Geek Alert! Torchwood: Miracle Day Official Trailer Released

One day, nobody dies. All across the world, nobody dies. And then the next day, and the next, and the next, people keep aging — they get hurt and sick — but they never die. The result: a population boom, overnight.

With all the extra people, resources are finite. It’s said that in four month’s time, the human race will cease to be viable. But this can’t be a natural event – someone’s got to be behind it. It’s a race against time as C.I.A. agent Rex Matheson investigates a global conspiracy. The answers lie within an old, secret British institute. As Rex keeps asking “What is Torchwood?”, he’s drawn into a world of adventure, and a threat to change what it means to be human, forever. – Starz

Starz has released an official trailer for the upcoming series Torchwood: Miracle Day that actually contains footage from the new series as opposed to every other trailer out there. Now, when we say ‘new series,’ we use the phrase loosely as the series is only new to the U.S. in first-run.  It’s actually the fourth season of the BBC SciFi hit, Torchwood, which is a spinoff of the BBC SciFi hit Dr. Who. As an aside, here’s the thing we don’t get:  they call a season a ‘series’ in th U.K. So, this begs the question,  if they call a season a series what do the call a series?  Did we mention that their food is awful as well.

Anyway, we started watching Torchwood a few months ago on Netflix streaming and we love it and one of the things that’s so great about it is that the U.K., ironically, does not have the same kind of puritanical standards for broadcast television that we have here in the U.S.  Unlike Dr. Who, this show simply is not appropriate family viewing in the U.S. without serious editing (which is exactly what we assume they did when they aired the first three seasons on BBC America).  Honestly, this show can’t even be aired on F/X, and is the domain of premium cable exclusively and that’s why we’re thrilled that Starz picked this up instead of FOX, which was the original intention.  It would have been a watered-down mess if it had been on a Big-5 network.

Just by watching this trailer, it’s obvious that the U.S. treatment of this show is going to provide a much-deserved blockbuster film-feel upgrade, and look… Bill Pullman’s working again!  Now, we need to make clear that fans who have never watched the series shouldn’t be scared off by jumping into the fourth seasons.  First the show has been like The X-Files in both substance and style and even though there is a continuing story-arc, the episodes have stood on their own.  Now, this new season, as to be expected from any premium cable drama will obviously feature a self-contained story-arc over the course of the ten-episode season and even though you may have not watched it before, rest assured that the producers will fill you in on the pertinent details that you’ll need.  But, don’t forget, you can always get yourself acquainted by checking out the series on Netflix.  I mean, seriously… we’re only talking about 31 episodes and you have over a month to do it and there’s not that much else on TV, right now.

Torchwood: Miracle Day premieres on Starz on Friday July 8th at 10:00 p.m.  and we highly recommend it.  You’re going to have a blast.  By the way, if you’re one of the few people who have an Internet connection and don’t have Netflix, you can still watch full episodes of seasons one through three right on YouTube as apparently no one’s caught up to the fact that users have uploaded it.  Check it out here.

RETRACTION: The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!

Yesterday we reported that Cheryl Cole had been replaced by the Pussycat Dolls’ Nicole Scherzinger as a judge on FOX’s upcoming singing competition show, The X Factor. Everything in the piece itself was accurate however our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not.  Simon Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.

The Hollywood Reporter is citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone.  Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her.  Since Simon Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision.  This obviously was a mistake.

We have also issued the retraction made the correction on the original piece.

ALERT! The X Factor: Cheryl Cole OUT! Simon Cowell Says FOX Execs: ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!

We reported two weeks ago that Paula Abdul had signed on as a judge alongside her former American Idol co-judge, Simon Cowell on his highly anticipated singing competition show, The X Factor, along with Cheryl Cole and L.A. Reid.  TMZ is reporting that Cheryl Cole, who was a judge on the U.K. version of the show, has been replaced by the Pussycat Dolls’ Nicole Scherzinger citing concerns over American audiences having difficulty understanding her because of her thick British accent and a lack of chemistry with Abdul.  Producers now want Cole to return to the U.K. version of the show but sources say that she is so angry about how the situation was handled that she may sever ties with the franchise entirely. We doubt it.  We wouldn’t even know who she was if not for this so she needs all of the exposure she can get.

We look at this two ways: first how bad could her accent possibly be?  If American audiences can sit through Ewan MacGregor’s Scottish brogue in Trainspotting:

… then we can certainly handle this:

Now of course, the best part of the clip above is that if you listen closely, she pauses in the middle of that to squeak out a little fart.  G’head… go back and play it again, we’ll wait.

See, we told you.

Now aside from the obvious issues of farting on the air and how that probably isn’t something that will be embraced by American audiences (except us), the ultimate irony here is that Simon Cowell is concerned that American audiences aren’t going to be able to understand My-Fair-Lady/the-rain-in-Spain-falls-mainly-on-the-plain up there but he doesn’t have any concerns about two or three nights per week of this in primetime:

Steve Jones: Limey Stud

Obviously, though, if the other issue was chemistry with Abdul, it was simply a no-brainer that Cole would be the expendable judge.  Scherzinger was originally cast to co-host the show with Steve Jones but now with the move, he’ll be doing it alone.  Don’t feel bad folks, we don’t know who he is either however, apparently he’s quite popular in the U.K. and in order to get this gig he had to initially promise not to nail his fellow co-stars and no, we aren’t kidding. Just for that alone he gets our endorsement.  But seriously, how hard can it be? Seacrest has been doing it for a decade and he hosts a daily radio show and that dopey show on E!

EDITOR’S NOTE – RETRACTION:  Our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not correct.  Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.

The Hollywood Reporter is citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone.  Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her.  Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision.  This obviously was a mistake.

See the full retraction, here. 

NBC Announces Fall 2011 – 2012 Schedule

Today, NBC announced their new Fall Schedule, a day ahead of the Monday upfront advertising event.  In case you’re wondering why you’re not seeing some of your favorite shows, it’s because they’ve been canceled as we noted in this post, here.  After the dust settles, we’ll be sure to comment on all of these new and returning shows.

Folks, don’t forget that the major network up-front advertising events begin TOMORROW, Monday, May 16th and go on through Thursday.  This is the week that we will find out the fates of all this season’s shows that haven’t already been decided and we’ll also find out what new shows will be on the schedules for the 2011 – 2012 season. You can find out the schedules for all of the events, here.

