions, Inc. The series is created by Clifton Campbell.

About Fox Television Studios
Fox Television Studios produces scripted and unscripted programming for US broadcast and cable networks, and international broadcasters. In addition to “The Glades,” hit series include “Burn Notice” and “White Collar” for USA, and “The Killing” for AMC. The studio also is in production on the pilots “Outlaw Country” for FX, “Three Inches” for SyFy, and “Wild Card” and “Over/Under” for USA. Fox TV Studios also produces the reality hits “The Girls Next Door,” “Kendra and Holly’s World” for E!, and will launch this summer the late-night comedy series “In the Flow with Affion Crockett” for FOX.

About A&E Network

A&E is “Real Life. Drama.”  Now reaching 100 million homes, A&E is television that you can’t turn away from; where unscripted shows are dramatic and scripted dramas are authentic.  A&E offers a diverse mix of high quality entertainment ranging from the network’s original scripted series, including “The Glades,” to signature non-fiction franchises, including the Emmy-winning “Intervention,” “Dog the Bounty Hunter,” “Hoarders,” “Billy the Exterminator” and “Storage Wars,” and the most successful justice shows on cable, including “The First 48” and “Manhunters.”  The A&E website is located at www.aetv.com.

Meet CBS’s New Shows For 2011 – 2012 (VIDEOS!)… And Watch How We Tear Them Apart (Preview – Review)

"The 'Tastic Says: You FAIL!"

As promised, The ‘Tastic is proud to present the first-look trailers for all of CBS’s new shows… the few that are there due to CBS hardly canceling anything.  Along with synopses and videos, in true TV-Tastic-style we’ll give you a preview assessment of each of the new series (in other words, we plan to pretty much rip most of them apart) letting you know what we think about them and if it’s worth your time to check them out this Fall and just to give everyone a heads up:   on CBS this season: drama = good, comedy = bad.

Unforgettable stars Poppy Montgomery as Carrie Wells, an enigmatic former police detective with a rare condition that makes her memory so flawless that every place, every conversation, every moment of joy and every heartbreak is forever embedded in her mind.  It’s not just that she doesn’t forget anything – she can’t; except for one thing: the details that would help solve her sister’s long-ago murder.  Carrie has tried to put her past behind her, but she’s unexpectedly reunited with her ex-boyfriend and partner, NYPD Detective Al Burns (Dylan Walsh), when she consults on a homicide case.  His squad includes Det. Mike Costello (Michael Gaston), Al’s right-hand man; Detective Roe Saunders (Kevin Rankin), the junior member of the team; and Detective Nina Inara (Daya Vaidya), a sassy, street-smart cop.  Being back on the job after a break feels surprisingly right for Carrie.  Despite her conflicted feelings for Al, she decides to permanently join his unit as a detective solving homicides – most notably, the unsolved murder of her sister.  All she needs to do is remember.  Ed Redlich, John Bellucci, Sarah Timberman and Carl Beverly are executive producers for Sony Television Studios in association with CBS Television Studios.

The ‘Tastic Says:  Well… we think it looks good, but it’s kind of hard to tell. We really do not like when instead of just getting a straight-up trailer on a new show, we wind up getting a hybrid trailer/cast & crew interviews video and that doesn’t really tell us a whole lot because the cast and crew always beam about the new shows they are in.  What are they going to say? “Don’t watch my new show, it sucks?”  So we will just go with what we know.  It’s a cop procedural,  alright, and you know how much we hate those, however, it has very unique twist on the main character and that could play out very well.  Can’t really say for sure whether or not if we like this so we’ll go with “maybe.”

Person of Interest stars Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson in a crime thriller about a presumed dead former-CIA agent who teams up with a mysterious billionaire to prevent violent crimes by using their own brand of vigilante justice.  Reese’s (Caviezel) special training in covert operations appeals to Finch (Emerson), a software genius who invented a program that uses pattern recognition to identify people about to be involved in violent crimes.  Using state-of-the-art surveillance technology, the two work outside of the law using Reese’s adept skills and Finch’s unlimited wealth to unravel the mystery of the person of interest and stop the crime before it happens.  Reese’s actions catch the attention of the NYPD, including homicide detective Carter (Henson), and Fusco (Kevin Chapman), a cop who Reese uses to his advantage.  With infinite crimes to investigate, Reese and Finch find that the right person, with the right information, at the right time, can change everything.

The ‘Tastic Says:  We were excited about this show from the moment we heard about it back in February. It’s not just a J.J. Abrams action-spy thriller, it’s a J.J. Abrams/Jonathan Nolan action-spy thriller that stars Jim Caviezel (The Prisoner, The Passion of the Christ) and Michael Emerson (Lost).  We didn’t even have to watch the trailer to know it was going to look fantastic, but of course we wanted to and even though it was another one of those hybrid trailers, it’s a lot better than Unforgettable‘s.  It’s not just action, this show has a serious level of mystery and suspense to it and very deep, shades-of-gray characters.  It also doesn’t hurt that it looks like a Summer blockbuster action flick.  This is going to be great and we can’t wait for the premiere.

A Gifted Man is a drama about a brilliant, charismatic surgeon whose life changes forever when his deceased ex-wife begins teaching him the meaning of life from the “hereafter.”  Michael Holt (Patrick Wilson) is an exceptional doctor who lives a materialistic life of luxury thanks to his work-obsessed career and powerful and wealthy patients; however, Michael’s ordered world is rocked when his ex-wife, Anna (Jennifer Ehle), an idealistic free-clinic doctor and the love of his life, mysteriously appears to him.  Michael’s off-beat sister, Christina (Julie Benz), a single mom to her teenaged son, Milo (Liam Aiken), is thrilled that Anna’s back in her brother’s life, even as an “illusion,” because Michael was always a better person with her.  Curious about Michael’s sudden change in behavior is his efficient assistant, Rita (Margo Martindale).  When Anna asks Michael to go to her clinic to help keep it running, he meets Autumn (Afton Williamson), a volunteer carrying on Anna’s work with the underprivileged.  Touched by those in need and accepting of Anna’s compassionate “presence,” Michael’s attitude toward serving the rich and poor is turned upside down, and he begins to see that there’s room in his life for everyone.

The ‘Tastic Says:  The show description sucks, however the trailer makes this show look very heart warming and charming.  We can’t believe that we’re saying that we’re actually looking forward to this because it’s a chick show completely.   This is the first trailer we’ve seen so far for the new season that actually falls into the category of “high-concept.”  Seriously, can CBS do any wrong any more?


2 Broke Girls is a comedy about two young women waitressing at a greasy spoon diner who strike up an unlikely friendship in the hopes of launching a successful business – if only they can raise the cash.  Sassy, streetwise Max (Kat Dennings) works two jobs just to get by, one of which is waiting tables during the night shift at the retro-hip Williamsburg Diner.  Sophisticated Caroline (Beth Behrs) is an uptown trust fund princess who’s having a run of bad luck that forces her to reluctantly give waitressing a shot.  At first, Max sees Caroline as yet another in a long line of inept servers she must cover for, but she’s surprised to find that Caroline has as much substance as she does style.  When Caroline discovers Max’s knack for baking amazing cupcakes, she sees a lucrative future for them, but they first need to raise the start-up money.  While they save their tips, they’ll stay at the restaurant, working with Oleg (Jonathan Kite), an overly flirtatious Russian cook; Earl (Garrett Morris), a 75-year-old kool-kat cashier; and Han Lee (Matthew Moy), the new, eager-to-please owner of the diner.  Working together, these two broke girls living in one expensive city might just find the perfect recipe for their big break.

