DAYTIME ALERT! ABC Cancels All My Children & One Life To Live After 42 And 44 Years Respectively

On Thursday, April 14th, ABC announced that they would be canceling their mid-afternoon, long-running soap opera mainstays in favor of two “lifestyle” shows ending a run that has lasted for a combined 86 years of programming.  Now normally, this isn’t really our cup of tea to discuss but this a momentous occasion in television history to say the least, considering just how long these shows have been on and how popular they have been over the last four, going into five, decades. Of course, there’s also the nostalgia factor of these being Mom’s favorites going all the way back to when we were toddlers and we can remember her looking forward to them at 1:00 p.m. and 2:00 p.m, respectively.  Don’t bug Mommy… her “stories” are on.

"Hi, everyone! I just wanted to let you know that we think youre all doing a bang-up job. Just a heads up though: were announcing that you are all fu*king fired in twenty minutes. Take care... oh, and if you happen to have any studio property, please leave it in the designated box at the security desk when you leave today. Thanks and again: Awesome job, everyone!"

EW is reporting that the actors were told of the decision less than 20 minutes before the press release was issued, with the cast of All My Children being informed in person in Los Angeles, while the cast of One Life to Live was told via remote video conferencing… like in that George Clooney movie, Up in the Air.  Well, we guess the glass-is-half-full approach would be to say that it could have been worse… they could have found out 20 minutes  after the press release was issued.   All My Children will air its final episode in September 2011 and One Life to Live will air its final episode in January 2012.

These schedule changes will not affect General Hospital, the second most popular daytime drama on television.

On the upside, at least Susan Lucci  and her fans will (hopefully) finally stop griping about winning only one Daytime Emmy award in the last 42 years.

Via the Longest Press Release in Television History:

ABC EVOLVES THE FACE OF DAYTIME TELEVISION WITH THE LAUNCH OF TWO NEW SHOWS, “THE CHEW” AND “THE REVOLUTION”

Iconic Shows “All My Children” and “One Life To Live” Will Broadcast

Their Final Episodes in September 2011 and January 2012, Respectively;

Series Will Sunset in a Manner That Honors Viewers and the Shows’ Creative Legacies

Guided by extensive research into what today’s daytime viewers want and the changing viewing patterns of the audience, ABC is evolving the face of daytime television with the launch of two new shows, “The Chew,” which will premiere in September 2011, and “The Revolution” (working title), which will premiere in January 2012. These new shows expand ABC Daytime’s focus to include more programming that is informative and authentic and centers on transformation, food and lifestyle — cornerstones of programming that resonates with daytime viewers as evidenced by the success of “The View.”

As food has become the center of everyone’s life, “The Chew” will focus on food from EVERY angle — as a source of joy, health, family ritual, friendship, breaking news, dating, fitness, weight loss, travel adventures and life’s moments. Produced by Gordon Elliot, the Emmy Award-winning executive producer of “Paula Deen’s Home Cooking” and “Down Home with the Neelys,” this new one-hour series combines entertaining takeaway with memorable personalities to create a live show where viewers get the dish on anything and everything related to the world of food and beyond. Whether it’s new trends like food trucks and urban gardens or how pesticides in our food may affect our health, we can’t stop talking about it. The hosts who will guide the hour include Mario Batali (Restaurateur, Food Network’s “Iron Chef America” and author); entertaining expert Clinton Kelly (TLC’s “What Not to Wear”); Carla Hall (Bravo’s “Top Chef”); Michael Symon (Restaurateur and Food Network’s “Iron Chef America”), and nutrition expert Daphne Oz, who simplifies often confusing information about food.

From Executive Producer JD Roth and 3 Ball Productions, producers of “The Biggest Loser,” “Masterchef” and ABC’s upcoming “Extreme Makeover: Weight Loss Edition,” comes “The Revolution,” a Daily Show about health and lifestyle transformations. The show is hosted by a team of experts and rotating guest contributors who help viewers transform all areas of their lives, from relationships to family, food, style, home design, finance and more. This dream team, led by fashion expert Tim Gunn, also includes celebrity trainer Harley Pasternak and American Idol alum Kimberley Locke. The show features a unique concept: each week one woman’s five-month weight loss journey will unfold in just five days, with daily results and a final transformational reveal on Friday. “The Revolution” is a one-stop shop for better living.