Vis Press Release:

WITH A COMMITMENT TO INNOVATION, STRATEGIC POSITIONING AND SEASON-LONG STRENGTH, NBC REVEALS ITS 2011-12 PRIMETIME SCHEDULE

Fall and Mid-Season Lineups Feature New Dramas “Smash,” “Prime Suspect,” “The Playboy Club,” “Awake,” “Grimm” and “The Firm”

New Comedies Are “Up All Night,” “Whitney,” “Are You There, Vodka? It’s Me, Chelsea,” “Free Agents,” “Best Friends Forever” and “Bent.”

NEW YORK CITY — May 15, 2011 — NBC has introduced its 2011-12 primetime schedule, showcasing six new dramas and six new comedies from a roster of renowned hit-makers that includes Steven Spielberg, Lorne Michaels, Brian Grazer, Tom Werner, John Grisham and Peter Berg, among many others.

The season’s new dramas are “Smash,” “Prime Suspect,” “The Playboy Club,” “Awake,” “Grimm” and “The Firm”; and the new comedies are “Up All Night,” “Whitney,” “Are You There, Vodka? It’s Me, Chelsea,” “Free Agents,” “Best Friends Forever” and “Bent.”

Returning shows include “Parenthood,” “Law & Order: Special Victims Unit,” “Harry’s Law,” “Chuck” (for its fifth and final season of 13 episodes), “Community,” “Parks and Recreation,” “The Office,” “30 Rock” and “DatelineNBC.” Among next season’s returning alternative series are “The Voice,” “The Sing-Off,” “The Celebrity Apprentice” and “The Biggest Loser,” each in two-hour formats.

The new lineup combines schedule stability with strategic changes that position the network for future growth. Key facets of the schedule include a new hour of comedy with the Wednesday debuts of “Up All Night” (8-8:30 p.m. ET) and “Free Agents” (8:30-9 p.m. ET) and an update to NBC’s critically acclaimed Thursday lineup with the premieres this fall of the new comedy “Whitney” (9:30-10 p.m. ET) and the first-year drama “Prime Suspect” (10-11 p.m. ET). In addition, NBC has made a strong commitment to original scripted programming on Friday nights with the pairing of “Chuck” (8-9 p.m. ET) in its climactic season with the new drama “Grimm” (9-10 p.m. ET).

The #1 new series of the current season, “The Voice,” returns at mid-season on Monday nights (8-10 p.m. ET) and will serve as the lead-in to the new musical drama “Smash” (10-11 p.m. ET). In the fall on Mondays from 8-10 p.m. ET will be another growing NBC reality success, “The Sing-Off,” now in a weekly format following its strong December showings of the past two years.

Additional details unveiled in today’s announcement include a run of uninterrupted originals for “30 Rock” starting at mid-season and a post-football Sunday lineup of “Dateline NBC” (7-8 p.m. ET), “The Celebrity Apprentice” (8-10 p.m. ET) and the new drama “The Firm” (10-11 p.m. ET). Additional new series ready for mid-season include the drama “Awake” and the comedies “Are You There, Vodka? It’s Me, Chelsea,” “Best Friends Forever” and “Bent.”

The announcements were made by Bob Greenblatt, Chairman, NBC Entertainment.

“Next season begins the rebuilding of the NBC primetime schedule, and our goal is to reinvigorate our audience with a line-up of appointment television that includes our best returning shows and a variety of innovative and attention-getting new series. We’ll be placing a great deal of emphasis on how we launch each one of our programs and on maximizing the network’s strengths throughout the fall and well into mid-season,” said Greenblatt. “Considering it’s only been three months since new management took over, I’m very pleased with what has resulted from a very strong pilot season. And with a powerful new asset like ‘The Voice’ already in hand, we go into the 2011-12 season with cautious but incredible optimism.”

NBC FALL 2011-12 SCHEDULE
*New programs in UPPER CASE; all times ET)

MONDAY

8-10 p.m. – “The Sing-Off”
10-11 p.m. – “THE PLAYBOY CLUB”

TUESDAY
8-10 p.m. – “The Biggest Loser”
10-11 p.m. – “Parenthood”

WEDNESDAY
8-8:30 p.m. – “UP ALL NIGHT”
8:30-9 p.m. – “FREE AGENTS”
9-10 p.m. — “Harry’s Law”
10-11 p.m. — “Law & Order: Special Victims Unit”

THURSDAY
8-8:30 p.m. – “Community”
8:30-9 p.m. — “Parks and Recreation”
9-9:30 p.m. – “The Office”
9:30-10 p.m. – “WHITNEY”
10-11 p.m. – “PRIME SUSPECT”

FRIDAY
8-9 p.m. – “Chuck”
9-10 p.m. – “GRIMM”
10-11 p.m. – “Dateline NBC”

SATURDAY

Encore programming

SUNDAY
7- 8:15 p.m. — “Football Night in America”
8:15-11:30 p.m. — “NBC Sunday Night Football”

NBC 2012 MID-SEASON HIGHLIGHTS

*New programs in UPPER CASE; all times ET)

SUNDAY

7-8 p.m. – “Dateline NBC”
8-10 p.m. – “The Celebrity Apprentice”
10-11 p.m. – “THE FIRM”

MONDAY
8-10 p.m. – “The Voice”
10-11 p.m. – “SMASH”

2011-12 NEW SERIES DESCRIPTIONS

New Dramas

‘PRIME SUSPECT’ — Based on the critically acclaimed British television series of the same name, “Prime Suspect” has been redeveloped for American audiences by writer Alexandra Cunningham (“Desperate Housewives,” “NYPD Blue”), director Peter Berg (NBC’s “Friday Night Lights”) — and stars Maria Bello (“A History of Violence”) as tough-as-nails Detective Jane Timoney. Timoney finds that being a homicide detective in New York City is tough enough and having to contend with a male-dominated police department to get respect makes it that much tougher. She’s an outsider who has just transferred to a new precinct dominated by an impenetrable clique of a boys’ club. Timoney has her own vices too — with a questionable past — and she tends to be forceful, rude and reckless. But she’s also a brilliant cop who keeps her eye on one thing: the prime suspect. Also starring are Aidan Quinn (“Unknown”), Brian O’Byrne (“Flash Forward”), Tim Griffin (“Star Trek”), Kirk Acevedo (“Fringe”), Joe Nieves (“How I Met Your Mother”), Damon Gupton (“The Last Airbender”) and Peter Gerety (“Blue Bloods”). “Prime Suspect” is produced by Universal Media Studios, ITV and Film 44. Cunningham is the executive producer/writer along with executive producer/director Berg and executive producers Sarah Aubrey, Julie Meldal-Johnson, Paul Buccieri and Lynda LaPlante.

