SYFY ACQUIRES INTERNATIONAL HIT ADVENTURE FANTASY SERIES SINBAD FROM BBC WORLDWIDE AMERICA FOR APRIL 2013 PREMIERE
NEW YORK – September 6, 2012 – Syfy today announced it has acquired the international hit series Sinbad from BBC Worldwide America, Sales & Distribution. One of the most enduring stories of all time, the imaginative and fantastical quest of Sinbad will premiere on Syfy in April 2013.
Starring newcomer Elliot Knight in the title role, the 12-part series follows Sinbad’s sea-bound journey after he is forced to flee from his home town of Basra. Surviving a violent and magical storm, Sinbad embarks on an emotional journey to embrace his destiny.
Naveen Andrews (Lost) stars as Sinbad’s nemesis, Lord Akbari. The series also features appearances by Sophie Okonedo (Hotel Rwanda, The Secret Life of Bees), Timothy Spall (Harry Potter, The King’s Speech) and Dougray Scott (Hitman, Mission Impossible: II).
On board “The Providence,” Sinbad is joined by an intriguing band of travelers including Norwegian sailor Gunnar (Elliot Cowan), the jewel-thief Rina (Marama Corlett), and aristocrat Nala (Estella Daniels). Completing the ship’s complement is the Cook (Junix Inocian) and the cerebral doctor Anwar (Dimitri Leonidas).
In making the announcement, Chris Regina, Senior Vice President, Programming & Original Movies, Syfy, said: “When mystical meets muscle, anything can happen in this exciting, action-packed series. With its strong production values and rich story, Sinbad will be a terrific addition to our primetime lineup.”
Matt Forde, EVP Sales and Co-Productions, BBC Worldwide America, said: “This new version of a timeless classic is going to take American audiences by storm. Syfy is the perfect home for Sinbad.”
Sinbad is an Impossible Pictures Production for British Sky Broadcasting in association with BBC Worldwide. The deal was brokered by Jemma Adkins, Senior VP Sales and Co-Productions, BBC Worldwide America.
About BBC Worldwide America Sales & Distribution
BBC Worldwide America Sales & Distribution is one of five core businesses operating in the U.S. under BBC Worldwide, the commercial arm and wholly-owned subsidiary of the UK public service broadcaster, BBC (British Broadcasting Corporation). BBC Worldwide exists to maximize the value of the BBC’s assets for the benefit of the UK license payer, and invests in programming in return for rights. The Sales & Distribution business negotiates, sells and distributes television programs to networks and secures co-production partners in the region.
About Syfy
Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 98 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)
The beloved host of The Undiscovered Country, which brought the wonder and magic of the natural world into our homes for so many years, has disappeared in the wilds of the Amazon. Gone for six months now—and believed by many to be dead—his emergency beacon went off two weeks ago. Now Dr. Cole’s wife and frequent co-host of The Undiscovered Country, Tess, has begun the search for her husband. With the help of her son, Lincoln, and crew members Lena Landry, Emilio Valenzuela and his daughter Jahel, and Captain Kurt Bryndilson, Tess is looking to be reunited with her husband and save the rest of his missing crew.
Documenting the journey will be Dr. Cole’s long-time friend and collaborator on The Undiscovered Country, award-winning Producer Clark Quietly, and a team of renowned camera operators including AJ Poulain.
But the search for Dr. Cole may provide more questions than answers. Where have he and the missing crew been? What mysteries of the uncharted Amazon did they capture on film? Can this family that was torn asunder six months ago be miraculously reunited? The world holds its breath as we wait to find out just what became of Dr. Emmet Cole and his crew. – ABC
83 out of 100
For almost two years fans of Lost have been looking for a replacement for the Island and its castaways and as we predicted, The River, despite not being a J.J. Abrams production, fits that bill nicely. Now, does it matter that Abrams has nothing to do with this project? Nope, because Steven Spielberg is the executive producer and if you haven’t noticed, when not working with him, Abrams has been imitating Spielberg for years. That’s not a criticism, it’s just a fact and despite the show’s flaws (and it has several), overall it’s so good that you intentionally overlook them. It’s kind of like when your kid gets straight A’s in school and then floods the bathroom making water balloons. The River is basically a great kid that will get a pass here and there for screwing up occasionally.
By no means is The River a clone of Lost, but it does share a lot of the same characteristics as Lost that make it work and we aren’t necessarily even talking about the obvious ones such as the mysterious and supernatural nature of the tropical geography (The River is also filmed in Hawaii, just as Lost was) and the cast of characters from different backgrounds with competing agendas. More importantly for fans of this genre is how The River is based on mysteries on top of mysteries and weekly development of characters that ties into the overall story.
There is certainly no shortage of action on the show but it’s not overused, either, often deferring to dialogue and slow-burn intense scenes that explode with shocking excitement. One major issue that we have with the show, however, is the handheld “shaky camera” perspective and this is a direct result of the “found footage” format that the creator of this series, Oren Peli, best known for creating and directing Paranormal Activity and Paranormal Activity 2, is so fond of. If they had simply chosen to go with more a fixed camera perspective like what was used during the majority of the scenes in the Paranormal Activity franchise, we wouldn’t be complaining. The problem, though, is that Peli has decided to go for a style of filming far closer to his first love, The Blair Witch Project, than Paranormal Activity. It’s very dizzying and off-putting and though lately it doesn’t seem to be as bad, there’s still too much of it.
For the most part the characters are diverse, well-developed (and they are further developed every week) and are portrayed very well by the cast with a few notable exceptions. The biggest problem is with Tess Cole (Emmett Cole’s wife) played by Leslie Hope. The character is so weakly written as to be a complete caricature and Pope’s wooden performance leaves a lot to be desired. Fans of 24 will remember Hope as the late Teri Bauer, Jack’s wife, who was killed in the final episode of the first season. Due to the obnoxious nature of the Kim Bauer character in that first season and subsequent seasons (Jack’s daughter played by Elisha Cuthbert), the battlecry post-season one from the fans was, “The wrong Bauer died.” When appraising Pope’s performance on The River and trying to figure out whether its Hope’s performance for the material she’s been given, we had to remind ourselves just how bad she was on 24 and that it was simply overshadowed by how much worse Elisha Cuthbert was. So, in trying to give Ms. Hope some credit, we have to conclude that we can’t give her that much at all because she’s just not that great of an actor, really. Are there script problems with her character? Absolutely. As noted the character is very weakly written but the bigger problem is with the performance.
As far as the plot is concerned, overall it’s very well-done but by the fourth episode we noticed some falling back on the standard, predictable one-hour drama standbys for plot execution.
In the fourth episode there is an issue where a newly introduced character, cameraman Jonas Beckett (Scott Michael Foster), has to be sacrificed by the group or everyone on the boat will be killed by the supernatural forces because Jonas, against orders from Emmett Cole, filmed some native funeral rites and inadvertently stole the then dying, now dead man’s soul. The crew argues amongst themselves over the ethical and moral implications of sacrificing one man for the greater good and when Tess (who has appointed herself to the captaincy and is considered pretty soft by everyone around her) gets information out of him, finally (information for which she implied would save him), she orders the others to get him off the boat. The conflict still continues amongst the crew after the order is given (most specifically with her son who is against dooming the man but offers no other solutions to the predicament). Finally, the young man (who oddly enough before this moment was more concerned about self preservation than anything else) bravely sacrifices himself to the supernatural beings and on the way to them, smashes the iPhone that he filmed the funeral on, thus releasing the stolen soul.
Now, the first reason we decided to be so detailed with this synopsis without a spoiler alert is because it was so predictable that you would have to be an idiot not to see it coming to begin with because that scenario is such a standard recycled plot. That’s just pure laziness for what is supposed to be an original, unique and high-concept series. The second reason is because it didn’t end there. Y’see, after the soul was released and the supernatural beings take Jonas away, do you know what they do next? They let him go and he joins the crew.
Basically, the resolution of this clichéd plot made the episode a complete waste of time. Furthermore, it was such an easy-out for the main moral dilemma of the episode. There were literally no consequences for anyone in this (not even Jonas) even though there were a series of ethical and moral lines that had to be crossed. Leave a guy for dead (even though it’s necessary) and don’t worry about it because in the end everything worked out. It was just ridiculous and it seemed like a far more appropriate ending to a 1970’s ABC After School Special than it did for ABC’s 2012 Tuesday night supernatural thriller. We sincerely hope they never do anything that stupid again.
Our last complaint about the show is the absolute lack of any comic relief. Yeah, we get that it’s an intense show but a little levity now and then to lighten things up and take the stress off the audience would not only be a little easier on the audience but it would also make those intense scenes that much more intense because it forces the audience to let their guard down.
Overall, even though the show does need some work, it’s a great little series that continues to keep our interest and at only eight episodes for the first season, it’s an easy commitment to make for a general viewing audience in the U.S. that isn’t particularly keen on serials.
On May 18th, SyFy announced that they were picking up both seasons (26 episodes) of the Canadian supernatural hit, Lost Girl for broadcast in the U.S. We’re not familiar with this show however it seems rather interesting and at least it’s another new scripted drama added to SyFy’s very light new schedule for 2011 – 2012. No word on a premiere date as of yet.
Via Press Release:
SYFY ACQUIRES SUPERNATURAL DRAMA SERIES LOST GIRL FROM PRODIGY PICTURES
NEW YORK – May 18, 2011 –Syfy has acquired both seasons (26 episodes) of the hit Canadian supernatural dramaLost Girl from Prodigy Pictures, it was announced today by Thomas Vitale, Executive Vice President, Programming and Original Movies,Syfy.
Lost Girl stars supernatural seductress Bo (played by Anna Silk/The Ghost Whisperer), aSuccubus (a powerful female entity in folklore) who feeds off sexual energy. Raised by human parents, Bo had no reason to believe she was anything other than the girl next door — until she “drained” her first boyfriend to death.
Bo has since hit the road alone and afraid. She discovers she is one of the Fae, creatures of legend and folklore, who pass as humans while feeding off them in secret, as they have for millennia. She is faced with choosing an allegiance between the Dark or Light Fae clans. Bo decides to take the middle path between humans and the Fae while embarking on a personal mission to unlock the secrets of her origin, protecting humans along the way.
Lost Girl co-stars Kris Holden-Ried as Dyson, a shape-shifting Fae, homicide detective and Bo’s love interest; Ksenia Solo as Kenzi, Bo’s human confidante and street-smart survivor, Zoie Palmer as Lauren, a human doctor who competes for Bo’s heart; Rick Howland as Trick, the mysterious owner and bartender at The Dal Riata tavern, with a secretive past that is yet to be unlocked, and K.C. Collins as Hale, a handsome male “Siren” who is the eternal bachelor, ultimate wingman and Dyson’s partner on the force.
Notable guest stars include Emmanuelle Vaugier as “The Morrigan”, the leader of the Dark Fae.
Said Vitale: “In one year,Lost Girl has electrified viewers in Canada and around the world. We’re delighted to bring this fascinating, high-octane series, which depicts a unique world and memorable heroine, to theSyfyaudience.”
“We’re thrilled to haveSyfy on board as our broadcast partner in the U.S.Lost Girl is a unique series that thrusts a strong, independent female lead into uncompromising circumstances. It’s a series that takes risks with unconventional storylines and provocative character development,” said Jay Firestone, Executive Producer.
This series is developed and produced by Prodigy Pictures, in association with Shaw Media and Showcase. This acquisition agreement was brokered by Tim Mudd of Mudd Media.
Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures),Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes,Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)
About Prodigy Pictures Founded in 2006 by Jay Firestone, Prodigy Pictures leads the way in the production of quality film, television and cross-platform media. Its credits include the critically acclaimed featureStuck and the television seriesXIII, currently airing on Showcase in Canada and Canal Plus in France. Prodigy’s hit series,Lost Girl, has recently started production on its second season. The company has several feature film and television projects in development, including William Gibson’sNeuromancer, andWeapon, in partnership with Studio 37.
Again, like the Summer schedule, we are very late on the draw on this, however, here’s the full scoop on all of the programming for SyFy for 2011 – 2012. There’s not a whole lot more that we can say about this that we didn’t say in the article about the Summer schedule, except that new scripted drama is represented by a grand total of two shows this season, Alphas, premiering in July, and the highly-anticipated Battlestar Galactica: Blood & Chrome, which does not have an official announced date for release but we expect it in early 2012.
Although we don’t subscribe to the nonsense that there is no Science Fiction on the former SciFi network anymore, it is very curious that there are only two new scripted dramas (and SyFy has picked up the first two seasons of the Canadian hit, Lost Girl although they haven’t announced a premiere date for it as of yet) and three, what appear to be science fiction-themed comedies (seriously?). The rest of the programming is made up primarily of goofy Saturday movies and reality series. This disappoints us and seems a little odd as well, considering that every other network out there has drastically cut the amount of reality shows from their schedule and cut the amount of reality shows that they have ordered and put into development status. This schedule is VERY reality-heavy and it’s not a matter of this not appealing to science fiction audience, it’s a matter of it not appealing to any audience. Seriously, how many reality shows can an audience take? For preview videos and trailers of the shows that will be airing this summer (including some full episodes) check out the our article on the SyFy summer schedule.
CORRECTION: Due to the obnoxious length of SyFy’s press release below, we completely missed the announcement regarding the new live-action, scripted action series/massive multiplayer online game (MMOG), Defiance. Due to this development, we are a whole lot less disappointed in the lack of new scripted drama. Read all about it, here.
Via Press Release:
SYFY UNVEILS LARGEST ORIGINAL PROGRAMMING SLATE IN HISTORY FEATURING 14 NEW SERIES AND EVENTS
LED BY PREMIERE OF ALPHAS, FOUR SCRIPTED SERIES LAUNCH IN JULY – MOST EVER IN A SINGLE MONTH
UNSCRIPTED DEVELOPMENT SLATE INCLUDES PROJECTS WITH TOMMY LEE AND DEEPAK CHOPRA
NEW YORK – March 22, 2011 – Continuing the sizzling momentum of theSyfy global brand evolution, which has sparked imagination-driven hit series and double-digit growth in younger, upscale audiences as well as diverse new business ventures,Syfy President Dave Howe today will introduce the largest original programming slate in the channel’s 18-year history, highlighted by 14 new original series and events comprising more than 100 hours.
The 2011Syfy Upfront will be presented at the Foxwoods Theatre, where the channel is hosting a live performance ofSPIDER-MAN Turn Off the Dark for the advertising community.Syfy is the official media partner of the Broadway show.
