SyFy Acquires Canadian Supernatural Hit Lost Girl

On May 18th, SyFy announced that they were picking up both seasons (26 episodes) of the Canadian supernatural hit, Lost Girl for broadcast in the U.S.  We’re not familiar with this show however it seems rather interesting and at least it’s another new scripted drama added to SyFy’s very light new schedule for 2011 – 2012.  No word on a premiere date as of yet.

Via Press Release:

SYFY ACQUIRES SUPERNATURAL DRAMA SERIES LOST GIRL FROM PRODIGY PICTURES

NEW YORK – May 18, 2011 – Syfy has acquired both seasons (26 episodes) of the hit Canadian supernatural drama Lost Girl from Prodigy Pictures, it was announced today by Thomas Vitale, Executive Vice President, Programming and Original Movies, Syfy.

Lost Girl stars supernatural seductress Bo (played by Anna Silk/The Ghost Whisperer), a Succubus (a powerful female entity in folklore) who feeds off sexual energy. Raised by human parents, Bo had no reason to believe she was anything other than the girl next door — until she “drained” her first boyfriend to death.

Bo has since hit the road alone and afraid. She discovers she is one of the Fae, creatures of legend and folklore, who pass as humans while feeding off them in secret, as they have for millennia. She is faced with choosing an allegiance between the Dark or Light Fae clans. Bo decides to take the middle path between humans and the Fae while embarking on a personal mission to unlock the secrets of her origin, protecting humans along the way.

Lost Girl co-stars Kris Holden-Ried as Dyson, a shape-shifting Fae, homicide detective and Bo’s love interest; Ksenia Solo as Kenzi, Bo’s human confidante and street-smart survivor, Zoie Palmer as Lauren, a human doctor who competes for Bo’s heart; Rick Howland as Trick, the mysterious owner and bartender at The Dal Riata tavern, with a secretive past that is yet to be unlocked, and K.C. Collins as Hale, a handsome male “Siren” who is the eternal bachelor, ultimate wingman and Dyson’s partner on the force.

Notable guest stars include Emmanuelle Vaugier as “The Morrigan”, the leader of the Dark Fae.

Said Vitale: “In one year, Lost Girl has electrified viewers in Canada and around the world. We’re delighted to bring this fascinating, high-octane series, which depicts a unique world and memorable heroine, to the Syfyaudience.”

“We’re thrilled to have Syfy on board as our broadcast partner in the U.S. Lost Girl is a unique series that thrusts a strong, independent female lead into uncompromising circumstances. It’s a series that takes risks with unconventional storylines and provocative character development,” said Jay Firestone, Executive Producer.

This series is developed and produced by Prodigy Pictures, in association with Shaw Media and Showcase. This acquisition agreement was brokered by Tim Mudd of Mudd Media.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

About Prodigy Pictures
Founded in 2006 by Jay Firestone, Prodigy Pictures leads the way in the production of quality film, television and cross-platform media. Its credits include the critically acclaimed feature Stuck and the television series XIII, currently airing on Showcase in Canada and Canal Plus in France.  Prodigy’s hit series, Lost Girl, has recently started production on its second season. The company has several feature film and television projects in development, including William Gibson’s Neuromancer, and Weapon, in partnership with Studio 37.

SyFy 2011 – 2012 Complete Schedule

Again, like the Summer schedule, we are very late on the draw on this, however, here’s the full scoop on all of the programming for SyFy for 2011 – 2012.  There’s not a whole lot more that we can say about this that we didn’t say in the article about the Summer schedule, except that new scripted drama is represented by a grand total of two shows this season, Alphas, premiering in July, and the highly-anticipated Battlestar Galactica: Blood & Chrome, which does not have an official announced date for release but we expect it in early 2012.

Although we don’t subscribe to the nonsense that there is no Science Fiction on the former SciFi network anymore, it is very curious that there are only two new scripted dramas (and SyFy has picked up the first two seasons of the Canadian hit, Lost Girl although they haven’t announced a premiere date for it as of yet) and three, what appear to be science fiction-themed comedies (seriously?).  The rest of the programming is made up primarily of goofy Saturday movies and reality series.  This disappoints us and seems a little odd as well, considering that every other network out there has drastically cut the amount of reality shows from their schedule and cut the amount of reality shows that they have ordered and put into development status.  This schedule is VERY reality-heavy and it’s not a matter of this not appealing to science fiction audience, it’s a matter of it not appealing to any audience.  Seriously, how many reality shows can an audience take?  For preview videos and trailers of the shows that will be airing this summer (including some full episodes) check out the our article on the SyFy summer schedule.

CORRECTION: Due to the obnoxious length of SyFy’s press release below, we completely missed the announcement regarding the new live-action, scripted action series/massive multiplayer online game (MMOG), Defiance. Due to this development, we are a whole lot less disappointed in the lack of new scripted drama.   Read all about it, here.

Via Press Release:

SYFY UNVEILS LARGEST ORIGINAL PROGRAMMING SLATE IN HISTORY FEATURING 14 NEW SERIES AND EVENTS

LED BY PREMIERE OF ALPHAS, FOUR SCRIPTED SERIES LAUNCH IN JULY – MOST EVER IN A SINGLE MONTH

UNSCRIPTED DEVELOPMENT SLATE INCLUDES PROJECTS WITH TOMMY LEE AND DEEPAK CHOPRA

NEW YORK – March 22, 2011 – Continuing the sizzling momentum of the Syfy global brand evolution, which has sparked imagination-driven hit series and double-digit growth in younger, upscale audiences as well as diverse new business ventures, Syfy President Dave Howe today will introduce the largest original programming slate in the channel’s 18-year history, highlighted by 14 new original series and events comprising more than 100 hours.

The 2011 Syfy Upfront will be presented at the Foxwoods Theatre, where the channel is hosting a live performance of SPIDER-MAN Turn Off the Dark for the advertising community. Syfy is the official media partner of the Broadway show.

Remarking on Syfy’s announced development slate, Mark Stern, President Original Content, Syfy, and Co-Head Original Content, Universal Cable Productions, said, “Our ambition in development is to push the boundaries of imagination, creativity, and story-telling.  We want to transport our audience with high-quality, thought-provoking experiences that allow them to explore the un-explorable, to believe the unbelievable, and to truly… ‘Imagine Greater.’”

Riding high on 15 consecutive years as a Top 10 channel among Adults 25-54, Syfy‘s viewership has continued to grow in 2011. In January prime, Syfy rose 12% in Adults 18-49/$75K, while experiencing a significant drop of two years (46) in the median age.

During First Quarter-to-date (vs.1Q’10) prime, Syfy has jumped 17% in Adults 18-34, 13% among total viewers and seven percent among Adults 18-49, led by the freshman hit series Being Human and Face Off, both of which have been renewed.

