Yesterday we reported that Cheryl Cole had been replaced by the Pussycat Dolls’ Nicole Scherzinger as a judge on FOX’s upcoming singing competition show, The X Factor. Everything in the piece itself was accurate however our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not. Simon Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.
The Hollywood Reporteris citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone. Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her. Since Simon Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision. This obviously was a mistake.
We have also issued the retraction made the correction on the original piece.
Before their pilot episodes will even air this Fall, two lead cast members from two of FOX’s new series are leaving their respective shows. Saffron Burrows, who played Ike on the Bones back-door pilot for the new series The Finder is exiting as producers are re-imagining the character. In related news, Damon Wayans, Jr.’s role on the Zooey Deschanel comedy, New Girl will also have to be recast as Wayans’ other show, ABC’s Happy Endings, was renewed for a second season.
Check out the FOX 2011- 2012 schedule, here, and check out the our Preview – Reviews for all of FOX’s new shows, here, along with all the new trailers.
We reported two weeks ago that Paula Abdul had signed on as a judge alongside her former American Idol co-judge, Simon Cowell on his highly anticipated singing competition show, The X Factor, along with Cheryl Cole and L.A. Reid. TMZ is reporting that Cheryl Cole, who was a judge on the U.K. version of the show, has been replaced by the Pussycat Dolls’ Nicole Scherzinger citing concerns over American audiences having difficulty understanding her because of her thick British accent and a lack of chemistry with Abdul. Producers now want Cole to return to the U.K. version of the show but sources say that she is so angry about how the situation was handled that she may sever ties with the franchise entirely. We doubt it. We wouldn’t even know who she was if not for this so she needs all of the exposure she can get.
We look at this two ways: first how bad could her accent possibly be? If American audiences can sit through Ewan MacGregor’s Scottish brogue in Trainspotting:
… then we can certainly handle this:
Now of course, the best part of the clip above is that if you listen closely, she pauses in the middle of that to squeak out a little fart. G’head… go back and play it again, we’ll wait.
See, we told you.
Now aside from the obvious issues of farting on the air and how that probably isn’t something that will be embraced by American audiences (except us), the ultimate irony here is that Simon Cowell is concerned that American audiences aren’t going to be able to understand My-Fair-Lady/the-rain-in-Spain-falls-mainly-on-the-plain up there but he doesn’t have any concerns about two or three nights per week of this in primetime:
Steve Jones: Limey Stud
Obviously, though, if the other issue was chemistry with Abdul, it was simply a no-brainer that Cole would be the expendable judge. Scherzinger was originally cast to co-host the show with Steve Jones but now with the move, he’ll be doing it alone. Don’t feel bad folks, we don’t know who he is either however, apparently he’s quite popular in the U.K. and in order to get this gig he had to initially promise not to nail his fellow co-stars and no, we aren’t kidding. Just for that alone he gets our endorsement. But seriously, how hard can it be? Seacrest has been doing it for a decade and he hosts a daily radio show and that dopey show on E!
EDITOR’S NOTE – RETRACTION: Our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not correct. Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.
The Hollywood Reporter is citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone. Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her. Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision. This obviously was a mistake.
FOX announced their primetime 2011 – 2012 schedule earlier ahead of their press release at the upfront advertising event and we have all the information posted right here. What we unfortunately didn’t get was nice little neat synopses of all the new shows that will be gracing our living rooms in 2011 – 2012. So, a little while later, FOX obliged and issued an actual press release announcing the schedule and issuing those nice little synopses we like so much here. They certainly make out life easier when we have to do the layouts for the reviews so we can tell you how awful they are.
"The 'Tastic Says... YOU FAIL!"
We aren’t going to publish the whole Press Release because it’s ridiculously long and we already published the schedule. We’re just going to publish the synopses and critique them, TV-Tastic-Style but if you must read the whole thing, you can just go here.