Remarking onSyfy’s announced development slate, Mark Stern, President Original Content,Syfy, and Co-Head Original Content, Universal Cable Productions, said, “Our ambition in development is to push the boundaries of imagination, creativity, and story-telling. We want to transport our audience with high-quality, thought-provoking experiences that allow them to explore the un-explorable, to believe the unbelievable, and to truly… ‘Imagine Greater.’”
Riding high on 15 consecutive years as a Top 10 channel among Adults 25-54, Syfy‘s viewership has continued to grow in 2011. In January prime,Syfy rose 12% in Adults 18-49/$75K, while experiencing a significant drop of two years (46) in the median age.
During First Quarter-to-date (vs.1Q’10) prime,Syfy has jumped 17% in Adults 18-34, 13% among total viewers and seven percent among Adults 18-49, led by the freshman hit seriesBeing Human andFace Off, both of which have been renewed.
In July,Syfy launchesfour scripted series in the same month — for the first time ever — whenAlphas premieres along with returning powerhousesWarehouse 13 (Syfy’s most watched series ever),Eureka andHaven.
The second season return of the heralded reality showHollywood Treasure kicks off Summer 2011 unscripted programming in June, paired with the premiere ofHaunted Collector (working title), followed by the debuts ofLegend Quest in July andParanormal Witness in September.
The robust reality development slate includes projects from unique perspectives such as rock musician Tommy Lee, author Deepak Chopra and photographer Tyler Shields, along with a family that creates movie monsters and the world’s top stunt artists.
On the scripted side,Syfy is developingBattlestar: Blood and Chrome, set in the 10th year of the First Cylon War. As well as three single-camera, half hour comedies including the Lee Majors vehicleMe and Lee from the creator ofWeeds,In the Dark featuring a team of wannabe paranormal investigators, and a new adaptation ofThree Inches.
Keying the latest roster of popular Saturday Original Movies will beRed Faction: Origins, based on the highly successful video game franchise; 1970s TV icons Barry Williams and Danny Bonaduce butt heads inBigfoot; Shannen Doherty headlines a re-imagining of the classic fairy tale Gretl;Roswell, the story selected by fans through theSyfy andIGN.comB Movie Mogul contest; and inJersey Shore Shark Attack, who knows who might be a victim?
This October,Syfy will become the first ever, official sponsor of the city’s Halloween celebrations, partnering with NYC & Company for31 Days of HalloweeNYC. Then in December,Syfy celebrates the holiday season with its second annualCountdown to Christmas Week (highlighted by the movie eventNeverland with Keira Knightley asThe Voice of Tinker Bell).
Syfy Ventures is launching a new publishing business of completely sponsorable genre games under theSyfyGames banner. Available initially on Facebook in the United States, the suite of high quality games will embrace the sci-fi, fantasy, paranormal, action/adventure, and superhero genres, ranging from original content to games based uponSyfy programming. These first round of games are scheduled for launch later this year. As well,Syfy is partnering with game developer Trion Worldwide for a new entertainment franchise,Defiance, that will seamlessly pair a primetime series with an online video game, scheduled for 2011.
Among the new opportunities for advertisers to partner with theSyfy brand isImagination Spotlight, a groundbreaking, multi-platform brand initiative celebrating the world’s imaginative achievements and innovative ideas. Advertisers will have the opportunity to join the celebration through an array of multi-media partnerships that showcase imagination.
Syfy is currently available in 75 countries, reaching nearly 150 million households globally.
NEW SCRIPTED SERIES
Alphas – Premiering in July –Alphas follows a team of ordinary citizens whose brain anomalies imbue them with extraordinary mental and physical abilities. Taking the law into their own hands, the unlikely team, led by Dr. Leigh Rosen (Emmy Award-winner and Oscar nominee David Strathairn) investigates cases that suggest other Alpha activity to uncover what the CIA, FBI and Pentagon have not been able, or willing, to solve. These gifted individuals must balance their quirky personalities and disparate backgrounds with their not always visible powers as they work to solve crimes, stop the ticking time bomb and catch the enemy.
Alphas also stars Malik Yoba, Warren Christie, Laura Mennell, Ryan Cartwright and Azita Ghanizada, and is a production of Universal Cable Productions and BermanBraun Television. Executive Producers are Gail Berman, Lloyd Braun and Gene Stein for BermanBraun, Zak Penn and Ira Steven Behr.
NEW REALITY SERIES
Haunted Collector (working title) — Premiering in June — Ghosts and spirits inhabit more than just homes and buildings — they can also live in objects. John Zaffis and his family are renowned paranormal investigators, tracking down haunted items like paintings, guns, jewelry and dolls. Once identified, the items are collected and stored in their museum, helping John’s clients bring normalcy back to their lives. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.
Legend Quest — Premiering in July — This fast-paced action-adventure series follows Ashley Cowie, a real-life symbologist, as he travels the world in search of some of history’s greatest relics and artifacts, all of which are believed to hold hidden powers and mystical significance for ancient and modern cultures. Each episode will include Indiana Jones-type adventure and Da Vinci Code-style connections as the hidden truths and alternative theories of these mythical objects are explored.Legend Quest is executive produced by John Brenkus and Mickey Stern for BASE Productions, and is a co-production with Universal Networks International. Paranormal Witness – Premiering in September — From Raw TV, the acclaimed creative team behindLocked Up Abroad andGold Rush Alaska, this tense, filmic and high-octane drama-documentary series brings to life the stories of people who have lived through paranormal experiences that defy explanation. Using the mixture of intimate first-hand testimony and grittily realistic drama that Raw TV is known for,Paranormal Witness will transport the audience into a world turned upside down by extraordinary and terrifying events.Paranormal Witnessis produced by Raw TV. Executive producers: Dimitri Doganis and Bart Layton.
SCRIPTED DEVELOPMENT/DRAMA
Battlestar: Blood & Chrome – Luke Pasqualino (Skins-UK) and Ben Cotton (Hellcats) star inBattlestar: Blood & Chrome, which takes place in the 10th year of the first Cylon war. As the battle between humans and their creation, a sentient robotic race, rages across the 12 colonial worlds, a brash rookie viper pilot enters the fray. Ensign William Adama (Pasqualino), barely in his 20’s and a recent Academy graduate, finds himself assigned to one of the most powerful ships in the Colonial fleet…the Galactica. The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade-long war in favor of the desperate fleet. Executive producers: David Eick and Michael Taylor. Written by Michael Taylor from a story by David Eick, Taylor and Bradley Thompson and David Weddle. A production of Universal Cable Productions.
SCRIPTED DEVELOPMENT/SINGLE CAMERA HALF-HOURS
Three Inches – InThree Inches, professional daydreamer and underachiever Walter Spackman is struck by lightning and develops a unique “super” power — the ability to move any object using just his mind… but only a distance of three inches. He’s soon immersed in a world of extraordinarily ordinary people like himself and learns that “super” is just a state of mind. The pilot is written by Harley Peyton (Twin Peaks), who also serves as executive producer. Fox Television Studios is producing with executive producer Robert Cooper, through his company Landscape Entertainment.
In the Dark –In the Dark follows a misfit group of third tier Ghost Hunters whose misguided efforts tend to highlight their incompetence rather than any paranormal activity. From Universal Cable Productions,In the Darkis executive produced by Dan Taberski through Idiot Box Productions, Michael Davidoff and Bill Rosenthal. Teleplay by Michael Davidoff & Bill Rosenthal.
Me and Lee — Me and Lee is about a down on his luck 20-something who goes in for back surgery, but the procedure doesn’t go well. Enter Lee Majors, who claims he has the perfect solution. He entices the young man into his ultra high-tech lab and makes him bionic. Majors becomes the unlikeliest of mentors helping the young man get his life back together. Jenji Kohan, the executive producer and creator ofWeeds, serves as the executive producer of Me and Lee along with the writer Matthew Salzberg, Allan Loeb and Steven Pearl. Produced by Lionsgate.
REALITY DEVELOPMENT
Culture Shock with Tommy Lee – This one-hour investigative travel show follows Mötley Crüe’s Tommy Lee as he attempts to uncover the various rituals, symbols and other mysteries of secret societies around the world. Tommy Lee will dig into the history behind the secret society, search out its meeting locations and members, and meet with former members to reveal the society’s rituals and deepest secrets. A production of ITV Studios America. Executive producers: Tommy Lee and Carl Stubner. Supervising producer: Jenna Barnes.
Monster Man – When Hollywood studios want a bizarre creature, monster prop or out-of-this world alien, they turn to Cleve Hall and his very unique, family business. This series goes behind the scenes of Cleve’s workshop, where the craziness of this fun family is matched only by the insane monsters they build. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.
Stunts Unlimited — Stunts Unlimited is an elite and exclusive fraternity of artists committed to a very imaginative, creative, unique and dangerous craft — movie stunts. This series takes audiences behind-the-scenes into a world rarely seen, unveiling the innovations and problem solving necessary to accomplish the most spectacular stunts in Hollywood. With their lives on the line with every stunt, the members of Stunts Unlimited form a close-knit work family, helping them balance the challenges of their jobs and their families. Executive producers: Ric Roman Waugh and Gary Binkow.
Hi Tech Hoaxes — The series where the supernatural, the mythical and the astonishing leave the big screen and step into people’s everyday lives. Each week two teams will go head-to-head to provide a once-in-a-lifetime experience for an unsuspecting pair of people, who are about to have their world turned upside down for a brief, thrilling moment. Teams of engineers, tech geniuses and pranksters will draw their inspiration from requests sent by ordinary people who want to execute the hoax on friends, family, colleagues, customers, kids, parents or even pupils. They’ll rely on the technical know- how and the resourcefulness of the teams to make it happen. But it needs to be hyper-convincing because these hoaxes are going to be happening in the real world In Plain Sight. Produced by North One Television.
Dinner with Deepak — If you could invite three people to dinner, who would they be? Best selling author and spiritual teacher Dr. Deepak Chopra dines and joins in conversation with some of the greatest minds and creators in the world today. In every episode, Chopra brings together a group of noteworthy guests to share a meal and a conversation ranging in topic from the spiritual, political and scientific to supernatural, designed to challenge our standard conventions and push the boundaries of viewers’ imaginations and intellects. Executive producers: Deepak Chopra, Gotham Chopra, Tim Piper and Sharad Devarajan.
Tyler Shields – A docu-series featuring unconventional photographer Tyler Shields and his team as they create worlds that are always surprising, shocking, and totally surreal. This Los Angeles-based artist is one of the most creative and original photographers working today. His subjects are celebrities, actors, models, and everyday people captured in magical, beautiful, and often dangerous situations. His eye-popping, jaw-dropping photos are designed to elicit the subject’s purest emotion right in the moment using no special effects. A production of RelativityREAL. Executive producers: Tom Forman, Tyler Shields and Zach Quinto.
Overthunk — A one-hour series that follows two teams of four talented creators as they compete to design, build and set off massive chain reaction machines. The best gizmo gladiators across America will face off in a weekly contest testing their mettle through gears and metal. Each week visits a new city, where natural rivals race against the clock and each other to brainstorm and build a fantastic apparatus that completes a specific task and keeps viewers holding their breath to see if these contraptions will actually work. Along the way, surprise “monkey wrenches” will challenge their minds and their patience. Produced by 25/7 Productions. Executive producer: Dave Broome.
Change the Day You Die — Change the Day You Die is an inspiring new reality series that uses state-of-the-art science to dramatically transport its participants into the future to face their own self-inflicted demise. Each of the seemingly healthy, unsuspecting candidates — nominated by friends, family and loved ones — will go on a 10-week transformational journey where they must master a series of mental and physical challenges designed to reverse their bad habits and add back valuable lost years to their lives. Through medical-condition simulators, life-enhancing technology, unique graphics and special effects, each participant will experience firsthand the grim reality of their potential future so that they have the opportunity to change their ways before it’s too late. Produced by 3 Ball Productions/Eyeworks USA. Executive Producers: JD Roth and Todd A. Nelson (3 Ball Productions/Eyeworks USA) and Danny Fenton (Zig Zag Productions). Imagination Nation — The innovators behind Hammacher Schlemmer, America’s oldest continuously published catalog that offers imaginatively unexpected and innovative products, go on the road to meet inventors from all walks of life to find fresh offerings for their inventory. Produced by North South Productions. Executive producers: Charlie DeBevoise and Mark Hickman.
America’s Smartest Kids — A thought provoking, reality competition show where the country’s most imaginative, innovative teenagers are challenged to invent a better future while competing for the title of America’s Smartest Kid. Executive producers: David Zelon and Michael Sardo.
SATURDAY ORIGINAL MOVIES
Red Faction: Origins — 2011 — Robert Patrick (Terminator 2), Brian J. Smith (Stargate Universe) and Kate Vernon (Battlestar Galactica) star inRed Faction: Origins, based on the hugely successfulRed Faction video game franchise. Twenty-five years have passed since Alec Mason (Patrick) led the Martian Colonies to freedom …and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake.
Jake Mason (Smith), Alec’s only son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive. As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them…a cold-blooded soldier sworn to destroy the Red Faction.Red Faction: Origins is produced by Universal Cable Productions and UFO Films.
Zombie Apocalypse (working title) — October 2011 — Months after a zombie plague has wiped out 90 percent of the American population, a small group of survivors fight their way cross-country to a rumored refuge on the island of Catalina. A production of The Asylum.
Gretl — November 2011 — As an adult, a witch hunter (Hansel) returns to the village where he lived as a child to find and kill the witch who killed his sister, Gretl (Shannen Doherty), only to find that Gretl is not dead and danger lurks around every corner. Produced by Chesler/Permutter Productions & Vesuvius Productions.
Snowmageddon (working title) – December 2011 — A story about a mystical snow globe that makes very bad things happen in the real world when it is shaken. A production of Cinetel.
Bigfoot – 2012 — 1970’s pop culture icons Danny Bonaduce (The Partridge Family) and Barry Williams (The Brady Bunch) face off in the hunt for the legendary mountain creature. A production of The Asylum.
St. Patrick’s Day Leprechaun (working title) — St Patrick’s Day, Saturday, March 17th, 2012 — An evil leprechaun who has been imprisoned within the roots of a majestic old oak tree, is accidentally set loose on St. Patrick’s Day. Once free, he takes out his bloody revenge on the descendants of the people who originally imprisoned him. A production of After Dark Films.
Roswell — June 2012 – The story selected by fans forSyfy and IGN.com’sB Movie Mogul project, 65 years after the original UFO crash at Roswell, another ship from the same far-off civilization comes to rescue their downed comrades – and continue their preparation to invade the earth. Directed by Jason Connery (Area 51, The Devil’s Tomb). A production of After Dark Films.
Jersey Shore Shark Attack — 2012 – While everyone else runs scared, vacationing Jerseyites fend off shark attacks on the shore. A production of ARO Entertainment.