In July, Syfy launches four scripted series in the same month — for the first time ever — when Alphas premieres along with returning powerhouses Warehouse 13 (Syfy’s most watched series ever), Eureka and Haven.

The second season return of the heralded reality show Hollywood Treasure kicks off Summer 2011 unscripted programming in June, paired with the premiere of Haunted Collector (working title), followed by the debuts ofLegend Quest in July and Paranormal Witness in September.

The robust reality development slate includes projects from unique perspectives such as rock musician Tommy Lee, author Deepak Chopra and photographer Tyler Shields, along with a family that creates movie monsters and the world’s top stunt artists.

On the scripted side, Syfy is developing Battlestar: Blood and Chrome, set in the 10^th year of the First Cylon War. As well as three single-camera, half hour comedies including the Lee Majors vehicle Me and Lee from the creator of Weeds, In the Dark featuring a team of wannabe paranormal investigators, and a new adaptation of Three Inches.

Keying the latest roster of popular Saturday Original Movies will be Red Faction: Origins, based on the highly successful video game franchise; 1970s TV icons Barry Williams and Danny Bonaduce butt heads in Bigfoot; Shannen Doherty headlines a re-imagining of the classic fairy tale Gretl; Roswell, the story selected by fans through the Syfy and IGN.com B Movie Mogul contest; and in Jersey Shore Shark Attack, who knows who might be a victim?

This October, Syfy will become the first ever, official sponsor of the city’s Halloween celebrations, partnering with NYC & Company for 31 Days of HalloweeNYC. Then in December, Syfy celebrates the holiday season with its second annual Countdown to Christmas Week (highlighted by the movie event Neverland with Keira Knightley asThe Voice of Tinker Bell).

Syfy Ventures is launching a new publishing business of completely sponsorable genre games under the SyfyGames banner.  Available initially on Facebook in the United States, the suite of high quality games will embrace the sci-fi, fantasy, paranormal, action/adventure, and superhero genres, ranging from original content to games based upon Syfy programming. These first round of games are scheduled for launch later this year. As well, Syfy is partnering with game developer Trion Worldwide for a new entertainment franchise, Defiance, that will seamlessly pair a primetime series with an online video game, scheduled for 2011.

Among the new opportunities for advertisers to partner with the Syfy brand is Imagination Spotlight, a groundbreaking, multi-platform brand initiative celebrating the world’s imaginative achievements and innovative ideas.  Advertisers will have the opportunity to join the celebration through an array of multi-media partnerships that showcase imagination.

Syfy is currently available in 75 countries, reaching nearly 150 million households globally.

NEW SCRIPTED SERIES

Alphas – Premiering in July – Alphas follows a team of ordinary citizens whose brain anomalies imbue them with extraordinary mental and physical abilities. Taking the law into their own hands, the unlikely team, led by Dr. Leigh Rosen (Emmy Award-winner and Oscar nominee David Strathairn) investigates cases that suggest other Alpha activity to uncover what the CIA, FBI and Pentagon have not been able, or willing, to solve. These gifted individuals must balance their quirky personalities and disparate backgrounds with their not always visible powers as they work to solve crimes, stop the ticking time bomb and catch the enemy.

Alphas also stars Malik Yoba, Warren Christie, Laura Mennell, Ryan Cartwright and Azita Ghanizada, and is a production of Universal Cable Productions and BermanBraun Television. Executive Producers are Gail Berman, Lloyd Braun and Gene Stein for BermanBraun, Zak Penn and Ira Steven Behr.

NEW REALITY SERIES

Haunted Collector (working title) — Premiering in June — Ghosts and spirits inhabit more than just homes and buildings — they can also live in objects. John Zaffis and his family are renowned paranormal investigators, tracking down haunted items like paintings, guns, jewelry and dolls. Once identified, the items are collected and stored in their museum, helping John’s clients bring normalcy back to their lives. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.

Legend Quest — Premiering in July — This fast-paced action-adventure series follows Ashley Cowie, a real-life symbologist, as he travels the world in search of some of history’s greatest relics and artifacts, all of which are believed to hold hidden powers and mystical significance for ancient and modern cultures. Each episode will include Indiana Jones-type adventure and Da Vinci Code-style connections as the hidden truths and alternative theories of these mythical objects are explored. Legend Quest is executive produced by John Brenkus and Mickey Stern for BASE Productions, and is a co-production with Universal Networks International.
Paranormal Witness – Premiering in September — From Raw TV, the acclaimed creative team behind Locked Up Abroad and Gold Rush Alaska, this tense, filmic and high-octane drama-documentary series brings to life the stories of people who have lived through paranormal experiences that defy explanation. Using the mixture of intimate first-hand testimony and grittily realistic drama that Raw TV is known for, Paranormal Witness will transport the audience into a world turned upside down by extraordinary and terrifying events. Paranormal Witnessis produced by Raw TV. Executive producers: Dimitri Doganis and Bart Layton.

SCRIPTED DEVELOPMENT/DRAMA

Battlestar: Blood & Chrome – Luke Pasqualino (Skins-UK) and Ben Cotton (Hellcats) star in Battlestar: Blood & Chrome, which takes place in the 10^th year of the first Cylon war. As the battle between humans and their creation, a sentient robotic race, rages across the 12 colonial worlds, a brash rookie viper pilot enters the fray. Ensign William Adama (Pasqualino), barely in his 20’s and a recent Academy graduate, finds himself assigned to one of the most powerful ships in the Colonial fleet…the Galactica. The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade-long war in favor of the desperate fleet. Executive producers: David Eick and Michael Taylor. Written by Michael Taylor from a story by David Eick, Taylor and Bradley Thompson and David Weddle. A production of Universal Cable Productions.

SCRIPTED DEVELOPMENT/SINGLE CAMERA HALF-HOURS

Three Inches – In Three Inches, professional daydreamer and underachiever Walter Spackman is struck by lightning and develops a unique “super” power — the ability to move any object using just his mind… but only a distance of three inches. He’s soon immersed in a world of extraordinarily ordinary people like himself and learns that “super” is just a state of mind.  The pilot is written by Harley Peyton (Twin Peaks), who also serves as executive producer.  Fox Television Studios is producing with executive producer Robert Cooper, through his company Landscape Entertainment.

In the Dark – In the Dark follows a misfit group of third tier Ghost Hunters whose misguided efforts tend to highlight their incompetence rather than any paranormal activity. From Universal Cable Productions, In the Darkis executive produced by Dan Taberski through Idiot Box Productions, Michael Davidoff and Bill Rosenthal.  Teleplay by Michael Davidoff & Bill Rosenthal.

