NBC Announces Midseason Schedule, ‘Community’ and ‘Smash’ Return Dates Announced

Congratulations, whiny Community fans!  You got the Thursday, 8:00 p.m. slot and it only took the cancellation of slightly poorer performers to get you there!

Via Press Release:

NBC REVEALS CHANGES FOR MID-SEASON 2013

SERIES PREMIERES:

— New Drama “Deception” (Formerly “Infamous”) January 7

— New Comedy “1600 Penn” January 10

— New Relationship Series “Ready for Love” from Eva Longoria March 31

ANTICIPATED RETURNS:

— “The Voice” Begins Fourth Cycle March 25/26

— The Season’s Newest Hit “Revolution” Returns March 25

— “The Biggest Loser” Weighs in January 6/7 with Return of Jillian Michaels

— “Smash” Dances Back to the Schedule February 5 with Oscar Winner Jennifer Hudson

— “Community” Returns February 7

–“The Celebrity Apprentice” Debuts March 3

— “Betty White’s Off Their Rockers” Comes Back January 8

UNIVERSAL CITY, Calif. – October 30, 2012 – NBC today announced changes to its 2013 primetime mid-season schedule highlighted by the premieres of three new series, including comedy “1600 Penn,” from one of the architects of “Modern Family”; an intriguing drama “Deception” (formerly “Infamous”); and producer Eva Longoria’s big reality relationship show “Ready for Love.”

In addition, several of the network’s biggest hits will return, including “The Voice” with new coaches Usher and Shakira; fall hit “Revolution”; “Smash,” featuring Jennifer Hudson; and “The Biggest Loser,” with some innovative changes to the format and the return of Jillian Michaels.

Further scheduling announcements will be forthcoming.

Following are the highlights of the changes:

Mondays:

The new drama “Deception” – starring Meagan Good (“Think Like a Man”), Victor Garber (“Alias”), Tate Donovan (“Damages”) and Katherine LaNasa (“Alfie”) in a dark family murder mystery — debuts on January 7 (10-11 p.m. ET). Preceding “Deception” is the new season of “The Biggest Loser” which returns with a two-night premiere on Sunday, January 6 (9-11 p.m. ET) and Monday, January 7 (8-10 p.m. ET), and will continue on Mondays (8-10 p.m. ET) until the return of “The Voice.”

“The Voice” maintains its momentum as it returns March 25 for a fourth season (8-10 p.m. ET) and Tuesday, March 26 (8-9 p.m. ET). It continues its two-night Monday/Tuesday schedule as it did this fall. “Revolution” — the season’s only bona fide new hit series — will return and follow “The Voice” on March 25 (10-11 p.m. ET) when it concludes its current fall broadcast dates in November.

Tuesdays:

Last year’s acclaimed musical drama “Smash” makes its much-anticipated return with a two-hour episode on February 5 (9-11 p.m. ET) — with Oscar winner Jennifer Hudson — and will resume on Tuesday, February 12 (10-11 p.m. ET) in its regular day and time. “Betty White’s Off Their Rockers” premieres on January 8 with back-to-back episodes (8-8:30 p.m. ET and 8:30-9 p.m. ET) and will continue in that hour each Tuesday.

“The Voice” also will return on Tuesdays on March 26 (8-9 p.m. ET).

Thursdays:

The new comedy “1600 Penn” — starring Bill Pullman (“Independence Day”), Jenna Elfman (“Dharma and Greg”) and Josh Gad (Broadway’s “The Book of Mormon”) as a typical American family who just happen to live in the White House — debuts on January 10 (9:30-10 p.m. ET). Jason Winer, Emmy-winning director of “Modern Family” is co-creator and director. The critically hailed comedy “Community” returns on February 7 (8-8:30 p.m. ET). “Parks and Recreation” moves up one hour on the Thursday schedule to 8:30-9 p.m. (ET) on January 17.

Sundays:

The new alternative series “Ready for Love” — an innovative and dramatic new relationship show about making real connections with executive producer Eva Longoria – premieres Sunday, March 31 (8-10 p.m. ET). Donald Trump’s “The Celebrity Apprentice” resumes with an “All-Star” edition of former celebrity contestants on March 3 (9-11 p.m. ET) for four weeks before continuing in one-hour episodes on Sunday, March 31 (10-11 p.m. ET).

For embeddable clips from the NBC shows, please visit: http://www.nbc.com.

For artwork and complete press kits from the shows, please visit the NBC Universal Media village website athttp://www.nbcumv.com/mediavillage/.