The ‘Tastic Says:  Well, we obviously spoke to soon because this is awful but what are we expecting from the network that has made successful comedies out of both Two and a Half Men and Mike & Molly?  What’s shocking is that this show will probably become a hit because CBS comedy audiences check their brains at the door regularly.  Fish out of water, classic odd couple, world’s collide.. all the same typical crap with the same recycled jokes that sitcoms have been using for 30 years.  Boring and uninteresting.

How to be a Gentleman, inspired by the book of the same name, is a comedy about the unlikely friendship between a traditional, refined writer and an unrefined personal trainer.  Andrew Carlson (David Hornsby) is an etiquette columnist whose devotion to ideals from a more civilized time has lead to a life detached from modern society.  Infectiously optimistic, Bert Lansing (Kevin Dillon) is a reformed “bad boy” from Andrew’s past who inherited a fitness center, but can still be rude, loud and sloppy.  When Andrew’s editor, Jerry (Dave Foley), tells him to put a modern, sexy twist on his column or be fired, he hires Bert as a life coach in the hopes of learning to be less “gentle man” and more “real man.”  Andrew’s mom, Diane (Nancy Lenehan), and his bossy sister, Janet (Mary Lynn Rajskub), support the plan, as would Janet’s husband, Mike (Rhys Darby), if he was allowed to have an opinion.  Though Andrew and Bert’s views may be centuries apart, they may find they’re each other’s missing link.

The ‘Tastic Says:  Is it just us or is this not the same show as 2 Broke Girls except for it’s an odd-couple-with-dudes comedy.  This looks only slightly better than 2BG and probably only because it has Kevin Dillon in it. It still looks like the typical awful sitcom, though.

The New Midseason Series:

From Robert De Niro and Jane Rosenthal comes The 2-2, which follows six diverse NYPD rookies as they patrol the gritty streets of upper Manhattan.  The new trainees include Jennifer “White House” Perry (Leelee Sobieski), a former college volleyball star and Marine MP in Iraq with a take-charge attitude; Ray “Lazarus” Harper (Adam Goldberg), the oldest rookie and a former police news reporter with better sources than many seasoned cops; Tonya Sanchez (Judy Marte), who comes from a family with a criminal history and has a very personal connection inside the force; Ahmad “Kiterunner” Kahn (Tom Reed), an Afghani native who fought his way to freedom; Kenny McClaren (Stark Sands), a fourth-generation police officer with great instincts but qualms about joining the force; and Jayson Toney (Harold House Moore), a young basketball legend who squandered his opportunity in the NBA.  Their demanding Field Training Officer, Daniel “Yoda” Dean (Terry Kinney), is a case-hardened, unsentimental veteran of the force who emphasizes basics and holds each cop accountable for their actions.  With unique backgrounds, personalities and reasons for being on the force, the new cops will make their share of rookie mistakes while they figure out how to relate to their boss, each other and to the people they swore to protect.  Two-time Academy Award winner Robert De Niro (“The Godfather: Part II,” “Raging Bull”), Jane Rosenthal (“Meet the Parents”), Academy Award nominee Richard Price (“The Color of Money”), Ken Sanzel (“Numb3rs”) and James Mangold (“Walk the Line”) are executive producers for CBS Television Studios in association with Tribeca Productions.  The pilot was directed by James Mangold.

The ‘Tastic Says:  Yeah… we don’t know about this one.  It seem like another dull and boring police procedural just shown from different rookie-cop perspective.  The characters don’t seem to be very original at all and we don’t really see the necessity for another bland police procedural with nothing particularly unique about it (a cop show set in New York?  No way!  Get out of here!).  We’ll give it a shot because Robert De Niro’s name being attached to it but we can’t promise sticking around for it for very long. 

(Sorry, but no trailer on this one yet)

ALERT! CBS Announces 2011 – 2012 Schedule

Here it is, folks, direct from the CBS Upfront Advertising Event, CBS’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule).  Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here and here.

If you have any questions about other shows, post them below.

Some programming notes:

  • CBS’ very strong lineup has had limited changes.  So unless you were just dying for The Defenders, Mad Love or the worst television show ever made, $#*! My Dad Says, if you’re a fan of CBS, you did O.K., and in fact a lot better than anyone else.
  • As far as new programming is concerned, other than the J.J. Abrams/Jonathan Nolan Project,  Person of Interest, as with most of the new network offerings, there’s a recurring theme this fall with all of the networks, and that is that there a recurring themes in most of the new programming.  There really aren’t that may particularly original concepts showing up for any of the new scripted programming.
  • Rules of Engagement has been moved to… SATURDAY???  Why bother renewing it?
  • We’ll be doing a preview assessment on all of the new shows as well as providing trailers later tonight.

Via Press Release:

CBS ANNOUNCES 2011-2012 PRIMETIME SCHEDULE

America‘s Most Watched Network Adds Five New Series

New Dramas Include a Thriller from J.J. Abrams, PERSON OF INTEREST,

And Two Shows with Very Cerebral Twists – UNFORGETTABLE and

A GIFTED MAN

 Comedies Feature 2 BROKE GIRLS from

Michael Patrick King (“Sex and the City”), and Two ‘Odd Couple’ Guys

In HOW TO BE A GENTLEMAN

CSI Moves to Wednesday at 10:00 PM,

The Good Wife Relocates to Sunday at 9:00 PM and

Rules of Engagement Moves to Saturday at 8:00 PM

 19 Series Return to Top-Rated Line-Up

 Undercover Boss and THE 2-2, a New Drama from Tribeca Productions and Executive Producers Robert De Niro and Jane Rosenthal, to Premiere Mid-Season

NEW YORK — CBS announced today its new 2011-2012 primetime schedule, ordering five new series and making key time-period moves for CSI and The Good Wife to strengthen its already top-rated primetime lineup.  CBS will, once again, finish the season as America’s most watched network, marking the eighth time it has done so in the last nine years.

The new series include three new dramas and two new comedies: PERSON OF INTEREST, a crime thriller from renowned executive producer J.J. Abrams starring Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson; UNFORGETTABLE, starring Dylan Walsh and Poppy Montgomery as a former detective with a rare condition that enables her to remember virtually every detail from every day of her life; A GIFTED MAN about a preeminent surgeon whose life changes forever when his deceased ex-wife returns, starring Patrick Wilson and Jennifer Ehle; 2 BROKE GIRLS, a comedy about two strikingly different young waitresses who form an unlikely friendship, starring Kat Dennings and Beth Behrs; and an odd-couple comedy, HOW TO BE A GENTLEMAN, starring David Hornsby and Kevin Dillon, about a refined magazine columnist and his very unrefined personal trainer.

The freshman series will be joined by 19 returning shows, including the season’s #1 drama/scripted series,NCIS; #1 comedy, The Big Bang Theory; #1 news magazine, 60 Minutes; # 1 new comedy, MIKE & Molly; along with two franchise reality series, SURVIVOR and the seven-time Emmy Award winner, THE Amazing Race.

The other returning series include: How I Met Your Mother; Hawaii Five-0; NCIS: LOS ANGELES; Criminal Minds;CSI: CRIME SCENE INVESTIGATION; The Mentalist; CSI: NY; Blue Bloods; Rules of Engagement; 48 Hours Mystery; The Good Wife; and CSI: MIAMI.

For mid-season, CBS will present the third season of the reality series Undercover Boss, and the new police drama, THE 2-2, from Tribeca Productions and executive producers Robert De Niro and Jane Rosenthal.