Me and Lee — Me and Lee is about a down on his luck 20-something who goes in for back surgery, but the procedure doesn’t go well. Enter Lee Majors, who claims he has the perfect solution. He entices the young man into his ultra high-tech lab and makes him bionic. Majors becomes the unlikeliest of mentors helping the young man get his life back together. Jenji Kohan, the executive producer and creator of Weeds, serves as the executive producer of Me and Lee along with the writer Matthew Salzberg, Allan Loeb and Steven Pearl. Produced by Lionsgate.

REALITY DEVELOPMENT

Culture Shock with Tommy Lee – This one-hour investigative travel show follows Mötley Crüe’s Tommy Lee as he attempts to uncover the various rituals, symbols and other mysteries of secret societies around the world. Tommy Lee will dig into the history behind the secret society, search out its meeting locations and members, and meet with former members to reveal the society’s rituals and deepest secrets. A production of ITV Studios America. Executive producers: Tommy Lee and Carl Stubner. Supervising producer: Jenna Barnes.

Monster Man – When Hollywood studios want a bizarre creature, monster prop or out-of-this world alien, they turn to Cleve Hall and his very unique, family business. This series goes behind the scenes of Cleve’s workshop, where the craziness of this fun family is matched only by the insane monsters they build.  Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.

Stunts Unlimited — Stunts Unlimited is an elite and exclusive fraternity of artists committed to a very imaginative, creative, unique and dangerous craft — movie stunts. This series takes audiences behind-the-scenes into a world rarely seen, unveiling the innovations and problem solving necessary to accomplish the most spectacular stunts in Hollywood. With their lives on the line with every stunt, the members of Stunts Unlimited form a close-knit work family, helping them balance the challenges of their jobs and their families. Executive producers: Ric Roman Waugh and Gary Binkow.

Hi Tech Hoaxes — The series where the supernatural, the mythical and the astonishing leave the big screen and step into people’s everyday lives. Each week two teams will go head-to-head to provide a once-in-a-lifetime experience for an unsuspecting pair of people, who are about to have their world turned upside down for a brief, thrilling moment.  Teams of engineers, tech geniuses and pranksters will draw their inspiration from requests sent by ordinary people who want to execute the hoax on friends, family, colleagues, customers, kids, parents or even pupils. They’ll rely on the technical know- how and the resourcefulness of the teams to make it happen.  But it needs to be hyper-convincing because these hoaxes are going to be happening in the real world In Plain Sight. Produced by North One Television.

Dinner with Deepak — If you could invite three people to dinner, who would they be? Best selling author and spiritual teacher Dr. Deepak Chopra dines and joins in conversation with some of the greatest minds and creators in the world today. In every episode, Chopra brings together a group of noteworthy guests to share a meal and a conversation ranging in topic from the spiritual, political and scientific to supernatural, designed to challenge our standard conventions and push the boundaries of viewers’ imaginations and intellects. Executive producers: Deepak Chopra, Gotham Chopra, Tim Piper and Sharad Devarajan.

Tyler Shields – A docu-series featuring unconventional photographer Tyler Shields and his team as they create worlds that are always surprising, shocking, and totally surreal. This Los Angeles-based artist is one of the most creative and original photographers working today. His subjects are celebrities, actors, models, and everyday people captured in magical, beautiful, and often dangerous situations. His eye-popping, jaw-dropping photos are designed to elicit the subject’s purest emotion right in the moment using no special effects. A production of RelativityREAL. Executive producers: Tom Forman, Tyler Shields and Zach Quinto.

Overthunk — A one-hour series that follows two teams of four talented creators as they compete to design, build and set off massive chain reaction machines. The best gizmo gladiators across America will face off in a weekly contest testing their mettle through gears and metal. Each week visits a new city, where natural rivals race against the clock and each other to brainstorm and build a fantastic apparatus that completes a specific task and keeps viewers holding their breath to see if these contraptions will actually work. Along the way, surprise “monkey wrenches” will challenge their minds and their patience. Produced by 25/7 Productions. Executive producer: Dave Broome.

Change the Day You Die — Change the Day You Die is an inspiring new reality series that uses state-of-the-art science to dramatically transport its participants into the future to face their own self-inflicted demise. Each of the seemingly healthy, unsuspecting candidates — nominated by friends, family and loved ones — will go on a 10-week transformational journey where they must master a series of mental and physical challenges designed to reverse their bad habits and add back valuable lost years to their lives.  Through medical-condition simulators, life-enhancing technology, unique graphics and special effects, each participant will experience firsthand the grim reality of their potential future so that they have the opportunity to change their ways before it’s too late. Produced by 3 Ball Productions/Eyeworks USA. Executive Producers: JD Roth and Todd A. Nelson (3 Ball Productions/Eyeworks USA) and Danny Fenton (Zig Zag Productions).
Imagination Nation — The innovators behind Hammacher Schlemmer, America’s oldest continuously published catalog that offers imaginatively unexpected and innovative products, go on the road to meet inventors from all walks of life to find fresh offerings for their inventory. Produced by North South Productions. Executive producers: Charlie DeBevoise and Mark Hickman.

America’s Smartest Kids — A thought provoking, reality competition show where the country’s most imaginative, innovative teenagers are challenged to invent a better future while competing for the title of America’s Smartest Kid. Executive producers: David Zelon and Michael Sardo.

SATURDAY ORIGINAL MOVIES

Red Faction: Origins — 2011 — Robert Patrick (Terminator 2), Brian J. Smith (Stargate Universe) and Kate Vernon (Battlestar Galactica) star in Red Faction: Origins, based on the hugely successful Red Faction video game franchise. Twenty-five years have passed since Alec Mason (Patrick) led the Martian Colonies to freedom …and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake.

Jake Mason (Smith), Alec’s only son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive.  As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them…a cold-blooded soldier sworn to destroy the Red Faction. Red Faction: Origins is produced by Universal Cable Productions and UFO Films.

Zombie Apocalypse (working title) — October 2011 — Months after a zombie plague has wiped out 90 percent of the American population, a small group of survivors fight their way cross-country to a rumored refuge on the island of Catalina.  A production of The Asylum.

Gretl — November 2011 — As an adult, a witch hunter (Hansel) returns to the village where he lived as a child to find and kill the witch who killed his sister, Gretl (Shannen Doherty), only to find that Gretl is not dead and danger lurks around every corner.  Produced by Chesler/Permutter Productions & Vesuvius Productions.

Snowmageddon (working title) – December 2011 — A story about a mystical snow globe that makes very bad things happen in the real world when it is shaken.  A production of Cinetel.

Bigfoot – 2012 — 1970’s pop culture icons Danny Bonaduce (The Partridge Family) and Barry Williams (The Brady Bunch) face off in the hunt for the legendary mountain creature.  A production of The Asylum.