Via Press Release:
FOX 2011-2012 PRIMETIME SCHEDULE
NEW SERIES SYNOPSES
The new unscripted series launching this fall is:
The X Factor
Simon Cowell returns to FOX in the award-winning international phenomenon The X Factor. This new competition series, hosted by Nicole Scherzinger and Steve Jones, gives viewers the opportunity to help choose the next global superstar or breakout music group. The X Factor judges will travel the nation searching for undiscovered talent 12 years old or over – both solo artists and vocal groups – who are willing to brave the panel for a chance to make their dreams come true. Auditions for The X Factor were held this spring in Los Angeles, CA; Miami, FL; Newark, NJ; Seattle, WA; Chicago, IL; and Dallas, TX. In a departure from other singing competition series, the first time a contestant auditions for judges Simon Cowell, Antonio “L.A.” Reid, Cheryl Cole and Paula Abdul, he/she will do so in front of an audience of thousands – raising the stakes and increasing the pressure to impress not only the judges, but also a potential legion of fans. This will be the ultimate test to prove they have the vocal ability, charisma and stage presence it takes to become a global superstar or breakout music act and win a $5 million recording contract with Syco/Sony Music. Those contestants who survive the first auditions graduate to “boot camp” and will be divided into four categories. Each category will be mentored by one of the show’s judges. Not only is it a competition between the hopefuls to stake their claim for the coveted win, but it’s also a showdown among the judges as to whose acts will dominate the competition and make it to the finals. The judges may have their say in how the competition progresses, but it will be up to America to decide who ultimately has The X Factor.
PRODUCTION COMPANIES: Syco Television, FremantleMedia North America
EXECUTIVE PRODUCERS: Simon Cowell, Rob Wade, Siobhan Greene, Cecile Frot-Coutaz, Richard Holloway, Andrew Llinares
JUDGES: Simon Cowell, Antonio “L.A.” Reid, Cheryl Cole, Paula Abdul
HOSTS: Nicole Scherzinger, Steve Jones
The ‘Tastic Says: Gee, We wonder if this show is going to be a hit. Let’s be honest, this show is going to print its own money and since it’s got both Simon Cowell and now, Paula Abdul, well, there’s finally a singing competition worth our time again on FOX and as we all go to he mall and have to spend our X-Factor dollars with Simon Cowell’s face on them, we will say thank you, sir.
The following new comedies will premiere this fall on FOX:
I Hate My Teenage Daughter (working title)
I HATE MY TEENAGE DAUGHTER (working title) is a new multi-camera comedy about two best friends who are single moms struggling to raise their difficult and over-privileged teenage daughters. ANNIE (Emmy Award winner Jaime Pressly, “My Name Is Earl”) and NIKKI (Tony Award winner Katie Finneran, “Wonderfalls”) are former high school outcasts whose pasts inform their current parenting styles. Annie, who was raised in an ultra-strict, über-religious household where she had little-to-no freedom, pretty much allows her daughter, SOPHIE (Kristi Lauren, “You”), to do whatever she wants. Nikki, once an unpopular, overweight social pariah, has reinvented herself as a pretty Southern belle whose top priority is providing her daughter, MACKENZIE (Aisha Dee, “Dead Gorgeous”), with the childhood she never had. Sophie and Mackenzie are also best friends, which leads to a lot of co-parenting for Annie and Nikki. They have given the girls everything they asked for and everything they never had: clothes, money and self-esteem. The unintended consequence is they have created two mean girls just like the ones who tortured them years ago. Sophie finds her mother embarrassing and mocks her at every opportunity, but she secretly needs her mom and knows that her behavior is not always appropriate. Mackenzie, on the other hand, is the more manipulative of the daughters – she knows how to work her mother’s insecurities to her benefit. Annie’s ex-husband, MATT (Eric Sheffer Stevens, “As The World Turns”), wants to be a good parent, but is too clueless to know what that even means. That leaves his brother, JACK (Kevin Rahm, “Desperate Housewives,” “Judging Amy”), an attractive, high-powered attorney, to serve as more of a father figure for Sophie. Jack’s meddling would annoy Annie more if she didn’t have such a crush on him. GARY (Chad Coleman, “The Wire”), Nikki’s ex, also tries to help raise his challenging daughter, but the couple’s complicated relationship often makes his involvement more difficult. As their daughters begin to experience their first high school dances and other life-changing teen events, Annie and Nikki are often reminded of their own tortured adolescent years. But when Sophie and Mackenzie’s mean-girl antics cross the line, the moms quickly realize that they must, for the first time, dole out some real punishment and fix what is broken. They have no idea how to do that, but they do know one thing: They can’t do it without each other.