The new 2011-2012 schedule is as follows:

On Monday, the veteran How I Met Your Mother returns at 8:00 PM, to provide a strong lead-in for another young comedy, 2 BROKE GIRLS, at 8:30 PM.  Ashton Kutcher joins the cast of the top-rated comedy, Two and a Half Men, at 9:00 PM, followed by returning freshman hits MIKE & Molly at 9:30 PM and Hawaii Five-0 at 10:00 PM.

On Tuesday, the #1-rated scripted series, NCIS, returns at 8:00 PM followed by the #2-rated scripted series,NCIS: LOS ANGELES, at 9:00 PM, providing a powerful lead-in to the new drama, UNFORGETTABLE, at 10:00 PM.

On Wednesday, SURVIVOR returns to the time period it improved 100% in viewers last season (8:00 PM). Criminal Minds, one of the top-rated dramas on television, is back at 9:00 PM, and is paired with CSI: CRIME SCENE INVESTIGATION to form a strong two-hour crime drama block from 9:00-11:00 PM.

On Thursday, CBS adds a new comedy and drama to the middle of the line-up, book-ended by two established hit series: television’s #1 comedy, The Big Bang Theory, returns at 8:00 PM, providing a strong lead-in to the new comedy, HOW TO BE A GENTLEMAN.  J.J. Abrams’ new crime-thriller, PERSON OF INTEREST, joins the line-up at 9:00 PM, followed by the time-period winning drama, The Mentalist, as the night’s strong anchor at 10:00 PM.

On Friday, CBS’s time-period winning, two-hour New York police drama block returns from 9:00-11:00 PM withCSI: NY and Blue Bloods.  A unique new series opens the night at 8:00 PM with A GIFTED MAN, a medical drama with a spiritual twist.

On Saturday, original programming opens the night at 8:00 PM with Rules of Engagement, which will be paired with COMEDYTIME at 8:30 PM, featuring encore broadcasts of CBS comedies.  The successful duo of CRIMETIME at 9:00 PM and the time period-winning 48 Hours Mystery at 10:00 PM closes the night.

Sunday night has an award-winning flare.  The acclaimed and always top-rated 60 Minutes opens at 7:00 PM, followed by the seven-time Emmy Award winning series, THE Amazing Race, at 8:00 PM, leading into the critically acclaimed, award-winning drama, The Good Wife, at 9:00 PM.  The always successful CSI: MIAMI caps the night at 10:00 PM.

The New Dramas are:

UNFORGETTABLE stars Poppy Montgomery as Carrie Wells, an enigmatic former police detective with a rare condition that makes her memory so flawless that every place, every conversation, every moment of joy and every heartbreak is forever embedded in her mind.  It’s not just that she doesn’t forget anything – she can’t; except for one thing: the details that would help solve her sister’s long-ago murder.  Carrie has tried to put her past behind her, but she’s unexpectedly reunited with her ex-boyfriend and partner, NYPD Detective Al Burns (Dylan Walsh), when she consults on a homicide case.  His squad includes Det. Mike Costello (Michael Gaston), Al’s right-hand man; Detective Roe Saunders (Kevin Rankin), the junior member of the team; and Detective Nina Inara (Daya Vaidya), a sassy, street-smart cop.  Being back on the job after a break feels surprisingly right for Carrie.  Despite her conflicted feelings for Al, she decides to permanently join his unit as a detective solving homicides – most notably, the unsolved murder of her sister.  All she needs to do is remember.  Ed Redlich, John Bellucci, Sarah Timberman and Carl Beverly are executive producers for Sony Television Studios in association with CBS Television Studios.

PERSON OF INTEREST stars Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson in a crime thriller about a presumed dead former-CIA agent who teams up with a mysterious billionaire to prevent violent crimes by using their own brand of vigilante justice.  Reese’s (Caviezel) special training in covert operations appeals to Finch (Emerson), a software genius who invented a program that uses pattern recognition to identify people about to be involved in violent crimes.  Using state-of-the-art surveillance technology, the two work outside of the law using Reese’s adept skills and Finch’s unlimited wealth to unravel the mystery of the person of interest and stop the crime before it happens.  Reese’s actions catch the attention of the NYPD, including homicide detective Carter (Henson), and Fusco (Kevin Chapman), a cop who Reese uses to his advantage.  With infinite crimes to investigate, Reese and Finch find that the right person, with the right information, at the right time, can change everything.  Emmy Award winners J.J. Abrams and Bryan Burk (“Lost”), Academy Award nominee Jonathan Nolan (“Memento”), David Semel (“Heroes”) and Greg Plageman (“Cold Case”) are the executive producers for Warner Bros. Television.

A GIFTED MAN is a drama about a brilliant, charismatic surgeon whose life changes forever when his deceased ex-wife begins teaching him the meaning of life from the “hereafter.”  Michael Holt (Patrick Wilson) is an exceptional doctor who lives a materialistic life of luxury thanks to his work-obsessed career and powerful and wealthy patients; however, Michael’s ordered world is rocked when his ex-wife, Anna (Jennifer Ehle), an idealistic free-clinic doctor and the love of his life, mysteriously appears to him.  Michael’s off-beat sister, Christina (Julie Benz), a single mom to her teenaged son, Milo (Liam Aiken), is thrilled that Anna’s back in her brother’s life, even as an “illusion,” because Michael was always a better person with her.  Curious about Michael’s sudden change in behavior is his efficient assistant, Rita (Margo Martindale).  When Anna asks Michael to go to her clinic to help keep it running, he meets Autumn (Afton Williamson), a volunteer carrying on Anna’s work with the underprivileged.  Touched by those in need and accepting of Anna’s compassionate “presence,” Michael’s attitude toward serving the rich and poor is turned upside down, and he begins to see that there’s room in his life for everyone.  Academy Award nominee Susannah Grant (“Erin Brockovich”), Academy Award winner Jonathan Demme (“The Silence of the Lambs”), Sarah Timberman, Carl Beverly and Neal Baer (“ER”) are executive producers for CBS Television Studios.

The New Comedies are:

2 BROKE GIRLS is a comedy about two young women waitressing at a greasy spoon diner who strike up an unlikely friendship in the hopes of launching a successful business – if only they can raise the cash.  Sassy, streetwise Max (Kat Dennings) works two jobs just to get by, one of which is waiting tables during the night shift at the retro-hip Williamsburg Diner.  Sophisticated Caroline (Beth Behrs) is an uptown trust fund princess who’s having a run of bad luck that forces her to reluctantly give waitressing a shot.  At first, Max sees Caroline as yet another in a long line of inept servers she must cover for, but she’s surprised to find that Caroline has as much substance as she does style.  When Caroline discovers Max’s knack for baking amazing cupcakes, she sees a lucrative future for them, but they first need to raise the start-up money.  While they save their tips, they’ll stay at the restaurant, working with Oleg (Jonathan Kite), an overly flirtatious Russian cook; Earl (Garrett Morris), a 75-year-old kool-kat cashier; and Han Lee (Matthew Moy), the new, eager-to-please owner of the diner.  Working together, these two broke girls living in one expensive city might just find the perfect recipe for their big break.  Michael Patrick King (“Sex and the City”) and writer-comedian Whitney Cummings (“Chelsea Lately”) are executive producers for Warner Bros. Television.