St. Patrick’s Day Leprechaun (working title) — St Patrick’s Day, Saturday, March 17th, 2012 — An evil leprechaun who has been imprisoned within the roots of a majestic old oak tree, is accidentally set loose on St. Patrick’s Day.  Once free, he takes out his bloody revenge on the descendants of the people who originally imprisoned him.  A production of After Dark Films.

Roswell — June 2012 – The story selected by fans for Syfy and IGN.com’s B Movie Mogul project, 65 years after the original UFO crash at Roswell, another ship from the same far-off civilization comes to rescue their downed comrades – and continue their preparation to invade the earth. Directed by Jason Connery (Area 51, The Devil’s Tomb). A production of After Dark Films.

Jersey Shore Shark Attack — 2012 – While everyone else runs scared, vacationing Jerseyites fend off shark attacks on the shore.  A production of ARO Entertainment.

Dungeons and Dragons 4 (working title) — September 2012 – A princess and a rogue knight become reluctant heroes  inside a magical kingdom.  A production of After Dark Films with Silver Pictures.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

Dexter: Lights Out‘s Billy Brown To Join Cast For Season Six

Well, the prospects of a Lights Out rescue by another network just got a little slimmer as it’s been announced that Billy Brown, who played Richard “Death Row” Reynolds on the critically-acclaimed albeit short-lived series, has been added to the cast of Showtime’s hit drama, Dexter, in a major role as a Chicago detective who has recently transferred to Miami Metro and is already ruffling feathers.

As we noted two days ago, Edward James Olmos (Battlestar Galactica, Miami Vice), Mos (fka, Mos Def) and Colin Hanks (The Good Guys) are also joining Michael C. Hall on this talent-heavy cast for its sixth season.

ALERT! Edward James Olmos Joins The Cast Of Dexter

EJO: Won't Be In A Viper Anytime Soon

Well, Nuggets, don’t expect any role-reprisal cameos by an older Admiral William Adama on SyFy’s new BSG prequel series Battlestar Glactica: Blood & Chrome.  The Hollywood Reporter reports that Emmy and Golden Globe award-winning actor Edward James Olmos will be joining the cast of Showtime’s hit Dexter for its sixth season as a “brilliant, charismatic professor of religious studies.”  This intrigues us to no end as the moral and ethical implications of Dexter Morgan and his “dark passenger” have never really been touched upon to any extent and it has always seemed like there was an opportunity to address the spiritual/metaphysical with this show. Although we have no idea what the sixth season will be about, it only stands to reason that with such a prominent addition as Olmos to the cast in that role, that’s exactly where they’re headed.

Also joining the cast this season are Colin Hanks (The Good Guys) and Mos, the artist formerly known as Mos Def (The Boondocks).  No word on when season 6 will premiere yet, however, expect it around the third our fourth week of September again.  We’ll keep you posted on this and any more news about Dexter and all of our favorite shows as we find it out.

Summer Sci-Fi Alert! TNT’s Falling Skies Two Hour Premiere – Sunday, June 19th At 9:00 p.m.

FALLING SKIES opens in the chaotic aftermath of an alien attack that has left most of the world completely incapacitated. In the six months since the initial invasion, the few survivors have banded together outside major cities to begin the difficult task of fighting back. Each day is a test of survival as citizen soldiers work to protect the people in their care while also engaging in an insurgency campaign against the occupying alien force. 

At the center of the series is Tom Mason (Noah Wyle), a Boston history professor whose family has been torn apart. His wife was killed in the initial attack, and one of his three sons has been captured. Determined to get his son back and to ensure the safety of his other two sons, Tom must put his extensive knowledge of military history to the test as one of the leaders of the resistance movement known as the 2nd Mass, because of their location in Boston, Mass. They are constantly trying to gain intelligence about the aliens in order to one day outsmart and overtake them and hopefully rebuild their lives. 

Moon Bloodgood (Terminator Salvation) co-stars as Anne Glass, a pediatrician who works with the surviving children to help them cope with the traumatic upheaval in their lives. Will Patton (Armageddon, TNT’s Into the West) plays a fierce leader of the resistance, Weaver. The series also stars Drew Roy (Secretariat) as Hal, Tom’s oldest son and a growing fighter in the resistance movement; Maxim Knight (Brothers & Sisters) as Matt, Tom’s youngest son; Connor Jessup (The Saddle Club) as Ben, Tom’s son who was captured by aliens; and Seychelle Gabriel (Weeds) as Lourdes, an orphaned teenager who helps Anne in the group’s makeshift medical clinic. Colin Cunningham (Living in Your Car) is John Pope, the leader of an outlaw motorcycle gang and Sarah Carter (Shark) is Margaret, a wary survivor of Pope’s gang. 

FALLING SKIES focuses on the resilience of the survivors and their determination to maintain their humanity when all else has been destroyed. It is a tale of endurance, commitment and courage in which everyday people are called upon to become heroes. They may be outmatched, outnumbered and outgunned, but nothing can beat the human spirit. Most of all, the series is about the ties that bind people together in the most difficult of circumstances. 

The aliens in the series are mighty, mysterious and merciless. They are highly intelligent and use military-like tactics, which makes them an overwhelming force against the 2nd Mass. There are two types of aliens that the human survivors have named Skitters and Mechs. Combining live action and special visual effects, the Skitters have spider-like bodies and incredible strength and agility. The deadly, robotic Mechs stand upright and can shoot bullets from their arms. The aliens control captured children, like Tom’s son Ben, through bio-mechanical harnesses but have yet to reveal their ultimate plan for them. 

FALLING SKIES is executive-produced by Steven Spielberg, along with DreamWorks Television heads Justin Falvey and Darryl Frank, Graham Yost (Justified, The Pacific) and screenwriter Robert Rodat. Rodat, who earned an Oscar® nomination for his screenplay for Saving Private Ryan, wrote the pilot from an idea he co-conceived with Spielberg. Mark Verheiden (Heroes, Battlestar Galactica) and Greg Beeman (Heroes, Smallville) are co-executive producers. The pilot was directed by Carl Franklin (One False Move, Out of Time).  – TNT

Official Trailer:

Longer First Look Extended Trailer:

Steven Spielberg

So, here’s the question of the month:  How the H-E-Double-Hockey-Sticks did we miss this. Seriously, we’re genetically predisposed to have the first scoop on all new SciFi programming out there.  This is just embarrassing.  We only heard about Falling Skies yesterday when we saw the trailer on TNT and thought it was for a summer blockbuster that we didn’t know about.

That being said, this looks exceptionally well-done for basic cable with Dreamworks producing it and Steven Spielberg heavily involved with creating the aliens. Dare we say, it looks even better than Terra Nova and we think it has a better chance of staying on the air for a second season then TN as well because basically they’ve done everything right, so far, as far as production of Sci-Fi television is concerned.

1. 

   Yes... yes they do.