“While we are excited about our new shows and the shift in our business, I can’t help but recognize how bittersweet the change is,” said Brian Frons, President, Daytime, Disney ABC/Television Group. “We are taking this bold step to expand our business because viewers are looking for different types of programming these days. They are telling us there is room for informative, authentic and fun shows that are relatable, offer a wide variety of opinions and focus on ‘real life’ takeaways. A perfect example of this is ‘The View,’ and that factored into our decision. ‘The Chew’ and ‘The Revolution’ are in the same vein and will be great additions to the lineup, with ‘The View’ serving as an ideal foundation from which to launch these programs. They will also provide enormous opportunity for the creation of ancillary businesses and growth.”

“General Hospital,” the second-most popular show in daytime, is not impacted by this announcement and will remain on the air.

To honor the core, passionate audience and their rich history with our soaps, “All My Children” and “One Life To Live” will conclude each series in a manner that respects their legacies and the longstanding hopes of many of their viewers.

“‘All My Children’ and ‘One Life To Live’ are iconic pieces of television that have made an indelible mark on our culture’s history,” reflected Frons. “Each of the shows has touched millions and millions of viewers and informed the social consciousness. It has been a privilege to work with the extraordinary teams who brought the residents of Pine Valley and Llanview to life each day, and we thank the cast, crew, producers and most especially the fans for their commitment to the shows through their history.”

None of this could have been possible without the extraordinary Agnes Nixon. “More than 40 years ago, Agnes Nixon created both the worlds of ‘All My Children’ and ‘One Life To Live,’ worlds that the rest of us have been privileged to live in,” said Frons. “Her shows led the way forward, breaking a lot of rules along the way to defy expectations about what soaps can do and the issues they can cover.

I am honored to have worked with her.”

“All My Children” has revolved around the lives of the residents of fictional Pine Valley, a town which closely resembles the Philadelphia Main Line. “All My Children” took home the 1998 Emmy Award for Outstanding Drama Series, the third time the show received this top honor, having also garnered the award in 1994 and 1992. “All My Children” has received more than 30 Emmy Awards and consistently distinguishes itself in the field of daytime drama. The show has historically been committed to and is often the first to tackle social issues, focusing on such topics as AIDS, abortion, cochlear implants, teenage alcoholism, racial bias, acquaintance rape, spousal abuse, homosexuality, Reyes syndrome, Vietnam MIAs, drug abuse, the risks of motherhood over 40, safe sex, pet therapy and organ donations, among others. The show made television history airing daytime television’s first same-sex kiss between two lesbian characters, as well as daytime television’s first same sex wedding between two women. It was the first to chronicle the coming-out story of a transgender woman and to cast a real life Iraq War veteran whose story reflected his real life experiences and injuries incurred in combat.

“All My Children” premiered on the ABC Television Network on January 5, 1970, as a half-hour show; seven years later it expanded to an hour. Julie Hanan Carruthers is executive producer.

Also created by Agnes Nixon, Emmy Award-winning “One Live to Live” is set in the fictional town of Llanview, which is modeled on a Philadelphia suburb. “One Life To Live” debuted on The ABC Television Network July 15, 1968 as a half-hour show. Ten years later, it grew to a full hour in 1978.

“One Life To Live” has been lauded for its groundbreaking exploration of social issues, diverse canvas, award-winning performances and innovative storylines. Along with the history-making week of live shows in May 2002, “One Life To Live” is responsible for many “firsts” in Daytime television, including stories of interracial romance, illiteracy, medical misdiagnosis, racial prejudice, gang violence and teen pregnancy. The show received mass critical acclaim for its 1992 homophobia storyline, which captured national headlines when it introduced the character of a gay teen (played by then unknown Ryan Phillippe) and culminated with the emotional display of the Names Project AIDS Memorial Quilt. “One Life To Live” was honored by the Gay and Lesbian Alliance Against Defamation (GLAAD) with the Outstanding Daytime Drama Award in 1993, and again in 2005 and 2010.

In 2002 the show won its first-ever Daytime Emmy for Outstanding Drama Series, and was nominated again in 2007 and 2008. Created by Agnes Nixon, “One Life To Live” debuted on July 15, 1968 and marked its 10,000th episode on August 17, 2007. Frank Valentini executive-produces.


