Geek Alert! Torchwood: Miracle Day Official Trailer Released

One day, nobody dies. All across the world, nobody dies. And then the next day, and the next, and the next, people keep aging — they get hurt and sick — but they never die. The result: a population boom, overnight.

With all the extra people, resources are finite. It’s said that in four month’s time, the human race will cease to be viable. But this can’t be a natural event – someone’s got to be behind it. It’s a race against time as C.I.A. agent Rex Matheson investigates a global conspiracy. The answers lie within an old, secret British institute. As Rex keeps asking “What is Torchwood?”, he’s drawn into a world of adventure, and a threat to change what it means to be human, forever. – Starz

Starz has released an official trailer for the upcoming series Torchwood: Miracle Day that actually contains footage from the new series as opposed to every other trailer out there. Now, when we say ‘new series,’ we use the phrase loosely as the series is only new to the U.S. in first-run.  It’s actually the fourth season of the BBC SciFi hit, Torchwood, which is a spinoff of the BBC SciFi hit Dr. Who. As an aside, here’s the thing we don’t get:  they call a season a ‘series’ in th U.K. So, this begs the question,  if they call a season a series what do the call a series?  Did we mention that their food is awful as well.

Anyway, we started watching Torchwood a few months ago on Netflix streaming and we love it and one of the things that’s so great about it is that the U.K., ironically, does not have the same kind of puritanical standards for broadcast television that we have here in the U.S.  Unlike Dr. Who, this show simply is not appropriate family viewing in the U.S. without serious editing (which is exactly what we assume they did when they aired the first three seasons on BBC America).  Honestly, this show can’t even be aired on F/X, and is the domain of premium cable exclusively and that’s why we’re thrilled that Starz picked this up instead of FOX, which was the original intention.  It would have been a watered-down mess if it had been on a Big-5 network.

Just by watching this trailer, it’s obvious that the U.S. treatment of this show is going to provide a much-deserved blockbuster film-feel upgrade, and look… Bill Pullman’s working again!  Now, we need to make clear that fans who have never watched the series shouldn’t be scared off by jumping into the fourth seasons.  First the show has been like The X-Files in both substance and style and even though there is a continuing story-arc, the episodes have stood on their own.  Now, this new season, as to be expected from any premium cable drama will obviously feature a self-contained story-arc over the course of the ten-episode season and even though you may have not watched it before, rest assured that the producers will fill you in on the pertinent details that you’ll need.  But, don’t forget, you can always get yourself acquainted by checking out the series on Netflix.  I mean, seriously… we’re only talking about 31 episodes and you have over a month to do it and there’s not that much else on TV, right now.

Torchwood: Miracle Day premieres on Starz on Friday July 8th at 10:00 p.m.  and we highly recommend it.  You’re going to have a blast.  By the way, if you’re one of the few people who have an Internet connection and don’t have Netflix, you can still watch full episodes of seasons one through three right on YouTube as apparently no one’s caught up to the fact that users have uploaded it.  Check it out here.

Meet CBS’s New Shows For 2011 – 2012 (VIDEOS!)… And Watch How We Tear Them Apart (Preview – Review)

"The 'Tastic Says: You FAIL!"

As promised, The ‘Tastic is proud to present the first-look trailers for all of CBS’s new shows… the few that are there due to CBS hardly canceling anything.  Along with synopses and videos, in true TV-Tastic-style we’ll give you a preview assessment of each of the new series (in other words, we plan to pretty much rip most of them apart) letting you know what we think about them and if it’s worth your time to check them out this Fall and just to give everyone a heads up:   on CBS this season: drama = good, comedy = bad.

Unforgettable stars Poppy Montgomery as Carrie Wells, an enigmatic former police detective with a rare condition that makes her memory so flawless that every place, every conversation, every moment of joy and every heartbreak is forever embedded in her mind.  It’s not just that she doesn’t forget anything – she can’t; except for one thing: the details that would help solve her sister’s long-ago murder.  Carrie has tried to put her past behind her, but she’s unexpectedly reunited with her ex-boyfriend and partner, NYPD Detective Al Burns (Dylan Walsh), when she consults on a homicide case.  His squad includes Det. Mike Costello (Michael Gaston), Al’s right-hand man; Detective Roe Saunders (Kevin Rankin), the junior member of the team; and Detective Nina Inara (Daya Vaidya), a sassy, street-smart cop.  Being back on the job after a break feels surprisingly right for Carrie.  Despite her conflicted feelings for Al, she decides to permanently join his unit as a detective solving homicides – most notably, the unsolved murder of her sister.  All she needs to do is remember.  Ed Redlich, John Bellucci, Sarah Timberman and Carl Beverly are executive producers for Sony Television Studios in association with CBS Television Studios.

The ‘Tastic Says:  Well… we think it looks good, but it’s kind of hard to tell. We really do not like when instead of just getting a straight-up trailer on a new show, we wind up getting a hybrid trailer/cast & crew interviews video and that doesn’t really tell us a whole lot because the cast and crew always beam about the new shows they are in.  What are they going to say? “Don’t watch my new show, it sucks?”  So we will just go with what we know.  It’s a cop procedural,  alright, and you know how much we hate those, however, it has very unique twist on the main character and that could play out very well.  Can’t really say for sure whether or not if we like this so we’ll go with “maybe.”

Person of Interest stars Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson in a crime thriller about a presumed dead former-CIA agent who teams up with a mysterious billionaire to prevent violent crimes by using their own brand of vigilante justice.  Reese’s (Caviezel) special training in covert operations appeals to Finch (Emerson), a software genius who invented a program that uses pattern recognition to identify people about to be involved in violent crimes.  Using state-of-the-art surveillance technology, the two work outside of the law using Reese’s adept skills and Finch’s unlimited wealth to unravel the mystery of the person of interest and stop the crime before it happens.  Reese’s actions catch the attention of the NYPD, including homicide detective Carter (Henson), and Fusco (Kevin Chapman), a cop who Reese uses to his advantage.  With infinite crimes to investigate, Reese and Finch find that the right person, with the right information, at the right time, can change everything.

The ‘Tastic Says:  We were excited about this show from the moment we heard about it back in February. It’s not just a J.J. Abrams action-spy thriller, it’s a J.J. Abrams/Jonathan Nolan action-spy thriller that stars Jim Caviezel (The Prisoner, The Passion of the Christ) and Michael Emerson (Lost).  We didn’t even have to watch the trailer to know it was going to look fantastic, but of course we wanted to and even though it was another one of those hybrid trailers, it’s a lot better than Unforgettable‘s.  It’s not just action, this show has a serious level of mystery and suspense to it and very deep, shades-of-gray characters.  It also doesn’t hurt that it looks like a Summer blockbuster action flick.  This is going to be great and we can’t wait for the premiere.

A Gifted Man is a drama about a brilliant, charismatic surgeon whose life changes forever when his deceased ex-wife begins teaching him the meaning of life from the “hereafter.”  Michael Holt (Patrick Wilson) is an exceptional doctor who lives a materialistic life of luxury thanks to his work-obsessed career and powerful and wealthy patients; however, Michael’s ordered world is rocked when his ex-wife, Anna (Jennifer Ehle), an idealistic free-clinic doctor and the love of his life, mysteriously appears to him.  Michael’s off-beat sister, Christina (Julie Benz), a single mom to her teenaged son, Milo (Liam Aiken), is thrilled that Anna’s back in her brother’s life, even as an “illusion,” because Michael was always a better person with her.  Curious about Michael’s sudden change in behavior is his efficient assistant, Rita (Margo Martindale).  When Anna asks Michael to go to her clinic to help keep it running, he meets Autumn (Afton Williamson), a volunteer carrying on Anna’s work with the underprivileged.  Touched by those in need and accepting of Anna’s compassionate “presence,” Michael’s attitude toward serving the rich and poor is turned upside down, and he begins to see that there’s room in his life for everyone.