   It’s on Basic Cable and NOT on a Major Network. Better yet, it’s on TNT which overall in 2010 was the #4 cable Network on television and #2 for original non-niche scripted programming (for clarification, Disney and ESPN, #2 and #3, respectively, are niche networks) behind only USA.  The expectation for high audience numbers is dramatically lower on basic cable than it is on major network which is a luxury that TN doesn’t have on FOX and to make matters worse for TN, over the past decade, Sci-Fi is DEAD on Network television for this generation of audiences and has been an abysmal failure every time it’s been attempted and this dovetails into the next advantage for renewal FS has…

2. $$$$ Because FS is on basic cable, the production costs will be dramatically lower than any show on a major network and considering that TN is the most expensive show in the history of television, we can only imagine that the production costs of FS is infinitesimal in comparison to TN.  Again, this goes back to the ratings expectations that TNT will have for  FS as opposed to what FOX will have for TN. One of the biggest factors a show has to overcome is production costs.  When  24 was canceled last year, even though the ratings were continuing to drop they weren’t particularly awful.  The problem was (besides the fact that the producers admitted that the well had run dry) that the show was just so damned expensive to produce that they couldn’t justify renewing it.  A show has to get high enough ratings in order to justify high ad rates in order to justify high production costs. It’s that simple.  Considering what we said about the recent history of Sci-Fi on network, the advantage again goes to FS.
3. 

   The real reason why so many Sci-Fi shows are produced in Canada

   “O, Canada, Our Home and Native Land!” As soon as we saw the trailers for FS, the first thing we thought was, “Oh, this has to be being produced in Canada,” and as we confirmed with iMDB, it sure as heck is (Hamilton, Ontario to be precise).   It’s well-known that the key to keeping production costs down dramatically with Sci-Fi television is to film in Canada. Don’t believe us? Take a look at this list of Sci-Fi shows filmed in Canada over the last two decades.  Where is TN being produced? In ridiculously cost-prohibitive Australia which is just adding to the enormous price-tag of that show. Advantage, FS.

4. Shorter Schedule Beyond the obvious fact that producing more than twice as many episodes per season (22 for TN as opposed to 10 for FS) will cost twice as much for FOX, there’s also a much bigger issue and that is that a 22 episode season, by its nature, will air over the course of an entire television season, in this case (allegedly) 2011 – 2012.  This means long hiatuses and reruns for the show which has proven time and time again to be catastrophic for Sci-Fi and genre which is exactly why they eventually stopped doing it with 24, Lost, and Alias to name a few, instead, choosing to air their entire seasons as mid-season replacements without anything more than the random one week break between new episodes.  Today’s audiences have ZERO patience for serials to begin with, nevertheless Sci-Fi serials,  and they will not tolerate shows that leave them hanging for six weeks to several months at a time.  FS will air new episodes continuously for ten weeks and it’s airing in the middle of summer with no competition from the major networks which is a strategy that continues to be proven successful for basic cable networks.

Finally, 22 episodes of Sci-Fi is just too much for major network television (and no, even though The CW is a major network, they don’t count for the purpose of this discussion for obvious reasons.).  Today’s major network audiences just will not hang in there for 22 episodes of Sci-Fi any more.  Now, we love Fringe and we’re certainly thrilled it got picked up for a fourth season but that is an anomaly and the audience numbers haven’t been particularly great for it which is why it got moved from the middle of the week to Friday to begin with.  The standard 10 – 13 episode seasons for original programming on basic cable works just fine for Sci-Fi. Advantage, FS.

Will the real Slim Shady please stand up?

So why are we so excited about FS? Well, first, the trailers look fantastic and yes, we know it’s not a particularly original concept stealing aspects from The Terminator, Battlestar Galactica, V,  The Road, Independence Day and War of the Worlds, to name a few (not to mention that the whole “stealing children and technologically altering them” concept is eerily similar to the Borg in Star Trek) but heck, we like that kind of Sci-Fi because it invariably promises us great action and character development.  We also don’t think that it’s a coincidence that Noah Wyle looks like he was separated at birth from Terminator: Salvation star and leader of the resistance Christian Bale (John Connor).

Along with the great action, though, is that shows like this invariably raise thought-provoking philosophical questions about humanity, often without the audience realizing it until after it’s happened. This is one of the marks of great Sci-Fi storytelling which this particular brand of Sci-Fi excels at and we really expect nothing less considering the heavy hitters that are on board for this and their experience and success they bring to this in the writing and production department (see the last paragraph of the show description at the top).

Also, just to preempt the inevitable cries of “it’s not an original concept” from the peanut gallery (that have already begun), we’ve got news for you:  there are no original concepts in Sci-Fi anymore. Every concept you can think of has been thought up by someone else in this genre and been done already.  It’s the execution of concept that counts and that’s what will be the deciding factor in FS‘s success or failure.

Check out the official Falling Skies webpage, here.

Drexfiles: Fantastic Behind The Scenes Star Trek Video Of The U.S.S. Reliant Filming Model & The Voyager Bridge Set

Doug Drexler: Old School on Star Trek: The Next Generation

Doug Drexler, one of the best visual effects guys in the business (all four modern Star Trek series, Battlestar Galactica, Caprica, and the forthcoming Battlestar Galactica:  Blood & Chrome), has released a great episode of his D-Files show on his own WordPress blog, drexfiles, and we felt compelled to share it.

It features home video footage taken by his friend and collaborator on Star Trek and the BSG series, Gary Hutzel, of the U.S.S. Reliant filming miniature and video that Doug himself took of the Voyager bridge set moments before it was torn down for good post-series finale in 2001.

Gary Hutzel

Doug gives great insight into the world of Sci-Fi visual effects and what it was like working on Star Trek and BSG.  Even if you’re not a fan of Star Trek or BSG, we highly recommend his blog as it’s very entertaining.

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Being Human (SyFy – Monday, 9:00 p.m.)

Being Human is a re-imagining of the acclaimed BBC original series that follows three 20-something roommates: A ghost, a vampire and a werewolf who are struggling to keep their dark secrets from the world, while also helping each other navigate the complexities of living double lives.

The series will star Sam Witwer (Smallville, Battlestar Galactica), Meaghan Rath (The Assistants), Sam Huntington (Cavemen, Superman Returns) and Mark Pellegrino (Lost, Supernatural). – Syfy

8 out of 10

After being thoroughly disappointed in season three of True Blood and having no interest in the teen-soap silliness of The Vampire Diaries, we approached Being Human skeptically to say the least.  A ghost, a vampire and a werewolf live in an apartment together… yes, we know.  It sounds like the beginning of a really bad joke or a sit-com on FOX, but believe it or not, after watching the first three episodes, we’re happy to say that it doesn’t suck… at all.  Well, Aidan (Sam Witwer) the vampire sucks… but he’s working on that.