Fall 2010 Post-Game Wrap-Up (Thursday)

Welcome to part four of the mid-season 2010 – 2011 review. In this post we’ll be discussing Thursday’s programming.

8:30 p.m.

CBS – $#’! My Dad Says

Well, it certainly is $#’!-ty. After watching one episode of $#’! My Dad Says we determined that not only is the worst show of the new season, the worst sitcom we’ve ever seen but perhaps even the worst show in television history. Just to show that we were fair and objective, we endured three more episodes of this awfulness… our opinion has not changed.

It’s currently a bubble show right now which makes us lose all faith in humanity that anyone is watching it but CBS did cut short the episodes it ordered for the Spring so hopefully this will go away by May.

If you haven’t read our review of $#’! My Dad Says we highly recommend it as we consider it more of a community service than a review… like an intervention for people addicted to bad TV.  Read it here.

NBC – Community

Community is still one of the better sitcoms on television (there are only a handful) and currently it’s a toss-up between whether or not NBC will renew it for a third season. In our estimation, it should be renewed if for only the reason that it’s been relatively consistent on Thursday nights and there’s nothing on the sitcom horizon for NBC in the near future. We hope so. It’s the type of show you can turn on and just laugh at because of its ridiculousness. It’s one of our two Thursday Night guilty-pleasure. The second one is, of course…

9:00 p.m.

The CW – Nikita

We love Nikita and we really shouldn’t because it’s a mediocre bordering on terrible show. But it’s over-the-top campy goodness is something that keeps us coming back for more every week. The premise is beyond ridiculous and the performances are almost silly but there’s so much “pew, pew, pew” that we can’t stay away from it.

There’s another reason why we have a soft spot for this puppy and it’s not because Maggie Q (Live Free or Die Hard) looks incredibly hot in a bikini. It’s because we heart The CW. A show like this could never survive on major prime-time network but The CW and it hearkens back to the late 90’s with UPN when they would take chances on shows like The Sentinel, Nowhere Man and our personal favorite 7 Days.

These shows, like the shows on The CW can thrive on very small audience numbers compared to the other major networks. There is no chance that camp like Nikita could ever survive anywhere but The CW and for that we are thankful for The CW. There is only ONE show that will not be renewed (that isn’t in its planned final season) on The CW next year (Life Unexpected). That’s just awesome.

NBC – The Office

Well, we’ve been concerned about this for a longtime but it’s official: The Office just isn’t as funny as it used to be and it has run out of steam. It’s still enjoyable but it’s not nearly as funny as it used to be. It’s really jumped the shark as evidenced by the fact they are resorting to revolving around another sitcom (the Glee viewing party episode). C’mon, now.

We’re still watching because it certainly has its moments, and actually, the aforementioned Glee episode was pretty funny although we cringe at the concept in principle. That being said, no one has anything to be concerned about because it’s certain to be renewed for next Fall.

9:30 p.m.

NBC – Outsourced

Outsourced is one of the most disappointing shows this season but it’s not because it’s a bad show. It’s cute and it’s clever but it’s a sitcom trying to be funny and it’s really not. We pointed out in our review that the problem is that the novelty of the culture clashes and funny accents only works for about ten minutes, yet Outsourced is an entire series that revolves around those gimmicks.

A couple of months ago we saw the 2006 film of the same name and we realized that there’s a reason why the film doesn’t translate to a sitcom: the film wasn’t a comedy to begin with. Yes, there was humor to it but he film was really a character driven story about how despite different cultures may be, we’re really not all that different after all. Sitcoms don’t work with the touchy-feely any more like they did in the 1980’s where there were a bunch corny jokes and Alex P. Keaton and Vanessa Huxtable learned a valuable lesson at the end of every episode. Audiences today want their sitcoms to have the most laughs possible during the course of 21 minutes and that’s really what it’s about it.  Whatever lessons are to be learned are secondary.  Outsourced the series, like the film, is focusing more on the valuable lessons with the comedy as an afterthought.

If we’re going to watch a sitcom, we want it to be funny. Outsourced unfortunately is not. It’s currently leaning toward “the-more-likely-to-be-renewed-than-not” category but we doubt audiences are going to continue to tolerate it until May.

Next, we take a look at Friday’s programming.