The ‘Tastic Says:  The show description sucks, however the trailer makes this show look very heart warming and charming.  We can’t believe that we’re saying that we’re actually looking forward to this because it’s a chick show completely.   This is the first trailer we’ve seen so far for the new season that actually falls into the category of “high-concept.”  Seriously, can CBS do any wrong any more?


2 Broke Girls is a comedy about two young women waitressing at a greasy spoon diner who strike up an unlikely friendship in the hopes of launching a successful business – if only they can raise the cash.  Sassy, streetwise Max (Kat Dennings) works two jobs just to get by, one of which is waiting tables during the night shift at the retro-hip Williamsburg Diner.  Sophisticated Caroline (Beth Behrs) is an uptown trust fund princess who’s having a run of bad luck that forces her to reluctantly give waitressing a shot.  At first, Max sees Caroline as yet another in a long line of inept servers she must cover for, but she’s surprised to find that Caroline has as much substance as she does style.  When Caroline discovers Max’s knack for baking amazing cupcakes, she sees a lucrative future for them, but they first need to raise the start-up money.  While they save their tips, they’ll stay at the restaurant, working with Oleg (Jonathan Kite), an overly flirtatious Russian cook; Earl (Garrett Morris), a 75-year-old kool-kat cashier; and Han Lee (Matthew Moy), the new, eager-to-please owner of the diner.  Working together, these two broke girls living in one expensive city might just find the perfect recipe for their big break.

The ‘Tastic Says:  Well, we obviously spoke to soon because this is awful but what are we expecting from the network that has made successful comedies out of both Two and a Half Men and Mike & Molly?  What’s shocking is that this show will probably become a hit because CBS comedy audiences check their brains at the door regularly.  Fish out of water, classic odd couple, world’s collide.. all the same typical crap with the same recycled jokes that sitcoms have been using for 30 years.  Boring and uninteresting.

How to be a Gentleman, inspired by the book of the same name, is a comedy about the unlikely friendship between a traditional, refined writer and an unrefined personal trainer.  Andrew Carlson (David Hornsby) is an etiquette columnist whose devotion to ideals from a more civilized time has lead to a life detached from modern society.  Infectiously optimistic, Bert Lansing (Kevin Dillon) is a reformed “bad boy” from Andrew’s past who inherited a fitness center, but can still be rude, loud and sloppy.  When Andrew’s editor, Jerry (Dave Foley), tells him to put a modern, sexy twist on his column or be fired, he hires Bert as a life coach in the hopes of learning to be less “gentle man” and more “real man.”  Andrew’s mom, Diane (Nancy Lenehan), and his bossy sister, Janet (Mary Lynn Rajskub), support the plan, as would Janet’s husband, Mike (Rhys Darby), if he was allowed to have an opinion.  Though Andrew and Bert’s views may be centuries apart, they may find they’re each other’s missing link.

The ‘Tastic Says:  Is it just us or is this not the same show as 2 Broke Girls except for it’s an odd-couple-with-dudes comedy.  This looks only slightly better than 2BG and probably only because it has Kevin Dillon in it. It still looks like the typical awful sitcom, though.

The New Midseason Series:

From Robert De Niro and Jane Rosenthal comes The 2-2, which follows six diverse NYPD rookies as they patrol the gritty streets of upper Manhattan.  The new trainees include Jennifer “White House” Perry (Leelee Sobieski), a former college volleyball star and Marine MP in Iraq with a take-charge attitude; Ray “Lazarus” Harper (Adam Goldberg), the oldest rookie and a former police news reporter with better sources than many seasoned cops; Tonya Sanchez (Judy Marte), who comes from a family with a criminal history and has a very personal connection inside the force; Ahmad “Kiterunner” Kahn (Tom Reed), an Afghani native who fought his way to freedom; Kenny McClaren (Stark Sands), a fourth-generation police officer with great instincts but qualms about joining the force; and Jayson Toney (Harold House Moore), a young basketball legend who squandered his opportunity in the NBA.  Their demanding Field Training Officer, Daniel “Yoda” Dean (Terry Kinney), is a case-hardened, unsentimental veteran of the force who emphasizes basics and holds each cop accountable for their actions.  With unique backgrounds, personalities and reasons for being on the force, the new cops will make their share of rookie mistakes while they figure out how to relate to their boss, each other and to the people they swore to protect.  Two-time Academy Award winner Robert De Niro (“The Godfather: Part II,” “Raging Bull”), Jane Rosenthal (“Meet the Parents”), Academy Award nominee Richard Price (“The Color of Money”), Ken Sanzel (“Numb3rs”) and James Mangold (“Walk the Line”) are executive producers for CBS Television Studios in association with Tribeca Productions.  The pilot was directed by James Mangold.

The ‘Tastic Says:  Yeah… we don’t know about this one.  It seem like another dull and boring police procedural just shown from different rookie-cop perspective.  The characters don’t seem to be very original at all and we don’t really see the necessity for another bland police procedural with nothing particularly unique about it (a cop show set in New York?  No way!  Get out of here!).  We’ll give it a shot because Robert De Niro’s name being attached to it but we can’t promise sticking around for it for very long. 

(Sorry, but no trailer on this one yet)

ALERT! CBS Announces 2011 – 2012 Schedule

Here it is, folks, direct from the CBS Upfront Advertising Event, CBS’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule).  Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here and here.

If you have any questions about other shows, post them below.

Some programming notes:

  • CBS’ very strong lineup has had limited changes.  So unless you were just dying for The Defenders, Mad Love or the worst television show ever made, $#*! My Dad Says, if you’re a fan of CBS, you did O.K., and in fact a lot better than anyone else.
  • As far as new programming is concerned, other than the J.J. Abrams/Jonathan Nolan Project,  Person of Interest, as with most of the new network offerings, there’s a recurring theme this fall with all of the networks, and that is that there a recurring themes in most of the new programming.  There really aren’t that may particularly original concepts showing up for any of the new scripted programming.
  • Rules of Engagement has been moved to… SATURDAY???  Why bother renewing it?
  • We’ll be doing a preview assessment on all of the new shows as well as providing trailers later tonight.

Via Press Release:

CBS ANNOUNCES 2011-2012 PRIMETIME SCHEDULE

America‘s Most Watched Network Adds Five New Series

New Dramas Include a Thriller from J.J. Abrams, PERSON OF INTEREST,

And Two Shows with Very Cerebral Twists – UNFORGETTABLE and

A GIFTED MAN

 Comedies Feature 2 BROKE GIRLS from

Michael Patrick King (“Sex and the City”), and Two ‘Odd Couple’ Guys

In HOW TO BE A GENTLEMAN

CSI Moves to Wednesday at 10:00 PM,

The Good Wife Relocates to Sunday at 9:00 PM and

Rules of Engagement Moves to Saturday at 8:00 PM

 19 Series Return to Top-Rated Line-Up

 Undercover Boss and THE 2-2, a New Drama from Tribeca Productions and Executive Producers Robert De Niro and Jane Rosenthal, to Premiere Mid-Season

NEW YORK — CBS announced today its new 2011-2012 primetime schedule, ordering five new series and making key time-period moves for CSI and The Good Wife to strengthen its already top-rated primetime lineup.  CBS will, once again, finish the season as America’s most watched network, marking the eighth time it has done so in the last nine years.