Since we mentioned our disappointment in True Blood, we’d like to take a moment to discuss why we’re so disappointed in that series and why Being Human is a breath of fresh air for the genre.  As we see it, True Blood, like many-a-series on HBO, now tends to focus on excess for the sake of excess because… well, it’s premium cable and they can damned well do what they want short of porn and snuff films.  Unfortunately, excessive sex, violence and profanity is replacing quality narratives and strong character development.  Subtlety and nuance are virtually non-exist on True Blood, now, and what was once a compelling storyline has devolved into the arena of pure melodrama that it is completely unbelievable and inaccessible.

Matt Volke of The Movie Bros. was at Casa De ‘Tastic in May and just happened to stroll into the room for one five-minute segment of True Blood and he couldn’t stop laughing at the absolute absurdity of the show.  Our immediate reaction was to make excuses for it and say words to the effect of, “Yes… that was ridiculous but it’s normally not like this.”  The sad fact is that absurdity is now the norm on True Blood. For the record, this is not the first time this has happened to a show on HBO.  The Sopranos, Rome and even Alan Ball’s other HBO hit, Six Feet Under, are all prime examples of once-great shows that ended up choosing shock-value in place of good story telling and style over substance.

This is why we like Being Human so much.  Being Human does not have the crutch of excess to use in place of strong character development and compelling story lines.  In other words, because it’s on basic cable, it can’t cheat.  Now, don’t get us wrong, Being Human is quite dark at times and it does have its share of violence but the “horror” violence for the most part is simply alluded to and implied (the first bite of a vampire on a female victim, the aftermath of a werewolf attack on a deer, a flashback of the aftermath of an entire wedding reception being slaughtered by vampires, etc.) whereas on a show like True Blood, the same type of scenes of violence would be graphic and gory, leaving nothing to the imagination and a complete sense of detachment.

Despite its darkness, Being Human excels in levity with its three main characters who all interact with each other quite well and they all bring their own unique sense of humor associated with their own supernatural affliction but at the end of the day, they are all very relatable and – here’s that word, again – accessible to audiences.   We truly love the storyline so far and Mark Pellegrino (Lost) is brilliantly cast as the shades-of-gray villainous vampire, Bishop, in this outstanding addition to SyFy’s lineup.

As a final word of warning, we would highly recommend that you ignore any critique of this show that compares it to its BBC predecessor.  We’ve never seen the BBC version, which we are sure is great, but we believe it’s irresponsible to judge a series based upon another series and not on its own merits despite the fact that they are based on the same material.

Watch full episodes of Being Human, here.

Fall 2010 Post-Game Wrap-Up (Tuesday)

Welcome to part three of the mid-season 2010 – 2011 review. In this post we’ll be discussing Tuesday’s programming.

8:00 p.m.

 

ABC – No Ordinary Family

We’re sad to say that as much as we were excited after the pilot of No Ordinary Family, the show has turned out to be, well, pretty ordinary and it’s suffering in the ratings because of it. In our review, we noted that one of No Ordinary Family’s greatest assets was the focus on the Powells as a family. Well it’s turned out that this aspect of the show is becoming its greatest liability. This is supposed to be a live-action Incredibles which means at the heart of the series, it should be a superhero show first. It hasn’t worked out that way. This show is far more focused on the dysfunctional nature of the family and each character’s individual neurosis than it is in crime-fighting.

To make matters worse, they go through this charade every week about how “it’s too dangerous to use these new powers so we won’t use them” and then they go ahead and use them. That’s getting pretty stale and it’s frustrating for audiences because it’s like they haven’t come up with a premise for the show, yet. Are they crime fighting superheroes or what?

The next problem is Michael Chiklis and not him per se, but the casting of him in this role of police sketch artist, Jim Powell. In the beginning we felt that his talent and presence would carry this show, but again it’s not working out that way  because of how the character is written. To put it bluntly, we don’t mind sensitivity in a male character, but Mrs. Powell has more balls than Jim. We can’t remember the last time we saw a protagonist as completely emasculated as Jim Powell and it’s even more striking considering Chiklis’ last lead role on The Shield. Quite simply, Vic Mackey needs to grow a pair.

It’s not looking good for No Ordinary Family in the ratings and based on that alone it would be unlikely that it would be picked up for a second season, however, No Ordinary Family is no ordinary show. It’s an ABC Studios production and is the personal pet-project of Disney. Despite the low ratings, it is entirely conceivable that No Ordinary Family may get at least a second season to sort out its issues.

We still like the show and because it hasn’t had any kind of real serial arc, it is much easier to fix the problems in the show going forward and save it than it is to save a show, for example, like The Event without a massive overhaul.

CBS – NCIS

In its eighth season, NCIS is as good now as it has been in the past several years and it is still one of the highest ranked dramatic series on television for that reason. Not much more to say than that.

FOX – Glee

*Sigh* It pains us to say this, but Glee has become a victim of its own hype. The musical numbers are still wonderful but the show itself has become so exaggerated and unbelievable that we aren’t even watching any more. Prime example: we tuned in on a whim the other night to watch the Christmas episode and here is the premise that we were supposed to buy:

Exceptionally nerdy kid in a wheelchair is dating cute blonde cheerleader, Brittany… who (and I’m not kidding) still believes in Santa. So, the Glee Club takes her to the mall – together… because they can’t take a dump without each other – to sit on black Santa’s lap (and mind you, a black Santa who was wearing his beard off of his face) and Brittany comments on how tan he is and asks him for her boyfriend to be able to walk for Christmas.  Santa says, “OK.”  Meanwhile, at the Batcave, Sue has rigged the “Secret Santa” event and put her name on every slip of paper in the empty protein shake container. It gets better: We are also treated to an ever-so- slightly creepy rendition of Baby, it’s Cold Outside by the gay kid and another gay kid he’s pining for that is sure to be a hit with the NAMBLA crowd and to top things off, at the end of the episode the aforementioned nerdy kid has a pair of robot legs from Israel waiting under his tree and nobody knows where they came from! Surprise! Surprise! Surprise!

So basically, the show has gotten ridiculous but it doesn’t seem to care because they are walking on water right now after their breakout surprise success last year and can pretty much do what they want. We believe that they have jumped the proverbial shark but via stealth and no one has noticed yet.  Although the show is incredibly popular right now (it is FOX’s highest rated scripted show) and will certainly be renewed for a third season, we believe that when it crashes it will crash hard and suddenly because audiences are going realize that they’ve been watching a, if not horrible, at least very silly show for a while.

Glee completely lacks the heart it was known for in its first season and the only really positive aspect of the show in its sophomore season was the GQ photo spread the cast appeared in.

The ‘Tastic would like to say to all of our male readers in advance, “You’re welcome.”

SyFy – Caprica

The Battlestar Galactica prequel failed miserably during the second half of its first season for many reasons and was cancelled with five episodes remaining. It was certainly a show we liked, but we get why it failed. We did an analysis of its demise, here.