Please follow us on http://www.facebook.com/NBC and at http://www.twitter.com/NBC

 

NBC: ‘Animal Practice’ Canceled, Replaced By ‘Community’… OK, No… Just Kidding… It’s Replaced By ‘Whitney’

As we reported yesterday,  NBC was delaying the previously scheduled premiere dates for both Community and Whitney due to the success of their current fall lineup and was waiting for the other shoe to drop on whatever borderline performing comedy the wheels fell off of first which we predicted would either be the awful Guys With Kids or the lackluster Animal Practice.

It certainly didn’t take long for our prediction to come to fruition as NBC wasted no time in reviewing the overnight ratings for Animal Practice and canceling the show immediately. Not a surprise, here, as we noted in our review, there was far too little monkey on this show for it to ever find success. What’s particularly hilarious, though, is that it was placed by the awful (like, one of the worst comedies in the history of television, awful) Whitney and NOT Community!  Community fans, you just can’t get no love.  NBC is probably punishing you for being such a bunch of whiny crybabies.

Via Press Release:

NBC’S ‘WHITNEY’ RETURNS FOR SECOND-SEASON PREMIERE ON WEDNESDAY, NOVEMBER 14

UNIVERSAL CITY, Calif. – October 18, 2012 — NBC announced that its second-year comedy series “Whitney” will return to its primetime lineup on Wednesday, November 14 (8-8:30 p.m. ET) replacing “Animal Practice.”

Whitney Cummings stars in the title role in the multi-camera series which is a look at modern-day love and relationships which centers around Whitney (Cummings, “Chelsea Lately”) and Alex (Chris D’Elia, “Glory Daze”), a happily – newly “married” couple. Surrounded by a quirky group of friends, Zoe Lister-Jones (“The Other Guys”), Rhea Seehorn (“The Starter Wife”), Dan O’Brien (“How I Met Your Mother”), and Tone Bell (new to the second season of the show).

The series is produced by Universal Television and Stuber Television.  The executive producers are Scott Stuber (“The Breakup”), Quan Phung (“My Boys”), Wil Calhoun (“Friends”) and Barry Katz (“Last Comic Standing”) are executive producers along with Cummings executive producer/writer and Andy Ackerman (“Seinfeld”) who is the director.

NBC: ‘Community,’ ‘Whitney’ Season Premiere Dates Delayed, No New Dates Announced

In news that’s bound to make the Community fanboy crybabies completely lose their sh*t, NBC has confirmed with THR that the fan-favorite along with sophomore comedy, Whitney will not be premiering this Friday, October 19th, as originally scheduled, and no new premiere date has been announced.  Instead, reruns of Grimm will be airing in the 8:00 – 9:00 p.m. timeslot for the foreseeable future.

So, there you go, Community fanboys, you got your wish and Community will not be on Friday nights, after all.

But before everyone has a heart attack, this is really a strategic move more than anything else.  NBC’s enjoying their best start in over a decade and while at the same time they don’t want to rock the boat with their new series, they want to hedge their bets in case the wheels fall off of any of their new shows (Guys with Kids and Animal Practice, we’re looking at you) so they’ve got these two shows on the back burner just in case.  It’s really a no-brainer when you think about it.  Community is in burn-off mode with its final 13 episodes, anyway, and Whitney was just filler because NBC didn’t know how good their fall 2012 was going to be and renewed it despite only average ratings.

From a statement issued by NBC:

“Given the success we’ve had for the past four weeks — including winning the first week of the season in adults 18-49 — we’ve decided to continue to concentrate our promotional strength on our new NBC shows that are scheduled Monday through Wednesday and have therefore decided to hold Community and Whitney from their previously announced premieres of Oct. 19.  Without having to launch these comedies on Friday at this time, we can keep our promotion focused on earlier in the week; plus, we will have both comedies in our back pocket if we need to make any schedule changes on those nights. When we have a better idea of viewing patterns in the next few weeks, we will announce new season premieres of Whitney and Community.”

NBC: Community (And More) RENEWED, Harry’s Law, Awake (And More) CANCELED

OK, there were a whole bunch of moves made at the major networks this week with a ton of cancellations, renewals and new series pickups announced.  We’re only going to cover the renewals cancellations, right now and we’ll leave the new series pickups until next week’s upfronts so we can dedicate more time to them and provide more information about them. NBC was one ofthe busiest networks this week and here’s the breakdown.