The new series include three new dramas and two new comedies: PERSON OF INTEREST, a crime thriller from renowned executive producer J.J. Abrams starring Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson; UNFORGETTABLE, starring Dylan Walsh and Poppy Montgomery as a former detective with a rare condition that enables her to remember virtually every detail from every day of her life; A GIFTED MAN about a preeminent surgeon whose life changes forever when his deceased ex-wife returns, starring Patrick Wilson and Jennifer Ehle; 2 BROKE GIRLS, a comedy about two strikingly different young waitresses who form an unlikely friendship, starring Kat Dennings and Beth Behrs; and an odd-couple comedy, HOW TO BE A GENTLEMAN, starring David Hornsby and Kevin Dillon, about a refined magazine columnist and his very unrefined personal trainer.

The freshman series will be joined by 19 returning shows, including the season’s #1 drama/scripted series,NCIS; #1 comedy, The Big Bang Theory; #1 news magazine, 60 Minutes; # 1 new comedy, MIKE & Molly; along with two franchise reality series, SURVIVOR and the seven-time Emmy Award winner, THE Amazing Race.

The other returning series include: How I Met Your Mother; Hawaii Five-0; NCIS: LOS ANGELES; Criminal Minds;CSI: CRIME SCENE INVESTIGATION; The Mentalist; CSI: NY; Blue Bloods; Rules of Engagement; 48 Hours Mystery; The Good Wife; and CSI: MIAMI.

For mid-season, CBS will present the third season of the reality series Undercover Boss, and the new police drama, THE 2-2, from Tribeca Productions and executive producers Robert De Niro and Jane Rosenthal.

The new 2011-2012 schedule is as follows:

On Monday, the veteran How I Met Your Mother returns at 8:00 PM, to provide a strong lead-in for another young comedy, 2 BROKE GIRLS, at 8:30 PM.  Ashton Kutcher joins the cast of the top-rated comedy, Two and a Half Men, at 9:00 PM, followed by returning freshman hits MIKE & Molly at 9:30 PM and Hawaii Five-0 at 10:00 PM.

On Tuesday, the #1-rated scripted series, NCIS, returns at 8:00 PM followed by the #2-rated scripted series,NCIS: LOS ANGELES, at 9:00 PM, providing a powerful lead-in to the new drama, UNFORGETTABLE, at 10:00 PM.

On Wednesday, SURVIVOR returns to the time period it improved 100% in viewers last season (8:00 PM). Criminal Minds, one of the top-rated dramas on television, is back at 9:00 PM, and is paired with CSI: CRIME SCENE INVESTIGATION to form a strong two-hour crime drama block from 9:00-11:00 PM.

On Thursday, CBS adds a new comedy and drama to the middle of the line-up, book-ended by two established hit series: television’s #1 comedy, The Big Bang Theory, returns at 8:00 PM, providing a strong lead-in to the new comedy, HOW TO BE A GENTLEMAN.  J.J. Abrams’ new crime-thriller, PERSON OF INTEREST, joins the line-up at 9:00 PM, followed by the time-period winning drama, The Mentalist, as the night’s strong anchor at 10:00 PM.

On Friday, CBS’s time-period winning, two-hour New York police drama block returns from 9:00-11:00 PM withCSI: NY and Blue Bloods.  A unique new series opens the night at 8:00 PM with A GIFTED MAN, a medical drama with a spiritual twist.

On Saturday, original programming opens the night at 8:00 PM with Rules of Engagement, which will be paired with COMEDYTIME at 8:30 PM, featuring encore broadcasts of CBS comedies.  The successful duo of CRIMETIME at 9:00 PM and the time period-winning 48 Hours Mystery at 10:00 PM closes the night.

Sunday night has an award-winning flare.  The acclaimed and always top-rated 60 Minutes opens at 7:00 PM, followed by the seven-time Emmy Award winning series, THE Amazing Race, at 8:00 PM, leading into the critically acclaimed, award-winning drama, The Good Wife, at 9:00 PM.  The always successful CSI: MIAMI caps the night at 10:00 PM.

The New Dramas are:

UNFORGETTABLE stars Poppy Montgomery as Carrie Wells, an enigmatic former police detective with a rare condition that makes her memory so flawless that every place, every conversation, every moment of joy and every heartbreak is forever embedded in her mind.  It’s not just that she doesn’t forget anything – she can’t; except for one thing: the details that would help solve her sister’s long-ago murder.  Carrie has tried to put her past behind her, but she’s unexpectedly reunited with her ex-boyfriend and partner, NYPD Detective Al Burns (Dylan Walsh), when she consults on a homicide case.  His squad includes Det. Mike Costello (Michael Gaston), Al’s right-hand man; Detective Roe Saunders (Kevin Rankin), the junior member of the team; and Detective Nina Inara (Daya Vaidya), a sassy, street-smart cop.  Being back on the job after a break feels surprisingly right for Carrie.  Despite her conflicted feelings for Al, she decides to permanently join his unit as a detective solving homicides – most notably, the unsolved murder of her sister.  All she needs to do is remember.  Ed Redlich, John Bellucci, Sarah Timberman and Carl Beverly are executive producers for Sony Television Studios in association with CBS Television Studios.

PERSON OF INTEREST stars Jim Caviezel, Emmy Award winner Michael Emerson and Academy Award nominee Taraji P. Henson in a crime thriller about a presumed dead former-CIA agent who teams up with a mysterious billionaire to prevent violent crimes by using their own brand of vigilante justice.  Reese’s (Caviezel) special training in covert operations appeals to Finch (Emerson), a software genius who invented a program that uses pattern recognition to identify people about to be involved in violent crimes.  Using state-of-the-art surveillance technology, the two work outside of the law using Reese’s adept skills and Finch’s unlimited wealth to unravel the mystery of the person of interest and stop the crime before it happens.  Reese’s actions catch the attention of the NYPD, including homicide detective Carter (Henson), and Fusco (Kevin Chapman), a cop who Reese uses to his advantage.  With infinite crimes to investigate, Reese and Finch find that the right person, with the right information, at the right time, can change everything.  Emmy Award winners J.J. Abrams and Bryan Burk (“Lost”), Academy Award nominee Jonathan Nolan (“Memento”), David Semel (“Heroes”) and Greg Plageman (“Cold Case”) are the executive producers for Warner Bros. Television.