‘THE PLAYBOY CLUB’ — From Academy Award-winning executive producer Brian Grazer, “The Playboy Club” is a provocative new drama about a time and place that challenged the social mores, where a visionary entrepreneur created an empire and an icon changed American culture. It’s the early ‘60s, and the legendary Playboy Club in Chicago is the door to all of your fantasies — and the key is the most sought-after status symbol of its kind. Inside the seductive world of the bunny, the epitome of beauty and service, the clientele rubs shoulders with the decade’s biggest mobsters, politicos and entertainers. Nick Dalton (Eddie Cibrian, “CSI: Miami”) is one of the city’s top attorneys and the ultimate playboy, rubbing elbows with everyone in the city’s power structure. With mysterious ties to the mob, Nick comes to the aid of Maureen (Amber Heard, “Zombieland”), the stunning and innocent new bunny who accidentally kills the leader of the Bianchi crime family. Dating Nick is Carol-Lynne (Laura Benanti, “Take the Lead”), a bombshell and established star at the club who knows her days as a bunny are numbered and finds herself continually at odds with Billy (David Krumholtz, ”Numb3rs”), the club’s general manager. Adding to the charm of the Playboy club is Janie (Jenna Dewan Tatum, “American Virgin”), the carefree life of the party who is dating Max (Wes Ramsey, “CSI: Miami”), an overly protective bartender. Also starring are Naturi Naughton (“Fame”) and Leah Renee (“True Confessions of a Hollywood Starlet”). In addition to Grazer (“A Beautiful Mind,” “American Gangster”), the executive producers on “The Playboy Club” include Chad Hodge (“Tru Calling”), Francie Calfo (“Scoundrels”), Jason Burns (“The House Bunny”) and Dick Rosenzweig (“Kendra”). Hodge also wrote the pilot, which was directed by Alan Taylor (“Mad Men,” “The Sopranos”). The series is produced by 20^th Century Fox Television and Imagine Television.

‘SMASH’ — “Smash” is a musical drama that celebrates the beauty and heartbreak of the Broadway theater as it follows a cross-section of dreamers and schemers who all have one common desire — to be a “Smash.” The series centers on a desire to create a Broadway musical based on the life of Marilyn Monroe — written by the successful songwriting duo of Tom (Tony Award nominee Christian Borle, “Legally Blonde: The Musical”) and Julia (Emmy Award winner Debra Messing, “Will & Grace”). Julia recently began the process of adopting a child with her husband of many years, but her focus is torn when she has the opportunity to write another Broadway hit. A rivalry soon forms for the lead role between a youthful, inexperienced Midwestern beauty (Katharine McPhee, “American Idol”) — who is trying to find fame in the big city against all odds — and stage veteran (Megan Hilty, “9 to 5: The Musical”), who’s determined to leave the chorus line and finally get her big break. A tenacious producer Eileen (Oscar winner, Anjelica Huston, “Prizzi’s Honor”) discovers the “Marilyn” project and jumps on board with a brilliant director (Jack Davenport, “Pirates of the Caribbean” films) — whose talent is matched by his cunning and egocentric amorality. The series stemmed from an idea of executive producer and multiple Emmy and Oscar winner Steven Spielberg (“ER,” “Schindler’s List”). The pilot was written by acclaimed playwright/screenwriter Theresa Rebeck (“Mauritius,” “NYPD Blue”). Craig Zadan and Neil Meron (Oscar-winning “Chicago,” “Hairspray”) and Darryl Frank and Justin Falvey (“United States Of Tara,” “The Borgias”) will also serve as executive producers. Original songs are written by Tony and Grammy Award winners Marc Shaiman and Scott Wittman (“Hairspray,” “Catch Me If You Can”), who also serve as executive producers. “Smash” is a production of Universal Media Studios in association with DreamWorks. The pilot was directed by Tony Award winner Michael Mayer (“Spring Awakening,” “American Idiot”).

‘GRIMM’ — “Grimm” is a new drama series inspired by the classic Grimm’s Fairy Tales. Remember the fairy tales your parents used to tell you before bedtime? Those weren’t stories — they were warnings. Nick Burkhardt (David Guintoli “Turn The Beat Around”) thought he prepared himself for the realities of working as a homicide detective until he started seeing things he couldn’t quite explain. When his ailing Aunt Marie (guest star Kate Burton, “Grey’s Anatomy”) arrives, Nick’s life turns upside down when she reveals they are descendants of an elite group of hunters, also known as “Grimms,” who fight to keep the balance of humanity safe from the supernatural creatures of the world. As Nick digs deeper into her past, he realizes that he will have to shoulder the responsibility of his ancestors — and contend with a larger-than-life mythology of the Brothers Grimm that is now all too real. Russell Hornsby (“Lincoln Heights”), Bitsie Tulloch (“Quarterlife”), Silas Weir Mitchell (“Prison Break”), Reggie Lee (“Persons Unknown”) and Sasha Roiz (“Caprica”) also star. “Grimm” is a production of Universal Media Studios and Hazy Mills Productions. Sean Hayes and Todd Milliner (“Hot In Cleveland”) serve as executive producers, Jim Kouf (“National Treasure,” “Angel”) and David Greenwalt (“Buffy the Vampire Slayer,” “Angel”) are the creators/executive producers and Marc Buckland (“My Name Is Earl”) is the director.