RENEWED

  • Community:  Like we predicted, fan support, improved ratings and a syndication deal with Comedy Central that will start in fall 2013 made Community‘s renewal a no-brainer.  It’s only for 13 episodes but the reason for that is that NBC needed the extra money to pick up some new series.  Don’t worry, though.  We expect that the back nine will be picked up by November.
  • Law & Order: SVU:  To our utter surprise, enough people are apparently still watching this to keep it alive, but we suspect that this renewal has less to do with ratings (it’s not even a top 25 show any more) more to do with the fact that NBC has sold their collective souls to Dick Wolf and pretty much has to do whatever he tells them.  This renewal coincidentally was announced the same day that NBC picked up the Wolf-produced Chicago Fire and Wolf signed a new develppment deal with them. We talked about his before when we previewed reviewed Law & Order: Los Angeles which thankfully disappeared as quickly as it came. NOTE to NBC: we’re sick of Dick Wolf and we don’t care what you think you owe him. His productions have become nothing more than filler that could be used for something that was actually original and interesting.
  • Parks & Recreation:  Consistently funny and in a good timeslot on Thursday.  No surprise here that it’s getting a fourth season.
  • The Office:  Yes, Michael Scott is gone, but as we noted last year, perhaps it was a good thing that he left to shake things up a little at Dunder-Mifflin.  The Office really has been a lot funnier than it has been in years and even though Robert California (James Spader) won’t be with us next season, the cast is strong and we’re all still watching.
  • Up All Night:  We liked Up All Night when we reviewed it in the fall and audiences have, as well.  Not much more to say, this wasn’t particularly surprising.
  • Whitney:  And then there’s Whitney, possibly the second worst sitcom of all time trailing only $#*! My Dad Says.  We have no idea what is compelling audiences to watch this garbage.
  • Parenthood:  Don’t care about this at all, it’s not our type of show.  We can do without the whiny, self-important melodrama.  However, we will say that those standards make it a perfect vehicle for Peter Krause…. which is why he’s perfect on the show.
  • 30 Rock:  Although we aren’t regualr viewers of 30 Rock, we have never turned this show on and have it not be hilarious. This will be its seventh and final season.

CANCELED

  • Awake:  This is disappointing but not unexpected.  We loved this show but it was far too high-concept science fiction to be successful on a major network… especially on NBC… especially as a mid-season replacement.
  • Harry’s Law:  On the upside this piece of David E. Kelley propaganda is finally over.  Justice at last! Sorry, but audiences can only tolerate soap-box preaching for so long.
  • Are You There, Chelsea?:  This show was terrible, glad to see it go.
  • Best Friends Forever:  This was a good show and it’s unfortuante that NBC didn’t launch it in the fall with more promotion.
  • Bent:  It wasn’t as good as BFF, but it was decent.

Comedy Central Picks Up Syndication Rights To Community… Fans, It May Be Time To Officially Celebrate

Comedy Central has announced that they have acquired the off-network rights to NBC’s Community and will begin airing reruns of the fan-favorite in the Fall of 2013.  For fans of the show, this is potentially great news because it all but guarantees that the series will get picked up for at least a fourth season to get it to the magical “88-episode” mark that is so coveted for syndication.  See the press release below.

Via Press Release:

NEW YORK, March 14, 2012 – Greendale Community College’s most famous study group will have a new member beginning in 2013 (and it’s not Beetlejuice) as COMEDY CENTRAL has reached a multi-year deal with Sony Picture Television to license the critically-acclaimed comedy series “Community,” it was announced today by David Bernath, Executive Vice President, Program Strategy & Multiplatform Programming/Dean of Students for COMEDY CENTRAL and [Sony Pictures Television].  The all-comedy channel will launch the series with three seasons beginning in the fall of 2013.

“Within the chaos of the current media landscape we are fortunate that we live in a timeline where ‘Community’ comes to COMEDY CENTRAL,” said Bernath.  “Our staff is celebrating with a game of paintball in the offices today.”

“Community is a perfect fit for the COMEDY CENTRAL audience,” added John Weiser, president, US distribution for Sony Pictures Television.

March Madness Begins! New Show Premieres And Returning Favorites For Spring (Awake, Touch, Community, More…)

We’re doing something a little different this time because it’s been a couple of months since our last programming update and there have been some changes since then announced so it just doesn’t make sense for us to keep updating a piece we did back in January.

So here’s a complete list (at least as complete as we can get, currently) of all the new and returning shows coming in March and April.