9:00 p.m.

 

CBS – NCIS: Los Angeles

When we’re wrong, we admit it. We started watching NCIS: Los Angeles this season because we promised we would. We’ve watched the first three episodes in the last week and I have the rest on DVR and we are impressed. It’s a lot more compelling and complex than it was in the beginning of last season (when we stopped watching) and the characters have actually become likable. This is good for this franchise because it’s using all of the elements that have made the original NCIS so successful. The audience numbers for this show are phenomenal so you can be sure that there will be a season three.

FOX – Raising Hope

Another case of admitting when we were wrong with this one. As noted in our preview and subsequent review, Raising Hope is a surprisingly funny and charming show. It’s officially a bubble-show at this point so it could go either way for a second season.

SyFy – Stargate Universe

The watered-down version of Battlestar Galactica meets Star Trek: Voyager has also been canceled. SGU wasn’t a particularly bad show, it just wasn’t a particularly good show and it wasn’t nearly as good as the other series in the franchise. Sorry, SGU, but you really won’t be missed.

10:00 p.m.

 

ABC – Detroit 1-8-7

In yet another example of we here at The ‘Tastic admitting when we were wrong, as noted in our review, Detroit 1-8-7 has been a pleasant, if not completely original, surprise. Yes, it’s a formulaic cop show that rips off its style from every cop procedural that’s aired in the last 20 years and yes there are a handful of cringe-worthy, eye-rolling clichéd moments in every episode but overall, the stories are compelling and the characters are pretty well-written if not all fleshed out yet.

We are particularly impressed with Michael Imperioli (Life On Mars, The Sopranos) as Detective Louis Fitch and although this is an ensemble cast, Imperioli steals the show. We couldn’t be happier as Imperioli is an excellent actor and it’s not only nice to see him in a lead role but it’s particularly nice to see him as something more than a foul-mouthed gangster. Nothing against The Sopranos, but we feel that it’s pigeon-holed a lot of fine actors who have found little success since the series ended in 2007.

Unfortunately, though, Detroit 1-8-7 is on the ropes right now and will probably not be renewed for a second season.

Next up, we take a look at Wednesdays.

TV SCOOP! ‘Battlestar Galactica: Blood & Chrome’ Preliminary Concept Art Released!

This isn't one of the pics released, we just found it on the Internets, thought it was cool and created a title for it.

***UPDATE: DOUG DREXLER HAS CONFIRMED WITH THE THE ‘TASTIC TODAY THAT HE IS ATTACHED TO THE BLOOD & CHROME PROJECT AS WELL***

“Happy New Year Shawn! Yes! [VFX Supervisor]Gary [Hutzel] drags my bleeding corpse with him everywhere he goes!”

Check out Doug’s blog at the Drexfiles, right here on WordPress.  LOTS of fun stuff there.

Well, Battlestar Galactica fans, it looks like the highly anticipated prequel, Blood & Chrome is quickly becoming a reality.  Last month, we reported to you in our Caprica post-mortem that the pilot for the series had been green-lit and what the premise was.  Blastr.com has obtained exclusive concept art from the show’s producers (scroll down to the bottom for the slideshow) and the word is that principle shooting is to begin in late January, 2011.

Galactica SITREP did a brief interview with writer and executive producer, Michael Taylor who provides a bit of insight into these images and into the pilot:

“Those pics were just the first of the many concept art sketches we’ve been creating. They don’t necessarily reflect any particular incidents in the script; as “concept” drawings they’re helping us flesh out the new world of Blood & Chrome. And it is a new world, one that owes much to the BSG series of the past but at the same time uses CGI to open up that world in ways that we hope fans will find fresh and exciting.

As for the show’s status, SyFy has officially green-lit a two-hour pilot, and we have begun pre-production, with filming expected to begin at the end of January, or very shortly thereafter. This is the fun part for me: seeing the script take tangible shape (or “virtually tangible” shape, since practically all of the pilot will be shot on green screen) as our director (Jonas Pate), DP (Lukas Ettlin), VFX supervisor (Gary Hutzel) and a host of artists — and of course the cast that we’ll soon be gathering — bring it to life.”

We have just a few observations about this latest news:

First, it seems to us that all of this is coming together amazingly quick which means either one of two things:  SyFy is incredibly eager to wash the taste of Caprica out of its mouth and breathe life back into the most successful franchise in its history or this is a lot of wishful thinking on the producers’ part as to how fast this is all coming together.

We’d like to hope it’s the former, but this whole process seems to be going at FTL speed for us.  Goodness, the project just got green-lit it in November and the casting hasn’t even been made public on IMDb.  Then again, this is Hollywood and if, as Taylor notes, virtually all of the two-hour pilot will be shot on green-screen then you don’t have to do a whole lot as far as set dressing is concerned and we suppose it could be done that quickly.  It’s the post-production and visual effects that will take a lot longer than usual.

Which brings us to another concern, not necessarily a criticism, but a concern nonetheless:  Virtually all of the two-hour pilot is going to be shot on green screen?  Really? Are we talking Phantom Menace here?  One of the more appealing aspects of BSG was the ability to effectively mix practical sets with digital elements to the point where it was generally seamless (at least in the interior scenes) and it always makes us cringe a little when we hear about such a dramatic shift in production (especially THIS shift because we are very much opposed to the over-reliance on CG) to a franchise known for high-quality visual effects.  That being said, Gary Hutzel is in charge of visual effects again and he is a master at combining practical filming and CG effectively (see: Star Trek: Deep Space Nine and, of course, Battlestar Galactica).  So, at this point we will remain less skeptical than we normally would be.

We also need to correct the Blastr.com piece we alluded to earlier.  Despite what the piece says, Blood & Chrome will not be a “two-hour pilot movie,” it will simply be a two-hour pilot episode.  The distinction needs to be made because calling it a “movie” implies by its nature that it is a “backdoor  pilot.”  A “backdoor pilot” is a made for television movie that is produced with the intention of the movie acting as a pilot episode for a potential series but is written as a standalone, self-contained story if the series isn’t picked up.  This is an important distinction because if the indications were that a project was to be a “movie,”that would mean that the network would be waiting to see how the “movie” does in the ratings before ordering episodes for the series.  That means that if it doesn’t do well in the ratings, you’ll never see a regular series episode.  If it does do well, however, it will be several months before you’ll see new episodes.

If, on the other hand, a show is planned as a conventional pilot, that means that the network heads will watch the pilot, decide if it’s good enough to order additional episodes, and then proceed from that point.  They will then air the two-hour pilot episode and shortly thereafter, air the new series episodes.  If the network heads don’t like the pilot, don’t worry about the series being canceled because you’ll never even see the pilot.  There has been absolutely no indication whatsoever that the two-hour pilot for Blood & Chrome is anything but a two-hour pilot episode and in this case that’s absolutely a good thing.  SyFy isn’t going to wait around to see how the pilot does in the ratings when they already have the established BSG audience built-in, just as they did with Caprica, so if it airs (which we are sure it will) expect that the series will follow.