‘AWAKE’ — “Awake” is an intriguing drama about a detective (Jason Issacs, “Harry Potter,” “Brotherhood”) who finds he is leading an arduous double life that defies reality. When Detective Michael Britten (Issacs) regains consciousness following his family’s car accident, he is told that his wife Hannah (Laura Allen, “Terriers”) perished but that his teen son, Rex (Dylan Minnette, “Saving Grace”), has survived. As he tries to put the pieces of his life back together, he awakens again in a parallel reality in which his wife is very much alive — but his son Rex died in the accident. In order to keep both of his loved ones alive at one time, he begins living two dueling realities in parallel worlds, which churns up confusion — in one moment, Michael and his wife debate about having another child to replace their son, while in the other reality, he is attracted to his son’s tennis coach, Tara (Michaela McManus, “The Vampire Diaries”), to fill the void from the loss of his wife. Trying to regain some normalcy, Michael returns to police work and solves crimes in both worlds with the help of two different partners — Detective Isaiah “Bird” Freeman (Steve Harris, “The Practice”) and Detective Efrem Vega (Wilmer Valderrama, “That ’70s Show”). Also starring are Emmy Award winner Cherry Jones (“24”) and BD Wong (NBC’s “Law & Order:Special Victims Unit”) as therapists in each respective world. The series is produced by 20^th Century Fox Television. Kyle Killen (“Lone Star”) and Howard Gordon (“24”) are executive producers. David Slade (“Twilight: Eclipse,” “30 Days of Night”) also serves as executive producer and directed the pilot written by Killen.

‘THE FIRM’ — Based on the blockbuster feature film and best-selling novel by world-renowned author John Grisham (“The Pelican Brief,” “The Client”), “The Firm” continues the story of attorney Mitchell McDeere and his family 10 years after the events of the film and novel. As a young associate, McDeere brought down the prestigious Memphis law firm of Bendini, Lambert & Locke, which operated as a front for the Chicago mob — and his life was never the same. After a difficult decade, which included a stay in the Federal Witness Protection program, Mitch and his family now emerge from isolation to reclaim their lives and their future — only to find that past dangers are still lurking and new threats are everywhere. “The Firm” is produced by Entertainment One in association with Sony Pictures Television and Paramount Pictures. The executive producers are Grisham, Lukas Reiter (“Law & Order,” “Boston Legal”), John Morayniss (“Haven,” “Hung”), Michael Rosenberg (“Hung,” “Skins”) and Noreen Halpern (“Rookie Blue,” “Hung”).

New Comedies

‘WHITNEY’ — A hilarious look at modern love, “Whitney” is a new multi-camera comedy series about Whitney (Whitney Cummings, “Chelsea Lately”) and Alex (Chris D’Elia, “Glory Daze”), a happily unmarried couple. Together for five years, the duo is in no rush to get hitched. However, after attending yet another one of their friends’ weddings, Whitney realizes that she and Alex are dangerously close to relationship boredom. Determined not to let that happen, Whitney consults her close circle of opinionated girlfriends — including Lily (Zoe Lister-Jones, “The Other Guys”) and Roxanne (Rhea Seehorn, “The Starter Wife”) — and then snaps into action. A few awkward sexy costumes and one botched seductive evening later, the couple ends up in the emergency room. Even so, Whitney and Alex realize that while their relationship might not be perfect on paper, they really do love each other — and that works for them. Also starring are Maulik Pancholy (NBC’s “30 Rock”) as Lily’s perfect boyfriend, and Dan O’Brien (“How I Met Your Mother”) as an eternal bachelor. “Whitney” is produced by Universal Media Studios and Scott Stuber Productions. Stuber (“The Break Up”), Quan Phung, Betsy Thomas (“My Boys”) and Barry Katz (“Last Comic Standing”) are executive producers. Cummings also serves as executive producer/writer. Andy Ackerman (“Seinfeld,” “The New Adventures of Old Christine”) is an executive producer and directed the pilot.

‘UP ALL NIGHT’ — From Emily Spivey (NBC’s “Parks and Recreation,” NBC’s “Saturday Night Live”) and legendary Emmy Award-winning producer Lorne Michaels, comes “Up All Night,” a modern take on Parenthood that shows the challenges of balancing a career, marriage and a new baby. Christina Applegate (“Samantha Who?”) stars as Reagan, a successful public relations executive, and Will Arnett (“Arrested Development”) plays Chris, Reagan’s supportive, stay-at-home husband. The two have just become parents – a surprise that has set their lives on a new path as responsible adults — for the most part. Maya Rudolph (“Saturday Night Live,” “Bridesmaids”) stars as Ava, Reagan’s outlandish boss and best friend, whose whirlwind social escapades serve as constant reminders of Reagan’s former carefree life. James Pumphrey (“High Road”) portrays Brian, Reagan’s socially awkward hipster assistant. “Up All Night” is a production of Universal Media Studios and Broadway Video. Spivey is the creator and serves as executive producer along with Michaels and Jon Pollack (NBC’s “30 Rock”).

‘FREE AGENTS’ – “Free Agents” is a crooked workplace/romantic new comedy from creator John Enbom (“Party Down”) and Emmy Award-winning director Todd Holland (“Malcolm in the Middle”) based on the cult U.K. series of the same name that explores the trials and tribulations of two public relations executives on the rebound. Alex (Hank Azaria, “The Simpsons,” “Huff”) is newly divorced and can barely keep himself together while his co-worker Helen (Kathryn Hahn, “Hung”) thinks she has it together but is obsessed with her deceased fiancé and actually is falling apart. Then a drunken Alex and Helen end up in bed together, and in the resulting sober confusion, Helen decides that they should only be friends. Meanwhile Alex’s co-workers, Dan (Mo Mandel, “Love Bites,” “Modern Family”) and Gregg (Al Madrigal, “Wizards of Waverly Place,” “Gary, Unmarried”), and Stephen (Anthony Head, “Merlin,” “Buffy the Vampire Slayer”) fail in their attempts to help him get back out on the dating scene. When Alex finally agrees to a date, Helen gets a little jealous, and he gets cold feet, so they end up back where they started — in a casual, intimate and beautifully awkward relationship. Also starring is Joe Lo Truglio (“Backwash,” “Mad Love”) and Natasha Leggero (“Ugly Americans,” “’Til Death”). “Free Agents” is a production of Universal Media Studios in association with Dark Toy and Big Talk Productions. Enbom is executive producer/creator along with executive producer/director Holland. Karey Burke (“Miss/Guided”) executive-produces, along with Big Talk Productions’ Kenton Allen (“Free Agents,” BBC Network) and Nira Park, as well as Chris Niel.