Thursday March 1st

NBC     10:00 p.m.     Awake     YES! – STAFF PICK

Awake simply has so much going for it.  It stars Jason Isaacs who we think is great in everything he does plus it’s a compelling detective drama with a SciFi, metaphysical twist and it’s one of those shows like Lost where audiences will already be invested in it before they even realize it’s a SciFi show.  We have seen the pilot already and are very excited for this show.  We hope NBC is smart enough to promote the crap out of it, because if they don’t, it’s going to disappear as quickly as it premieres.

Below is the extended trailer, if you want to see the entire pilot episode ahead of the premiere click here!

Sunday March 4th

A&E     10:00 p.m.     Breakout Kings     YES!

We loved this better-than-average unique procedural when it aired last spring and if the damned DVR hadn’t crapped out, we would have seen more than the first four episodes. The upside is that it’ll be on Netflix streaming soon and the discs will be available in March 13th.  Great show, has a bit of an arc to it, but if that’s not your thing you won’t have to worry about getting lost if you miss an a episode here and there.

ABC     10:00 p.m.     GCB     NO!

FKA, Good Christian Bitches, FKA Good Christian Belles, all we can say is way-to-go in “let’s-alienate-78%-of-our-audience-before-a-single-episode-has-aired-with-the-title-alone” department, ABC.  Despite this, however, just watch the trailer to figure out on your own what a total sh*tfest this is going to be.  That combined with the fact that it’s an idiotic soap that’s trying to clone Desperate Housewives in order to pick up the mantle after it ends this Spring, provides a compelling enough reason for us to never watch it.  That being said, we’re sure it’s going to be massive a hit for that crowd.

Tuesday March 6th

Breaking In     9:30 p.m.     YES! – STAFF PICK

Against all odds, Breaking In has done what only one other show in the history of television has done: it was renewed after being canceled, not once, but twice.  If history has shown us anything, maybe that’s a good spot to be in considering that the only other show to hold that distinction is Family Guy.  We absolutely loved Breaking In (our favorite new comedy of last season) when it came out last Spring and after it was cancelled in May and rumors immediately started flying that FOX was looking for a way to work something out with Sony to bring it back, we predicted that the rumors were probably true and that it probably would happen despite what many of the other outlets claimed.  Of course, we were right and it looks as if FOX is reading our blog because they permanently moved Breaking In to the bottom of the hour slot post-Raising Hope instead of the top of the hour post-Idol.  With Will and Grace‘s Megan Mullally joining the regular cast, let’s hope it can keep the ratings up and get picked up for a third season.

Thursday March 15th

ABC     8:00 p.m.     Missing     YES!

Mixed emotions on this.  Spies, non-stop action, Ashley Judd… what’s not to love, right? We thought so, too, but then we noticed the timeslot and we’re slightly concerned over the description of the plot and it’s very clichéd nature.  The timeslot is an issue because at 8:00 p.m., you can expect a very watered-down show.  Still looks great, though.

NBC     8:00 p.m.     Community     YES!

Community finally comes back for another semester to the delight of fans everywhere. We knew it would, but nobody seemed to believe us.  The question is whether or not it will survive and get picked up again for next year.  We certainly hope so.

 

Monday March 19th

FOX     9:00 p.m.     Touch     YES! – STAFF PICK

The Tastic says: Kiefer Sutherland returns to television with Danny Glover in this fantastic looking, high-concept, SciFi drama from Tim Kring, the creator of Heroes.  If you saw the pilot on January 25th, we don’t need to tell you how good this show is.  We are predicting that this will be the best new show of the 2011 – 2012 season… yes, even better than Showtime’s Homeland.

Sunday March 25th

AMC     9:00 p.m.     Mad Men     YES!

After an obnoxiously long hiatus reminiscent of The Sopranos, the 1960’s throwback period-piece that put AMC on the map as a player in the dramatic television game is back for its fifth season.  If you haven’t done it already, you can still catch up with the first four seasons on Netflix streaming.

Sunday April 1st

AMC     10:00 p.m.     The Killing     YES! – STAFF PICK

AMC doubles-down on their hit The Killing, a show that either you got or you didn’t.  We did and appropriately gave it a rare perfect score for its first season, especially, and not in spite of the twist-ending in the season finale.  For all of the haters out there that are still pissed because they didn’t wrap up the season in the nice and tidy, vanilla, generic and clichéd way that you expected them to because you’ve been so numbed by bad American police procedurals, don’t worry, the producers have assured us that Rosie Larsen’s murderer will be revealed this season …you big babies.