A GIFTED MAN is a drama about a brilliant, charismatic surgeon whose life changes forever when his deceased ex-wife begins teaching him the meaning of life from the “hereafter.”  Michael Holt (Patrick Wilson) is an exceptional doctor who lives a materialistic life of luxury thanks to his work-obsessed career and powerful and wealthy patients; however, Michael’s ordered world is rocked when his ex-wife, Anna (Jennifer Ehle), an idealistic free-clinic doctor and the love of his life, mysteriously appears to him.  Michael’s off-beat sister, Christina (Julie Benz), a single mom to her teenaged son, Milo (Liam Aiken), is thrilled that Anna’s back in her brother’s life, even as an “illusion,” because Michael was always a better person with her.  Curious about Michael’s sudden change in behavior is his efficient assistant, Rita (Margo Martindale).  When Anna asks Michael to go to her clinic to help keep it running, he meets Autumn (Afton Williamson), a volunteer carrying on Anna’s work with the underprivileged.  Touched by those in need and accepting of Anna’s compassionate “presence,” Michael’s attitude toward serving the rich and poor is turned upside down, and he begins to see that there’s room in his life for everyone.  Academy Award nominee Susannah Grant (“Erin Brockovich”), Academy Award winner Jonathan Demme (“The Silence of the Lambs”), Sarah Timberman, Carl Beverly and Neal Baer (“ER”) are executive producers for CBS Television Studios.

The New Comedies are:

2 BROKE GIRLS is a comedy about two young women waitressing at a greasy spoon diner who strike up an unlikely friendship in the hopes of launching a successful business – if only they can raise the cash.  Sassy, streetwise Max (Kat Dennings) works two jobs just to get by, one of which is waiting tables during the night shift at the retro-hip Williamsburg Diner.  Sophisticated Caroline (Beth Behrs) is an uptown trust fund princess who’s having a run of bad luck that forces her to reluctantly give waitressing a shot.  At first, Max sees Caroline as yet another in a long line of inept servers she must cover for, but she’s surprised to find that Caroline has as much substance as she does style.  When Caroline discovers Max’s knack for baking amazing cupcakes, she sees a lucrative future for them, but they first need to raise the start-up money.  While they save their tips, they’ll stay at the restaurant, working with Oleg (Jonathan Kite), an overly flirtatious Russian cook; Earl (Garrett Morris), a 75-year-old kool-kat cashier; and Han Lee (Matthew Moy), the new, eager-to-please owner of the diner.  Working together, these two broke girls living in one expensive city might just find the perfect recipe for their big break.  Michael Patrick King (“Sex and the City”) and writer-comedian Whitney Cummings (“Chelsea Lately”) are executive producers for Warner Bros. Television.

HOW TO BE A GENTLEMAN, inspired by the book of the same name, is a comedy about the unlikely friendship between a traditional, refined writer and an unrefined personal trainer.  Andrew Carlson (David Hornsby) is an etiquette columnist whose devotion to ideals from a more civilized time has lead to a life detached from modern society.  Infectiously optimistic, Bert Lansing (Kevin Dillon) is a reformed “bad boy” from Andrew’s past who inherited a fitness center, but can still be rude, loud and sloppy.  When Andrew’s editor, Jerry (Dave Foley), tells him to put a modern, sexy twist on his column or be fired, he hires Bert as a life coach in the hopes of learning to be less “gentle man” and more “real man.”  Andrew’s mom, Diane (Nancy Lenehan), and his bossy sister, Janet (Mary Lynn Rajskub), support the plan, as would Janet’s husband, Mike (Rhys Darby), if he was allowed to have an opinion.  Though Andrew and Bert’s views may be centuries apart, they may find they’re each other’s missing link.  David Hornsby (“It’s Always Sunny In Philadelphia”), Adam Chase (“Friends”), Ted Schachter (“The Invention of Lying”), Joe Hipps and Modi Wiczyk are executive producers for CBS Television Studios.

The New Midseason Series:

From Robert De Niro and Jane Rosenthal comes THE 2-2, which follows six diverse NYPD rookies as they patrol the gritty streets of upper Manhattan.  The new trainees include Jennifer “White House” Perry (Leelee Sobieski), a former college volleyball star and Marine MP in Iraq with a take-charge attitude; Ray “Lazarus” Harper (Adam Goldberg), the oldest rookie and a former police news reporter with better sources than many seasoned cops; Tonya Sanchez (Judy Marte), who comes from a family with a criminal history and has a very personal connection inside the force; Ahmad “Kiterunner” Kahn (Tom Reed), an Afghani native who fought his way to freedom; Kenny McClaren (Stark Sands), a fourth-generation police officer with great instincts but qualms about joining the force; and Jayson Toney (Harold House Moore), a young basketball legend who squandered his opportunity in the NBA.  Their demanding Field Training Officer, Daniel “Yoda” Dean (Terry Kinney), is a case-hardened, unsentimental veteran of the force who emphasizes basics and holds each cop accountable for their actions.  With unique backgrounds, personalities and reasons for being on the force, the new cops will make their share of rookie mistakes while they figure out how to relate to their boss, each other and to the people they swore to protect.  Two-time Academy Award winner Robert De Niro (“The Godfather: Part II,” “Raging Bull”), Jane Rosenthal (“Meet the Parents”), Academy Award nominee Richard Price (“The Color of Money”), Ken Sanzel (“Numb3rs”) and James Mangold (“Walk the Line”) are executive producers for CBS Television Studios in association with Tribeca Productions.  The pilot was directed by James Mangold.

CBS TELEVISION NETWORK

2011-2012 PRIMETIME SCHEDULE

(N=New, NT=New Time, all times ET/PT)

MONDAY

8:00-8:30 PM              How I Met Your Mother

8:30-9:00 PM              2 Broke Girls (NEW!)

9:00-9:30 PM              Two and a Half Men

9:30-10:00 PM            Mike & Molly

10:00-11:00 PM          Hawaii Five-0

TUESDAY

8:00-9:00 PM              NCIS

9:00-10:00 PM            NCIS: LOS ANGELES

10:00-11:00 PM          Unforgettable (NEW!)

WEDNESDAY

8:00-9:00 PM              Survivor: South Pacific

9:00-10:00 PM            Criminal Minds

10:00-11:00 PM          CSI: Crime Scene Investigation Unit

THURSDAY

8:00-8:30 PM              The Big Bang Theory

8:30-9:00 PM              How to be a Gentleman (NEW!)

9:00-10:00 PM            Person of Interest (NEW!)

10:00-11:00 PM          The Mentalist

FRIDAY

8:00-9:00 PM              A Gifted Man (NEW!)

9:00-10:00 PM            CSI: New York

10:00-11:00 PM          Blue Bloods

SATURDAY

8:00-8:30 PM              Rules of Engagement

8:30-9:00 PM              COMEDYTIME SATURDAY

9:00-10:00 PM            CRIMETIME SATURDAY

10:00-11:00 PM          48 Hours Mystery

SUNDAY

7:00-8:00 PM              60 Minutes

8:00-9:00 PM              The Amazing Race

9:00-10:00 PM            The Good Wife

10:00-11:00 PM          CSI: Miami

About CBS Television Network

CBS was established in 1928, when founder William Paley purchased 16 independent radio stations and christened them the Columbia Broadcast System.  Today, with more than 200 television stations and affiliates reaching virtually every home in the United States, CBS’s total primetime network lineup was watched by more than 100 million people a week during the 2010-2011 season.  The Network has the #1 drama/scripted program, NCIS; #1 sitcom, The Big Bang Theory; #1 newsmagazine, 60 Minutes; and #1 daytime drama, THE YOUNG AND The Restless.  Its programming arms include CBS Entertainment, CBS News and CBS Sports.  For more information, please visit http://www.cbs.com/.