Dungeons and Dragons 4 (working title) — September 2012 – A princess and a rogue knight become reluctant heroes inside a magical kingdom. A production of After Dark Films with Silver Pictures.
Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures),Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes,Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)
As promised, The ‘Tastic is proud to present the first-look trailers for all of ABC’s new shows… and there are a lot of them (you can see the full Fall schedule right here.). Along with synopses and videos, in true TV-Tastic-style we’ll give you a preview assessment of each of the new series (in other words, we plan to pretty much rip most of them apart) letting you know what we think about them and if it’s worth your time to check them out this Fall and just to give everyone a heads up: overall we are amazed at how good most of these shows look despite the fact that ABC is becoming the Big-5’s version of Lifetime.
FALL
Last Man Standing: Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.
Tim Allen returns to ABC in this new comedy from Jack Burditt (“30 Rock”). Men may have built civilizations, invented the locomotive and created ESPN, but they’re about to find out that it’s not a man’s world anymore. You can’t get manlier than Mike Baxter. He’s the marketing director for an iconic outdoor sporting goods store, he loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he’s the odd man out in a home that is dominated by women — namely his wife, Vanessa, and their three daughters, 22- year-old Kristin, 17-year-old Mandy and 14-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa’s increased work load, Mike is pulled into more hands-on parenting than ever before.
The ‘Tastic Says: Say hello to the first installment of male emasculating and male-bashing. This show in and of itself doesn’t look particularly awful, however it looks like a clone of Home Improvement sans the tools and Wilson peeking over the fence imparting sage advice. Also, we simply CANNOT get over this obvious radical gyno-centric agenda that ABC is adopting and it’s particularly insidious with this show, using the reverse-psychology method, trying to convince us that this is a pro-masculinity empowerment show while all the male characters are boorish buffoons. We’re not buying it, ABC. We certainly get wanting to expand your audience but this seems like a desperate ploy to get women viewers because they know they have no chance in Hell of getting the 18 – 49 male audience any more. The only saving grace for LMS is that Tim Allen has probably been one of the most likable guys on TV for the last 20 years second maybe only to Jay Leno. Out of deference to Tim, we’ll reserve our judgment for a few episodes.
Man Up: Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.
Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His evolved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering — in a world of Axe ads and manscaping — what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s (Jake Johnson) 13th birthday than in doing his job selling insurance; sensitive soul Craig (Christopher Moynihan) still pines for his college ex, Lisa; and Kenny (Dan Fogler) clamps down on his anger and asks himself, “What would Tobey Maguire do?,” when his ex, Brenda (Amanda Detmer), starts seeing a guy (Henry Simmons) who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, they are all faced with an opportunity to Man Up and be like their forefathers.
The ‘Tastic Says: And the hits just keep on coming! More men who keep their testicles firmly entrenched deep in their wives purses or who are fat, disgusting slobs whose exes are dating guys who are built like comic book superheroes. We are convinced that this is what happens when Sex and The City fans smoke a joint and then decided to create a television series. And of course, the men overgrown children who play Call of Duty on the X-Box 360 all night long (because everyone knows that if they actually were adults they’d be playing on a Playstation 3). As bad and recycled as the premise is (didn’t NBC just fail with this when it was called Perfect Couples?), this show looks pretty funny and probably only because it stars Fanboys‘ neurotic star, Dan Fogler. We’ll give it a shot but like LMS, we’re not promising anything.
Suburgatory: Single father George only wants the best for his 16-year-old daughter, Tessa. So when he finds a box of condoms on her nightstand, he moves them out of their apartment in New York City to a house in the suburbs. But all Tessa sees is the horror of over-manicured lawns and plastic Franken-moms. Being in the ‘burbs can be hell, but it also may just bring Tessa and George closer than they’ve ever been.
Tessa (Jane Levy) and George (Jeremy Sisto) have been on their own ever since Tessa’s mom pulled a “Kramer vs. Kramer” before she was even potty trained. So far, George has done a pretty good job of raising Tessa without a maternal figure in their lives, but suddenly he’s feeling a little out of his league. So it’s goodbye New York City and hello suburbs. At first Tessa is horrified by the big-haired, fake-boobed mothers and their sugar-free Red Bull-chugging kids. But little by little she and her dad begin finding a way to survive on the clean streets of the ‘burbs. Sure, the neighbors might smother you with love while their kids stare daggers at your back, but underneath all that plastic and caffeine, they’re really not half bad. And they do make a tasty pot roast.
The ‘Tastic Says: OK… this just looks absolutely horrific. We don’t know what more to say but we do expect it to die a quick death. Of course, we’ll endure at least the pilot for the sake of all of you so we can properly review it.
Revenge: Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.
Emily Thorne (Emily Van Camp) is new to the Hamptons. She’s met some of her wealthy neighbors, has made a few new friends and seemingly blends into the town. But something is a little odd about a young girl living in a wealthy town all on her own, and the truth is that Emily isn’t exactly new to the neighborhood. In fact, this was once her old neighborhood, until something bad happened that ruined her family and their reputation. Now Emily is back, and she’s returned to right some of those wrongs in the best way she knows how – with a vengeance.
The ‘Tastic Says: Is there a reason that ABC insists on recycling old plots from failed scripted series? Do we not all remember the failed (but awesome) NBC series, Life, from 2007 starring Damian Lewis as a cop who is framed by fellow cops and wrongfully convicted of murder, spends 12 years in prison before he’s exonerated, and under the terms of his settlement with the city, gets his old job as a detective back and uses his resources to hunt down, one-by-one, the people involved in the conspiracy? Call us crazy, but this is the exact same show… but with a chick. Surprisingly, though, the trailer below does look pretty flippin’ good. It gave us chills. Not sure if we’re crazy about Emily Van Camp in the lead as she seems a little soft for such a hardcore character, however maybe that’s why this will work… no one will see her coming. We’re guessing that this is going to be pretty good, but it’s a serial and we know how today’s audiences feel about serials. However, this show, like every other show on this network’s schedule is targeting women viewers and that section of the audience has far more tolerance for serialized drama then the rest of the audience.
Charlie’s Angels: Everyone deserves a second chance — even a thief, a street racer and a cop who got in a little too deep. After all, the three women who solve cases for their elusive boss, Charlie Townsend, are no saints. They’re angels… Charlie’s Angels.
Set in Miami, this fun, glamorous, action-packed take on the 1970s smash hit series introduces us to three new angels, all fearless detectives, head-turning beauties and close friends. There’s Abby (Rachael Taylor), a Park Avenue princess who became a world-class thief. Then there’s Kate (Annie Ilonzeh), a Miami cop who fell from grace, losing both her career and her fiancé. Finally there’s Gloria, a disgraced army lieutenant who has a way with explosives. When one of the angels’ missions ends in Gloria’s tragic death, Charlie persuades them to partner with Gloria’s childhood friend, Eve (Minka Kelly), a street racer with a mysterious past. They may not know each other yet, but one thing’s for sure — Abby, Kate and Eve will always have each others’ backs.
The ‘Tastic Says: Whoot… whoot! Girl power and a reboot! No… just no. Everything about this looks awful. Wrong, wrong, wrong. Much like The CW needed to be smacked on the nose with a newspaper for Hellcats, the same punishment should apply to ABC for this completely unnecessary relaunch.
Once Upon A Time: From the inventive minds of “Lost” executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day are about to collide.
And they all lived happily ever after – or so everyone was led to believe. Emma Swan knows how to take care of herself. She’s a 28-year-old bail bonds collector who’s been on her own ever since she was abandoned as a baby. But when the son she gave up years ago finds her, everything starts to change. Henry is now 10 years old and in desperate need of Emma’s help. He believes that Emma actually comes from an alternate world and is Snow White and Prince Charming’s missing daughter. According to his book of fairytales, they sent her away to protect her from the Evil Queen’s curse, which trapped the fairytale world forever, frozen in time, and brought them into our modern world. Of course Emma doesn’t believe a word, but when she brings Henry back to Storybrooke, she finds herself drawn to this unusual boy and his strange New England town. Concerned for Henry, she decides to stay for a while, but she soon suspects that Storybrooke is more than it seems. It’s a place where magic has been forgotten, but is still powerfully close… where fairytale characters are alive, even though they don’t remember who they once were. The epic battle for the future of all worlds is beginning, but for good to win, Emma will have to accept her destiny and fight like hell.
The ‘Tastic Says: Yet another series with a strong female lead using a (at least partially) recycled premise. Despite that, this is quite an original twist on the genre and the second show this season that mixes the contemporary with the classic fairy tale (the first being NBC’s new show, Grimm). It really looks quite epic and it’s got some big-time writers associated with it but we’re thinking it might be a little too epic for Big-5 TV and seriously, how long can a premise like this last? 22 episodes per season for five to seven seasons? Doubtful. It seems more appropriate as a SyFy or HBO miniseries, really. However, on the other hand, who would have thought that these same writers could have given us six seasons and 115 episodes of the second greatest show of all-time, Lost? If this is as good and as well put-together as it looks, we’d love for this to survive but this type of serial genre programming is very questionable on major network TV in this climate.
Pan Am: Passion, jealousy and espionage… They do it all – and they do it at 30,000 feet. The style of the 1960s, the energy and excitement of the Jet Age and a drama full of sexy entanglements deliciously mesh in this thrilling and highly-original new series.
In this modern world, air travel represents the height of luxury and Pan Am is the biggest name in the business. The planes are glamorous, the pilots are rock stars and the stewardesses are the most desirable women in the world. Not only are these flyboys and girls young and good looking, but to represent Pan Am they also have to be educated, cultured and refined. They’re trained to handle everything from in-air emergencies to unwanted advances – all without rumpling their pristine uniforms or mussing their hair. There’s Dean (Jonah Lotan) – a cocky, charismatic and ambitious new pilot – the first of a new breed not trained in the war. On the sly against company policy, he’s dating Bridget, a stunning beauty with a mysterious past. A rebellious bohemian, Maggie (Christina Ricci) turns into a buttoned up professional for work so she can see the world. Rounding out the crew are flirtatious Collette (Karine Vanasse), the adventurous Kate (Kelli Garner) and, finally, Laura (Margot Robbie) – Kate’s beauty queen younger sister, a runaway bride, who recently fled a life of domestic boredom to take to the skies.
The ‘Tastic Says: The more we go through these new shows the more we’re actually starting to admire ABC for their ability to either make every series have a strong, empowering female lead and/or make men look like complete jackasses and often without the audience realizing it. What they’ve done with this show is just brilliant: They took the infancy of the women’s lib movement where women were still thought of as second-class citizens, put them in the most sexualized role they could possibly be in for that era (other than wearing bunny ears and a cotton tail… thank you, NBC for not missing a beat and covering that particular base) and turned it around into an empowering position as the perfect cover for a covert operative! Like we said, BRILLIANT! Of course, in the aggregate, this is a combination of Alias and Steven Spielberg’s Catch Me if You Can(goodness, half of the scenes in the trailer AND the Sinatra song Come Fly With Me are directly from that film), but still, this looks VERY clever and hip and we think it’s going to be a lot of fun. We are really looking forward to this. By the way here’s one thing from Catch Me If You Can that wasn’t in the trailer and it’s doubtful it will be in this new series.
The Greatest Joke of All Time
(NSFW… just play it quietly, will ya? Use a little discretion at work. Waitaminute… shouldn’t you be working?)
MIDSEASON
Good Christian Belles: The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.
Amanda Vaughn (Leslie Bibb), once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. Amanda is nothing like the girl she was 20 years ago, but as her old classmates reacquaint themselves with the new Amanda, will her home town welcome her with open arms or seek revenge? No one in this town is a saint, but that doesn’t mean they can’t have a heart. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.
The ‘Tastic Says: First keep in mind that this show was originally entitled Good Christian Bitches, so apparently empowering women and treating them with respect only extends so far. This seems like a ripoff of Desperate Housewives which means that we certainly won’t be watching it as this genre is simply not our bag, however, we have a much bigger problem with the underlying premise of the show to begin with which seems to be to want to expose the moral hypocrisy of Christians. This is not a particularly smart place to start from for any series in the U.S. First of all, religion is a very private matter to begin with and most people simply prefer it be kept out of their primetime entertainment fare, but secondly, it’s just not very smart to alienate 79% of your audience right out of the gate. All of that notwithstanding, this show looks hideous. The writing is horrible as are the performances and we could figure that out in the minute and 46 seconds we saw below.
Missing: Becca Winstone (Ashley Judd) learns that her son, Michael, disappears while studying abroad, and it’s a race against time when she travels to Europe to track him down. A surprising turn of events reveals just how far one mother will go to protect her family. Exotic locations and thrilling twists will keep you riveted in “Missing.”
How far would you go to save the only thing you have left in the world? At 8 years old, Michael watched as his father, CIA Agent Paul Winstone, was murdered. Now 10 years later, Paul’s wife, Becca, is faced with the reality of her son growing up. When Michael is afforded the opportunity to study abroad, his mother reluctantly agrees it’s time to let him go. Just a few weeks into his trip Michael disappears, and Becca immediately suspects foul play. When she arrives in Rome, she begins piecing together the clues left behind. It isn’t long before the kidnappers realize they’ve picked a fight with the wrong woman. Becca Winstone has a secret of her own — before Paul’s death, she was also a lethal CIA Agent. But if she wants to find her son alive, Becca will have to rely on old friends and reopen old wounds. Her resourcefulness, skill and determination will be put to the test – but a mother’s love knows no limits.
The ‘Tastic Says: Broken Record here: recycled plot from a failed series and a strong female lead. If you’re wondering what failed series we’re talking about it would be none other than FOX’s Vanished from 2006 that lasted a grand total of 13 episodes. It’s also got the feel of Alias, Takenand the Bourne franchise for obvious reasons. Still, the production values are insane on this. This is a TV show? This looks like one of the few bright spots for action this year on all of the networks, and of course we love Ashley Judd going all the way back to when she played Ensign Robin Lefler on Star Trek: The Next Generation. There are of course two big problems with this show, the first being the serial factor, but again that may be mitigated by the female audience that we referred to earlier discussing Revenge. The second is the same issue that OUaT has, and that is, how long can they really go with this premise? Seriously, are they going to keep that kid missing for five to seven years. Audiences will grow tired of that quickly and it seems like a very lazy plot device for the central theme of the show considering how well-developed it seems… kinda like it was drawn out of a hat. Despite this, it really does look good and we’re looking forward to it.
The River: “The River” follows the story of wildlife expert and TV personality Emmet Cole. Emmet set course around the world with his wife, Tess, and son, Lincoln, while filming what would become one of the most popular shows in television. After he goes missing deep in the Amazon, his family, friends and crew set out on a mysterious and deadly journey to find him.