‘ARE YOU THERE VODKA? IT’S ME, CHELSEA’ — Inspired by the best-selling book from comedienne/talk show host Chelsea Handler (“Chelsea Lately”), the new comedy “Are You There, Vodka? It’s Me, Chelsea,” follows the exploits of twentysomething bartender Chelsea (Laura Prepon, “That ’70s Show”) a strong-willed force of nature who is determined to live life to the fullest and make no apologies. Her friends are along for the ride but they all know it is Chelsea’s way or the highway. Mark (Jo Koy, “Chelsea Lately”) is a charming bartender whose wit makes him the perfect foil for Chelsea while Shoniqua (Angel Laketa Moore, “ER”) is a smart and sassy fellow waitress who looks out for Chelsea’s best interests. Close friend and fellow bartender Todd (Mark Povinelli, “Water for Elephants”) has a wry sense of humor that keeps her in check. Also starring are Natalie Morales (NBC’s “Parks and Recreation”) as Ivory, Chelsea’s feisty best friend; Lauren Lapkus (“The Middle”) as Dee Dee, Chelsea’s sheltered, shy roommate, and Lenny Clarke (“Rescue Me”) as Chelsea’s dad, Melvin. Handler has a recurring role as Chelsea’s sister Sloan, a happily married new mom who has little in common with her carefree sister. “Are You There, Vodka? It’s Me, Chelsea” is a production of Warner Bros. Television in association with Werner Entertainment and Borderline Amazing Productions. Dottie Dartland Zicklin (“Dharma & Greg”) and Julie Larson (“The Drew Carey Show”) are creators and executive producers. Handler serves as executive producer along with Tom Werner (“That ’70s Show”), Mike Clements (“The Life & Times of Tim”) and Tom Brunelle (“Chelsea Lately”).

‘BEST FRIENDS FOREVER’ — “Best Friends Forever” is a single-camera comedy that takes a look at what happens when best friends promise to support each other — no matter what the cost or circumstances. When Jessica’s (Jessica St. Clair, “In the Motherhood”) husband files for divorce, she immediately seeks comfort and flies across the country to move back in with her best friend, Lennon (Lennon Parham, “Accidentally on Purpose”). Unfortunately, Lennon’s boyfriend, Joe (Adam Pally, “Happy Endings”), has just moved into the apartment and has turned Jessica’s old room into his perfect home office. As Lennon and Jessica fall into their old routines — beloved traditions, Steel Magnolia marathons and epic girl-talk sessions — Joe begins to feel as if he’s the odd man out. While Lennon struggles to find balance between her previous life with Jessica and her new life with Joe, Jessica’s reentry to single life is complicated by the unresolved feelings that an old friend, Rav (Stephen Schneider, “The Funniest Movie Ever…Just Kidding”), has for her and the fact that pleated khakis aren’t the most flattering single girl look. “Best Friends Forever” is produced by Universal Media Studios and American Work. St. Clair, Parham, Scot Armstrong (“Old School,” “The Hangover Part II”) and Ravi Nandan (“Off Duty”) are the executive producers. Fred Savage (“Party Down”) directed the pilot.

‘BENT‘ — “Bent” is a new romantic comedy about two people who suddenly find themselves attracted to the qualities that typically repel them. On the surface, Alex (Amanda Peet, “Studio 60 on the Sunset Strip”) and Pete (David Walton, “Perfect Couples”) could not be more different. The recently divorced Alex is a resilient and tough lawyer who now is raising her eight-year-old daughter, Charlie (Joey King, “Ramona and Beezus”), as a single mom. Unwilling to let anything get in her way, she downsizes into a smaller house, and she hires Pete, a recovering gambling addict and unapologetic womanizer, as the contractor to re-do her kitchen. The remodeling job is Pete’s last chance to prove that he is no longer a screw-up — but he doesn’t know what’s about to hit him when he encounters the force of nature that is Alex — nor does she realize that she’s met her match in Pete, a man unafraid to call out her flaws. Jeffrey Tambor (“Arrested Development”) also stars as Pete’s father, Walt, an out-of-work actor, while Margo Harshman (“Sorority Row”) stars as Alex’s wild younger sister Screwsie. This romantic comedy from writer and executive producer Tad Quill (“Scrubs,” “Spin City”) and director Craig Zisk (“Nurse Jackie,” “Weeds”) will prove that these resilient characters are “bent, not broken.” The series is produced by Universal Media Studios.

TV NEWS! DONE DEAL: Paula Abdul To Join Simon Cowell This Fall On The X-Factor, FOX’s Highly Anticipated New Talent Show

If you’re anything like us, you freely admit that the only reason you turned into American Idol for as long as you did was because of Simon Cowell and it wasn’t just for how brutal he was to the first round contestants.  Despite Cowell’s dry and sometimes cruel wit, he was generally the only one on that panel who could relay any particular insight to the audience regarding the music industry itself and at the end of the day you had more faith in his opinion than anyone else on the judge’s panel.  This is not take anything away from the other judges and guest judges that have graced AI over the years, but Cowell truly brought a sense of balance to the Force and if you’ve watched recently, even if you are still a fan, you can’t help but to admit that it’s become kind of a disjointed mess since his departure.  Honestly, does anyone take Steven Tyler seriously at all?

Now if you’re still being honest, even if you hate to admit it, Paula Abdul certainly had her place on that panel and even when she left it was like we lost a part of the family. Between her obnoxious over-the-top praising, soft-peddling, sometimes inebriated commentary and the banter between her and Cowell, it made for good television.  So when we heard a couple of months ago from the T-Shirt himself that he would love to get Paula back on his new talent show, The X-Factor, and that he was actively courting her, we were excited about the prospect of two-thirds of the old team getting back together albeit skeptical at the possibility because, let’s be honest, how often do these situations pan out?  But then again… this is Simon “King Midas” Cowell we’re talking about, as well.

So without further adieu it gives us great pleasure to announce that Paula Abdul has indeed signed on as a judge on TXF along with Cowell, Cheryl Cole, and Antonio “L.A.” Reid.  This is not only going to be great fun for fans but this is very good for FOX broadcasting as it will increase the advertising value of this show even more than we already had expected.

Why should we care about that?  It’s simple: the more money TXF makes, the more money FOX has to justify keeping lower rated, critically acclaimed scripted programming and it also acts as great lead-ins for the scripted shows as well, putting more eyes on them. You like your shows like Lie To Me, Human Target, Breaking In and The Chicago Code? Then, even if you don’t have any interest in reality show talent competitions you need to be rooting for TXF to make as much money as possible.

Why We Love Paula:

FOX for some reason has decided to one-up ABC in the ridiculously long press release department so feel free to quit after the first paragraph below.