PRODUCTION COMPANIES: Warner Bros. Television, Bonanza Productions Inc.
EXECUTIVE PRODUCERS: Sherry Bilsing-Graham, Ellen Kreamer, Andy Ackerman
WRITERS: Sherry Bilsing-Graham, Ellen Kreamer
DIRECTOR: Andy Ackerman
CAST: Jaime Pressly as Annie Watson, Katie Finneran as Nikki Miller, Kristi Lauren as Sophie, Aisha Dee as Mackenzie, Eric Sheffer Stevens as Matt, Kevin Rahm as Jack, Chad Coleman as Gary.
The ‘Tastic Says: We hate comedies anyway and they are usually pretty horrible on FOX to begin with. Unlike Raising Hope, Traffic Light, and Breaking In, this show doesn’t seem like an exception. Sorry, but bratty teenage-girl bullies just don’t appeal to us nor do clichéd sitcoms. This show hasn’t aired a single episode and we already hate all of the characters. Also, is that the set from Becker?
New Girl (working title)
NEW GIRL (working title) is a new single-camera comedy from Liz Meriwether (“No Strings Attached”) that features a young ensemble cast and takes a fresh and outrageous look at modern male/female relationships. JESS DAY (Zooey Deschanel, “(500) Days of Summer”) is an offbeat and adorable girl in her late 20s who, after a bad breakup, moves in with three single guys. Goofy, positive, vulnerable and honest to a fault, Jess has faith in people, even when she shouldn’t. Although she’s dorky and awkward, she’s comfortable in her own skin. More prone to friendships with women, she’s not used to hanging with the boys – especially at home. Of the three male roommates, NICK (Jake Johnson, “No Strings Attached”) is the most grounded. He had big plans for life, but somewhere along the way, he stopped caring and became a bartender. Usually the smartest guy in the room, he has an uncanny knack for reading people and uses humor to deflect everyone and everything. SCHMIDT (Max Greenfield, “Ugly Betty”) is a hustling young professional who fancies himself a modern-day Casanova. Though his heart is usually in the right place, he’s always scheming ways to climb the social ladder and is driven by an immature and almost obsessive urge to be on “the scene.” Viewing Jess as a gateway into the elusive female mind, as well as a personal project, Schmidt encourages the guys to bring Jess into the apartment. The third roommate, COACH (Damon Wayans Jr., “The Underground”), is a former high school athlete who currently makes his living as a personal trainer. Set in his ways and with a take-it-or-leave-it attitude to dating, Coach is most comfortable when he’s in the gym. Though he’ll never admit it, Coach’s macho athletic exterior is actually a cover for his shyness around women, and he struggles to translate his personal confidence into conversation, preferring to speak in sports metaphors – or not at all. Rounding out this group is Jess’ childhood best friend, CECE (Hannah Simone, “Beautiful People”), a deadpan, somewhat cynical model who blossomed after outgrowing her promiscuous adolescent years. She has the street smarts Jess lacks and spends a lot of time doling out no-nonsense relationship advice that only a professional model could give. She and Jess balance each other well and accept each other despite their faults, making Cece the perfect complement to Jess. As their relationships progress, the five friends come to realize they need each other more than they ever thought they would and end up forming a charmingly dysfunctional family.
PRODUCTION COMPANIES: 20th Century Fox Television, Chernin Entertainment
CREATOR/WRITER: Liz Meriwether
EXECUTIVE PRODUCERS: Liz Meriwether, Jake Kasdan, Peter Chernin, Katherine Pope, Dave Finkel, Brett Baer
DIRECTOR: Jake Kasdan
CAST: Zooey Deschanel as Jess, Max Greenfield as Schmidt, Jake Johnson as Nick, Hannah Simone as Cece, Damon Wayans Jr. as Coach
The ‘Tastic Says: At the risk of repeating ourselves, we hate comedies anyway and they are usually pretty horrible on FOX to begin with. This show actually doesn’t look absolutely horrible (actually it looks kind of sweet and endearing), but it’s just not our cup of tea. But then, again, we were dead-wrong on Raising Hope so we’ll give it a shot despite that it’s got that My Boys vibe to it.