Famed explorer Dr. Emmet Cole (Bruce Greenwood) went looking for magic deep in the uncharted Amazon and never returned. The shocking truth about his disappearance is out there, somewhere, just waiting to be discovered. To the millions of kids who grew up watching his nature show, Dr. Cole was a hero. To his own son, Lincoln (Joe Anderson), he was more of an enigma. Now, six months after he vanished, Lincoln is finally ready to bury the past when Dr. Cole’s emergency beacon suddenly goes off. At the urging of his mother, Tess (Leslie Hope), Lincoln reluctantly joins her on a search for his father. To fund the rescue, they agree to let Dr. Cole’s cagey ex-producer, Clark (Paul Blackthorne), film the mission documentary-style. The mixed crew of old friends and new acquaintances includes the sexy and resourceful Lena (Eloise Mumford), loyal mechanic Emilio (Daniel Zacapa) and lethal bodyguard Captain Kurt Brynildson (Thomas Kretschmann).
The ‘Tastic Says: Holy Crap! This looks awesome! This show has one of the few truly ensemble casts of the new schedule but of course, it has a super ninja-type strong female lead who has to lead the rescue for the man who got lost in the jungle. But this show looks absolutely amazing and with Steven Spielberg’s Amblin Television producing it (with Spielberg himself exec. producing) you know that this is going to be a tight, well-done show. It has a very big LOST vibe to it and we certainly can’t complain about that. This looks like the best new show of the season.
Scandal: From the creator and executive producers of “Grey’s Anatomy” and “Private Practice” comes a drama revolving around the life and work of a professional crisis manager and her dysfunctional staff.
A former media relations consultant to the President, Olivia Pope (Kerry Washington) dedicates her life to protecting and defending the public images of our nation’s elite. After leaving the White House, the power consultant opened her own firm, hoping to start a new chapter — both professionally and personally — but she can’t seem to completely cut ties with her past. Slowly it becomes apparent that her staff, who specialize in fixing the lives of other people, can’t quite fix the ones closest at hand — their own.
The ‘Tastic Says: Oh, good Lord, this looks stupid and surprise, surprise, surprise, yet another ridiculously strong female lead who’s so tough that she can stand in the middle of two guys with handguns and with nothing more than a firm voice make them lower their weapons. Stupid and predictable procedural that is trying fool the audience into thinking that it’s actually original because they filled in the Mad-Libs blanks with the phrases “Crisis Management” and “Fixer.” Forget it.
Apartment 23: After a naïve Midwestern girl’s big city dreams are dashed her first week in New York, she finds herself living with her worst nightmare in this hilarious, contemporary comedy about a female odd couple who are surrounded by an outrageous cast of characters.
June (Dreama Walker) moves to Manhattan for a dream job and the perfect company apartment, only to have them disappear in a puff of reality, thanks to a CEO from the Bernie Madoff school of embezzlement. Deep in debt and out on the streets, June scrambles to land a job and place to live. It seems her luck has turned around when she gets hired at a coffee shop and finds Chloe (Krysten Ritter), a charming, vivacious roommate… with the morals of a pirate. She swindles June out of all her savings, but she and her snarky friend, James Van Der Beek (playing himself), soon learn that, just because June’s naïve, she isn’t stupid. June ingeniously turns the tables on Chloe, who is so shocked about being scammed herself that she decides to pull June into her colorful band of friends. Sure, it’s all dysfunctional, bizarre and overwhelming, but so is New York City. And with the help of Chloe and the other oddballs around her, June might just learn the survival secrets she needs to make it there.
The ‘Tastic Says: Big shocker… strong female leads again. This looks actually very funny. Out of all the trailers we’ve seen this one actually made us laugh three or four times. That’s already more laughs in a minute and a half than we had during the entire season of $#*! My Dad Says. Seems to have some very clever writing, and it reminds us of Friends if Friends could come back as a series that didn’t suck. We also find it quite clever that James Van Der Beek keeps getting roles in comedies playing himself. This should do well. We hope they stick this on Wednesday night as the lead out for Modern Family as that’s where it belongs.
Work It: This high-concept comedy centers on two unrepentant guy’s guys who, unable to find work, dress as women to get jobs as pharmaceutical reps. Not only do they pull it off, but they might just learn to be better men in the process.
With unemployment an ongoing issue and women now outnumbering men in the workforce, the new comedy series “Work It” follows two alpha males who realize the only way to beat the current “mancession” and land a job in pharmaceutical sales is to pass themselves off as women. Combining all the best elements of the workplace comedy, the buddy comedy and the family comedy, “Work It” centers on Lee Standish (Ben Koldyke) — a quick-witted and likable family man who used to be a top car salesman until he got laid off — and Angel Ortiz (Amaury Nolasco) — a single, hot-headed ladies’ man with no filter — who quickly learn there are fundamental differences in the worlds of men and women that go beyond teetering in high heels and tightening up with Spanx. Lee and Angel are determined to keep their ruse going for as long as they can — and keep their newly found jobs — in this smart, funny and relevant look at male and female relationships at work, at home and socially. Being a better man sometimes means having to be a better woman.
The ‘Tastic says: Ugh… and the trend continues. This time, turning heterosexual misogynistic men into transvestites so that they can get jobs in this mythical universe where women run everything. What we can’t believe is that they actually called this “high-concept.” We’re sorry, but didn’t ABC already try this show with Tom Hanks and Peter Scolari 30 years ago and call it Bosom Buddies (except the guys weren’t absolute pigs)? My God, who on God’s green Earth would ever confuse the two of those dopes in this show for women. At least Scolari and Hanks were kinda pretty for dudes. Reboot FAIL. This show is a big floating turd and they don’t even have a catchy theme song by Billy Joel to look forward to. And on that note to make up for the minute and a half of your life that will be wasted and the fact that you probably will vomit after watching the trailer below, here’s a little treat for you:
Here it is, folks, direct from the ABC Upfront Advertising Event, ABC’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule). Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here.
If you have any questions about other shows, post them below.
Some programming notes:
With all of the slashing and burning ABC has done over the last four days, they really haven’t put up much of an impressive schedule. It’s heavy with reality and dramas that have a lot “familiar” (OK… recycled) themes to them.
ABC’s new strategy is apparently to become the Lifetime of the major Networks. Notice the heavily gyno-centric storylines and soaps. The shows that do feature men prominently, portray them as emasculated and buffoonish. ABC, you suck enough already. Who is this going to appeal to? Isn’t it enough that you completely emasculated Michael Chiklis in No Ordinary Family, turning Vic Mackie into Victoria Mackie?
These new comedies look terrible.
You’ll see the phrase “high-concept” appear regularly throughout these and other network’s show descriptions. What this means is that audiences probably won’t like but ABC is going to blame that on the fact that you’re just too stupid to get it.
We see one maybe two new shows that look interesting, the rest looks pretty awful.
NOTE: you’ll notice that the Fall schedule is pretty thin for new shows considering that they picked up a dozen of them on Friday. ABC has not released their midseason 2011 – 2012 schedule and won’t until December. All of the new show descriptions for 2011 – 2012 are listed at below the schedule. We’ll be doing a preview assessment on all of the new shows as well as providing trailers as soon as they are available.
ABC’S FALL 2011 SCHEDULE
Via Press Release:
MONDAY
8:00 p.m. Dancing with the Stars
10:00 p.m. Castle
TUESDAY
8:00 p.m. Last Man Standing (NEW!)
8:30 p.m. Man Up (NEW!)
9:00 p.m. Dancing with the Stars the Results Show
10:00 p.m. Body of Proof
WEDNESDAY
8:00 p.m. The Middle
8:30 p.m. Suburgatory (NEW!)
9:00 p.m. Modern Family
9:30 p.m. Happy Endings
10:00 p.m. Revenge(NEW!)
THURSDAY
8:00 p.m. Charlie’s Angels (NEW!)
9:00 p.m. Grey’s Anatomy
10:00 p.m. Private Practice
FRIDAY
8:00 p.m. Extreme Makeover: Home Edition
9:00 p.m. Shark Tank
10:00 p.m. 20/20
SATURDAY
8:00 p.m. Saturday Night College Football
SUNDAY
7:00 p.m. America’s Funniest Home Videos
8:00 p.m. Once Upon a Time (NEW!)
9:00 p.m. Desperate Housewives
10:00 p.m. Pan Am (NEW!)
ABC’S NEW SHOW DESCRIPTIONS:
FALL
Last Man Standing: Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society.
Tim Allen returns to ABC in this new comedy from Jack Burditt (“30 Rock”). Men may have built civilizations, invented the locomotive and created ESPN, but they’re about to find out that it’s not a man’s world anymore. You can’t get manlier than Mike Baxter. He’s the marketing director for an iconic outdoor sporting goods store, he loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he’s the odd man out in a home that is dominated by women — namely his wife, Vanessa, and their three daughters, 22- year-old Kristin, 17-year-old Mandy and 14-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa’s increased work load, Mike is pulled into more hands-on parenting than ever before.
The show stars Tim Allen (“Home Improvement”) as Mike, Nancy Travis (“So I Married an Axe Murderer,” “Three Men and a Baby”) as Vanessa, Molly Ephraim as Mandy, Alexandra Krosney as Kristin, Kaitlyn Dever as Eve and Hector Elizondo (“Chicago Hope”) as Ed.
“Last Man Standing” was written by Jack Burditt (“30 Rock”), who also serves as executive producer with Tim Allen, Becky Clements, Marty Adelstein (“Prison Break”), Shawn Levy (“Night at the Museum”), Richard Baker (“The Santa Clause,” The Santa Clause 2”) and Rick Messina (“The Santa Clause,” The Santa Clause 2”). John Pasquin (“Home Improvement,” “The Santa Clause”) directed. “Last Man Standing” is from Twentieth Century Fox Television.
Man Up: Three modern men try to get in touch with their inner tough guys and redefine what it means to be a “real man” in this funny and relatable comedy.
Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Meet Will (Mather Zickel). His evolved, sensitive nature is why his awesome wife, Theresa (Teri Polo), married him. But Will and his friends find themselves wondering — in a world of Axe ads and manscaping — what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s (Jake Johnson) 13th birthday than in doing his job selling insurance; sensitive soul Craig (Christopher Moynihan) still pines for his college ex, Lisa; and Kenny (Dan Fogler) clamps down on his anger and asks himself, “What would Tobey Maguire do?,” when his ex, Brenda (Amanda Detmer), starts seeing a guy (Henry Simmons) who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, they are all faced with an opportunity to Man Up and be like their forefathers.
The show stars Christopher Moynihan as Craig, Mather Zickel (“The Cape”) as Will, Dan Fogler (“Balls of Fury”) as Kenny, Teri Polo (“Meet the Fockers”) as Theresa, Amanda Detmer (“What About Brian”) as Brenda and Henry Simmons (“Shark”) as Grant.
“Man Up” comes from writer/executive producer/actor Christopher Moynihan (“100 Questions”), executive producer Victor Fresco (“Better off Ted”), Ron West and Kelly Kulchak of Tagline Television (Psych) and director Beth McCarthy-Miller (“SNL,” “30 Rock”). ”Man Up” is produced by ABC Studios.
Suburgatory: Single father George only wants the best for his 16-year-old daughter, Tessa. So when he finds a box of condoms on her nightstand, he moves them out of their apartment in New York City to a house in the suburbs. But all Tessa sees is the horror of over-manicured lawns and plastic Franken-moms. Being in the ‘burbs can be hell, but it also may just bring Tessa and George closer than they’ve ever been.
Tessa (Jane Levy) and George (Jeremy Sisto) have been on their own ever since Tessa’s mom pulled a “Kramer vs. Kramer” before she was even potty trained. So far, George has done a pretty good job of raising Tessa without a maternal figure in their lives, but suddenly he’s feeling a little out of his league. So it’s goodbye New York City and hello suburbs. At first Tessa is horrified by the big-haired, fake-boobed mothers and their sugar-free Red Bull-chugging kids. But little by little she and her dad begin finding a way to survive on the clean streets of the ‘burbs. Sure, the neighbors might smother you with love while their kids stare daggers at your back, but underneath all that plastic and caffeine, they’re really not half bad. And they do make a tasty pot roast.
The show stars Jeremy Sisto (“Law & Order”) as George Altman, Jane Levy (“Shameless”) as Tessa Altman, Carly Chaikin (“The Last Song”) as Dalia Royce, Allie Grant (“Weeds”) as Lisa, Alan Tudyk (“V”) as Noah Lerner and Cheryl Hines (“Curb Your Enthusiasm”) as Dallas Royce. Ana Gasteyer (“Saturday Night Live”) guest stars.
Emily Kapnek (“Hung”) writes and executive-produces this bitingly ironic single-camera comedy. “Suburgatory” was directed by Michael Fresco (“Raising Hope”), who also executive-produced the pilot. It is produced by Warner Bros. Television.
Revenge: Wealth, beauty and status define the people in this town, but one woman is willing to destroy everyone for the sake of revenge.
Emily Thorne (Emily Van Camp) is new to the Hamptons. She’s met some of her wealthy neighbors, has made a few new friends and seemingly blends into the town. But something is a little odd about a young girl living in a wealthy town all on her own, and the truth is that Emily isn’t exactly new to the neighborhood. In fact, this was once her old neighborhood, until something bad happened that ruined her family and their reputation. Now Emily is back, and she’s returned to right some of those wrongs in the best way she knows how – with a vengeance.
“Revenge” stars Madeleine Stowe (“We Were Soldiers,” “The Last of the Mohicans”) as Victoria Grayson, Emily Van Camp (“Brothers & Sisters,” “Everwood”) as Emily Thorne, Gabriel Mann (“The Bourne Identity”) as Nolan Ross, Henry Czerny (“Mission: Impossible,” “Clear and Present Danger”) as Conrad Grayson, Ashley Madekwe (“Secret Diary of a Call Girl”) as Ashley Davenport, Nick Wechsler (“Roswell”) as Jack Porter, Josh Bowman (“Prowl”) as Daniel Grayson, Christa B. Allen (“13 Going on 30”) as Charlotte Grayson and Connor Paolo (“Gossip Girl”) as Declan Porter.
“Revenge” is written and executive-produced by Mike Kelley (“Swingtown”), along with executive producers Marty Bowen and Wyck Godfrey (“Twilight”). The pilot is directed and executive-produced by Phillip Noyce (“Salt”). “Revenge” is produced by ABC Studios.