HOW TO BE A GENTLEMAN, inspired by the book of the same name, is a comedy about the unlikely friendship between a traditional, refined writer and an unrefined personal trainer.  Andrew Carlson (David Hornsby) is an etiquette columnist whose devotion to ideals from a more civilized time has lead to a life detached from modern society.  Infectiously optimistic, Bert Lansing (Kevin Dillon) is a reformed “bad boy” from Andrew’s past who inherited a fitness center, but can still be rude, loud and sloppy.  When Andrew’s editor, Jerry (Dave Foley), tells him to put a modern, sexy twist on his column or be fired, he hires Bert as a life coach in the hopes of learning to be less “gentle man” and more “real man.”  Andrew’s mom, Diane (Nancy Lenehan), and his bossy sister, Janet (Mary Lynn Rajskub), support the plan, as would Janet’s husband, Mike (Rhys Darby), if he was allowed to have an opinion.  Though Andrew and Bert’s views may be centuries apart, they may find they’re each other’s missing link.  David Hornsby (“It’s Always Sunny In Philadelphia”), Adam Chase (“Friends”), Ted Schachter (“The Invention of Lying”), Joe Hipps and Modi Wiczyk are executive producers for CBS Television Studios.

The New Midseason Series:

From Robert De Niro and Jane Rosenthal comes THE 2-2, which follows six diverse NYPD rookies as they patrol the gritty streets of upper Manhattan.  The new trainees include Jennifer “White House” Perry (Leelee Sobieski), a former college volleyball star and Marine MP in Iraq with a take-charge attitude; Ray “Lazarus” Harper (Adam Goldberg), the oldest rookie and a former police news reporter with better sources than many seasoned cops; Tonya Sanchez (Judy Marte), who comes from a family with a criminal history and has a very personal connection inside the force; Ahmad “Kiterunner” Kahn (Tom Reed), an Afghani native who fought his way to freedom; Kenny McClaren (Stark Sands), a fourth-generation police officer with great instincts but qualms about joining the force; and Jayson Toney (Harold House Moore), a young basketball legend who squandered his opportunity in the NBA.  Their demanding Field Training Officer, Daniel “Yoda” Dean (Terry Kinney), is a case-hardened, unsentimental veteran of the force who emphasizes basics and holds each cop accountable for their actions.  With unique backgrounds, personalities and reasons for being on the force, the new cops will make their share of rookie mistakes while they figure out how to relate to their boss, each other and to the people they swore to protect.  Two-time Academy Award winner Robert De Niro (“The Godfather: Part II,” “Raging Bull”), Jane Rosenthal (“Meet the Parents”), Academy Award nominee Richard Price (“The Color of Money”), Ken Sanzel (“Numb3rs”) and James Mangold (“Walk the Line”) are executive producers for CBS Television Studios in association with Tribeca Productions.  The pilot was directed by James Mangold.

CBS TELEVISION NETWORK

2011-2012 PRIMETIME SCHEDULE

(N=New, NT=New Time, all times ET/PT)

MONDAY

8:00-8:30 PM              How I Met Your Mother

8:30-9:00 PM              2 Broke Girls (NEW!)

9:00-9:30 PM              Two and a Half Men

9:30-10:00 PM            Mike & Molly

10:00-11:00 PM          Hawaii Five-0

TUESDAY

8:00-9:00 PM              NCIS

9:00-10:00 PM            NCIS: LOS ANGELES

10:00-11:00 PM          Unforgettable (NEW!)

WEDNESDAY

8:00-9:00 PM              Survivor: South Pacific

9:00-10:00 PM            Criminal Minds

10:00-11:00 PM          CSI: Crime Scene Investigation Unit

THURSDAY

8:00-8:30 PM              The Big Bang Theory

8:30-9:00 PM              How to be a Gentleman (NEW!)

9:00-10:00 PM            Person of Interest (NEW!)

10:00-11:00 PM          The Mentalist

FRIDAY

8:00-9:00 PM              A Gifted Man (NEW!)

9:00-10:00 PM            CSI: New York

10:00-11:00 PM          Blue Bloods

SATURDAY

8:00-8:30 PM              Rules of Engagement

8:30-9:00 PM              COMEDYTIME SATURDAY

9:00-10:00 PM            CRIMETIME SATURDAY

10:00-11:00 PM          48 Hours Mystery

SUNDAY

7:00-8:00 PM              60 Minutes

8:00-9:00 PM              The Amazing Race

9:00-10:00 PM            The Good Wife

10:00-11:00 PM          CSI: Miami

About CBS Television Network

CBS was established in 1928, when founder William Paley purchased 16 independent radio stations and christened them the Columbia Broadcast System.  Today, with more than 200 television stations and affiliates reaching virtually every home in the United States, CBS’s total primetime network lineup was watched by more than 100 million people a week during the 2010-2011 season.  The Network has the #1 drama/scripted program, NCIS; #1 sitcom, The Big Bang Theory; #1 newsmagazine, 60 Minutes; and #1 daytime drama, THE YOUNG AND The Restless.  Its programming arms include CBS Entertainment, CBS News and CBS Sports.  For more information, please visit http://www.cbs.com/.

About CBS Corporation

CBS Corporation is a mass media company with constituent parts that reach back to the beginnings of the broadcast industry, as well as newer businesses that operate on the leading edge of the media industry.  The Company, through its many and varied operations, combines broad reach with well-positioned local businesses, all of which provide it with an extensive distribution network by which it serves audiences and advertisers in all 50 states and key international markets.  It has operations in virtually every field of media and entertainment, including broadcast television (CBS and The CW – a joint venture between CBS Corporation and Warner Bros. Entertainment), cable television (Showtime Networks, Smithsonian Networks and CBS College Sports Network), local television (CBS Television Stations), television production and syndication (CBS Television Studios, CBS Studios International and CBS Television Distribution), radio (CBS Radio), advertising on out-of-home media (CBS Outdoor), publishing (Simon & Schuster), interactive media (CBS Interactive), music (CBS Records), licensing and merchandising (CBS Consumer Products), video/DVD (CBS Home Entertainment), motion pictures (CBS Films) and sustainable media (EcoMedia).  For more information, please visit www.cbscorporation.com.

Photos are available at www.cbspressexpress.com.

Follow us on Twitter @cbstweet


CBS Picks Up Four New Shows: A Gifted Man, The 2-2, Unforgettable, How to Be A Gentleman

With CBS’s upfront advertising event this Wednesday, four new shows have been picked up for the 2011 – 2012 lineup.  A Gifted Man, The 2-2, Unforgettable and How to be a Gentleman all got the green light for episode orders.  For more information on what shows from this season have been renewed, cancelled or picked up by CBS for 2011 – 2012 check out this piece we did earlier.

From The Hollywood Reporter:

A Gifted Man (formerly The untitled Susannah Grant Project)

Patrick Wilson (Little Children) stars as an ultra-competitive surgeon whose life is changed forever when his ex-wife (Jennifer EhleThe King’s Speech) dies and begins teaching him what life is all about. Julie Benz (No Ordinary Family) co-stars in the CBS Television Studios drama, produced by Susannah Grant (Erin Brockovich), Sarah Timberman, Carl Beverly andJonathan Demme (Rachel Getting Married), who directed the pilot.

The 2-2 (formerly Rookies)

From CBS Television Studios, the project revolves around six NYPD rookies who learn to balance their personal lives with working the streets of Manhattan. The ensemble cast includes Leelee Sobieski (Joan of Arc) and Adam Goldberg (The Unusuals). Robert De Niro is on board as an executive producer, along with Jane Rosenthal, showrunner Ken Sanzel, Alysse Bezahler (In Treatment), Brandon Brito, Meghan Lyvers andRichard Price (Blue Bloods), who wrote the pilot. James Mangold (Men in Trees) executive produced and directed the pilot.

Unforgettable (formerly The Rememberer)

The drama, from Sony and CBS Television Studios, centers on a NYPD detective who has the ability to remember everything. In a strategic shift to pepper its schedule with female leads, the show stars Poppy Montgomery, best known for her work in former CBS show Without a TraceEd Redlich (Without a Trace) writes and executive produces alongside EP Sarah Timberman, EP Carl Beverly and writer/co-EP John Bellucci.