The new animated comedy joining the FOX schedule this fall is:
Allen Gregory
ALLEN GREGORY is a new animated comedy series that tells the story of one of the most pretentious 7-year-olds of our time. When he looks in the mirror, ALLEN GREGORY DE LONGPRE (Jonah Hill, “Superbad,” “Get Him to the Greek”) doesn’t see a child. He sees a young man who is intelligent, sophisticated, worldly, artistic and romantic – characteristics he inherited from his doting father, RICHARD (French Stewart, “Private Practice,” “3rdRock from the Sun”). The pair share an extraordinary father-son bond – a bond that is sometimes annoyingly interrupted by Richard’s life partner, JEREMY (Nat Faxon, The Cleveland Show, “Reno 911!”), for whom Allen Gregory has minimal respect, if any at all. They live together in a stunning architectural loft, along with JULIE (Joy Osmanski, “Grey’s Anatomy”), Allen Gregory’s adopted Cambodian sister. Although Allen Gregory has allegedly composed operas, written novels and dated Chloë Sevigny, he’s about to embark on his greatest challenge yet: leaving the safety of his father’s homeschooling and attending elementary school with children his own age. His journey will be a struggle, not only with the other kids at school, but with the faculty as well. Whether it’s the all-out rivalry with GINA WINTHROP (guest voice Leslie Mann, “Funny People”), his by-the-book second grade teacher; his unique relationship with JUDITH GOTTLIEB (guest voice Renée Taylor, “How I Met Your Mother”), his 68-year-old principal; or his desperate desire to be best friends with JOEL ZADAK (guest voice Jake Johnson, “Get Him to the Greek”), the school’s popular stud, Allen Gregory has his work cut out for him. With the help of his trusty friend and assistant, PATRICK VANDERWEEL (Cristina Pucelli, “Finley the Fire Engine”); and the support of SUPERINTENDENT STEWART ROSSMYRE (Will Forte, “Saturday Night Live”), who believes the De Longpres are a tremendous asset to the school, Allen Gregory won’t have to get his hands too dirty. ALLEN GREGORY is about an outsider. And while he may put on a tough exterior, deep down, all Allen Gregory wants is to fit in. Well, that, and for Julie to run away and never be seen or heard from again. And Jeremy too.
PRODUCTION COMPANIES: 20th Century Fox Television, Chernin Entertainment
CREATORS: Jonah Hill, Andrew Mogel, Jarrad Paul
EXECUTIVE PRODUCERS: Jonah Hill, Andrew Mogel, Jarrad Paul, Peter Chernin, Katherine Pope, David A. Goodman
VOICE CAST: Jonah Hill as Allen Gregory De Longpre, Nat Faxon as Jeremy, French Stewart as Richard, Joy Osmanski as Julie, Cristina Pucelli as Patrick, Will Forte as Superintendent Rossmyre
GUEST VOICE CAST: Leslie Mann as Ms. Winthrop, Jake Johnson as Joel, Renée Taylor as Principal Gottlieb
The ‘Tastic Says: There’s a reason FOX only ordered seven episodes of this. It looks absolutely horrific but the one promising thing that we can say is that at least it’s animated and we won’t have to look at Jonah Hill. Seriously, did someone at FOX just say, “Hey, look… a Stewie Griffin knock-off! That will make a good show for the idiotic masses on Sunday night! Hell, they’re still watching Bob’s Burgers and The Cleveland Show aren’t they?”