About CBS Corporation

CBS Corporation is a mass media company with constituent parts that reach back to the beginnings of the broadcast industry, as well as newer businesses that operate on the leading edge of the media industry.  The Company, through its many and varied operations, combines broad reach with well-positioned local businesses, all of which provide it with an extensive distribution network by which it serves audiences and advertisers in all 50 states and key international markets.  It has operations in virtually every field of media and entertainment, including broadcast television (CBS and The CW – a joint venture between CBS Corporation and Warner Bros. Entertainment), cable television (Showtime Networks, Smithsonian Networks and CBS College Sports Network), local television (CBS Television Stations), television production and syndication (CBS Television Studios, CBS Studios International and CBS Television Distribution), radio (CBS Radio), advertising on out-of-home media (CBS Outdoor), publishing (Simon & Schuster), interactive media (CBS Interactive), music (CBS Records), licensing and merchandising (CBS Consumer Products), video/DVD (CBS Home Entertainment), motion pictures (CBS Films) and sustainable media (EcoMedia).  For more information, please visit www.cbscorporation.com.

Photos are available at www.cbspressexpress.com.

Follow us on Twitter @cbstweet


CBS Picks Up Four New Shows: A Gifted Man, The 2-2, Unforgettable, How to Be A Gentleman

With CBS’s upfront advertising event this Wednesday, four new shows have been picked up for the 2011 – 2012 lineup.  A Gifted Man, The 2-2, Unforgettable and How to be a Gentleman all got the green light for episode orders.  For more information on what shows from this season have been renewed, cancelled or picked up by CBS for 2011 – 2012 check out this piece we did earlier.

From The Hollywood Reporter:

A Gifted Man (formerly The untitled Susannah Grant Project)

Patrick Wilson (Little Children) stars as an ultra-competitive surgeon whose life is changed forever when his ex-wife (Jennifer EhleThe King’s Speech) dies and begins teaching him what life is all about. Julie Benz (No Ordinary Family) co-stars in the CBS Television Studios drama, produced by Susannah Grant (Erin Brockovich), Sarah Timberman, Carl Beverly andJonathan Demme (Rachel Getting Married), who directed the pilot.

The 2-2 (formerly Rookies)

From CBS Television Studios, the project revolves around six NYPD rookies who learn to balance their personal lives with working the streets of Manhattan. The ensemble cast includes Leelee Sobieski (Joan of Arc) and Adam Goldberg (The Unusuals). Robert De Niro is on board as an executive producer, along with Jane Rosenthal, showrunner Ken Sanzel, Alysse Bezahler (In Treatment), Brandon Brito, Meghan Lyvers andRichard Price (Blue Bloods), who wrote the pilot. James Mangold (Men in Trees) executive produced and directed the pilot.

Unforgettable (formerly The Rememberer)

The drama, from Sony and CBS Television Studios, centers on a NYPD detective who has the ability to remember everything. In a strategic shift to pepper its schedule with female leads, the show stars Poppy Montgomery, best known for her work in former CBS show Without a TraceEd Redlich (Without a Trace) writes and executive produces alongside EP Sarah Timberman, EP Carl Beverly and writer/co-EP John Bellucci.

How to be a Gentleman

A buddy comedy based on the book by John Bridges that follows an unlikely friendship between a traditional, uptight columnist (David HornsbyIt’s Always Sunny in Philadelphia) and his rough-around-the-edges friend and trainer (Kevin DillonEntourage). From CBS Television Studios, Hornsby penned the pilot and executive produces with Adam Chase, Joe Hipps and Modi WiczykPam Fryman (How I Met Your Mother) directed the pilot.

TV NEWS ALERT! FOX: Bones Renewed For Seventh Season… Now What About House?

You didn't have to be this guy to figure out that FOX would renew Bones.

FOX Broadcasting and 20th Century Fox Television have come to terms on a new license fee agreement and the hit series Bones has been renewed for a seventh season.  We predicted this would happen as merely a defensive move if nothing else because if the uncertain fate of House.  Universal Media Studios and FOX did not reach an agreement despite a deadline of April 15th and two extensions beyond that deadline.

To make matters more precarious for FOX and the future of House on the network, NBCUniversal head, Steve Burke, has announced that parent company Comcast will be investing an additional $200 million into the struggling NBC.  This, of course, just reaffirms our suspicions that it is quite possible that UMS may just opt instead to sell the hit medical show to NBC.  The issue at play here is money.  UMS wants the same they had with FOX in season five and have FOX share in the cast salaries. FOX’s position is that though the show is still strong it’s not as strong as it was in season five when the initial deal was made.  So considering that the deadlines have passed and UMS wants more money than FOX is willing to give, who better to turn to than fellow NBCUniversal subsidiary, NBC who will apparently be rolling in cash.  Steve

NBCUniversal Head, Steve Burke

Burke had this to say about the cash infusion at NBC:

The real key to turning around NBC is not necessarily increased investment. The real key is making better shows.

So apparently Mr. Burke certainly gets it and that’s good sign for NBC’s future. Even though he is stating the obvious, it simply amazes us how his predecessors couldn’t grasp that very simple concept. So now it’s our turn to ask the obvious: what better way is there to make better shows than by purchasing already established hits in their prime?  We can’t think of many.  As we’ve noted, the addition of House to the Peacock network would be a game changer for them or at the very least a life-preserver.

Via Press Release:

FOX UNCOVERS ANOTHER SEASON OF “Bones”

Fan-Favorite Series Renewed for Seventh Season

All-New Episode Airs Thursday, May 5, on FOX

FOX has renewed the hit series Bones for a seventh season, it was announced today by Kevin Reilly, President of Entertainment, Fox Broadcasting Company.

“Bones is creatively fresh, it’s a rock-solid player every time it airs and this season it has helped us win on Thursday nights for the first time in our history,” said Reilly. “Hart Hanson and the fantastic cast and crew, as well as the millions of loyal Bones fans, make this show really special, and I’m excited to have it on our air for another stellar season.”

In the all-new “The Signs in the Silence” episode, airing Thursday, May 5 (9:00-10:00 PM ET/PT), a 15-year-old Jane Doe, who is hearing impaired and unable to communicate, is found on the streets covered in blood and wielding a knife, leading the team to believe she is responsible for a recent murder. Meanwhile, Angela keeps Hodgins in the dark regarding the details of her pregnancy.

Bones is a darkly amusing procedural centered on a highly skilled forensic anthropologist who can read clues left behind in victims’ Bones and an FBI agent. These unlikely partners take on homicide cases involving human remains that most forensic specialists can’t handle. The series stars Emily Deschanel, David Boreanaz, TJ Thyne, Michaela Conlin, Tamara Taylor and John Francis Daley.

Bones is from Far Field Productions and Josephson Entertainment in association with 20th Century Fox Television. The series was created by Hart Hanson. Hanson, Stephen Nathan, Ian Toynton and Barry Josephson are executive producers. Become a fan of the series on Facebook at www.facebook.com/bones and follow the series on Twitter at www.twitter.com/bonesonfox (@bonesonfox).

Summer Sci-Fi Alert! TNT’s Falling Skies Two Hour Premiere – Sunday, June 19th At 9:00 p.m.

FALLING SKIES opens in the chaotic aftermath of an alien attack that has left most of the world completely incapacitated. In the six months since the initial invasion, the few survivors have banded together outside major cities to begin the difficult task of fighting back. Each day is a test of survival as citizen soldiers work to protect the people in their care while also engaging in an insurgency campaign against the occupying alien force. 