Breaking In (FOX – Wednesday, 9:30 p.m.)

BREAKING IN is an offbeat half-hour workplace comedy about a high-tech security firm that takes extreme – and often questionable – measures to sell their protection services. Created by Adam F. Goldberg and Seth Gordon, the series centers on a team of uniquely skilled oddball geniuses hand-picked to work for a manipulative mastermind.

Contra Security, corporate America’s answer to “The A-Team,” gives clients a sense of security by first ripping it away. The firm is led by OZ (Christian Slater), a larger-than-life head honcho who is a man of mystery and master of manipulation. The members of the odd squad include alluring bad girl MELANIE (Odette Annable), who is in charge of lock-picking, safe-cracking and heart-breaking; and CASH (Alphonso McAuley), a fanboy who specializes in strategy, logistics and office pranks.

Oz’s newest recruit, plucked right out of college, is lovable and charming computer hacker CAMERON PRICE (Bret Harrison). Unfortunately for Cameron, cracking into state-of-the-art security systems is a lot easier than dealing with his co-workers. Between Melanie’s sex appeal and Cash’s hazing, Cameron has more than a few obstacles to overcome if he wants to cement his status as part of the team and become Oz’s go-to guy.

BREAKING IN is produced by Happy Madison Productions, Adam F. Goldberg Productions and Sethsquatch, Inc. in association with Sony Pictures Television. Goldberg, Gordon and Doug Robinson (“Rules of Engagement”) serve as executive producers, while Goldberg serves as writer. The pilot was directed by Gordon. – FOX

8 out of 10

OK… let’s start out by addressing the elephant in the room:  Christian Slater needs work and he needs it badly.  What we mean by this is that he needs a steady job because this is a bunch of absolute crap that since 2008 the shows he’s the lead on keep getting cancelled. Yes, NBC’s My Own Worst Enemy was horrible and we had to stop watching because the characters were so damned unlikable (and we don’t care that the overall Metacritic score was a 61, it was still horrible) but he didn’t make it horrible and The Forgotten was actually a pretty damned good show that unfortunately nobody watched.  That being said, we like Slater and we always have going back to Heathers (full film on YouTube, here… how cool is that?), Pump Up the Volume, True Romance (perhaps his best work), Hell… we even liked the skateboard flick, Gleaming the Cube (again… another complete film on YouTube!). He’s a good actor and he’s very charming and charismatic and is perfect for lead roles in television.

This all having been said, we sincerely hope that FOX didn’t jump the gun by premiering Breaking In in April instead of in their Fall 2011 lineup because we (surprisingly) really like it a lot and the professional critics at Metacritic can once again, be damned, for the 54 overall rating this time.  Now, we do have to admit that the relatively low “Mixed Overall” score was only based on 18 reviews and it’s usually about double that on Metacritic, so that number is kind of skewed and obviously (at least in our opinion) unreliable, but at least we can say that the Metacritic users got it right, averaging an 8 out of 10, which is exactly where we have it.

And why do we like it so much?  Simple: it made us laugh throughout the entire episode and it’s unique.  That’s all we ask for from our 22 minutes of situation comedy and that is what we rarely ever get.  Here’s our opinion of sitcoms in general as posted in our Fall 2010 Preview of Monday’s Programming focusing on the crapfest that is Mike & Molly.

As a rule, I’m skeptical of sitcoms to begin with because for the most part they are unoriginal and they all recycle the same stupid jokes decade after decade…  Seriously who does this simple-minded crap appeal to?

Bur we can’t help ourselves with Breaking In… we kind of like everything about this show.  The characters are unique and well-developed and the actors playing them do not fall into the stereotypical typecast of what you would expect.  Honestly, every character in the ensemble could have been cast for one of the other parts and it would have made complete sense on paper so it’s very refreshing that the producers chose to mix it up and not go the easy route casting the actors in the roles you would expect them to play.

Yeah, we can pretty much guarantee that this isnt the only time Slater has worn a Starfleet uniform.

The only character that couldn’t be recast would be Slater’s Oz because it’s honestly like this role was written for him.  He’s hyper and eccentric and Slater plays that very well. Not to mention what a huge Star Trek fan that Slater is (he even lobbied his own mother, Mary Jo Slater, who was the casting director for Star Trek VI: The Undiscovered Country to get him a cameo role in that film) and there were numerous Star Trek references in the pilot. Slater even actually had them put his own personal Enterprise Captain’s chair into Oz’s office and they worked it into the dialogue.