The following new drama will debut this Fall on FOX:
Terra Nova
From executive producers Steven Spielberg (“Saving Private Ryan,” “Jurassic Park”), Peter Chernin, René Echevarria (“Castle,” “The 4400”) and Brannon Braga (“24”) comes an epic family adventure 85 million years in the making. TERRA NOVA follows an ordinary family on an incredible journey back in time to prehistoric Earth as a small part of a daring experiment to save the human race. In the year 2149, the world is dying. The planet is overdeveloped and overcrowded, with the majority of plant and animal life extinct. The future of mankind is in jeopardy, and its only hope for survival is in the distant past. When scientists at the FERMI Particle Accelerator unexpectedly discovered a fracture in time that made it possible to construct a portal into primeval history, the bold notion was born to resettle humanity in the past – a second chance to rebuild civilization and get it right this time. The series centers on the Shannon family as they join the Tenth Pilgrimage of settlers to Terra Nova, the first colony established in this beautiful yet foreboding land. JIM SHANNON (Jason O’Mara, “Life on Mars”), a devoted father with a checkered past, guides his family through this new world of limitless beauty, mystery and terror. Jim’s wife, ELISABETH (Shelley Conn, “Mistresses”), is a trauma surgeon and the newest addition to Terra Nova’s medical team. JOSH (Landon Liboiron, “Degrassi: The Next Generation”) is their 17-year-old son who is angry to leave life as he knows it behind; upon arriving at the settlement, he finds himself instantly drawn to the beautiful and rule-breaking SKYE (Allison Miller, “Kings”). MADDY (Naomi Scott, “Life Bites”), Josh’s endearingly awkward 15-year-old sister, hopes Terra Nova will give her a chance to reinvent herself. Although Elisabeth’s medical training secured the family a spot on the pilgrimage, a secret involving their five-year-old daughter, ZOE (newcomer Alana Mansour), soon endangers their place in this utopia. Upon the Shannons’ arrival, they are introduced to COMMANDER NATHANIEL TAYLOR (Stephen Lang, “Avatar”), the charismatic and heroic first pioneer and leader of the settlement. Taylor warns the travelers that while Terra Nova is a place of new opportunities and fresh beginnings, all is not as idyllic as it initially appears. Along with blue skies, towering waterfalls and lush vegetation, the surrounding terrain is teeming with danger – and not just of the man-eating dinosaur variety. There is also a splinter colony of renegades led by the battle-hardened MIRA (Christine Adams, “TRON: Legacy”), who is vehemently opposed to Taylor and his leadership. Even more threatening than what lies outside the protective walls of the colony is the chilling possibility that something sinister is happening inside Terra Nova. The Shannons will come to suspect that not everyone on this mission has the same idea of how to best save mankind; in fact, there may be forces intent on destroying this new world before it even begins.
PRODUCTION COMPANIES: 20th Century Fox Television, Chernin Entertainment, DreamWorks Television, Kapital Entertainment
EXECUTIVE PRODUCERS: Steven Spielberg, Peter Chernin, René Echevarria, Brannon Braga, Alex Graves (pilot), Jon Cassar, Aaron Kaplan, Katherine Pope, Justin Falvey, Darryl Frank, Craig Silverstein, Kelly Marcel
DIRECTOR: Alex Graves
CAST: Jason O’Mara as Jim Shannon, Stephen Lang as Nathaniel Taylor, Shelley Conn as Elisabeth Shannon, Landon Liboiron as Josh Shannon, Naomi Scott as Maddy Shannon, Alana Mansour as Zoe Shannon, Christine Adams as Mira, Allison Miller as Skye.
The ‘Tastic Says: *sigh* We love everything about this, we just don’t think it has a snowball’s chance in Terra Nova to survive. FOX must know that epic SciFi on Network Television is dead and buried. Heck, they won’t even acknowledge that it is a SciFi show. Notice how they are calling it an “epic family adventure” Brannon Braga went so far as to say, “It’s really about this frontier family trying to survive.” Sure it is. This is the most expensive show in television history. We’re concerned that it could be disastrous for FOX.
The two new dramas set to debut midseason are:
The Finder
Iraq war veteran WALTER SHERMAN (Geoff Stults, “She’s Out of My League”) gained a reputation while serving in the Army Military Police as someone who was very good at tracking down insurgents, deserters and improvised explosive devices (IEDs). Unfortunately, Walter found one IED just moments before it found him. Two months later, when Walter woke from his coma, he earned an honorable discharge and returned home. His resulting brain damage from the explosion transformed him from someone skilled at recovering people and things into something much more extraordinary: a Finder. From the creator of the hit series Bones comes THE FINDER, the new one-hour procedural centering on a remarkable man who uses his unique gift to help others recover what they’ve lost. Walter may have left the military, but his reputation as a discreet professional who can unearth anything and anyone has been passed on to generals, politicians and other powerful figures. His first post-military assignment was to find the CIA head honcho’s missing daughter and bring her home. Walter did both, and since then has never been without an assignment. After settling in Key West, Walter met the beautiful and worldly IKE LATULIPPE (Saffron Burrows, “Law & Order: Criminal Intent”), a woman with a mysterious past and many hidden skills. She tends bar at The Ends of the Earth, which also serves as a makeshift office and home base for Walter. Walter helped Ike escape a dangerous life, and for that, she is eternally grateful. Another island denizen dedicated to Walter is LEO KNOX (Michael Clarke Duncan, “The Green Mile”), once an obese lawyer who, after the deaths of his wife and children, completely reinvented himself into a gentle giant, philosopher and Walter’s legal advisor. Because of his skills, Walter is often asked to find a person or a thing that law enforcement either will not or cannot find. With the help of Ike and Leo, as well as a patchwork of indebted connections, he and his team ultimately find meaning in their own lives by finding something or someone other people have lost.