Via Press Release:

GRAMMY AND EMMY AWARD WINNER PAULA ABDUL

JOINS CHERYL COLE, ANTONIO “L.A.” REID AND SIMON COWELL

ON “The X Factor” JUDGES PANEL

Auditions Continue in Dallas on Thursday, May 26

Singers and Vocal Groups Age 12 and Over Eligible to Audition

For Chance to Win a $5 Million Syco/Sony Music Recording Contract

America’s sweetheart, world-renowned choreographer and pop icon Paula Abdul will join Cheryl Cole, Antonio “L.A.” Reid and Simon Cowell as a judge on The X Factor, the highly anticipated singing competition series debuting this fall on FOX. Abdul, who sat alongside Cowell for eight seasons as a judge on American Idol, has worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. Abdul will join Cole, Cowell, and Reid as they travel to The X Factor audition cities searching for the next global superstar or breakout music group.

“This show would never have been the same without Paula and I can’t believe I am saying this – I have missed her a lot, and I am thrilled she’s on the show,” said Simon Cowell.

“I am excited beyond words to be a part of The X Factor.  I couldn’t be happier to bring my love for cultivating talent and performance to such a wildly anticipated show,” said Paula Abdul.   “I’m looking forward to being back with the FOX/FremantleMedia family and know that it will be an extraordinary journey — we’re going to have a blast.  I’m also delighted and grateful to be sitting next to Simon again…but you might want to check back with me in a week or two!”

“Paula is not only the lovely, nurturing person that America fell in love with, but she’s also one of the  fiercest competitors I’ve ever seen — which makes her a perfect fit to judge The X Factor,” said Mike Darnell, President of Alternative Entertainment, Fox Broadcasting Company. “Paula and Simon have undeniable chemistry, and together with L.A. Reid and Cheryl Cole, I think we’ve put together an incredibly entertaining judges’ panel.”

“I’m thrilled to be working with Paula again,” says executive producer Cecile Frot-Coutaz. “A consummate entertainer in her own right, she has an extraordinary talent and generosity for nurturing performers — and her chemistry with Simon Cowell is like no other. I especially look forward to seeing her signature sensibilities in action during our mentoring rounds!”

Auditions continue in Dallas, TX, on Thursday, May 26.

The X Factor is searching for undiscovered talent 12 years old or over – both solo artists and vocal groups – who are willing to brave the panel for a chance to win a $5 million recording contract with Syco/Sony Music.  Interested solo artists and vocal groups should sign up now for audition information at www.fox.com/theXfactor or call toll-free 855-345-5678.

In a departure from other singing competition series, the first time contestants audition for The X Factor judges, they will do so in front of an audience of thousands – raising the stakes and increasing the pressure to impress not only the judges, but also a potential legion of fans. This will be the ultimate test to prove they have the vocal ability, charisma and stage presence that it takes to win an unprecedented $5 million recording contract with Syco/Sony Music.

As previously announced, Pepsi will serve as an official sponsor of The X Factor. The comprehensive sponsorship includes an extensive, multi-platform off-air marketing partnership; weekly in-show integrations and placements; and an immersive content experience online.

The X Factor is produced by Syco Television and FremantleMedia North America. Simon Cowell, Rob Wade and Siobhan Greene are executive producers for Syco Television. Cecile Frot-Coutaz, Richard Holloway and Andrew Llinares serve as executive producers for FremantleMedia North America.

About Paula Abdul

Paula Abdul is one of the most-recognized pop singers and choreographers in film, television, video, stage and live tours. Her celebrated work in choreography includes Emmy-winning contributions to “The Tracey Ullman Show” and Emmy-nominated choreography for the Academy Awards, as well as Abdul’s own performance on “The American Music Awards.” Other triumphs include her award-winning work with Janet Jackson, which garnered two MTV Video Awards; and working with such music legends as Aretha Franklin, George Michael, Luther Vandross, INXS, Heart and Prince. Abdul’s favorite memory is dancing alongside her idol, Gene Kelly, in a celebrated and acclaimed commercial campaign. Abdul’s choreography contributions in feature films include the Academy Award-winning “American Beauty,” working with Cuba Gooding Jr. on his Academy Award-winning performance in “Jerry Maguire” and transforming Val Kilmer into Jim Morrison in Oliver Stone’s “The Doors.” Abdul’s music career encompasses worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. She has also been honored with a Star on the Hollywood Walk of Fame and inducted into Nickelodeon’s Kids’ Choice Hall of Fame. Abdul served as a judge alongside Simon Cowell for eight seasons on the hit series American Idol. An acclaimed jewelry designer, Abdul introduced her Paula Abdul Jewelry Collection on QVC to record-breaking sales. The collection consists of charms, pendants, earrings and bracelets in a mix of textures and metals, adorned with meaningful phrases. Abdul, who got her first break as a Los Angeles Laker Girl, continues to honor her roots by running dance and cheerleading camps, competitions and scholarship programs throughout the country.

About “The X Factor”

Since its debut in 2004, “The X Factor” has remained the U.K.’s #1 program for the last seven years, peaking with an audience of 21 million with 65% audience share for its 2010 finale. The format swiftly broke similar records around the world, where local versions have consistently rated #1 in 15 territories, with a worldwide audience now well over 100 million. In Denmark, it has ranked #1 for the last four years, peaking with an 80% share of the audience. In Colombia, it has consistently ranked #1 with a 75% share of the audience. Additionally, “The X Factor” consistently delivers a 50% to 65% share of the viewing audiences in Greece, Hungary, Netherlands, France and Italy – with the highest percentage of these shares in A15-34. In some markets, “The X Factor” has increased the channel average demographic by up to 250%. The series has received numerous honors worldwide, including three BAFTA awards, numerous NTA awards and the coveted Rose d’Or. In the U.K., an unprecedented 1.5 million iTunes downloads were made from “The X Factor” contestant performances in 2010. Globally, more than 100 million records have been sold by artists launched through the series, including over 90 #1 singles and albums and 150 Top Ten records.