As far as the premise of the series is concerned, this is very unique as well and of course, a goldmine for potential slapstick comedy.  The one ting that isn’t unique is the style.  It’s similar in style to Rasing Hope, Community, The Middle, and Scrubs.  Now, even though we only like two of those shows (Rasing Hope and Community), we certainly appreciate that style of quick cut-scenes and rapid fire jokes.  We took two points off for the actual plot of the pilot episode itself being a little clichéd but overall this is a very good show.

As far as FOX’s decision to air in it April, we are going to give them the benefit of the doubt on this one considering how pleased we’ve been with them lately and the fact that even though it premiered in April, it is the lead-out for American Idol, which is exactly what we have suggested that FOX should do to help new shows build audiences.

Watch full episodes of Breaking In, here.

Fall 2010 Post-Game Wrap-Up (Thursday)

Welcome to part four of the mid-season 2010 – 2011 review. In this post we’ll be discussing Thursday’s programming.

8:30 p.m.

CBS – $#’! My Dad Says

Well, it certainly is $#’!-ty. After watching one episode of $#’! My Dad Says we determined that not only is the worst show of the new season, the worst sitcom we’ve ever seen but perhaps even the worst show in television history. Just to show that we were fair and objective, we endured three more episodes of this awfulness… our opinion has not changed.

It’s currently a bubble show right now which makes us lose all faith in humanity that anyone is watching it but CBS did cut short the episodes it ordered for the Spring so hopefully this will go away by May.

If you haven’t read our review of $#’! My Dad Says we highly recommend it as we consider it more of a community service than a review… like an intervention for people addicted to bad TV.  Read it here.

NBC – Community

Community is still one of the better sitcoms on television (there are only a handful) and currently it’s a toss-up between whether or not NBC will renew it for a third season. In our estimation, it should be renewed if for only the reason that it’s been relatively consistent on Thursday nights and there’s nothing on the sitcom horizon for NBC in the near future. We hope so. It’s the type of show you can turn on and just laugh at because of its ridiculousness. It’s one of our two Thursday Night guilty-pleasure. The second one is, of course…

9:00 p.m.

The CW – Nikita

We love Nikita and we really shouldn’t because it’s a mediocre bordering on terrible show. But it’s over-the-top campy goodness is something that keeps us coming back for more every week. The premise is beyond ridiculous and the performances are almost silly but there’s so much “pew, pew, pew” that we can’t stay away from it.

There’s another reason why we have a soft spot for this puppy and it’s not because Maggie Q (Live Free or Die Hard) looks incredibly hot in a bikini. It’s because we heart The CW. A show like this could never survive on major prime-time network but The CW and it hearkens back to the late 90’s with UPN when they would take chances on shows like The Sentinel, Nowhere Man and our personal favorite 7 Days.

These shows, like the shows on The CW can thrive on very small audience numbers compared to the other major networks. There is no chance that camp like Nikita could ever survive anywhere but The CW and for that we are thankful for The CW. There is only ONE show that will not be renewed (that isn’t in its planned final season) on The CW next year (Life Unexpected). That’s just awesome.

NBC – The Office

Well, we’ve been concerned about this for a longtime but it’s official: The Office just isn’t as funny as it used to be and it has run out of steam. It’s still enjoyable but it’s not nearly as funny as it used to be. It’s really jumped the shark as evidenced by the fact they are resorting to revolving around another sitcom (the Glee viewing party episode). C’mon, now.

We’re still watching because it certainly has its moments, and actually, the aforementioned Glee episode was pretty funny although we cringe at the concept in principle. That being said, no one has anything to be concerned about because it’s certain to be renewed for next Fall.

9:30 p.m.

NBC – Outsourced

Outsourced is one of the most disappointing shows this season but it’s not because it’s a bad show. It’s cute and it’s clever but it’s a sitcom trying to be funny and it’s really not. We pointed out in our review that the problem is that the novelty of the culture clashes and funny accents only works for about ten minutes, yet Outsourced is an entire series that revolves around those gimmicks.

A couple of months ago we saw the 2006 film of the same name and we realized that there’s a reason why the film doesn’t translate to a sitcom: the film wasn’t a comedy to begin with. Yes, there was humor to it but he film was really a character driven story about how despite different cultures may be, we’re really not all that different after all. Sitcoms don’t work with the touchy-feely any more like they did in the 1980’s where there were a bunch corny jokes and Alex P. Keaton and Vanessa Huxtable learned a valuable lesson at the end of every episode. Audiences today want their sitcoms to have the most laughs possible during the course of 21 minutes and that’s really what it’s about it.  Whatever lessons are to be learned are secondary.  Outsourced the series, like the film, is focusing more on the valuable lessons with the comedy as an afterthought.