At the center of the series is Tom Mason (Noah Wyle), a Boston history professor whose family has been torn apart. His wife was killed in the initial attack, and one of his three sons has been captured. Determined to get his son back and to ensure the safety of his other two sons, Tom must put his extensive knowledge of military history to the test as one of the leaders of the resistance movement known as the 2nd Mass, because of their location in Boston, Mass. They are constantly trying to gain intelligence about the aliens in order to one day outsmart and overtake them and hopefully rebuild their lives. 

Moon Bloodgood (Terminator Salvation) co-stars as Anne Glass, a pediatrician who works with the surviving children to help them cope with the traumatic upheaval in their lives. Will Patton (Armageddon, TNT’s Into the West) plays a fierce leader of the resistance, Weaver. The series also stars Drew Roy (Secretariat) as Hal, Tom’s oldest son and a growing fighter in the resistance movement; Maxim Knight (Brothers & Sisters) as Matt, Tom’s youngest son; Connor Jessup (The Saddle Club) as Ben, Tom’s son who was captured by aliens; and Seychelle Gabriel (Weeds) as Lourdes, an orphaned teenager who helps Anne in the group’s makeshift medical clinic. Colin Cunningham (Living in Your Car) is John Pope, the leader of an outlaw motorcycle gang and Sarah Carter (Shark) is Margaret, a wary survivor of Pope’s gang. 

FALLING SKIES focuses on the resilience of the survivors and their determination to maintain their humanity when all else has been destroyed. It is a tale of endurance, commitment and courage in which everyday people are called upon to become heroes. They may be outmatched, outnumbered and outgunned, but nothing can beat the human spirit. Most of all, the series is about the ties that bind people together in the most difficult of circumstances. 

The aliens in the series are mighty, mysterious and merciless. They are highly intelligent and use military-like tactics, which makes them an overwhelming force against the 2nd Mass. There are two types of aliens that the human survivors have named Skitters and Mechs. Combining live action and special visual effects, the Skitters have spider-like bodies and incredible strength and agility. The deadly, robotic Mechs stand upright and can shoot bullets from their arms. The aliens control captured children, like Tom’s son Ben, through bio-mechanical harnesses but have yet to reveal their ultimate plan for them. 

FALLING SKIES is executive-produced by Steven Spielberg, along with DreamWorks Television heads Justin Falvey and Darryl Frank, Graham Yost (Justified, The Pacific) and screenwriter Robert Rodat. Rodat, who earned an Oscar® nomination for his screenplay for Saving Private Ryan, wrote the pilot from an idea he co-conceived with Spielberg. Mark Verheiden (Heroes, Battlestar Galactica) and Greg Beeman (Heroes, Smallville) are co-executive producers. The pilot was directed by Carl Franklin (One False Move, Out of Time).  – TNT

Official Trailer:

Longer First Look Extended Trailer:


Steven Spielberg

So, here’s the question of the month:  How the H-E-Double-Hockey-Sticks did we miss this. Seriously, we’re genetically predisposed to have the first scoop on all new SciFi programming out there.  This is just embarrassing.  We only heard about Falling Skies yesterday when we saw the trailer on TNT and thought it was for a summer blockbuster that we didn’t know about.

That being said, this looks exceptionally well-done for basic cable with Dreamworks producing it and Steven Spielberg heavily involved with creating the aliens. Dare we say, it looks even better than Terra Nova and we think it has a better chance of staying on the air for a second season then TN as well because basically they’ve done everything right, so far, as far as production of Sci-Fi television is concerned.

  1. Yes... yes they do.

    It’s on Basic Cable and NOT on a Major Network. Better yet, it’s on TNT which overall in 2010 was the #4 cable Network on television and #2 for original non-niche scripted programming (for clarification, Disney and ESPN, #2 and #3, respectively, are niche networks) behind only USA.  The expectation for high audience numbers is dramatically lower on basic cable than it is on major network which is a luxury that TN doesn’t have on FOX and to make matters worse for TN, over the past decade, Sci-Fi is DEAD on Network television for this generation of audiences and has been an abysmal failure every time it’s been attempted and this dovetails into the next advantage for renewal FS has…

  2. $$$$ Because FS is on basic cable, the production costs will be dramatically lower than any show on a major network and considering that TN is the most expensive show in the history of television, we can only imagine that the production costs of FS is infinitesimal in comparison to TN.  Again, this goes back to the ratings expectations that TNT will have for  FS as opposed to what FOX will have for TN. One of the biggest factors a show has to overcome is production costs.  When  24 was canceled last year, even though the ratings were continuing to drop they weren’t particularly awful.  The problem was (besides the fact that the producers admitted that the well had run dry) that the show was just so damned expensive to produce that they couldn’t justify renewing it.  A show has to get high enough ratings in order to justify high ad rates in order to justify high production costs. It’s that simple.  Considering what we said about the recent history of Sci-Fi on network, the advantage again goes to FS.
  3. The real reason why so many Sci-Fi shows are produced in Canada

    “O, Canada, Our Home and Native Land!” As soon as we saw the trailers for FS, the first thing we thought was, “Oh, this has to be being produced in Canada,” and as we confirmed with iMDB, it sure as heck is (Hamilton, Ontario to be precise).   It’s well-known that the key to keeping production costs down dramatically with Sci-Fi television is to film in Canada. Don’t believe us? Take a look at this list of Sci-Fi shows filmed in Canada over the last two decades.  Where is TN being produced? In ridiculously cost-prohibitive Australia which is just adding to the enormous price-tag of that show. Advantage, FS.

  4. Shorter Schedule Beyond the obvious fact that producing more than twice as many episodes per season (22 for TN as opposed to 10 for FS) will cost twice as much for FOX, there’s also a much bigger issue and that is that a 22 episode season, by its nature, will air over the course of an entire television season, in this case (allegedly) 2011 – 2012.  This means long hiatuses and reruns for the show which has proven time and time again to be catastrophic for Sci-Fi and genre which is exactly why they eventually stopped doing it with 24, Lost, and Alias to name a few, instead, choosing to air their entire seasons as mid-season replacements without anything more than the random one week break between new episodes.  Today’s audiences have ZERO patience for serials to begin with, nevertheless Sci-Fi serials,  and they will not tolerate shows that leave them hanging for six weeks to several months at a time.  FS will air new episodes continuously for ten weeks and it’s airing in the middle of summer with no competition from the major networks which is a strategy that continues to be proven successful for basic cable networks.

Finally, 22 episodes of Sci-Fi is just too much for major network television (and no, even though The CW is a major network, they don’t count for the purpose of this discussion for obvious reasons.).  Today’s major network audiences just will not hang in there for 22 episodes of Sci-Fi any more.  Now, we love Fringe and we’re certainly thrilled it got picked up for a fourth season but that is an anomaly and the audience numbers haven’t been particularly great for it which is why it got moved from the middle of the week to Friday to begin with.  The standard 10 – 13 episode seasons for original programming on basic cable works just fine for Sci-Fi. Advantage, FS.

Will the real Slim Shady please stand up?

So why are we so excited about FS? Well, first, the trailers look fantastic and yes, we know it’s not a particularly original concept stealing aspects from The Terminator, Battlestar Galactica, V,  The Road, Independence Day and War of the Worlds, to name a few (not to mention that the whole “stealing children and technologically altering them” concept is eerily similar to the Borg in Star Trek) but heck, we like that kind of Sci-Fi because it invariably promises us great action and character development.  We also don’t think that it’s a coincidence that Noah Wyle looks like he was separated at birth from Terminator: Salvation star and leader of the resistance Christian Bale (John Connor).