About Sony Music Entertainment

Sony Music Entertainment is a global recorded music company with a current roster that includes a broad array of both local artists and international superstars. The company boasts a vast catalog that comprises some of the most important recordings in history. It is home to premier record labels representing music from every genre, including American Recordings, Arista Nashville, Arista Records, Battery Records, Beach Street Records, BNA Records, Columbia Nashville, Columbia Records, Day 1, Epic Records, Essential Records, Flicker Records, J Records, Jive Records, LaFace Records, Legacy Recordings, MASTERWORKS, Polo Grounds, RCA Records, RCA Nashville, RCA Red Seal, RCA Victor, Reunion Records, Roc Nation, Sony Classical, Sony Music Latin, Star Time International, Verity Gospel Music Group, and Volcano Entertainment. Sony Music Entertainment is a wholly owned subsidiary of Sony Corporation of America.

About Syco/Simon Cowell

Syco, with offices in London and Los Angeles, is a global music, television and film production joint venture between Simon Cowell and Sony Music Entertainment. Syco Television owns and produces the BAFTA Award-winning “The X Factor,” which has topped the charts around the world. Syco Television is also the owner of the “Got Talent” television format. Versions of both “The X Factor” and “Got Talent” are co-produced by Syco, and are shown in more than 70 countries and have won multiple awards including national television awards and BAFTAs. The X Factor launches in America on FOX in Fall 2011 with Cowell as a judge. Syco is also the record label home for such diverse international recording stars as Leona Lewis and Il Divo. Cowell has worked with artists selling more than 200 million albums and delivering more than 180 No. 1 records. Britain’s Got Talent in 2009 launched the global singing career of Susan Boyle. Her debut Syco album sold over 8 million units in six weeks, making it the world’s biggest-selling album of 2009 and the fastest-selling album in history and a total of 20 million records to date. In 2009, Cowell was named No. 1 in Hollywood Reporter’s Top 50 Most Powerful in Reality TV and Entertainment Weekly’s Top Entertainer of the Year. In 2010 Simon Cowell was awarded Variety International’s Humanitarian Award for his extensive charitable work, The Rose d’Or Golden Jubilee Award and BAFTA’s Special Award in recognition of his outstanding contribution to the entertainment industry and development of new talent. He also appeared on Time Magazine’s list of Most Influential People in the World and was awarded the International Emmy Founders Award.

About FremantleMedia North America

FremantleMedia North America (FMNA) is the U.S. production division of global media giant FremantleMedia. Based in Burbank, California, FMNA produces entertaining and innovative programs for network, cable, syndicated and online platforms, including the Emmy-nominated musical/reality phenomenon American Idol (FOX), “America’s Got Talent” (NBC), “What Chilli Wants” (VH1), “Hole In The Wall” (Cartoon Network), “Jump City: Seattle” (G4), “Let’s Make A Deal” (CBS), “Family Feud” (syn), “The Price Is Right” (CBS) and the much-anticipated The X Factor in Fall 2011.

Veterans Day Special: ‘The Pacific’ (HBO – Thursday 11/11/2010 11:00 a.m. – 9:00 p.m.)

The Pacific is an epic 10-part miniseries that delivers a realistic portrait of WWII’s Pacific Theatre as seen through the intertwined odysseys of three U.S. Marines – Robert Leckie, John Basilone and Eugene Sledge. The extraordinary experiences of these men and their fellow Marines take them from the first clash with the Japanese in the haunted jungles of Guadalcanal, through the impenetrable rain forests of Cape Gloucester, across the blasted coral strongholds of Peleliu, up the black sand terraces of Iwo Jima, through the killing fields of Okinawa, to the triumphant, yet uneasy, return home after V-J Day. The viewer will be immersed in combat through the intimate perspective of this diverse, relatable group of men pushed to the limit in battle both physically and psychologically against a relentless enemy unlike any encountered before. – HBO

9 out of 10

Well it’s DVR time, folks. HBO is airing all ten episodes of the award-winning and critically acclaimed World War II mini-series, The Pacific on today, Veteran’s Day starting at 11:00 a.m., and it is in your best interest to record it if you haven’t seen it already.

Executive Produced by Steven Spielberg and Tom Hanks, The Pacific is without a doubt one of the top five events ever aired on television. The number one event would be the Spielberg/Hanks companion World War II mini-series from 2001, Band of Brothers.

The problem I had when I first watched The Pacific is that I expected it to be exactly like Band of Brothers and although, like Band of Brothers, it is extremely combat-heavy and the special effects are amazing and cinema-quality (by the way, this series was MADE for Blu-Ray), it is a much different series.

Gunnery Sergeant John Basilone (1916-1945)

Whereas Band of Brothers focuses on the men of E-Z company as an ensemble but no one specifically, The Pacific focuses on the 1st Marines Division in the aggregate but more specifically on the stories of the three major characters as noted in the description, Eugene Sledge, Robert Leckie and the most famous of all, Congressional Medal of Honor Recipient, John Basilone, who is one of my personal heroes. That alone distinguishes it from Band of Brothers but as significant is the focus on the non-combat aspects of the lives of these three men and the Marines in The Pacific theater. There are two complete episodes that literally have no combat in them whatsoever, focusing on the personal aspects of the character’s lives and their struggles after returning home.

The whole series is magnificently done from beginning to end and as an American who appreciates the history associated with this era, personally having several family members who served in the Pacific Theater, I applaud Spielberg and Hanks for bringing to life the stories of these men.

Over the years, within the media and popular culture, the Pacific Theater, in my opinion, has been woefully ignored in favor of the stories surrounding the European Theater. By saying this, I don’t mean denigrate the sacrifices made by those brave men and women who served in the European Theater against Hitler’s war machine, but rather, I simply want to highlight that both theaters were equally as important in the scope of the war effort and we should never forget that.  Spielberg and Hanks have not.

If I were to have one complaint about The Pacific it would be that it does take a little while for the story to pick up (about four episodes) but when it does, the series is damned near perfect.

BONUS: I FOUND A ‘MAKING OF’ VIDEO:

‘Outsourced’ (NBC – Thursday, 9:30 p.m.)

“Outsourced” is NBC’s new workplace comedy series centered around a catalog-based company, Mid America Novelties, that sells American novelty goods including whoopee cushions, foam fingers and wallets made of bacon, and whose call center has suddenly been outsourced to India.

After recently completing Mid America Novelties’ manager training program, Todd Dempsy (Ben Rappaport, off-Broadway’s “The Gingerbread House”) learns that the call center is being outsourced to India, and he is asked to move there to be the manager. Having never ventured out of the country, he is unprepared for the culture shock. Overwhelmed, Todd discovers that his new staff needs a crash course in all things American if they are to understand the U.S. product line and ramp up sales from halfway around the world.