How to be a Gentleman

A buddy comedy based on the book by John Bridges that follows an unlikely friendship between a traditional, uptight columnist (David HornsbyIt’s Always Sunny in Philadelphia) and his rough-around-the-edges friend and trainer (Kevin DillonEntourage). From CBS Television Studios, Hornsby penned the pilot and executive produces with Adam Chase, Joe Hipps and Modi WiczykPam Fryman (How I Met Your Mother) directed the pilot.

CBS: Blue Bloods, Hawaii Five-O RENEWED… The Defenders, $#*! My Dad Says, Canceled… Person Of Interest PICKED UP!

H-50: See ya This Fall!

The New York Times is reporting that CBS has renewed Blue Bloods, Mike & Molly, and Hawaii Five-O.  No surprise about any of these shows and in fact last week, we predicted BB was a sure thing with the news that the show’s creators, Mitchell Burgess and Robin Green, had been ousted.  The logic:  why fire the creators a week before the upfront media events if you’re going to cancel the show?  H-50 is a lot of fun but it’s a hit-and-miss show and not nearly as good as the pilot had led us to believe.  We simply refuse to watch M&M because we know how awful it is without ever having to watch a single episode and we are saddened by the fact that audiences continue to be so stupid when it comes to the sitcoms they’ll accept in their living rooms every week.  But then again, this is the same audience that made that horrible show Two and a Half Men a hit.

As far as cancellation is concerned, some sanity has prevailed at CBS, dumping the worst sitcom ever made, the horrific $#*! My Dad Says (a show that every time we mention it, we feel we should advise our readers to read our review of it if for no other reason than it’s a quality PSA), a comedy we had ZERO interest in Mad Love (that was a comedy, right) and a very underrated show we actually liked a lot, The Defenders, starring Jerry O’Connell and Jim Belushi.

J.J. Abrams (left), Jonathan Nolan (right)

As far as new pilots are concerned, CBS has officially announced that the J.J. Abrams/Jonathan Nolan series Person of Interest (which we had reported on back in February with much enthusiasm) will be added to the Fall 2011 – 2012 schedule, as well as the comedy Two Broke Girls.

From The Hollywood Reporter:

Jim Caviezel, Michael Emerson

Stars Jim Caviezel (The Passion of the Christ) as a presumed dead former CIA agent who teams with a mysterious billionaire (Michael Emerson, Lost) to prevent violent crimes in New York. Taraji P. Henson (Boston Legal) co-stars in the Warner Bros. TV drama from scribe Jonathan Nolan (The Dark Knight), who produces alongside J.J. Abrams, Bryan Burk (Fringe), Ben Brafman (The 4400), Margot Lulick (Kings) and Greg Plageman (Cold Case). Dave Semel (No Ordinary Family), who directs.

Two Broke Girls 

Revolves around two 22-year-old women (Kat Dennings, Beth Behrs) who tackle life in New York as they try to make their dreams come true. The multicamera comedy from Warner Bros. Television is written by Michael Patrick King (Sex and the City) with stand-up comic Whitney Cummings on board as a producer. James Burrows directed the pilot.

Blu-Ray Review: ‘Family Guy: It’s A Trap!’ (‘Star Wars: Return of the Jedi’ Parody)

An outrageous “Family Guy”-style remake of Return of the Jedi, this Star Wars spoof finds Chris Skywalker and Princess Lois attempting to rescue Peter Solo from Jabba the Hutt, defeat the mighty Stewie Vader and blow up the second Death Star. This wacky animated parody features off-the-wall Star Trek: The Next Generation guests including Patrick Stewart as Captain Jean-Luc Picard and Michael Dorn as Lieutenant Worf. – Netflix

4 out of 10

This is the third installment of the Family Guy spoofs of the original Star Wars films and it is the worst by far.  In the opening scrolling text sequence in the beginning of It’s a Trap! the writers tell a tale about how they literally put no effort into the writing of this because they were so exhausted after having done Something, Something, Something, Darkside that they just didn’t care… this is not a joke, it is the absolute truth.  It’s even admitted to by Seth McFarlane in the commentary, and it’s apparent from the first joke that they completely phoned it in.

It’s a Trap! is boring and unfunny for the most part and the jokes are generally predictable and nowhere near as good as Blue Harvest or Something, Something, Something Darkside (with Blue Harvest being the best of the three).  There is one truly hilarious scene in the film but that’s it (and unlike some other reviewers, we’re not going to spoil it by telling you what that is.  You deserve to get some enjoyment out of this mess).  The rest is pretty much a waste of time from a comedy standpoint and what’s going to be disappointing is that this is that is going to be this season’s season finale because that’s what they’ve been doing with these direct-to-video movies for the last four years.  It’s really a shame because, It’s a Trap! is going to tarnish what has been the best season of Family Guy since the relaunch.  This episode seems more suited to second or third season post-relaunch Family Guy with the unfunny jokes and jokes that just got dragged on forever than it does for the 2010 -2011 season.  If you need any further proof of how bad this is or how the writers mailed it in, they threw in a Conway Twitty scene… again… but this time they gave him a Darth Vader helmet (no, I’m not kidding).

The only reason it’s getting a four instead of one is because the special features, albeit limited, are pretty decent (the commentary is funnier than the film) and the animation is fantastic.  This is the first of the Family Guy Star Wars spoofs to be produced in 16:9 and it is quite visually stunning and in fact it is the most visually stunning of the three spoofs.  That being said, quality of animation is not why we watch Family Guy, though.

Unless you are a die-hard Family Guy fan and you must have this in your collection, we wouldn’t recommend this.  The only reason we purchased it is because it came in the  trilogy and we needed the Blue Harvest Blu-Ray and the trilogy was just $4.00 more than just the one film. Also, for the record, the Blu-ray not only comes with the Digital Copy but it also comes with the DVD copy as well so at least it’s a bargain.

‘Blue Bloods’ (CBS – Friday, 10:00 p.m.)

­BLUE BLOODS is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York City Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief. A source of pride and concern for Frank is his eldest son Danny, a seasoned detective, family man, and Iraqi War vet who on occasion uses dubious tactics to solve cases. The sole Reagan woman in the family, Erin, is a N.Y. Assistant D.A. and newly single parent, who also serves as the legal compass for her siblings and father. Jamie is the youngest Reagan, fresh out of Harvard Law and the family’s “golden boy;” however, unable to deny the family tradition, Jamie decided to give up a lucrative future in law and is now a newly minted cop. Jamie’s life takes an abrupt turn when he’s asked to become part of a clandestine police investigation even his father knows nothing about, and one that could impact the family’s legacy.­ – CBS

The Preview (Originally posted on 9/25/2010):

Shawn: Blue Bloods is one of the most anticipated dramas this Fall for good reason.  Simply look at this cast.  Your leads are Tom Selleck, Donnie Wahlberg, and Bridget Moynihan… all television and film superstars (Len Cariou is no slouch either).  Superstars like that don’t just arbitrarily sign on to do a show if they don’t already know it’s brilliant.  The concept is definitely unique.  An original cop show that focuses on a multigenerational family of cops and all of the dynamics that go along with that.  I’m very excited about Blue Bloods.

The Review:

9 out of 10

Yes, I know Blue Bloods has been on for over a month but good things come to those who wait.  As noted by the preview, I knew Blue Bloods was going to be good, but I didn’t expect it to be as good as it is and I really wanted to do the show justice by watching several episodes and taking notes before I reviewed it.