If we’re going to watch a sitcom, we want it to be funny. Outsourced unfortunately is not. It’s currently leaning toward “the-more-likely-to-be-renewed-than-not” category but we doubt audiences are going to continue to tolerate it until May.

Next, we take a look at Friday’s programming.

Fall 2010 TV Preview – Thursdays

Part Four of the Seven Six Part Series (This has been edited because  I realized that there’s nothing on Saturdays but College Football, COPS and America’s Most Wanted.  Do you really need a review of those?)

Thursday

8:00 p.m.

ABC:     My Generation (September 23, 2010 – NEW SERIES!)

What a difference ten years can make. In 2000, a documentary crew follows a disparate group of high schoolers from Greenbelt High School in Austin, TX as they prepare for graduation, then revisits these former classmates ten years later as they return home to rediscover that just because they’re not where they planned doesn’t mean they’re not right where they need to be.

These students couldn’t wait to graduate and head out into the real world. But the world they were entering got very real very fast. As these classmates return home to revisit their old hopes for their future, they’ll discover that, even if you don’t get exactly what you thought you wanted out of life, it’s not too late to get what you need. – ABC

Shawn: OK, ABC, that’s enough already with the pseudo-documentaries.  It’s becoming as overused as 3-D is for feature films and like 3-D it’s just a cheap gimmick to try to convince people that your crap show really isn’t a crap show.  Do you think audiences aren’t going to notice that this show is no different from any other show about 20-somethings from different walks of life who all have something in common that brings them together?  This entire premise alone is going to piss off your target demographic for that hour (namely me) because it points out how old I am at 35 compared to these knuckleheads.  Don’t need that, sorry.  Despite the fact that the show makes me feel old, let’s be honest, it just looks dopey.

8:30 p.m.

CBS:     $#’! My Dad Says – (September 23, 2010 – NEW SERIES!)

$#*! MY DAD SAYS (pronounced “Bleep My Dad Says”), based on the popular Twitter feed by Justin Halpern, stars Emmy Award winner William Shatner as Ed Goodson, a forthright and opinionated dad who relishes expressing his unsolicited and often wildly politically incorrect observations to anyone within earshot. Nobody is safe from Ed’s rants, including his sons, Henry, a struggling writer-turned-unpaid blogger; and Vince, the meek half of a husband/wife real estate duo with domineering Bonnie. When Henry finds he can no longer afford to pay rent, Ed reveals a soft spot and invites Henry to move in with him. Henry agrees, knowing that the verbal assault will not abate and now there will be no escape. Describing their father/son relationship is tricky, but Ed will easily come up with a few choice words. – CBS

Shawn:

This is by far the most unfortunate post I have to write.  You see, I’ve been a big fan of Justin Halpern’s Twitter Page “Shit My Dad Says” for well over a year now and of course, I’m a huge fan of all things The Shat is involved with but I’m sorry to say that this is going to suck.  Not only is it EVERYTHING that I absolutely hate about sitcoms with the recycled and clichéd jokes, characters and plots it’s 180 degrees backwards of the whole premise of “Shit  My Dad Says!”  Just watch the trailer below to see what I’m talking about but first read this from Amazon in which Halpern explains the premise of the book bearing the same title:

‘At 28 years old, I found myself living at home, with my 73-year-old father. As a child, my father never minced words, and when I screwed up, he had a way of cutting right through the bullshit and pointing out exactly why I was being an idiot. When I moved back in I was still, for the most part, an idiot. But this time, I was smart enough to write down all the things he said to me.’

Now please explain to me how a wise-cracking jerk of a father, who’s apparently pretty senile and his sensitive and always correct progeny bear any resemblance to the description you just read FROM THE GUY WHO INVENTED THE THING?!

The answer is simply that they don’t resemble each other whatsoever but Halpern isn’t stupid.  He must know that this is garbage and that his new-found fame from this silly little twitter account will be over in about 15 minutes and he’s cashing in while he can and you know what?  I don’t blame him whatsoever.  If a bunch of no-talent hacks like the cast of Jersey Shore or The Hills or Keeping up With the Kardashians can get paid, why not a guy who has actually made millions of people laugh?  But please, be honest and don’t kid yourself into thinking that this is going to be anything but the highest level of suckitude©.  Believe me, I sincerely hope I’m wrong about this, but I know I’m not.