The sales team Todd inherits includes Gupta (Parvesh Cheena, “Help Me Help You”), a socially awkward employee; Manmeet (Sacha Dhawan, BBC’s “Five Days II”), a young romantic who is enamored with America; Asha (Rebecca Hazlewood, BBC’s “Doctors”), a smart, striking woman who finds herself intrigued by Todd; Rajiv (Rizwan Manji, “Privileged”) the assistant manager who wants Todd’s job; and Madhuri (Anisha Nagarajan, Broadway’s “Bombay Dreams”), a wallflower who suffers from extreme shyness.

Todd also discovers other transplants working in his office building, including an American expatriate, Charlie Davies (Diedrich Bader, “The Drew Carey Show”), who runs the All-American Hunter call center, and Tonya (Pippa Black, “Neighbours”), a beautiful Australian who runs the call center for Koala Air. – NBC

The Preview (Originally posted on 9/23/2010):

Shawn: I don’t know what appeals to me more, the politically incorrect tone of this series or the fact that it looks absolutely hilarious. I also like the premise that they telemarket novelties like rubber vomit and whoopee cushions. Looking forward to this, I hope the show can live up to the hype in the trailer.

The Review:

7 out of 10

Unfortunately, Outsourced looked a lot funnier in the trailer than it has turned out to be. I’m not saying that I don’t like the show but I think the whole concept of the series works better for a film than it does for a weekly sitcom.

The hilarious trailer is literally a four-minute summation of the entire pilot episode and though the jokes while rapid-fire in the trailer are very funny, they don’t work particularly well for comedic value over the course of 23 minutes. That or it was one of those issues like with the film The Hangover where they literally showed every funny scene in the movie in the trailers and because of that when I actually saw it I didn’t think it was that funny. Probably not, though, because every episode following the pilot has followed the same trend and I’m still not laughing as much as I would have hoped.

Every single episode kind of follows the same formula and that is Todd dealing with an issue involving the differences between American culture and Indian culture. Some of the jokes work but a lot of them don’t and the reason why is that they keep reverting to this standby of taking an American turn-of-phrase and having one of the Indian characters repeat it using a funny accent and saying it in the style of… well… an Indian. Here’s an example:

Gupta: As you say in America, it looks like you are up a creek and have forgotten your paddle. Also, this is a creek of feces… a most unpleasant creek for you.

See what I mean? That line was one of the funnier ones but every episode is full of these and it gets a little stale when there’s a dozen of those per episode because you really just start expecting it. Like I said, it’s the kind of thing that works sporadically in a feature film but it can’t carry a series. Just think of how well it worked during the few cameo scenes with Mooj (Gerry Bednob) in The 40 Year-Old Virgin (and it was even funnier because he was so foul-mouthed).

WARNING: NSFW (LANGUAGE, SEXUAL REMARKS)

But you wouldn’t want a whole series based around that (foul language and sexual remarks notwithstanding). It would be like having an entire series based around people who tried to speak American English but they also sounded like Yoda. It would be funny the first couple of times but it would lose its appeal rather quickly.

Beyond that, though, these characters are very likable and although the different scenarios all have the same general premise, I find myself still wanting to tune in every week. It’s very charming.

So, in the end, Outsourced is an enjoyable show even if it’s not as funny as I would have expected and it does have the potential to pick up steam and become a lot funnier with a little bit of effort on the writer’s part.

Watch full episodes of Outsourced, here.

Retro Review: ‘Smallville’ Season 1, Part I (Season 10 Premiere on The CW – September 24, 2010, 8:00 p.m.)

8 out of 10

“Somebody saaaaave me!” Boy, Remy Zero said it accurately, indeed. The Superman Mythos after the explosive Death of Superman and The Return of Superman Comic Book storylines needed a shot in the arm. Waning book sales and iffy stories combined with the disinterest of Superman as a whole had thrown a huge red flag up for DC and Warner Brothers combined. After numerous failed attempts at re-igniting that elusive spark, DC and Warner Bros. had much egg on their face that included an omelet made of Nicolas Cage as Superman…ugh… I shudder to think.

Then in comes Alfred Gough and Miles Millar with a brilliant premise: how about a restart (I despise using the term “reboot”) to this iconic superhero? Let’s start way back but not so far back as to not have Clark Kent, our powerful protagonist, involved in a journey to his destiny of becoming the world’s most renowned hero. Let us begin in Smallville, Kansas and do an origin story that will take us on a great and revealing trip. And with Smallville heading into its final season in just a few weeks, I think back excitedly on what a ride it’s been!

The WB show was touted as a Sci-Fi, fantasy tale but at times does play out like a soap opera. That’s OK, though, because we always know what is to eventually come which no basic Soap on TV can do for its viewers. When particular characters like Lex Luthor and Clark Kent interact we can’t help having that small grin on our face and that thought on our minds that these two guys are going to totally throw down and kick each other’s asses in the future. It’s this aspect that makes Smallville so appealing.

Season One begins, well… in the beginning. In the Smallville pilot we are introduced to the Kents played by the hot Annette O’Toole (Sorry, ever since Paul Schrader’s Cat People I have always had a crush on her) as Martha and John Schneider (Hee Haw!, Dukes of Hazzard) as Jonathan. These are the salt-of-the-earth farmers who will (thanks to the meteor shower that brings that most-famous of all aliens) raise Clark Kent (Tom Welling). It is not easy as we are a witness, too, as the season advances. After the 14 year-old Clark discovers the spaceship that brought him to earth buried in the barn, he begins to question his destiny, and refuses to immediately accept it.

We are soon introduced to Jeremy Creek (Adrian McMorran), our first of many “meteor freaks” who are usually just normal people who are or were infected adversely by the kryptonite.

Clark, of course, becomes enamored with Lana Lang played with plucky enthusiasm by the oh-so cute Kristen Krueck.

Clark then saves Lex Luthor, portrayed by Micheal Rosenbaum (who steals just about every scene he is in) from an almost fatal car accident. Needless to say, Clark stays busy even as he discovers he’s the newest alien on the block. This is just the beginning of where this great ride begins and there is definitely more to come…

The CW Official Smallville page

Watch some full length episodes of Smallville on Hulu.

FYI, Amazon has the complete first season of Smallville on DVD for just $19.99 (67% off of the list price of of $59.98).