Charlie’s Angels: Everyone deserves a second chance — even a thief, a street racer and a cop who got in a little too deep. After all, the three women who solve cases for their elusive boss, Charlie Townsend, are no saints. They’re angels… Charlie’s Angels.
Set in Miami, this fun, glamorous, action-packed take on the 1970s smash hit series introduces us to three new angels, all fearless detectives, head-turning beauties and close friends. There’s Abby (Rachael Taylor), a Park Avenue princess who became a world-class thief. Then there’s Kate (Annie Ilonzeh), a Miami cop who fell from grace, losing both her career and her fiancé. Finally there’s Gloria, a disgraced army lieutenant who has a way with explosives. When one of the angels’ missions ends in Gloria’s tragic death, Charlie persuades them to partner with Gloria’s childhood friend, Eve (Minka Kelly), a street racer with a mysterious past. They may not know each other yet, but one thing’s for sure — Abby, Kate and Eve will always have each others’ backs.
“Charlie’s Angels” stars Annie Ilonzeh (“General Hospital”) as Kate Prince, Minka Kelly (“Parenthood,” “Friday Night Lights”) as Eve, Rachael Taylor (“Grey’s Anatomy”) as Abby Sampson and Ramon Rodriguez (“The Wire,” “Daybreak”) as Bosley.
Written and executive-produced by Alfred Gough & Miles Millar (“Smallville”), “Charlie’s Angels” is also executive-produced by Drew Barrymore (“Charlie’s Angels” movies), Leonard Goldberg (the original “Charlie’s Angels”) and Nancy Juvonen (“Charlie’s Angels” movies). It’s directed and executive-produced by Marcos Siega (“Vampire Diaries,” “Dexter”). “Charlie’s Angels” is produced by Millar/Gough Ink, Flower Films and Panda Productions in association with Sony Pictures Television.
Once Upon A Time: From the inventive minds of “Lost” executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day are about to collide.
And they all lived happily ever after – or so everyone was led to believe. Emma Swan knows how to take care of herself. She’s a 28-year-old bail bonds collector who’s been on her own ever since she was abandoned as a baby. But when the son she gave up years ago finds her, everything starts to change. Henry is now 10 years old and in desperate need of Emma’s help. He believes that Emma actually comes from an alternate world and is Snow White and Prince Charming’s missing daughter. According to his book of fairytales, they sent her away to protect her from the Evil Queen’s curse, which trapped the fairytale world forever, frozen in time, and brought them into our modern world. Of course Emma doesn’t believe a word, but when she brings Henry back to Storybrooke, she finds herself drawn to this unusual boy and his strange New England town. Concerned for Henry, she decides to stay for a while, but she soon suspects that Storybrooke is more than it seems. It’s a place where magic has been forgotten, but is still powerfully close… where fairytale characters are alive, even though they don’t remember who they once were. The epic battle for the future of all worlds is beginning, but for good to win, Emma will have to accept her destiny and fight like hell.
“Once Upon a Time” stars Ginnifer Goodwin (“Big Love”) as Snow White/Sister Mary Margaret, Jennifer Morrison (“House MD”) as Emma Swan, Robert Carlyle (“The Full Monty,” “Trainspotting,” “SGU Stargate Universe”) as Rumplestiltskin/Mr. Gold, Lana Parrilla as Evil Queen/Regina, Jamie Dornan as Sheriff Graham, Jared Gilmore (“Mad Men”) as Henry, Josh Dallas as Prince Charming/John Doe and Raphael Sbarge as Jiminy Cricket/Archie.
“Once Upon a Time” was written by Edward Kitsis and Adam Horowitz, who are also executive producers, along with Steve Pearlman (ABC’s “V”). The pilot is directed and executive-produced by Mark Mylod (“Entourage”). “Once Upon a Time” is from ABC Studios.
Pan Am: Passion, jealousy and espionage… They do it all – and they do it at 30,000 feet. The style of the 1960s, the energy and excitement of the Jet Age and a drama full of sexy entanglements deliciously mesh in this thrilling and highly-original new series.
In this modern world, air travel represents the height of luxury and Pan Am is the biggest name in the business. The planes are glamorous, the pilots are rock stars and the stewardesses are the most desirable women in the world. Not only are these flyboys and girls young and good looking, but to represent Pan Am they also have to be educated, cultured and refined. They’re trained to handle everything from in-air emergencies to unwanted advances – all without rumpling their pristine uniforms or mussing their hair. There’s Dean (Jonah Lotan) – a cocky, charismatic and ambitious new pilot – the first of a new breed not trained in the war. On the sly against company policy, he’s dating Bridget, a stunning beauty with a mysterious past. A rebellious bohemian, Maggie (Christina Ricci) turns into a buttoned up professional for work so she can see the world. Rounding out the crew are flirtatious Collette (Karine Vanasse), the adventurous Kate (Kelli Garner) and, finally, Laura (Margot Robbie) – Kate’s beauty queen younger sister, a runaway bride, who recently fled a life of domestic boredom to take to the skies.
“Pan Am” stars Christina Ricci (“Penelope”) as Maggie, Kelli Garner (“Going the Distance”) as Kate, Karine Vanasse (“Polytechnique”) as Colette, Margot Robbie (“Neighbours”) as Laura, Jonah Lotan (“24”) as Dean and Michael Mosley (“Justified”) as Ted.
Jack Orman (“ER,” “Men of a Certain Age,”), Tommy Schlamme (“The West Wing,” “Parenthood,”
“Mr. Sunshine”) and Nancy Hult Ganis (“Akeelah and the Bee”) are the executive producers of “Pan Am.” Orman is also the writer, with Schlamme directing. “Pan Am” is produced by Jack Orman Productions, Out of the Blue Entertainment and Shoe Money Productions in association with Sony Pictures Television.
MIDSEASON
Good Christian Belles: The soap returns to Dallas in this wicked new drama that shows that you can go home again… but only if you’re ready to face the sins of your past.
Amanda Vaughn (Leslie Bibb), once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. Amanda is nothing like the girl she was 20 years ago, but as her old classmates reacquaint themselves with the new Amanda, will her home town welcome her with open arms or seek revenge? No one in this town is a saint, but that doesn’t mean they can’t have a heart. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.
“Good Christian Belles” stars Leslie Bibb (“Iron Man”) as Amanda Vaughn, Kristin Chenoweth (“Pushing Daisies”) as Carlene Cockburn, Annie Potts (“Law And Order: Special Victims Unit,” “Joan of Arcadia”) as Gigi Stopper, Jennifer Aspen (“Rodney”) as Sharon Peacham, Miriam Shor (“Swingtown” “Damages”) as Cricket Caruth-Reilly, Marisol Nichols (“24”) as Heather Cruz, Brad Beyer (“Jericho”) as Zack Peacham, Mark Deklin (“Lone Star”) as Blake Reilly and David James Elliott (“JAG”) as Ripp Cockburn.
Based on Kim Gatlin’s hit book, Good Christian Bitches, “Good Christian Belles” is executive-produced by Darren Star (“Sex and the City”), Robert Harling (“Steel Magnolias”) and Aaron Kaplan. The pilot is written by Robert Harling and executive-produced and directed by Alan Poul. “Good Christian Belles” is produced by ABC Studios.
Missing: Becca Winstone (Ashley Judd) learns that her son, Michael, disappears while studying abroad, and it’s a race against time when she travels to Europe to track him down. A surprising turn of events reveals just how far one mother will go to protect her family. Exotic locations and thrilling twists will keep you riveted in “Missing.”
How far would you go to save the only thing you have left in the world? At 8 years old, Michael watched as his father, CIA Agent Paul Winstone, was murdered. Now 10 years later, Paul’s wife, Becca, is faced with the reality of her son growing up. When Michael is afforded the opportunity to study abroad, his mother reluctantly agrees it’s time to let him go. Just a few weeks into his trip Michael disappears, and Becca immediately suspects foul play. When she arrives in Rome, she begins piecing together the clues left behind. It isn’t long before the kidnappers realize they’ve picked a fight with the wrong woman. Becca Winstone has a secret of her own — before Paul’s death, she was also a lethal CIA Agent. But if she wants to find her son alive, Becca will have to rely on old friends and reopen old wounds. Her resourcefulness, skill and determination will be put to the test – but a mother’s love knows no limits.
“Missing” stars Ashley Judd (“Double Jeopardy,” “Kiss the Girls”) as Becca Winstone, Sean Bean (“Game Of Thrones”) as Paul Winstone, Cliff Curtis (“Trauma”) as Dax, Adriano Giannini (“Oceans Twelve”) as Giancarlo, Nick Eversman (“Cinema Verite”) as Michael Winstone and Tereza Voriskova (“Borgia”) as Oksana.
“Missing” comes from writer Gregory Poirier (“National Treasure: Book of Secrets”) and executive producers Gina Matthews, Grant Scharbo (“The Gates”), Steve Shill (Emmy winner for directing “Dexter” who will direct episodes of “Missing”) and James Parriott (“Sons Of Anarchy”). “Missing” is produced by Stillking Films.
The River: “The River” follows the story of wildlife expert and TV personality Emmet Cole. Emmet set course around the world with his wife, Tess, and son, Lincoln, while filming what would become one of the most popular shows in television. After he goes missing deep in the Amazon, his family, friends and crew set out on a mysterious and deadly journey to find him.
Famed explorer Dr. Emmet Cole (Bruce Greenwood) went looking for magic deep in the uncharted Amazon and never returned. The shocking truth about his disappearance is out there, somewhere, just waiting to be discovered. To the millions of kids who grew up watching his nature show, Dr. Cole was a hero. To his own son, Lincoln (Joe Anderson), he was more of an enigma. Now, six months after he vanished, Lincoln is finally ready to bury the past when Dr. Cole’s emergency beacon suddenly goes off. At the urging of his mother, Tess (Leslie Hope), Lincoln reluctantly joins her on a search for his father. To fund the rescue, they agree to let Dr. Cole’s cagey ex-producer, Clark (Paul Blackthorne), film the mission documentary-style. The mixed crew of old friends and new acquaintances includes the sexy and resourceful Lena (Eloise Mumford), loyal mechanic Emilio (Daniel Zacapa) and lethal bodyguard Captain Kurt Brynildson (Thomas Kretschmann).
“The River” stars Bruce Greenwood (“Star Trek”) as Emmet Cole, Joe Anderson (“The Twilight Saga: Breaking Dawn Parts 1 and 2”) as Lincoln Cole, Paul Blackthorne (“Lipstick Jungle”) as Clark, Paulina Gaitan as Jahel, Leslie Hope (“24”) as Tess Cole, Eloise Mumford (“Lone Star”) as Lena, Shaun Parkes (“The Mummy Returns”) as Adjay, Thomas Kretschmann (“King Kong”) as Captain Kurt Brynildson and Daniel Zacapa (“Resurrection Blvd.”) as Emilio.
“The River,” from Amblin’s Steven Spielberg, Daryl Frank and Justin Falvey, showrunner/executive producer Michael Green (“Heroes,” “Kings”), is also executive-produced by Oren Peli (creator of “Paranormal Activity”), Zack Estrin, Jason Blum and Steven Schneider. Teleplay by Michael R. Perry and Michael Green, story by Oren Peli & Michael R. Perry and Michael Green. The pilot is directed by Jaume Collet-Serra and produced by ABC Studios.
Scandal: From the creator and executive producers of “Grey’s Anatomy” and “Private Practice” comes a drama revolving around the life and work of a professional crisis manager and her dysfunctional staff.
A former media relations consultant to the President, Olivia Pope (Kerry Washington) dedicates her life to protecting and defending the public images of our nation’s elite. After leaving the White House, the power consultant opened her own firm, hoping to start a new chapter — both professionally and personally — but she can’t seem to completely cut ties with her past. Slowly it becomes apparent that her staff, who specialize in fixing the lives of other people, can’t quite fix the ones closest at hand — their own.
“Scandal” stars Kerry Washington (“Ray”) as Olivia Pope, Henry Ian Cusick (“Lost”) as Stephen Finch, Columbus Short (“Stomp the Yard”) as Harrison Wright, Guillermo Diaz (“Half-Baked”) as Huck, Darby Stanchfield as Abby Whelan, Katie Lowes as Quinn Perkins, Tony Goldwyn (“Ghost”) as President Fitzgerald Grant and Jeff Perry (“Grey’s Anatomy”) as Cyrus.
“Scandal” was written by Shonda Rhimes (“Grey’s Anatomy,” “Private Practice”). Rhimes and Betsy Beers (“Grey’s Anatomy,” “Private Practice”) are executive producers. Paul McGuigan is the director. “Scandal” is produced by ABC Studios.
Apartment 23: After a naïve Midwestern girl’s big city dreams are dashed her first week in New York, she finds herself living with her worst nightmare in this hilarious, contemporary comedy about a female odd couple who are surrounded by an outrageous cast of characters.
June (Dreama Walker) moves to Manhattan for a dream job and the perfect company apartment, only to have them disappear in a puff of reality, thanks to a CEO from the Bernie Madoff school of embezzlement. Deep in debt and out on the streets, June scrambles to land a job and place to live. It seems her luck has turned around when she gets hired at a coffee shop and finds Chloe (Krysten Ritter), a charming, vivacious roommate… with the morals of a pirate. She swindles June out of all her savings, but she and her snarky friend, James Van Der Beek (playing himself), soon learn that, just because June’s naïve, she isn’t stupid. June ingeniously turns the tables on Chloe, who is so shocked about being scammed herself that she decides to pull June into her colorful band of friends. Sure, it’s all dysfunctional, bizarre and overwhelming, but so is New York City. And with the help of Chloe and the other oddballs around her, June might just learn the survival secrets she needs to make it there.
“Apartment 23” stars Krysten Ritter (“Breaking Bad,” “Gilmore Girls”) as Chloe, Dreama Walker (“The Good Wife,” “Gossip Girl”) as June, Eric André as Mark, Michael Blaiklock as Eli and James Van Der Beek (“Varsity Blues,” “Dawson’s Creek”) as James Van Der Beek.
Created and written by Nahnatchka Kahn (“American Dad”), “Apartment 23” is executive-produced by Kahn, Jason Winer (“Modern Family”), Dave Hemingson (“American Dad,” “How I Met Your Mother”) and Jeff Morton (“Modern Family”). Winer is also the director. “Apartment 23” is a production of 20th Century Fox Television.
Work It: This high-concept comedy centers on two unrepentant guy’s guys who, unable to find work, dress as women to get jobs as pharmaceutical reps. Not only do they pull it off, but they might just learn to be better men in the process.