Unlike other cop/legal procedurals, Blue Bloods isn’t beating you over the head with preachy, one-sided political propaganda (see: Outlaw, The Whole Truth, Boston Legal, Law & Order – the entire franchise) telling you what your opinion should be on various issues.  Rather, every week, there’s a new and original plotline that invariably leads to a politically volatile issue and instead of the producers having the protagonists all carry the torch for one side of the issue without any inclination that a contrary opinion even has any merit, they intentionally present both sides as having merit and leave it to the audience to decide.

What makes this even more effective is the plot-device they use to address these issues:  the family dining room table.  It’s a fantastic and effective metaphor because it’s representative of not only how families often talk about the issues of the day so it’s relatable on that level but it’s also representative of American culture as a whole.  Americans have vast and varying opinions on all ranges of political issues and like family members discussing them, the debates can also get quite heated as passions get involved.

The question that comes into play quite often is balancing act of following the law and doing what is the morally correct thing to do, because as we all know, the two don’t always coincide. 

****(MINOR SPOILER ALERT!)****

Example:  in the pilot Danny (Donnie Wahlberg – Boomtown, Band of Brothers) is faced with a dilemma.  A ten year-old girl has been abducted and time is running out.  He and his partner have found the kidnapper/deviant yet he will not tell them where the girl is.  Danny proceeds to beat the confession out of the suspect specifically by repeatedly putting his head in a toilet bowl.  Call it a poor-man’s waterboarding.

Now, no one would ever suggest that they we would want our police coercing confessions out of suspects using violence or torture, but on the other side of the coin, if you were the parent of that ten year-old wouldn’t you want Danny Reagan doing whatever he could no matter how much outside the constraints of the law it was to find your little girl even if it meant that he violated a pervert’s civil rights along the way?  I know that I sure as Hell would.  But, that of course leads to the inevitable question of, “Where do you draw the line?”

The truth is that with all issues, there is no “black and white,” just varying shades of gray and Blue Bloods recognizes this whereas most dramas treat the audience with an air of condescending superiority suggesting that they are too stupid to figure out right from wrong on their own without Hollywood explaining it to them.  Blue Bloods respects its audience and because of that provides compelling, though-provoking drama every week.

These characters couldn’t have been written any better.  They are nothing like the clichéd shells that you expect on most shows.  Frank Reagan (Tom Selleck – Boston Legal, Magnum, P.I.), is the patriarch of this family and he deeply loves and cares about all of his children and unlike other cookie-cutter TV characters Frank wears his heart on his sleeve.  There is a particularly touching scene between Danny and Frank where Frank expresses concern about his son’s well-being after coming back from war and lets him know that there’s no shame in talking to someone (a therapist) about it.

Now, how about that for a change in pace from the old gruff, TV cop/dads who would have just told their kid to suck it up and get over it.  On the contrary, you can see the concern on Frank’s face when he’s having this discussion with Danny the same way any REAL dad would have if they were worried about their own kid. 

The surprise to me on this show is Jamie (Will Estes – American Dreams, Reunion) because I didn’t think his character was going to be that compelling and quite honestly, Estes’ résumé is kind of thin.  Not only is he doing an excellent job with developing his character as a rookie cop on a beat in the shadow of his big brother, but the writers have done an excellent job making him the focal point of the aforementioned clandestine investigation because he’s the last guy in the world you would ever think would be tapped for an undercover investigation of other cops.  Oh, and by the way, did I mention that John Torturro (Third Watch, NYPD Blue) plays Jamie’s partner and mentor, Sgt. Anthony Renzulli.  How ’bout them apples, huh?  Like I said, this cast has some stones.

Bridget Moynihan (I Robot, Lord of War) does very well as the idealistic academic A.D.A., Erin Reagan-Boyle, constantly butting heads with the men in the family and she holds her own very well with the boys.  As far as father to Frank and former police chief Henry Reagan they couldn’t have casted anyone better than noted character actor Len Cariou (Damages, Brotherhood) .  Nowadays, Henry is more concerned with spending time with his family and putting together toys for the grandkids but he’s always happy to throw his two cents in on the issue of the day… especially around that family dining room table.

Blue Bloods is one of the best three new shows on TV this fall and I’m thrilled that it’s finding success on Friday nights as well as the fact that it was on opposite of NBC’s failed series Outlaw to highlight just how bad that show was and just how well a police/legal procedural can be made when there’s some effort and talent behind it.

Watch full episodes of Blue Bloods, here.

Fall 2010 TV Preview – Fridays

Part Five of the Seven Six Part Series (This has been edited because  I realized that there’s nothing on Saturdays but College Football, COPS and America’s Most Wanted.  Do you really need a review of those?)

8:00 p.m.

The CW:     Smallville (September 24, 2010)

Vic: The final season of Smallville begins this fall and we have Clark Kent finally on the cusp of eventually becoming what he is destined to become: Superman… the ‘Man of Steel.’ This season is what we Smallville fans all have been waiting nine years for. We have all hung in there through some exceptional stories, heart-wrenching losses, great heroes and villians and now it would appear that the baddest of the bad is coming to Smallville: Darkside is looking to take over our planet it seems that Clark will have no choice now but to jump into those tights that Mrs. Kent has been saving for him all these years… or does Lois have them now? That is why you must tune in and continue hanging in with what has been one of the most enduring Sci-Fi, Fantasy Dramas in recent TV memory. Smallville still has the chops. The performances are still great all the way around. Tom Welling still proves that season after season he can command every scene he is in and even in lighter moments he shows us an endearing and clumsy side. Erica Durance as Lois is quick, sharp and she has range. She proves that she has mettle as Lois up against Welling’s Clark. I can’t say enough about Allison Mack as Chloe. I just can’t wait to see how this all turns out this season. I for one hope to see the big guy finally fly and soar this season and hope you all watch as well.

Watch full length episodes of Smallville, here.

FOX:     Human Target (October 1, 2010)

In this drama based on a graphic novel of the same name, Mark Valley plays Christopher Chance, a for-hire bodyguard and private investigator who integrates himself into his clients’ lives so that he becomes a target instead of them. Assuming a new identity for each job, Chance relies on the help of his associates Winston (Chi McBride) and Guerrero (Jackie Earle Haley), but he can’t outrun his past — or the secrets driving his odd choice of work. -FOX

Shawn: Alright, so this is a little out of the norm because I normally don’t put show descriptions in with previews of returning shows.  I’ve made the exception with Human Target because I think it’s a show that too many people are unaware of because it was a mid-season replacement last year and unfortunately, FOX will most likely kill it by putting it on Friday night where they put all shows to die.  I cover this sad state of affairs in my column regarding the changing network attitudes towards Friday night prime-time and how FOX is, as usual up to the same old bag of tricks (read it here).  So, it’s basically like this: I am on a crusade for the critically acclaimed Human Target because it was one of the best new shows on television last year and needs everyone’s support.

The description is a little misleading.  Chance doesn’t just have a mysterious past, he’s a former freelance assassin who was a really bad dude, completely amoral who had a seminal moment in his life that made him reevaluate his own personal morality and vow to use his skills to protect people from now on.  It’s a fast-paced action show based on the DC Comics Graphic Novel and  they couldn’t have picked anyone better for this role of Christopher Chance than Mark Valley as the dashing yet compassionate former assassin (…and I’m just thrilled to see that Mark Valley finally has regular gig!).  The supporting cast is fantastic with Chi McBride (Boston Public, The Nine) as Winston, the gruff, former San Francisco police detective who works with Chance to keep him ahead of the game and regularly uses his connections from the old job to help Chance on his missions.  Then you have the other, more mysterious and far more deadly Guerrero, played by Jackie Earle Haley (Watchmen, A Nightmare on Elm Street) who is a hi-tech wizard and a former associate of Chance’s in his prior profession but unlike Chance, really hasn’t had a change of heart, he’s just helping out an old buddy, but he does have a very strict personal moral code that abides by religiously.