Yes, we are certainly aware that Blastr.com is a SyFy Channel project, but they got this wrong and it happened for one of two reasons:

1. It was completely intentional in order to hype the pilot. This is a well-known practice in genre.  The Star Trek franchise was notorious for calling two-hour episodes “movies” or “movie-events” in the mid-to-late 90’s and in more recent years, 24 did the same thing with their two-hour episode Redemption, and in fact, they are still clinging to this notion that Redemption is a “film.”  Nah… it was just the season seven primer that aired two months prior to the season premiere to make up for the fact that the series had gone 18 months without an original episode because of the writer’s strike and they wanted to spark interest in it again.  So, again, this practice isn’t unheard of, but it’s misleading for the average audience who thinks that “movie” implies that they will be watching an original feature film on basic cable.

2.  It was just a mistake, typical of an over-exuberant blogger. We freely admit that we’ve made similar mistakes based on our excitement for a particular project.  Simply look at our rating of The Event for evidence of that.  Blastr.com is a professional site but it’s still a blog.

Finally, we are very excited about the choices in writers for Blood & Chrome if what’s reported on IMDb is accurate.  Ignore the references to Ron Moore because he has nothing to do with the new series (and we doubt Glen Larson does either), he’s simply listed as the developer as a courtesy and because he is responsible for developing the franchise and tacking his name onto the project gives it credibility.

On the other side of the coin, though, it is being Executive Produced by David Eick (and that is confirmed, it’s not just a courtesy title) and Michael Taylor as well as being written by Taylor, David Weddle, and Bradley Thompson.  This trifecta of writers was not only part of the major core of writers for BSG but they are also responsible for some of the absolute best episodes of Star Trek: Deep Space Nine as well, which has been hailed by critics as the best series of that franchise, and it revolved around an intergalactic war so these gentlemen certainly have credentials in that department.

The ‘Tastic will keep you up to date as we find out more about Battlestar Galactica: Blood & Chrome.

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‘Caprica’ – A Post-Mortem Analysis and News of the New BSG Series

If you haven’t heard the news, last week SyFy cancelled the critically acclaimed Battlestar Galactica prequel series, Caprica, which chronicled the history of the 12 colonies (more specifically, Caprica) and the events that led to the first Cylon war. Although, heavily promoted before the series debuted in January, Caprica never lived up to its hype with audiences and its poor ratings reflected that.

Since the announcement, there has been a misguided fan campaign to keep the series alive with of all things, bombarding the SyFy Offices with apples. You see, this esoteric reference that even the folks at SyFy probably won’t get is in regards to the symbolism of the Cylons’ “original sin” (and an apple appeared regularly in Caprica promotional materials). Clever, right?

Yeah… nobody cares.

I’m going to have to concur with the “Let it Go” sentiment on this one as much as I liked the show and am a fan of BSG, Caprica was a good show but it’s far too cerebral for the franchise considering that there was very little action. Unfortunately, fans expected a shoot-em up because it was a BSG prequel and a lot of viewers just can’t get past the fact that it isn’t that type of show. Revolving it around angst-ridden, teenage girls didn’t help it either.

As is the usual case for when any genre show gets cancelled, the choruses of “the network didn’t promote it well enough,” “switching the night it aired killed it,” and my favorite, “SyFy was greedy and split the season up into two parts to double-dip on on the DVD’s” are being sung by the fans.

As noted, the claim that the show wasn’t promoted well enough simply isn’t true. SyFy promoted the crap out of it before its series debut and the numbers were miserable for season 1.0 as well. It was lucky it got picked up for 1.5.

As far as the change of nights is concerned, it was purely a defensive measure. I wrote a piece about this on last month. Networks (excluding FOX) are taking Friday nights seriously now with their programming. It’s no longer considered a dumping ground for failing shows. That hurts SyFy because they took advantage of that for years. Both Caprica and Stargate: Universe have had awful ratings regardless of the night they have aired.

As far as the split-season is concerned (again, not that they would have mattered), it’s because the 1.5 episodes hadn’t been produced. Doug Drexler (CG supervisor for Caprica) confirmed with us that they had just finished all the post-production work for the season finale on August 28th so the main reason that the season was split was that the episodes weren’t complete.

The issue of the split seasons being taken advantage of by SyFy for DVD revenue comes up all the time as if it actually has some merit. It really doesn’t. Why would SyFy intentionally cut off their nose to spite their face by damaging the series overall by breaking up the continuity of it in order to boost DVD sales for one half of a season? Not only does it not make any sense for the simple reason that SyFy can split up a DVD set into two parts regardless of whether or not the season was actually split up when it aired, but intentionally hurting the continuity and thereby hurting the ratings precludes them from future DVD releases of subsequent seasons.

My point on all of that is that what ANY fan of ANY series wants if they want their show to survive is for “X” network to be as greedy as humanly possible because that means they’ll try to milk the series for as much money as they possibly can and that means they’ll do whatever they can to make sure the series lasts a long time.

The problem was that it couldn’t build an audience because even though it was pretty good, there simply wasn’t enough exciting going on to compel audiences to tune in every week until the last four episodes and all the apples in the world can’t change that.

However, that being said, the series that every fan wants to see, the one revolving around the war with the Cylons and the twelve colonies has been green-lit.  The project called Battlestar Galactica: Blood & Chrome will feature a young William Adama and is officially described as such:

“Battlestar Galactica: Blood & Chrome takes place in the 10th year of the first Cylon war. As the battle between humans and their creation, a sentient robotic race, rages across the 12 colonial worlds, a brash rookie viper pilot enters the fray. Ensign William Adama, barely in his 20’s and a recent Academy graduate, finds himself assigned to the newest battlestar in the Colonial fleet… the Galactica. The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade long war in favor of the desperate fleet.”

All things considered, it would be nice if they did a two-hour movie to wrap up Caprica in the future and tie up the loose ends. Or, even better, incorporate it into the B & C pilot like Chris Carter did with Millenium and The Lone Gunmen on The X-Files.  In fact, it would seem to be a necessity because there is so much that was going on in Caprica that was the prelude to the first Cylon war and the development of the Cylons self-awareness to begin with that it would seem counter-productive to the franchise if they didn’t.

You can watch some full episodes of Caprica, here and Netflix subscribers can watch all fours seasons of the reimagined Battlestar Galactica series through the Netflix streaming service.

More fun: Hulu has all 24 episodes of the Original Battlestar Galactica (1978) available absolutely free, here.