With unemployment an ongoing issue and women now outnumbering men in the workforce, the new comedy series “Work It” follows two alpha males who realize the only way to beat the current “mancession” and land a job in pharmaceutical sales is to pass themselves off as women. Combining all the best elements of the workplace comedy, the buddy comedy and the family comedy, “Work It” centers on Lee Standish (Ben Koldyke) — a quick-witted and likable family man who used to be a top car salesman until he got laid off — and Angel Ortiz (Amaury Nolasco) — a single, hot-headed ladies’ man with no filter — who quickly learn there are fundamental differences in the worlds of men and women that go beyond teetering in high heels and tightening up with Spanx. Lee and Angel are determined to keep their ruse going for as long as they can — and keep their newly found jobs — in this smart, funny and relevant look at male and female relationships at work, at home and socially. Being a better man sometimes means having to be a better woman.
The show stars Ben Koldyke (“How I Met Your Mother”) as Lee, Amaury Nolasco (“Prison Break”) as Angel, Beth Lacke (“Happy Hour”) as Connie, John Caparulo (“Chelsea Lately”) as Brian, Rebecca Mader (“Lost”) as Grace, Rochelle Aytes (“Detroit 1-8-7”) as Vanessa, Kate Reinders (“Sherrie”) as Kelly, Kirstin Eggers (“Aussie and Ted’s Great Adventure”) as Kristin and Kacie Lynch (“Barney and Friends”) as Kat.
“Work It” was written by Andrew Reich & Ted Cohen (“Friends,” “Rules of Engagement”). Reich and Cohen are the executive producers. Beth McCarthy Miller (“Saturday Night Live,” “30 Rock”) is the director. “Work It” is produced by Bonanza Productions, Inc. in association with Summer School Productions and Warner Bros. Television.
The Hollywood Reporteris reporting that ABC went mad-crazy on Friday dumping seven shows including five freshman shows, renewing two and picking up a whopping twelve new scripted shows, all in advance of tomorrow’s upfront advertising event where they’ll announce their schedule for the 2011 – 2012 season.
Canceled:
V: The phrase “no surprise here” is really a running theme with all of these canceled shows on ABC but never is it more appropriate than for V. V was phenomenal in its first season but by the third episode of the second season, it had become one of the most ridiculous and embarrassing SciFi shows ever produced. Fans will of course blame ABC for how they scheduled, this is nonsense. The show turned and we’ve actually been working on a remedial course that will published i na couple of weeks for folks who don’t understand why V was so damned ridiculous. We’re not saying that we’re happy about its departure, but we sure as Hell understand why it was canceled and make no doubt about it, it deserved to be canceled.
Detroit 1-8-7: This is a very sad, albeit necessary cancellation. D-187 was one of the best police procedurals in recent memory and we were sure it was going to be terrible. It’s unfortunate that it couldn’t find an audience. Again, the writing for this show was on the wall since November 2010.
No Ordinary Family: *sigh* What’s unfortunate about this cancellation is how much potential this series had and how it completely fell off the rails. The show became less about superheroes and more about this dysfunctional family and wore thin very quickly. Not to mention, Jim Powell (Michael Chiklis) is the probably the most emasculated male lead character in the history of television.
Off the Map: We got through twenty minutes of the pilot, to turn it off. Terrible writing, terrible acting and just complete and utter tripe. It’s nothing but typical recycled procedural crap. Good-bye, you won’t be missed. We hated this show so much, we couldn’t bring ourselves to do a review on it. Fortunately, Off the Map is off the map.
Mr. Sunshine: We actually forced ourselves to sit through two episodes of this mess. This was a very poor rip-off if 30 Rock was one of the worst shows we’ve seen this season. It was nothing ut really bad recycled jokes, recycled characters and recycled plotlines. Good Riddance. Maybe it will be another decade before we’ll have to be subjected to Matthew Perry again. What? We can’t be the only ones who thinks Friends is one of the worst pieces of crap shows ever made.
Better With You: We made it through three episodes and the last two minutes of every episode that wound up on our DVR recordings of Modern Family. This may be one of the worst shows ever made next to $#*! My Dad Says. There was nothing funny about this and it abused every sitcom cliché from the last 50 years of television and it made us angry that the producers had such a low opinion of their audience.
Brothers and Sisters: We have no problem with this show and in fact we’ve never watched it but we understand that it had a loyal following (Little Sister ‘Tastic was a big fan). The problem was that viewership had been steadily declining and once you get past the fifth season, if the ratings aren’t there to justify higher ad-revenues it’s impossible to keep a show because at this point the production costs (including cast salaried) increase dramatically.
Renewed:
Body of Proof: We don’t understand the appeal of this show, but then again we don’t understand the appeal of all safe procedurals. This show really particularly stupid, with dopey and recycled premises and really bad dialogue. But, alas, what do we know as audiences seem to love it.
Happy Endings: We have to be honest, we haven’t had time to watch this show but it does look very funny and it does have strong critical buzz surrounding it so we’re looking forward to watching it over the summer and reviewing it. Part of the reason we didn’t put it to the front of our schedule is that based on the ratings, we weren’t expecting it to be renewed. Good for them!
Picked Up(We’ll be providing our assessments of the new shows shortly after the schedule announcement is made on Tuesday):
Charlie’s Angels: A modern take on the 1970s series starring Annie Ilonzeh (Melrose Place), Minka Kelly (Friday Night Lights, Parenthood) and Rachael Taylor (Grey’s Anatomy) as Charlie’s (Robert Wagner) new Angels. The Miami-set drama, from Sony Pictures Television, is written by Smallville duo Alfred Gough and Miles Millar and produced by Nancy Juvonen (Whip It), Leonard Goldberg (the Charlie’s Angels features) and Drew Barrymore, who appeared in the big-screen reboot. Marcos Siega (The Vampire Diaries) directed the pilot.
Last Man Standing: The project centers on the former Home Improvement star, who is fighting for his manhood in a world increasingly dominated by women. Nancy Travis (So I Married an Axe Murderer) co-stars in the multicamera comedy from 20th Television. Jack Burditt (30 Rock) penned the pilot, with Marty Adelstein (Prison Break), Becky Clements and Shawn Levy (Date Night) on board as producers. Insiders believe the mutlicam Allen vehicle, which has had “lock” status for weeks, will launch a second ABC comedy block, likely on Tuesdays (Improvement‘s old stomping ground).
Pan Am: From Sony, the sexy soap set in the 1960s focuses on stewardesses and pilots, some of whom live double lives as spies. Christina Ricci stars in her first series regular role in the drama written and produced by Jack Orman (ER). Also producing are Sid Ganis, Nancy Hult Ganis and Thomas Schlamme (The West Wing), who helmed the pilot.
Apartment 23: The a single-camera comedy from 20th TV centers on a Midwestern girl (Dreama Walker,The Good Wife) whose big-city dreams are dashed after her first week in New York, where she finds herself living with her worst nightmare (Krysten Ritter, Breaking Bad). James Van Der Beek (Dawson’s Creek) co-stars as himself in his first series comedy role. Nahnatchka Khan (American Dad) and Dave Hemingson (Traffic Light) penned the pilot and will produce along with Jeffrey Morton (Traffic Light). Jason Winer (Modern Family) helmed the pilot.
Good Christian Belles (formerly Good Christian Bitches): The soap revolves around a former high school “mean girl” (Leslie Bibb, Popular) who returns home to Dallas after her marriage ends in scandal. The series, from ABC Studios, also stars Kristin Chenoweth (Glee) and Annie Potts (Designing Women). Robert Harling(Laws of Attraction), who penned the pilot, produces alongside Darren Star (Sex and the City) and Aaron Kaplan. Alan Poul (Six Feet Under) directed the pilot. The series is based on the book by Kim Gatlin.
Revenge: The Count of Monte Cristo-inspired soap from Mike Kelley (Swingtown), centers on a woman (Emily VanCamp, Brothers and Sisters) who moves to the Hamptons. The ABC Studios pilot, which was directed by Phillip Noyce, counts Marty Bowen and Wyck Godfrey as executive producers.
Once Upon a Time: A fantasy drama that revolves around a woman (Jennifer Morrison, How I Met Your Mother) who, after a boy who claims to be her son shows up, is drawn into a town where fairy tales might be real. Ginnifer Goodwin (Big Love) co-stars as Snow White in a cast that also includes Robert Carlyle (Stargate Universe) and Josh Dallas (Thor) as Prince Charming.Lost’s Edward Kitsis and Adam Horowitz penned the pilot and will produce alongside Steve Pearlman (V) and Mark Mylod (Shameless), who directed the pilot from ABC’s sister studio.
Scandal (formerly Damage Control): The drama revolves around the life and work of a professional fixer (Kerry Washington) and her staff. Lost’s Henry Ian Cusick co-stars as her right-hand man and Tony Goldwyn plays the president. It is based on the career of crisis management consultant Judy Smith, who serves alongside producers including Shonda Rhimes (Grey’s Anatomy, Private Practice) and Betsy Beers (Grey’s Anatomy). From ABC Studios, the pilot was directed by Paul McGuigan (Lucky Number Slevin).
The River: A stylized project that follows a crew through the Amazon in search of a missing adventurer. Eloise Mumford (Lone Star) stars in the ABC Studios drama written by Michael Green (Kings) and Michael R. Perry (Persons Unknown). Executive producers include Oren Peliand Jason Blum (Paranormal Activity), Darryl Frank and Justin Falvey (United States of Tara), Zack Estrin (No Ordinary Family) and Steven Schneider (Paranormal Activity). Jaume Collet-Serra directed the pilot, which was shot in Puerto Rico.
Work It: The cross-dressing comedy from Warner Bros. TV and Andrew Reich and Ted Cohen(Friends), revolves around two out-of-work car salesmen (Amaury Nolasco, Ben Koldyke) who dress as women in order to get jobs as pharmaceutical reps. Beth McCarthy Miller directed the pilot.
Suburgatory: The project stars Jane Levy as a New Yorker who moves to a cookie-cutter community and discovers that the suburbs is more frightening than any horror movie she’s seen. Jeremy Sisto (Law & Order), Alan Tudyk (Firefly) and Cheryl Hines (Curb Your Enthusiasm) co-star. The single-camera comedy from Warner Bros. TV was written by Emily Kapnek (Hung, Parks and Recreation), with the pilot directed by Mike Fresco (Raising Hope, Better Off Ted).
Man Up: The single-camera comedy from ABC Studios and Chris Moynihan (Coupling) is a look at what it takes to survive as a modern man, as told through the eyes of three best friends and the women in their lives.
FOX announced their primetime 2011 – 2012 schedule earlier ahead of their press release at the upfront advertising event and we have all the information posted right here. What we unfortunately didn’t get was nice little neat synopses of all the new shows that will be gracing our living rooms in 2011 – 2012. So, a little while later, FOX obliged and issued an actual press release announcing the schedule and issuing those nice little synopses we like so much here. They certainly make out life easier when we have to do the layouts for the reviews so we can tell you how awful they are.
"The 'Tastic Says... YOU FAIL!"
We aren’t going to publish the whole Press Release because it’s ridiculously long and we already published the schedule. We’re just going to publish the synopses and critique them, TV-Tastic-Style but if you must read the whole thing, you can just go here.
Via Press Release:
FOX 2011-2012 PRIMETIME SCHEDULE
NEW SERIES SYNOPSES
The new unscripted series launching this fall is:
The X Factor
Simon Cowell returns to FOX in the award-winning international phenomenon The X Factor. This new competition series, hosted by Nicole Scherzinger and Steve Jones, gives viewers the opportunity to help choose the next global superstar or breakout music group. The X Factor judges will travel the nation searching for undiscovered talent 12 years old or over – both solo artists and vocal groups – who are willing to brave the panel for a chance to make their dreams come true. Auditions for The X Factor were held this spring in Los Angeles, CA; Miami, FL; Newark, NJ; Seattle, WA; Chicago, IL; and Dallas, TX. In a departure from other singing competition series, the first time a contestant auditions for judges Simon Cowell, Antonio “L.A.” Reid, Cheryl Cole and Paula Abdul, he/she will do so in front of an audience of thousands – raising the stakes and increasing the pressure to impress not only the judges, but also a potential legion of fans. This will be the ultimate test to prove they have the vocal ability, charisma and stage presence it takes to become a global superstar or breakout music act and win a $5 million recording contract with Syco/Sony Music. Those contestants who survive the first auditions graduate to “boot camp” and will be divided into four categories. Each category will be mentored by one of the show’s judges. Not only is it a competition between the hopefuls to stake their claim for the coveted win, but it’s also a showdown among the judges as to whose acts will dominate the competition and make it to the finals. The judges may have their say in how the competition progresses, but it will be up to America to decide who ultimately has The X Factor.
PRODUCTION COMPANIES: Syco Television, FremantleMedia North America
EXECUTIVE PRODUCERS: Simon Cowell, Rob Wade, Siobhan Greene, Cecile Frot-Coutaz, Richard Holloway, Andrew Llinares
JUDGES: Simon Cowell, Antonio “L.A.” Reid, Cheryl Cole, Paula Abdul
HOSTS: Nicole Scherzinger, Steve Jones
The ‘Tastic Says: Gee, We wonder if this show is going to be a hit. Let’s be honest, this show is going to print its own money and since it’s got both Simon Cowell and now, Paula Abdul, well, there’s finally a singing competition worth our time again on FOX and as we all go to he mall and have to spend our X-Factor dollars with Simon Cowell’s face on them, we will say thank you, sir.
The following new comedies will premiere this fall on FOX:
I Hate My Teenage Daughter (working title)
I HATE MY TEENAGE DAUGHTER (working title) is a new multi-camera comedy about two best friends who are single moms struggling to raise their difficult and over-privileged teenage daughters. ANNIE (Emmy Award winner Jaime Pressly, “My Name Is Earl”) and NIKKI (Tony Award winner Katie Finneran, “Wonderfalls”) are former high school outcasts whose pasts inform their current parenting styles. Annie, who was raised in an ultra-strict, über-religious household where she had little-to-no freedom, pretty much allows her daughter, SOPHIE (Kristi Lauren, “You”), to do whatever she wants. Nikki, once an unpopular, overweight social pariah, has reinvented herself as a pretty Southern belle whose top priority is providing her daughter, MACKENZIE (Aisha Dee, “Dead Gorgeous”), with the childhood she never had. Sophie and Mackenzie are also best friends, which leads to a lot of co-parenting for Annie and Nikki. They have given the girls everything they asked for and everything they never had: clothes, money and self-esteem. The unintended consequence is they have created two mean girls just like the ones who tortured them years ago. Sophie finds her mother embarrassing and mocks her at every opportunity, but she secretly needs her mom and knows that her behavior is not always appropriate. Mackenzie, on the other hand, is the more manipulative of the daughters – she knows how to work her mother’s insecurities to her benefit. Annie’s ex-husband, MATT (Eric Sheffer Stevens, “As The World Turns”), wants to be a good parent, but is too clueless to know what that even means. That leaves his brother, JACK (Kevin Rahm, “Desperate Housewives,” “Judging Amy”), an attractive, high-powered attorney, to serve as more of a father figure for Sophie. Jack’s meddling would annoy Annie more if she didn’t have such a crush on him. GARY (Chad Coleman, “The Wire”), Nikki’s ex, also tries to help raise his challenging daughter, but the couple’s complicated relationship often makes his involvement more difficult. As their daughters begin to experience their first high school dances and other life-changing teen events, Annie and Nikki are often reminded of their own tortured adolescent years. But when Sophie and Mackenzie’s mean-girl antics cross the line, the moms quickly realize that they must, for the first time, dole out some real punishment and fix what is broken. They have no idea how to do that, but they do know one thing: They can’t do it without each other.