Along with the great action, though, is that shows like this invariably raise thought-provoking philosophical questions about humanity, often without the audience realizing it until after it’s happened. This is one of the marks of great Sci-Fi storytelling which this particular brand of Sci-Fi excels at and we really expect nothing less considering the heavy hitters that are on board for this and their experience and success they bring to this in the writing and production department (see the last paragraph of the show description at the top).

Also, just to preempt the inevitable cries of “it’s not an original concept” from the peanut gallery (that have already begun), we’ve got news for you:  there are no original concepts in Sci-Fi anymore. Every concept you can think of has been thought up by someone else in this genre and been done already.  It’s the execution of concept that counts and that’s what will be the deciding factor in FS‘s success or failure.

Check out the official Falling Skies webpage, here.

The Confession (Hulu)

Created by and starring Kiefer Sutherland, The Confession is a story of unique redemption and an exploration of good and evil featuring a hit man (Kiefer Sutherland), and a priest (John Hurt). The story begins on Christmas Eve, when the hit-man enters a church to confess his sins to the priest. Through a series of gripping flashbacks, the Confessor’s journey is revealed – laying out what has brought him to this moment and leading the audience to the dramatic ending where the man’s chances at ultimate redemption hang in the balance. While at first the Confessor seems to be an evil, cold-blooded killing machine and the Priest the ultimate arbiter of good, as the series develops it becomes clear that both characters are much more complicated than either could have suspected. – Hulu

9 out of 10

NOTE: As an added bonus, all links to shows and films in this review link to the actual shows and films on YouTube or Netflix.  Enjoy!

Last month we told you about the new, ten-part web series called The Confession starring Golden Globe and Emmy Award Winning Kiefer Sutherland (24, The Sentinel) and two-time Academy Award nominee, John Hurt (The Elephant Man, Midnight Express) in which a hitman (Sutherland) in a confessional has a metaphysical (it’s defnitely more metaphysical than theological, despite the show description) debate with a priest (Hurt) about right and wrong, good and evil, faith and doubt and the existence of God.  We had high hopes for this because it looked just so damned juicy and of course, simply look at the players involved.  How can one not be excited?

An Evil Jack Bauer? Fascinating...

The Confession has completely exceeded our expectations as far as suspense, intrigue and production values are concerned.  “The Hitman” (that’s the actual name of Sutherland’s character as Hurt’s is “The Priest.”) is literally the Jack Bauer from the alternate universe form the original Star Trek episode, Mirror, Mirror.  It’s as if Jack Bauer had two choices in life: go work for the government and use his particular brand of emotionless professionalism to protect his country and kill bad guys or become a dispassionate sociopath who works in organized crimes and kills random people for a living.  This Jack Bauer chose the latter.  I really can’t emphasize enough just how similar the two characters are so if you ever wondered how Bauer would be as a villain, here he is.

But, holy crap does this work.  The Hitman is cold, calculating and half of the adventure is just trying to figure out what his ulterior motive is, because we know he has one.  He wants to understand faith, but that’s not all, and we learn about his life through a series of flashbacks, each more contradictory than the last.  Hurt is brilliant in playing the role of the parish priest who starts out this conversation out of fear for his life and the lives of his parishioners but eventually it’s clear that The Priest is as fascinated with how this man became who he is and if he can help in find redemption.  It also becomes quite clear that The Priest is no more what he seems to be on the surface than The Hitman is. This Yin and Yang back and forth is beyond compelling.  Simply imagine if Jesus and Lucifer sat down in a coffee shop and had a conversation and Jesus is trying to convince Lucifer to come home.  It is simply amazing how good this series is at captivating its audience for eight minutes at a time, once per week.

And this is the only thing we hate about this show and we took a point off because of it.  We want more.   Playing out more like a full length feature film shown in segments, this eight minutes at a time business is just not cutting it and then after the eight minutes is up, we have to wait another week?  The upside is that we waited for the first seven episodes to air before we watched it so we got to see them back-to-back.  The downside is that we still have three more episodes to go and we may pull our hair out in between episodes.  We hope when this is released on Blu-Ray that they’ll combine the ten parts into one episode.

With Emmy Award winning Sean Callery (24) providing the soundtrack to put the cherry on top, The Confession is one show that you can’t miss and we believe it’s going to revolutionize the concept of episodic dramatic television.  We just hope that the next series like this on the Interwebs gets some major financing and actually gives us full 45 minute episodes.  Note to the networks: if it’s as good as this we will watch the flippin’ commercials!

Watch full length episodes of The Confession, here, but be warned; you’ll wish you had waited until all of the episodes had aired so you could watch them in sequence with no gaps.

F/X Programming Update: ‘Justified,’ ‘Archer,’ ‘Lights Out.’ What’s Staying, What’s Going.

There have been three major announcements from F/X over the last few weeks regarding programming for the 2011 -2012 season.

Coming back…

First, in a move that delights us to no end, one of the best shows on television, Justified, has been renewed for a third season.

Via The Longest Press Release We’ve Ever Seen to Announce the Renewal of a Show:

FX’S CRITICALLY ACLLAIMED HIT DRAMA JUSTIFIED GETS PICK UP

Network Orders 13 Episodes for Third Season from

FX Productions and Sony Pictures Television

Six All New Episodes Remain in Season One, Wednesdays at 10 PM ET/PT

With Season 1 Finale Airing June 8

Season Two (First-Run) Averaging 3.9 Million Total Viewers and 2.0 Million Adults 18-49

Marking Gains of +16% in Total Viewers and Adults 18-49 vs. Season One Average

With Multi-Run Weekly Average of 7.2 Million Total Viewers and 3.7 Million Adults 18-49

LOS ANGELES, March 29, 2011 – The FX drama series Justified is enjoying one of the most critically acclaimed seasons of any show on television this year and today the network has ordered another season of the hit series, picking up a 13-episode third season, announced John Landgraf, President and General Manager of FX Networks.  Six all new episodes remain in season two, airing Wednesdays at 10 PM ET/PT, with the second season finale airing May 4.

“Justified was a critically acclaimed hit series in its first season, but the show has far surpassed our expectations this season,” said Landgraf.  “Creatively, the show is on a roll. The performances of Timothy Olyphant, Walton Goggins, Margo Martindale and the entire cast are extraordinary. Graham Yost and his team of writers are delivering some of the richest stories anywhere on TV and are doing a brilliant job of being true to Elmore Leonard’s original character, Raylan Givens. We couldn’t be more proud of the work everyone has done.”

Developed for television by Graham Yost and starring Timothy Olyphant, Justified (TV-MA) is based on the popular Elmore Leonard character “Deputy U.S. Marshal Raylan Givens” from his short story Fire in the Hole and some of his other novels.

Yost said, “I always say that the best review we’ve ever received on Justified is the fact that Elmore Leonard gets a kick out of the show.  I must add to that.  Now tied for the best feedback we’ve ever received is the news that a network as cool and original and supportive as FX is bringing us back for another year.”

“The show’s appeal speaks volumes to Graham’s fresh approach to storytelling,” said Jamie Erlicht, president of programming and production, Sony Pictures Television.

“The stellar performances by Timothy, Walton and the entire cast are Emmy caliber and we couldn’t be prouder of this series” added Zack Van Amburg, president of programming and production, Sony Pictures Television.