Great action, unique stories, wonderfully written and compelling characters are the hallmarks of this show.  I highly recommend that you set time aside on Friday for Human Target (or at least Divver it).

Watch full episodes of Human Target, here.

ABC:     Body of Proof (Later this Fall – TBD)

Dr. Megan Hunt (Dana Delany) was in a class of her own, a brilliant neurosurgeon at the top of her game. Her world is turned upside down when a devastating car accident puts an end to her time in the operating room. Megan resumes her career as a medical examiner determined to solve the puzzle of who or what killed the victims. Megan’s instincts are sharp, but she’s developed a reputation for graying the lines of where her job ends and where the police department’s begins. It turns out her career isn’t the only thing that will need to be rebuilt; Megan’s family has taken a backseat to her ambition, and now she’ll discover there’s a lot of work to do when it comes to dissecting her relationships with the living. – ABC

Shawn: If it hasn’t become abundantly clear by now, I really dislike procedurals in general.  It doesn’t matter if it’s police, law, medical, detective… whatever, I really have no use for them.  And it’s not that this show looks particularly awful, because it doesn’t.  It’s just the same thing I’ve seen time and again which is also one of the big reasons I have no use for sit-coms.  There’s just no originality in any of these programs and with the incredible batch of new shows that have come out this season, it’s not like there is a lack of originality in Hollywood, it’s just not being utilized enough.

What bugs me the most is that the procedurals don’t have to be unoriginal.  Hollywood producers  and execs choose to go that route because it’s safe and easy to pitch to advertisers and the general viewing audience.  For example, NCIS is by definition a procedural, but it’s still a good show because of how original it always has been.  Body of Proof doesn’t have anything resembling an original premise.  Not even the title is original, which like most procedurals and sitcoms reverts to the use of cringe-worthy “clever”  double-meanings for phrases and words to convey a commonly known phrase to attract the audience’s attention, e.g., House, The Whole Truth, Outlaw, Grey’s Anatomy, Rules of Engagement, Raising Hope, Running Wilde, The Biggest Loser, Bones and Blue Bloods.  That’s just from this Fall.  I didn’t even mention the stupidest one of all, HawthoRNe (well… now I have).  This show literally is a hybrid of Quincy, Crossing Jordan, CSI, House and Everwood.  Like I said, Body of Proof doesn’t look awful, and it does have a good cast, but it just looks ordinary.

FOX:     The Good Guys (September 24, 2010)

From Matt Nix (“Burn Notice”), comes THE GOOD GUYS, a new action comedy about what happens when an old-school cop and a modern-day detective expose the big picture of small crime.

Once upon the 1970s, DAN STARK (Bradley Whitford) and his partner, Frank Savage, were big-shot Dallas detectives. So big, in fact, that they were lauded as American heroes after saving the Governor’s son. Thirty years later, Dan Stark is a washed-up detective who spends most of his time drunk or re-hashing his glory days. A stranger to modern police work who would much rather trust his old-school police instincts, Dan has the reputation as being a bit of a wild card. Able to skate by on the heroic deeds of his yesteryear, he is still a semi-active presence on the force, and with the help of his liquor of choice, occasionally comes through to solve a petty crime.

Dan’s new partner, JACK BAILEY (Colin Hanks), is an ambitious, by-the-book and overall good detective, but is sometimes a bit too snarky for his own good. His habit of undermining himself has earned him a dead-end position in the department, and he is stuck solving annoying petty theft cases that nobody else wants. Worse, he’s been given the thankless task of babysitting Dan, the drunk pariah who can never keep partners for long. Jack may not see it, but he has little chance of getting out of his situation; his knack for making enemies at the station has assured he is not going anywhere.

His only ally is ASSISTANT DISTRICT ATTORNEY LIZ TRAYNOR (Jenny Wade), a quick witted former girlfriend whom Jack hasn’t quite gotten over and the one person he turns to for help with his current professional predicament. Until Jack finds his way out of this situation, he is stuck awaiting the day when he can turn everything around, get back to solving actual cases and return to being a real detective.

On one fairly typical day, as Jack and Dan are pursuing a Code 58, the Dallas police code for routine investigations, which puts them hot on the case of a stolen humidifier, they inadvertently become engaged in a shootout over a stolen golf bag belonging to a notorious drug smuggler. This starts Jack and Dan on a wild chase to retrieve the bag, recover the contents inside and go after the drug smuggler – all while dodging his hired assassin!

The excitement of the case reminds Dan of the way he and Frank busted punks back in the good old days, and he convinces Jack to go along for the ride. Needless to say, many departmental rules are again broken in the reckless pursuit, showing their boss, LIEUTENANT ANA RUIZ (Diana Maria Riva), that Jack and Dan will be spending many more days in the Property Crimes Division, assigned to investigate seemingly minor crimes in order to keep them out of major trouble.

Shawn: Yep, I broke the rule again about not posting show description in regards to returning shows (well… not technically as this is just a continuation of the first season that went on hiatus at the end of August.).  But again, like with Human Target, I have to do this to counteract FOX’s continued insanity regarding good shows left to die on Friday night.   For the point of brevity (and because copy and pasting is a helluva lot easier) here’s the skinny on how FOX is abusing this show as I mentioned in the same column that I discussed Human Target.

It’s not even remotely fair what they’re doing to The Good Guys even by FOX’s idiotic standards, premiering it on a Monday in the middle of May when all of the other shows are wrapping up, letting it run for nine episodes over the summer and then dumping it into Friday night because it didn’t catch fire fast enough for them.

Simple, but to the point… it’s the same standard operating procedure that they’ve used with Human Target and countless other shows.

Now that the rant is complete, I really like The Good Guys.  It is very funny and full of action and Hanks and Whitmore play off each other brilliantly.

Watch full episodes of The Good Guys, here.

10:00 p.m.

CBS:     Blue Bloods (September 24, 2010 – NEW SERIES!)

­BLUE BLOODS is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York City Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief. A source of pride and concern for Frank is his eldest son Danny, a seasoned detective, family man, and Iraqi War vet who on occasion uses dubious tactics to solve cases. The sole Reagan woman in the family, Erin, is a N.Y. Assistant D.A. and newly single parent, who also serves as the legal compass for her siblings and father. Jamie is the youngest Reagan, fresh out of Harvard Law and the family’s “golden boy;” however, unable to deny the family tradition, Jamie decided to give up a lucrative future in law and is now a newly minted cop. Jamie’s life takes an abrupt turn when he’s asked to become part of a clandestine police investigation even his father knows nothing about, and one that could impact the family’s legacy.­ – CBS

Shawn: Blue Bloods is one of the most anticipated dramas this Fall for good reason.  Simply look at this cast.  Your leads are Tom Selleck, Donnie Wahlberg, and Bridget Moynihan… all television and film superstars (Len Cariou is no slouch either).  Superstars like that don’t just arbitrarily sign on to do a show if they don’t already know it’s brilliant.  The concept is definitely unique.  An original cop show that focuses on a multigenerational family of cops and all of the dynamics that go along with that.  I’m very excited about Blue Bloods.

Watch full episodes of Blue Bloods, here.

NBC:     Outlaw (September 17, 2010 – NEW SERIES!)