PRODUCTION COMPANIES: Warner Bros. Television, Bonanza Productions Inc.
EXECUTIVE PRODUCERS: Sherry Bilsing-Graham, Ellen Kreamer, Andy Ackerman
WRITERS: Sherry Bilsing-Graham, Ellen Kreamer
DIRECTOR: Andy Ackerman
CAST: Jaime Pressly as Annie Watson, Katie Finneran as Nikki Miller, Kristi Lauren as Sophie, Aisha Dee as Mackenzie, Eric Sheffer Stevens as Matt, Kevin Rahm as Jack, Chad Coleman as Gary.
The ‘Tastic Says: We hate comedies anyway and they are usually pretty horrible on FOX to begin with. Unlike Raising Hope, Traffic Light, and Breaking In, this show doesn’t seem like an exception. Sorry, but bratty teenage-girl bullies just don’t appeal to us nor do clichéd sitcoms. This show hasn’t aired a single episode and we already hate all of the characters. Also, is that the set from Becker?
New Girl (working title)
NEW GIRL (working title) is a new single-camera comedy from Liz Meriwether (“No Strings Attached”) that features a young ensemble cast and takes a fresh and outrageous look at modern male/female relationships. JESS DAY (Zooey Deschanel, “(500) Days of Summer”) is an offbeat and adorable girl in her late 20s who, after a bad breakup, moves in with three single guys. Goofy, positive, vulnerable and honest to a fault, Jess has faith in people, even when she shouldn’t. Although she’s dorky and awkward, she’s comfortable in her own skin. More prone to friendships with women, she’s not used to hanging with the boys – especially at home. Of the three male roommates, NICK (Jake Johnson, “No Strings Attached”) is the most grounded. He had big plans for life, but somewhere along the way, he stopped caring and became a bartender. Usually the smartest guy in the room, he has an uncanny knack for reading people and uses humor to deflect everyone and everything. SCHMIDT (Max Greenfield, “Ugly Betty”) is a hustling young professional who fancies himself a modern-day Casanova. Though his heart is usually in the right place, he’s always scheming ways to climb the social ladder and is driven by an immature and almost obsessive urge to be on “the scene.” Viewing Jess as a gateway into the elusive female mind, as well as a personal project, Schmidt encourages the guys to bring Jess into the apartment. The third roommate, COACH (Damon Wayans Jr., “The Underground”), is a former high school athlete who currently makes his living as a personal trainer. Set in his ways and with a take-it-or-leave-it attitude to dating, Coach is most comfortable when he’s in the gym. Though he’ll never admit it, Coach’s macho athletic exterior is actually a cover for his shyness around women, and he struggles to translate his personal confidence into conversation, preferring to speak in sports metaphors – or not at all. Rounding out this group is Jess’ childhood best friend, CECE (Hannah Simone, “Beautiful People”), a deadpan, somewhat cynical model who blossomed after outgrowing her promiscuous adolescent years. She has the street smarts Jess lacks and spends a lot of time doling out no-nonsense relationship advice that only a professional model could give. She and Jess balance each other well and accept each other despite their faults, making Cece the perfect complement to Jess. As their relationships progress, the five friends come to realize they need each other more than they ever thought they would and end up forming a charmingly dysfunctional family.
PRODUCTION COMPANIES: 20th Century Fox Television, Chernin Entertainment
CREATOR/WRITER: Liz Meriwether
EXECUTIVE PRODUCERS: Liz Meriwether, Jake Kasdan, Peter Chernin, Katherine Pope, Dave Finkel, Brett Baer
DIRECTOR: Jake Kasdan
CAST: Zooey Deschanel as Jess, Max Greenfield as Schmidt, Jake Johnson as Nick, Hannah Simone as Cece, Damon Wayans Jr. as Coach
The ‘Tastic Says: At the risk of repeating ourselves, we hate comedies anyway and they are usually pretty horrible on FOX to begin with. This show actually doesn’t look absolutely horrible (actually it looks kind of sweet and endearing), but it’s just not our cup of tea. But then, again, we were dead-wrong on Raising Hope so we’ll give it a shot despite that it’s got that My Boys vibe to it.
The new animated comedy joining the FOX schedule this fall is:
Allen Gregory
ALLEN GREGORY is a new animated comedy series that tells the story of one of the most pretentious 7-year-olds of our time. When he looks in the mirror, ALLEN GREGORY DE LONGPRE (Jonah Hill, “Superbad,” “Get Him to the Greek”) doesn’t see a child. He sees a young man who is intelligent, sophisticated, worldly, artistic and romantic – characteristics he inherited from his doting father, RICHARD (French Stewart, “Private Practice,” “3rdRock from the Sun”). The pair share an extraordinary father-son bond – a bond that is sometimes annoyingly interrupted by Richard’s life partner, JEREMY (Nat Faxon, The Cleveland Show, “Reno 911!”), for whom Allen Gregory has minimal respect, if any at all. They live together in a stunning architectural loft, along with JULIE (Joy Osmanski, “Grey’s Anatomy”), Allen Gregory’s adopted Cambodian sister. Although Allen Gregory has allegedly composed operas, written novels and dated Chloë Sevigny, he’s about to embark on his greatest challenge yet: leaving the safety of his father’s homeschooling and attending elementary school with children his own age. His journey will be a struggle, not only with the other kids at school, but with the faculty as well. Whether it’s the all-out rivalry with GINA WINTHROP (guest voice Leslie Mann, “Funny People”), his by-the-book second grade teacher; his unique relationship with JUDITH GOTTLIEB (guest voice Renée Taylor, “How I Met Your Mother”), his 68-year-old principal; or his desperate desire to be best friends with JOEL ZADAK (guest voice Jake Johnson, “Get Him to the Greek”), the school’s popular stud, Allen Gregory has his work cut out for him. With the help of his trusty friend and assistant, PATRICK VANDERWEEL (Cristina Pucelli, “Finley the Fire Engine”); and the support of SUPERINTENDENT STEWART ROSSMYRE (Will Forte, “Saturday Night Live”), who believes the De Longpres are a tremendous asset to the school, Allen Gregory won’t have to get his hands too dirty. ALLEN GREGORY is about an outsider. And while he may put on a tough exterior, deep down, all Allen Gregory wants is to fit in. Well, that, and for Julie to run away and never be seen or heard from again. And Jeremy too.
PRODUCTION COMPANIES: 20th Century Fox Television, Chernin Entertainment
CREATORS: Jonah Hill, Andrew Mogel, Jarrad Paul
EXECUTIVE PRODUCERS: Jonah Hill, Andrew Mogel, Jarrad Paul, Peter Chernin, Katherine Pope, David A. Goodman
VOICE CAST: Jonah Hill as Allen Gregory De Longpre, Nat Faxon as Jeremy, French Stewart as Richard, Joy Osmanski as Julie, Cristina Pucelli as Patrick, Will Forte as Superintendent Rossmyre
GUEST VOICE CAST: Leslie Mann as Ms. Winthrop, Jake Johnson as Joel, Renée Taylor as Principal Gottlieb
The ‘Tastic Says: There’s a reason FOX only ordered seven episodes of this. It looks absolutely horrific but the one promising thing that we can say is that at least it’s animated and we won’t have to look at Jonah Hill. Seriously, did someone at FOX just say, “Hey, look… a Stewie Griffin knock-off! That will make a good show for the idiotic masses on Sunday night! Hell, they’re still watching Bob’s Burgers and The Cleveland Show aren’t they?”
The following new drama will debut this Fall on FOX:
Terra Nova
From executive producers Steven Spielberg (“Saving Private Ryan,” “Jurassic Park”), Peter Chernin, René Echevarria (“Castle,” “The 4400”) and Brannon Braga (“24”) comes an epic family adventure 85 million years in the making. TERRA NOVA follows an ordinary family on an incredible journey back in time to prehistoric Earth as a small part of a daring experiment to save the human race. In the year 2149, the world is dying. The planet is overdeveloped and overcrowded, with the majority of plant and animal life extinct. The future of mankind is in jeopardy, and its only hope for survival is in the distant past. When scientists at the FERMI Particle Accelerator unexpectedly discovered a fracture in time that made it possible to construct a portal into primeval history, the bold notion was born to resettle humanity in the past – a second chance to rebuild civilization and get it right this time. The series centers on the Shannon family as they join the Tenth Pilgrimage of settlers to Terra Nova, the first colony established in this beautiful yet foreboding land. JIM SHANNON (Jason O’Mara, “Life on Mars”), a devoted father with a checkered past, guides his family through this new world of limitless beauty, mystery and terror. Jim’s wife, ELISABETH (Shelley Conn, “Mistresses”), is a trauma surgeon and the newest addition to Terra Nova’s medical team. JOSH (Landon Liboiron, “Degrassi: The Next Generation”) is their 17-year-old son who is angry to leave life as he knows it behind; upon arriving at the settlement, he finds himself instantly drawn to the beautiful and rule-breaking SKYE (Allison Miller, “Kings”). MADDY (Naomi Scott, “Life Bites”), Josh’s endearingly awkward 15-year-old sister, hopes Terra Nova will give her a chance to reinvent herself. Although Elisabeth’s medical training secured the family a spot on the pilgrimage, a secret involving their five-year-old daughter, ZOE (newcomer Alana Mansour), soon endangers their place in this utopia. Upon the Shannons’ arrival, they are introduced to COMMANDER NATHANIEL TAYLOR (Stephen Lang, “Avatar”), the charismatic and heroic first pioneer and leader of the settlement. Taylor warns the travelers that while Terra Nova is a place of new opportunities and fresh beginnings, all is not as idyllic as it initially appears. Along with blue skies, towering waterfalls and lush vegetation, the surrounding terrain is teeming with danger – and not just of the man-eating dinosaur variety. There is also a splinter colony of renegades led by the battle-hardened MIRA (Christine Adams, “TRON: Legacy”), who is vehemently opposed to Taylor and his leadership. Even more threatening than what lies outside the protective walls of the colony is the chilling possibility that something sinister is happening inside Terra Nova. The Shannons will come to suspect that not everyone on this mission has the same idea of how to best save mankind; in fact, there may be forces intent on destroying this new world before it even begins.
PRODUCTION COMPANIES: 20th Century Fox Television, Chernin Entertainment, DreamWorks Television, Kapital Entertainment
EXECUTIVE PRODUCERS: Steven Spielberg, Peter Chernin, René Echevarria, Brannon Braga, Alex Graves (pilot), Jon Cassar, Aaron Kaplan, Katherine Pope, Justin Falvey, Darryl Frank, Craig Silverstein, Kelly Marcel
DIRECTOR: Alex Graves
CAST: Jason O’Mara as Jim Shannon, Stephen Lang as Nathaniel Taylor, Shelley Conn as Elisabeth Shannon, Landon Liboiron as Josh Shannon, Naomi Scott as Maddy Shannon, Alana Mansour as Zoe Shannon, Christine Adams as Mira, Allison Miller as Skye.
The ‘Tastic Says: *sigh* We love everything about this, we just don’t think it has a snowball’s chance in Terra Nova to survive. FOX must know that epic SciFi on Network Television is dead and buried. Heck, they won’t even acknowledge that it is a SciFi show. Notice how they are calling it an “epic family adventure” Brannon Braga went so far as to say, “It’s really about this frontier family trying to survive.” Sure it is. This is the most expensive show in television history. We’re concerned that it could be disastrous for FOX.
The two new dramas set to debut midseason are:
The Finder
Iraq war veteran WALTER SHERMAN (Geoff Stults, “She’s Out of My League”) gained a reputation while serving in the Army Military Police as someone who was very good at tracking down insurgents, deserters and improvised explosive devices (IEDs). Unfortunately, Walter found one IED just moments before it found him. Two months later, when Walter woke from his coma, he earned an honorable discharge and returned home. His resulting brain damage from the explosion transformed him from someone skilled at recovering people and things into something much more extraordinary: a Finder. From the creator of the hit series Bones comes THE FINDER, the new one-hour procedural centering on a remarkable man who uses his unique gift to help others recover what they’ve lost. Walter may have left the military, but his reputation as a discreet professional who can unearth anything and anyone has been passed on to generals, politicians and other powerful figures. His first post-military assignment was to find the CIA head honcho’s missing daughter and bring her home. Walter did both, and since then has never been without an assignment. After settling in Key West, Walter met the beautiful and worldly IKE LATULIPPE (Saffron Burrows, “Law & Order: Criminal Intent”), a woman with a mysterious past and many hidden skills. She tends bar at The Ends of the Earth, which also serves as a makeshift office and home base for Walter. Walter helped Ike escape a dangerous life, and for that, she is eternally grateful. Another island denizen dedicated to Walter is LEO KNOX (Michael Clarke Duncan, “The Green Mile”), once an obese lawyer who, after the deaths of his wife and children, completely reinvented himself into a gentle giant, philosopher and Walter’s legal advisor. Because of his skills, Walter is often asked to find a person or a thing that law enforcement either will not or cannot find. With the help of Ike and Leo, as well as a patchwork of indebted connections, he and his team ultimately find meaning in their own lives by finding something or someone other people have lost.
PRODUCTION COMPANY: 20th Century Fox Television
EXECUTIVE PRODUCERS: Hart Hanson, Dan Sackheim, Barry Josephson
WRITER: Hart Hanson
DIRECTOR: Dan Sackheim
CAST: Geoff Stults as Walter Sherman, Michael Clarke Duncan as Leo Knox, Saffron Burrows as Ike Latulippe.
The ‘Tastic Says: We’re not fans of Bones. It’s not bad, it’s just a vanilla procedural. The Finder, however, seems quite interesting. We’re always willing to give a procedural a shot when they put a unique twist on it. This reminds of the A&E hit, The Glades.