SOURCE: The Nielsen Company, NHI (Live+7)

Through seven weeks, first-run episodes of Justified are averaging 3.9 million viewers (+15% vs. season 1) and 2.0 million Adults 18-49 (+18% vs. season 1).  The weekly multi-run average viewership for the season 2 is 7.2 million total viewers and 3.7 million Adults 18-49, respective gains of +6% in Total Viewers and +6% in Adults 18-49.

The series co-stars Walton Goggins guest stars as “Boyd Crowder,” Nick Searcy as Givens longtime friend and boss “Chief Deputy Art Mullen,” Jacob Pitts as “Deputy Marshal Tim Gutterson,” Erica Tazel as “Deputy Marshal Rachel Brooks,” Joelle Carter as “Ava Crowder,” and Natalie Zea as Raylan’s ex-wife “Winona Hawkins.”  This season Margo Martindale joined the cast in a supporting role as “Mags Bennett,” matriarch of a rural Kentucky crime family and nemesis of Raylan Givens.

Yost wrote the pilot and serves as Executive Producer/Writer on the series. Leonard is an Executive Producer on the series along with Sarah Timberman, Carl Beverly and Michael Dinner, and Olyphant is Producer. Justified is produced by FX Productions and Sony Pictures Television.

FX is the flagship general entertainment basic cable network from Fox. Launched in June of 1994, FX is carried in more than 99 million homes. The diverse schedule includes a growing roster of critically acclaimed and award-winning original series, an established film library of acquired box-office hit movies, and an impressive lineup of acquired hit series.

Later that same day, F/X announced that they would also be renewing the animated comedy series, Archer, for a third season as well, with new episodes airing in September.  We didn’t watch Archer when it first aired but since it’s been on Netflix Streaming, we’ve been getting into it and it’s absolutely hilarious.

 

 

 

 

Saying Goodbye: Lights Out

Finally, in a bit of disappointing (if not unexpected) news, on March 24th, F/X announced that they would not be renewing their critically acclaimed drama, Lights Out, for a second season.  In our review, we stated that Lights Out was the best new show of the Spring and we gave it a coveted 10 out of 10 rating (an honor that has only been bestowed upon one other show since we started the blog, HBO’s Boardwalk Empire) after only seeing two episodes and we firmly stand by that assessment.  We’ve done a separate commentary on the cancellation of Lights Out, which can be read here.

ALERT! J.J. Abrams Can Drink Less: FOX Renews Fringe For A Fourth Season!

To our absolute and utter amazement, FOX announced on March 24th that they would not only be renewing the fan-favorite Sci Fi series, Fringe but that they had also ordered a complete 22 episode season.  All we can say is, “Holy crap!”

Via Press Release From FOX:

FOX RENEWS “FRINGE” FOR FOURTH SEASON – IN BOTH UNIVERSES

FOX has renewed critically acclaimed thrilling drama FRINGE for a fourth season, it was announced today by Kevin Reilly, President, Entertainment for Fox Broadcasting Company.

“FRINGE has truly hit a creative stride and has distinguished itself as one of television’s most original programs. The series’ ingenious producers, amazingly talented cast and crew, as well as some of the most passionate and loyal fans on the planet, made this fourth-season pickup possible,” said Reilly. “When we moved the show to Fridays, we asked the fans to follow and they did. We’re thrilled to bring it back for another full season and keep it part of the FOX family.”

FRINGE co-creator and executive producer J.J. Abrams said, “We could not be happier that the fans of FRINGE (and our most excellent partners at FOX) have allowed us to continue telling stories from the fringe for another season!”

“This early pickup comes at a perfect time as we start production on the Season Three finale,” added FRINGE showrunners and executive producers Jeff Pinkner and J.H. Wyman. “We join the cast and crew in thanking our loyal fans and FOX for allowing us to have this much fun telling stories we love.”

Since moving to Fridays (9:00-10:00 PM ET/PT) in January, FRINGE is averaging a 2.2/7 among Adults 18-49 and has established itself as Friday’s No. 1 series in the core adult demographic.

The compelling third season continues tonight, Friday, March 25 (9:00-10:00 PM ET/PT), on FOX. In the “Bloodline” episode, the intensity of life “over there” accelerates as a pregnant OLIVIA (Anna Torv) is kidnapped and finds herself in mortal danger. As the Fringe Division races against time to find her, agent LINCOLN LEE (guest star Seth Gabel) receives some heartbreaking news as WALTER (John Noble) stops at nothing to preserve the new branch of the Bishop family tree.

Created by J.J. Abrams & Alex Kurtzman & Roberto Orci, FRINGE is produced by Bad Robot Productions in association with Warner Bros. Television. Abrams, Bryan Burk, Jeff Pinkner, J.H. Wyman and Joe Chappelle serve as executive producers, while Kurtzman and Orci are consulting producers. Additionally, Pinkner and Wyman serve as the series’ showrunners. Become a fan of the series on Facebook at http://www.facebook.com/fringe and follow the series on Twitter at http://www.twitter.com/fringeonfox (@fringeonfox).

J.J. Abrams... He can cut back on the drinking.

Now, before you go and start referring to the two commentaries we did on both the viral video campaign by FOX regarding the move to Friday night and the piece that we did in response to the criticism we received, and how these two pieces are evidence of our lack of insight or credibility, we would like to state for the record that we stand by everything that we claimed in both of those pieces.  Those two pieces are accurate analyses of FOX’s history over the last 20 years and what a move to Friday normally means with this network.  There’s not a whole lot of room for debate as the track record is not in dispute and J.J. Abrams agreed with us.

That being said, we would like to refer you back to that first piece and how we opened the door for FOX to prove us wrong (scroll to the last paragraph):

Do not trust FOX and their claims of unmitigated support for Fringe or any other show they move to Friday until they can be proven to be trustworthy.  The first step in doing that would be for them to order the remaining episodes for this season and order an entire fourth season and promise to air all of the episodes.  At this point, that would be the only way we would ever trust them and that’s not going to happen…

So, there it is. FOX accepted the challenge and achieved 2 out of the three conditions and the third condition, which was probably unrealistic to begin with, may have happened without FOX officially saying it. The thing is, no one expected FOX to renew Fringe for a fourth season, but the fact that they not only renewed it, but they renewed it in March AND ordered a complete season can only lead us to believe that FOX is indeed in it for the long haul and yes, we admit it, committed to Fringe‘s success.  Like we said, it’s going to be a long road to recovery for us with FOX but this surprise scheduling move along with their decision to renew American Dad for a seventh season (and also order a complete season of 22 episodes for that show in March as well) is very promising indeed.

Terra Nova: Allegedly to debut in Fall 2011

That being said, as much as we hate to look a gift horse in the mouth, the question that will inevitably be asked is: why? Is FOX that concerned about the state of its pilots for Fall 2011 that they would rather play it safe by keeping Fringe around? Do they have no faith in Steven Spielberg’s Terra Nova NOT being delayed yet again?  Or, is it perhaps, FOX execs have decided to take a new approach and change some of the old practices that have earned them the reputation of being a show-killer?  Or is it just the fact that maybe they just really like Fringe and see that it can be successful on Friday night?  Or, since they now have a Fall version of the American Idol juggernaut, Simon Cowell’s The X-Factor, are they going to do what we suggested in our first piece and that was to let the big money-makers support the quality scripted programming?    We don’t know and we don’t really care. We’re just glad to get another season out of one of our favorite shows.