AND WHY THE HELL IS HALF THE CAST OF MADtv IN THIS???

NBC:     Community – (September 23, 2010)

Shawn: I have to admit, I’m a convert to Community.  When it debuted in 2009, I had high hopes for it because it looked clever and starred E’s Joel McHale (The Soup) and he’s always clever and funny.  It took me three episodes to be very disappointed.  Then, around Christmas-time (I think), I was in the garage working on a project and NBC was running a back-to-back marathon of the sitcom and I completely changed my mind.  Community improved dramatically and is very funny. I definitely recommend Community.

Watch full episodes of Community, here.

… And check out this great sneak preview, here.

9:00 p.m.

The CW:     Nikita (September 9, 2010 – NEW SERIES)

When she was a deeply troubled teenager, Nikita (Maggie Q, “Live Free or Die Hard,” “Mission Impossible 3”) was rescued from death row by a secret U.S. agency known only as Division, who faked her execution and told her she was being given a second chance to start a new life and serve her country. What they didn’t tell her was that she was being trained as a spy and assassin. Throughout her grueling training at Division, Nikita never lost her humanity, even falling in love with a civilian. When her fiancé was murdered, Nikita realized she had been betrayed and her dreams shattered by the only people she thought she could trust, so she did what no one else before her had been able to do: she escaped. Now, after three years in hiding, Nikita is seeking retribution and making it clear to her former bosses that she will stop at nothing to expose and destroy their covert operation. – The CW

Shawn: I’ve already done a full review of Nikita, see it here.  Good but not great.

Watch full episodes of Nikita, here.

FOX:     Fringe (September 23, 2010)

Shawn: Fringe is one of my favorite shows on TV currently.  If you haven’t watched it before it’s like The X-Files on steroids with a J.J. Abrams spin.  The stories are great, the characters are well-developed and it’s grown into a wonderful and fascinating story arc.  For those of you who are new to the series, don’t bother starting in, now.  You’re going to have to go to Netflix and add the first two seasons to your queue, or you’ll be completely lost, but it’s certainly worth saving the new episodes on the divver recordification device for when you’re done watching the old episodes.

Watch full episodes of Fringe, here.

NBC:     The Office (September 23, 2010)

Shawn: Every time that I think The Office has run out of steam, it does something that keeps me coming back for more.  Looking forward to yet another year at Dunder Mifflin.

Watch full episodes of The Office, here.

9:30 p.m.

NBC:     Outsourced (September 23, 2010)

“Outsourced” is NBC’s new workplace comedy series centered around a catalog-based company, Mid America Novelties, that sells American novelty goods including whoopee cushions, foam fingers and wallets made of bacon, and whose call center has suddenly been outsourced to India.

After recently completing Mid America Novelties’ manager training program, Todd Dempsy (Ben Rappaport, off-Broadway’s “The Gingerbread House”) learns that the call center is being outsourced to India, and he is asked to move there to be the manager. Having never ventured out of the country, he is unprepared for the culture shock. Overwhelmed, Todd discovers that his new staff needs a crash course in all things American if they are to understand the U.S. product line and ramp up sales from halfway around the world.

The sales team Todd inherits includes Gupta (Parvesh Cheena, “Help Me Help You”), a socially awkward employee; Manmeet (Sacha Dhawan, BBC’s “Five Days II”), a young romantic who is enamored with America; Asha (Rebecca Hazlewood, BBC’s “Doctors”), a smart, striking woman who finds herself intrigued by Todd; Rajiv (Rizwan Manji, “Privileged”) the assistant manager who wants Todd’s job; and Madhuri (Anisha Nagarajan, Broadway’s “Bombay Dreams”), a wallflower who suffers from extreme shyness.

Todd also discovers other transplants working in his office building, including an American expatriate, Charlie Davies (Diedrich Bader, “The Drew Carey Show”), who runs the All-American Hunter call center, and Tonya (Pippa Black, “Neighbours”), a beautiful Australian who runs the call center for Koala Air. – NBC

Shawn: I don’t know what appeals to me more, the politically incorrect tone of this series or the fact that it looks absolutely hilarious.  I also like the premise that they telemarket novelties like rubber vomit and whoopee cushions.  Looking forward to this, I hope the show can live up to the hype in the trailer.

NEXT: Friday