Alcatraz
From executive producer J.J. Abrams (FRINGE, “Lost,” “Star Trek” and the upcoming “Mission: Impossible – Ghost Protocol” and “Super 8”) and writer and executive producer Elizabeth Sarnoff (“Lost,” “Deadwood”) comes ALCATRAZ, the chilling new thriller centered on America’s most infamous prison and one-time home to the nation’s most notorious murderers, rapists, kidnappers, thieves and arsonists. When San Francisco Police Department DET. REBECCA MADSEN (Sarah Jones, “Sons Of Anarchy”) is assigned to a grisly homicide case, a fingerprint leads her to a shocking suspect: JACK SYLVANE (guest star Jeffrey Pierce, “The Nine”), a former Alcatraz inmate who died decades ago. Given her family history – both her grandfather and surrogate uncle, RAY ARCHER (Robert Forster, “Jackie Brown”), were guards at the prison – Madsen’s interest is immediately piqued, and once the enigmatic, knows-everything-but-tells-nothing government agent EMERSON HAUSER (Sam Neill, “Jurassic Park”) tries to impede her investigation, she’s doggedly committed. Madsen turns to Alcatraz expert and comic book enthusiast, DR. DIEGO “DOC” SOTO (Jorge Garcia, “Lost”), to piece together the inexplicable sequence of events. The twosome discovers that Sylvane is not only alive, but he’s loose on the streets of San Francisco, leaving bodies in his wake. And strangely, he hasn’t aged a day since he was in Alcatraz, when the prison was ruled by the iron-fisted WARDEN EDWIN JAMES (Jonny Coyne, “Undercovers”) and the merciless ASSOCIATE WARDEN E.B. TILLER (Jason Butler Harner, “The Changeling”). Madsen and Soto reluctantly team with Agent Hauser and his technician, LUCY BANERJEE (Parminder Nagra, “ER”), to stop Sylvane’s vengeful killing spree. By delving into Alcatraz history, government cover-ups and Rebecca’s own heritage, the team will ultimately discover that Sylvane is only a small part of a much larger, more sinister present-day threat. For while he may be the first, it quickly becomes clear that Sylvane won’t be the last prisoner to reappear from Alcatraz. Through the course of the investigation, Madsen and Soto will learn that Agent Hauser has known about the prison’s secret history and has been awaiting the prisoners’ return. Soto will witness his life’s work – the history of Alcatraz – come alive. Madsen will be forced to keep her supportive San Francisco cop fiancé, JIMMY DICKENS (Santiago Cabrera, “Heroes”), at arm’s length from the highly classified assignment as she sees everything she thought she knew about her family’s past shattered, all while fighting to keep the country safe from history’s most dangerous criminals.
PRODUCTION COMPANIES: Bad Robot Productions, Warner Bros. Television, Bonanza Productions Inc.
EXECUTIVE PRODUCERS: J.J. Abrams, Bryan Burk, Elizabeth Sarnoff, Danny Cannon (pilot)
WRITERS: Elizabeth Sarnoff, Steven Lilien, Bryan Wynbrandt
DIRECTOR: Danny Cannon
CAST: Sarah Jones as Det. Rebecca Madsen, Jorge Garcia as Dr. Diego “Doc” Soto, Sam Neill as Emerson Hauser, Parminder Nagra as Lucy Banerjee, Robert Forster as Ray Archer, Santiago Cabrera as Jimmy Dickens, Jonny Coyne as Warden Edwin James, Jason Butler Harner as Associate Warden E.B. Tiller
GUEST CAST: Jeffrey Pierce as Jack Sylvane
The ‘Tastic Says: OK, for everyone with Lost withdrawal like us, this is the show we’ve been waiting for. Looks like Lost meets Fringe meets Prison Break. We just hope the Losties transfer over to FOX and find what will no doubt be a gem of a show from J.J. Abrams. The smartest thing that they have done with this show is to air it mid-season, meaning ZERO hiatuses which exactly what needs to be done with serials during this era for any hope of success.
The following new animated comedy will premiere in midseason on FOX:
Napoleon Dynamite
Based on the hit film, NAPOLEON DYNAMITE is an animated series that follows the continuing adventures of America’s most awesome awkward teenager and his quirky family and friends as they struggle to navigate small-town life in rural Idaho. The original cast from the film – Jon Heder, Aaron Ruell, Efren Ramirez, Tina Majorino, Sandy Martin, Jon Gries and Diedrich Bader – will voice their characters in the series, and many new characters will be added along the way. NAPOLEON DYNAMITE (Heder) is a 16-year-old boy convinced – for no apparent reason – that he is destined for greatness and blessed with unlimited “sweet abilities.” He spends his days practicing ninja moves, drawing ligers, soul dancing and bragging about his “girlfriend in Oklahoma” whom nobody has ever seen. Napoleon’s brother, KIP (Ruell), is an unemployed 32-year-old who lives at home and believes he would be an amazing catch for any girl who would respond to his online come-ons. The Dynamite brothers live with GRANDMA (Martin), a crusty woman who can often be found four-wheeling with her lady friends at the local sand dunes. Napoleon’s allies include PEDRO (Ramirez), his unflappable best friend who has recently been elected class president; and DEB (Majorino), an incredibly sweet girl who sees the good in Napoleon and dreams of someday being his wife. Napoleon’s UNCLE RICO (Gries) lives out of an orange custom van, where he obsesses over his botched high school football career and dreams up ways to become rich and famous. Then there’s REX KWON DO (Bader), a self-proclaimed martial-arts master who runs the local dojo. Guest voices in the debut season include Jennifer Coolidge (“American Pie,” “Legally Blonde”), Sam Rockwell (“Choke”) and Jemaine Clement (“Flight of the Conchords”).
PRODUCTION COMPANY: 20th Century Fox Television
CREATORS/EXECUTIVE PRODUCERS: Jared Hess, Jerusha Hess, Mike Scully
VOICE CAST: Jon Heder as Napoleon Dynamite, Jon Gries as Uncle Rico, Aaron Ruell as Kip, Efren Ramirez as Pedro, Diedrich Bader as Rex, Tina Majorino as Deb, Sandy Martin as Grandma.
The ‘Tastic Says: Oh, you’ve gotta be f*cking kidding us! Who’s brilliant idea was it to pick up an animated series based on a film that was a gimmick that wasn’t that funny to begin with when it aired seven years ago? We’ve gotten married and had three kids since this was popular (no joke), for Pete’s sake. As with Allen Gregory, we think there’s a reason FOX only ordered six episodes of this.
The following drama is in development and slated for midseason:
Touch
From writer/creator Tim Kring (“Heroes,” “Crossing Jordan”) and executive producers Peter Chernin and Katherine Pope comes TOUCH, a preternatural drama in which science and spirituality intersect with the hopeful premise that we are all interconnected, tied in invisible ways to those whose lives we are destined to alter and impact. Through masterful storytelling, the series follows a group of seemingly unrelated characters – beginning with a former firefighter tormented by his inability to save a dying woman, an Iraqi teenager who will go to great risks to help his family, a gifted singer whose actions at a karaoke bar save lives thousands of miles away and a British businessman desperately trying to retrieve a key piece of information from his lost mobile phone – who affect each other in ways seen and unseen. At the center is MARTIN BOHM (Kiefer Sutherland, “24”), a widower and single father, haunted by an inability to connect to his mute, severely autistic 10-year-old son, JAKE. Caring, intelligent and thoughtful, Martin has tried everything to reach his son who shows little emotion and never allows himself to be touched by anyone, including Martin. Jake busies himself with cast-off cell phones, disassembling them and manipulating the parts, allowing him to see the world in his own special way. After multiple failed attempts at keeping Jake in school, Martin is visited by social worker CLEA HOPKINS, who insists on doing an evaluation of the Bohms’ living situation. Although new at her job, Clea sees a man whose life has become dominated by a child he can no longer control. She believes his attempts to communicate with Jake are just wish fulfillment, and determines that it’s time for the state to intervene. But everything changes when Martin discovers that Jake possesses a gift of staggering genius – the ability to see things that no one else can, the patterns that connect everything. Jake is indeed communicating after all. But it’s not with words, it’s with numbers. And now he needs Martin to decipher their meaning and connect these numbers to the cast of seemingly unrelated characters whose lives they affect. Along the way, Martin will be guided by BORIS PODOLSKY, a discredited aging professor who offers Martin a compelling but unorthodox theory about Jake and his rare ability. Whether it be chance, coincidence, timing, synergy or fate, there are events that touch us all, as part of an interconnected, dazzlingly precise universe.
PRODUCTION COMPANIES: 20th Century Fox Television, Tailwind Productions, Chernin Entertainment
CREATOR/WRITER: Tim Kring
EXECUTIVE PRODUCERS: Tim Kring, Francis Lawrence, Peter Chernin, Katherine Pope, Kiefer Sutherland, Suzan Bymel
DIRECTOR: Francis Lawrence
CAST: Kiefer Sutherland as Martin Bohm
The ‘Tastic Says: OK… this does look very good and very intriguing but there’s an elephant in the room regarding this: where’s it going to fit? Touch was not listed in the primetime schedule for FOX for Fall or midseason so what is FOX planning on killing by January? This show is a major player. You don’t get Tim Kring and Kiefer Sutherland and premiere them on Friday nights. Scheduling issues notwithstanding, this show is very SciFi and it better not be to confusing or it’s going to drive audiences away. Not us… no, we’re in it for the long haul but the rest of the “normies” will probably freak if it starts getting a little complicated.
The New York Times is reporting that CBS has renewed Blue Bloods, Mike & Molly, and Hawaii Five-O. No surprise about any of these shows and in fact last week, we predicted BB was a sure thing with the news that the show’s creators, Mitchell Burgess and Robin Green, had been ousted. The logic: why fire the creators a week before the upfront media events if you’re going to cancel the show? H-50 is a lot of fun but it’s a hit-and-miss show and not nearly as good as the pilot had led us to believe. We simply refuse to watch M&M because we know how awful it is without ever having to watch a single episode and we are saddened by the fact that audiences continue to be so stupid when it comes to the sitcoms they’ll accept in their living rooms every week. But then again, this is the same audience that made that horrible show Two and a Half Men a hit.
As far as cancellation is concerned, some sanity has prevailed at CBS, dumping the worst sitcom ever made, the horrific $#*! My Dad Says (a show that every time we mention it, we feel we should advise our readers to read our review of it if for no other reason than it’s a quality PSA), a comedy we had ZERO interest in Mad Love (that was a comedy, right) and a very underrated show we actually liked a lot, The Defenders, starring Jerry O’Connell and Jim Belushi.
J.J. Abrams (left), Jonathan Nolan (right)
As far as new pilots are concerned, CBS has officially announced that the J.J. Abrams/Jonathan Nolan series Person of Interest (which we had reported on back in February with much enthusiasm) will be added to the Fall 2011 – 2012 schedule, as well as the comedy Two Broke Girls.
Stars Jim Caviezel (The Passion of the Christ) as a presumed dead former CIA agent who teams with a mysterious billionaire (Michael Emerson, Lost) to prevent violent crimes in New York. Taraji P. Henson (Boston Legal) co-stars in the Warner Bros. TV drama from scribe Jonathan Nolan (The Dark Knight), who produces alongside J.J. Abrams, Bryan Burk (Fringe), Ben Brafman (The 4400), Margot Lulick (Kings) and Greg Plageman (Cold Case). Dave Semel (No Ordinary Family), who directs.
Two Broke Girls
Revolves around two 22-year-old women (Kat Dennings, Beth Behrs) who tackle life in New York as they try to make their dreams come true. The multicamera comedy from Warner Bros. Television is written by Michael Patrick King (Sex and the City) with stand-up comic Whitney Cummings on board as a producer. James Burrows directed the pilot.
Alcatraz,from J.J. Abrams‘ Bad Robot Prods. and Warner Bros. TV. The crime drama revolving around Alcatraz and the team investigating the mysterious reappearance of its 1960s inhabitants in the present stars Lost‘s Jorge Garcia. The drama gained early buzz and a fan in Fox’s Peter Rice, according to sources, though some questioned whether the net had room for another mystery drama with Abrams’ Fringe already on the schedule.
The Finder, a Bones spinoff from sister studio 20th TV. The drama, which centers on a military-trained “finder” (Geoff Stults) who helps locate lost items or persons in the Florida Keys, recently rolled out to solid ratings as a back-door pilot. The project won high marks internally, particularly by those who wanted to find a way to continue the recently renewed Bones franchise once the long-running — and thus pricey — original ends.
The New Girl, a Zooey Deschanel comedy from 20th, will appear on Fox’s fall schedule. The single-camera series, which is believed to be a Kevin Reilly favorite, centers on a quirky female teacher who becomes roommates with three guys: a man-child, a player and a cynic.
I Hate My Teenage Daughter, a Jaime Pressly/Katie Finneran comedy from Warner Bros., is a go. The multicamera laugher centers on two women who have daughters like the girls who once picked on them in high school.
Deadline is reporting that the Ethan Hawke spy-thriller vehicle Exit Strategyis still in play for mid-season and may being held off for retooling.
Described as a high octane procedural, Exit Strategy centers on a team of 5 experts associated with the CIA who are deployed when a CIA operation goes bad to extract the ones involved before it’s too late. Hawke will play the team leader, the architect of exit strategy who also empathizes with the people they extract and would rather die than let them get hurt. Each episode will tackle a different crisis in a different country. Exit Strategy is envisioned as a potential successor to Fox’s signature drama 24. Like 24, the action in Exit Strategy will also unfold in real-time. And like 24’s Kiefer Sutherland, Hawke would segue from the feature world to take on the lead in Exit Strategy, his first series. Kurtzman, Orci and KOPP’s Heather Kadin are executive producing the project, with Guggenheim co-executive producing.
Folks, don’t forget that the major network up-front advertising events begin TOMORROW, Monday, May 16th and go on through Thursday. This is the week that we will find out the fates of all this season’s shows that haven’t already been decided and we’ll also find out what new shows will be on the schedules for the 2011 – 2012 season. You can find out the schedules for all of the events, here.
NEW YORK – September 6, 2012 – Syfy today announced it has acquired the international hit series Sinbad from BBC Worldwide America, Sales & Distribution. One of the most enduring stories of all time, the imaginative and fantastical quest of Sinbad will premiere on Syfy in April 2013.
Naveen Andrews (Lost) stars as Sinbad’s nemesis, Lord Akbari. The series also features appearances by Sophie Okonedo (Hotel Rwanda, The Secret Life of Bees), Timothy Spall (Harry Potter, The King’s Speech) and Dougray Scott (Hitman, Mission Impossible: II).
Dr. Emmet Cole is missing. 
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