Few jobs are guaranteed for a lifetime, and a Supreme Court appointment is a position that no one ever quits – unless he is Cyrus Garza (Smits). A playboy and a gambler, Justice Garza always adhered to a strict interpretation of the law until he realized the system he believed in was flawed. Now, he’s quit the bench and returned to private practice.

Using his inside knowledge of the justice system, Garza and his team will travel across the country taking on today’s biggest and most controversial legal cases.

Garza’s team includes his best friend since childhood, Al Druzinsky (David Ramsey), a brilliant defense attorney with liberal beliefs; Mereta Stockman (Ellen Woglom), a hopeless romantic who is Garza’s loyal law clerk; Lucinda Pearl (Carly Pope), a wildly unorthodox private investigator who uses her sex appeal and wit to gather information for Garza; and Eddie Franks (Jesse Bradford), a tightly wound, rabidly ambitious Yale-educated attorney, recently hired as Garza’s law clerk. – NBC

Shawn: I’ve already done a complete review for Outlaw, here.  It is by far the worst drama on television.

Watch full episodes of Outlawhere.

Have the Networks (FINALLY) Started to Take Friday Nights Seriously???

In the past, Friday prime-time has been a notorious dumping ground for television shows that weren’t cancelled yet, but were on their last legs, at least for dramas.  Low-cost news magazines like Dateline and 20/20 have always found success here and of course in the last decade there have been several reality shows that have thrived here, but it’s been pretty much a foregone conclusion that if a drama winds up here, it’s not long for this world and will soon be gracing us only in syndication (if it has had a long enough run) or in your queue on Netflix.  Well, this season I’m noticing a trend of the networks taking the risk of putting new shows that they’ve invested in and some that are actually fantastic with money-making casts (see: Blue Bloods) on Friday.  They are also doing something else:  they are putting perennial solid veterans on Friday as well.  Now, I may not like or watch all of these shows (so you’re not going to see all of them reviewed or previewed) but it really is quite a change of pace for Fridays to say the least. 

The first example is (now) CBS’s Medium which has averaged 10 million per season the last six seasons.  What’s notable about this is that not only did Medium move from Monday to Fridays between seasons  5 and 6, they also switched networks (from NBC to CBS) yet still only dropped from 8.5 million viewers to 7.8 million.  It simply absurd that they kept 92% of their core audience while not only moving to Fridays but to a different network. 

CSI: NY on Fridays is the biggest head scratcher of all.  I hate the entire CSI franchise for a myriad of reasons that I’m not going to go into right now but there’s no denying its success.  Of the three shows in the franchise, CSI: NY is the worst performing of all of them but that’s kind of like saying that Tony Lazzeri was the worst run producer of the 1927 Yankees‘ three best in the infamous “Murderers Row” lineup with Babe Ruth and Lou Gherig being the two best.  Any team would have loved to have had the ’27 Lazzeri in their lineup just like any network would love to have CSI: NY in theirs.  By the way, I hate the Yankees more than I hate the CSI franchise but again there’s no denying their success. 

CSI: NY has consistently averaged 13.3 million viewers per week CONSISTENTLY for six seasons in the Wednesday night 10:00  p.m. slot which has typically been very competitive (although I must admit that with Leno on at 10:00 p.m. for a good portion of last season there wasn’t much of a challenge) and has been in the top 25 of all shows every season except one (it was #28 during the 2007 – 2008 season although it had the exact same number of viewers – 12.6 million – that it did last year when it was #23) going as high as #17 (2008 – 2009, 13.03 million).  Now it did take a dive last year falling to #44 with the 18 – 49 crowd but still, nearly 13 million is nothing to sneeze at even if you did drop in the “coveted” demographic.  Needless to say, CSI:NY is pretty much a sure-thing for CBS and they didn’t put it in the Friday night slot to cancel it.  Sorry… not with 13 million viewers.

An honorable mention needs to go out to Supernatural (and to an extent Smallville) which has been The CW’s stallion (for what that’s worth) on Thursday night at 9:00 p.m. for its first four seasons and that show is now on in the same slot on Fridays as well, but what REALLY caught my attention was not just all of the dramas on the major networks on Fridays but how Syfy has completely abandoned their original programming schedule on Friday nights that if I recall correctly, they’ve been going with for over a decade.  SyFy’s two most popular shows – the Battlestar Galactica prequel Caprica and the franchise favorite Stargate: Universe – have been moved to Tuesday nights, premiering on October 5th.  This is monumental and I haven’t seen anyone take note of this.  SyFy owned Friday nights and one can only assume that this waving of the white flag was in response to the major networks actually paying attention to Friday nights again.

So why this big change in attitude towards Friday night prime-time?  Historically, the reason why the Friday night line-up has been so mediocre is because viewers go out on Friday nights and don’t normally stay in to watch television… especially the “coveted” 18 – 49 demographic.  Mind you, this is entirely speculative on my part but I have a theory:  it’s the economy. More and more people are staying home for entertainment instead of going out in order to save money.  When you’ve got unemployment at around 10% and 40% of the population who are worried that they might possibly lose their job within the next year, that’s certainly not a situation conducive to spending a bunch of money out at the club.  People are saving more, spending less, paying off credit cards and when they are spending money on entertainment it’s on long-term appliances like HD TV’s and Blu Ray players, both of which have gone down dramatically in price this year.

So, there is no question that most of the networks now see value in Friday night but the question is: didn’t FOX get the memo?

You see, FOX bothers me to no end with their programming decisions.  They are notorious for giving up too quickly on quality shows, not giving them a chance for audiences to grow and if they do throw an audience a bone and renew a show with borderline ratings, they stick it in Friday night to die.  The decisions they make at FOX are mind-boggling and reactionary on a whole different level.  Why these morons don’t understand that when you have the highest rated show of all time on three nights a week that it actually gives you latitude when it comes to relaxing a little bit when a drama doesn’t immediately perform as you hoped it would is far beyond my level of comprehension.  Hell, put American Idol on every night and use it as a lead-in for every 9:00 p.m. show.  It worked for 24!  I will remind you that this is the same network that cancelled Family Guy.  I will also remind you that this is the same network that cancelled perhaps the greatest Sci Fi series of all time, Firefly, after 11 stinkin’ episodes.  Topless Robot has a great article that explains exactly how stupid the programming decisions at FOX have been.

And this is exactly the approach that FOX is going with for both Human Target and The Good Guys, both critically acclaimed shows that had marginal ratings when the aired last season.  It’s not even remotely fair what they’re doing to The Good Guys even by FOX’s idiotic standards, premiering it on a Monday in the middle of May when all of the other shows are wrapping up, letting it run for nine episodes over the summer and then dumping it into Friday night because it didn’t catch fire fast enough for them.  Human Target on the other hand is one of the best shows on TV, period and could very easily build a locked-in huge genre audience if FOX had the foresight to give it a chance like they did with 24 in 2001 which, by the way had the identical audience numbers that Human Target had during its first season.

Now, you might be saying, “Now, waitaminute, here… how do YOU know that FOX isn’t doing the same thing that the other networks are doing?”  Nope, wrong. First, consider that we’re talking about FOX and we’ve already established what is common knowledge about their programming practices.  Second, the other networks mentioned are putting up four strong veteran dramas with built-in audiences and three new shows that they have just sunk a bunch of money into in order to develop.  You NEVER put a show with weak/mediocre numbers in a Friday slot if you want it to survive and have the audience grow.  Hopefully, because of the other networks taking Friday night seriously for once, these two great shows can be successful despite the neglect from FOX.  I doubt it, but I remain hopeful… because I really love Human Target.

Watch full epsidoes of Human Target, here.

Watch full episodes of The Good Guys, here.