PRODUCTION COMPANY: 20th Century Fox Television
EXECUTIVE PRODUCERS: Hart Hanson, Dan Sackheim, Barry Josephson
WRITER: Hart Hanson
DIRECTOR: Dan Sackheim
CAST: Geoff Stults as Walter Sherman, Michael Clarke Duncan as Leo Knox, Saffron Burrows as Ike Latulippe.
The ‘Tastic Says: We’re not fans of Bones. It’s not bad, it’s just a vanilla procedural. The Finder, however, seems quite interesting. We’re always willing to give a procedural a shot when they put a unique twist on it. This reminds of the A&E hit, The Glades.
Alcatraz
From executive producer J.J. Abrams (FRINGE, “Lost,” “Star Trek” and the upcoming “Mission: Impossible – Ghost Protocol” and “Super 8”) and writer and executive producer Elizabeth Sarnoff (“Lost,” “Deadwood”) comes ALCATRAZ, the chilling new thriller centered on America’s most infamous prison and one-time home to the nation’s most notorious murderers, rapists, kidnappers, thieves and arsonists. When San Francisco Police Department DET. REBECCA MADSEN (Sarah Jones, “Sons Of Anarchy”) is assigned to a grisly homicide case, a fingerprint leads her to a shocking suspect: JACK SYLVANE (guest star Jeffrey Pierce, “The Nine”), a former Alcatraz inmate who died decades ago. Given her family history – both her grandfather and surrogate uncle, RAY ARCHER (Robert Forster, “Jackie Brown”), were guards at the prison – Madsen’s interest is immediately piqued, and once the enigmatic, knows-everything-but-tells-nothing government agent EMERSON HAUSER (Sam Neill, “Jurassic Park”) tries to impede her investigation, she’s doggedly committed. Madsen turns to Alcatraz expert and comic book enthusiast, DR. DIEGO “DOC” SOTO (Jorge Garcia, “Lost”), to piece together the inexplicable sequence of events. The twosome discovers that Sylvane is not only alive, but he’s loose on the streets of San Francisco, leaving bodies in his wake. And strangely, he hasn’t aged a day since he was in Alcatraz, when the prison was ruled by the iron-fisted WARDEN EDWIN JAMES (Jonny Coyne, “Undercovers”) and the merciless ASSOCIATE WARDEN E.B. TILLER (Jason Butler Harner, “The Changeling”). Madsen and Soto reluctantly team with Agent Hauser and his technician, LUCY BANERJEE (Parminder Nagra, “ER”), to stop Sylvane’s vengeful killing spree. By delving into Alcatraz history, government cover-ups and Rebecca’s own heritage, the team will ultimately discover that Sylvane is only a small part of a much larger, more sinister present-day threat. For while he may be the first, it quickly becomes clear that Sylvane won’t be the last prisoner to reappear from Alcatraz. Through the course of the investigation, Madsen and Soto will learn that Agent Hauser has known about the prison’s secret history and has been awaiting the prisoners’ return. Soto will witness his life’s work – the history of Alcatraz – come alive. Madsen will be forced to keep her supportive San Francisco cop fiancé, JIMMY DICKENS (Santiago Cabrera, “Heroes”), at arm’s length from the highly classified assignment as she sees everything she thought she knew about her family’s past shattered, all while fighting to keep the country safe from history’s most dangerous criminals.
PRODUCTION COMPANIES: Bad Robot Productions, Warner Bros. Television, Bonanza Productions Inc.
EXECUTIVE PRODUCERS: J.J. Abrams, Bryan Burk, Elizabeth Sarnoff, Danny Cannon (pilot)
WRITERS: Elizabeth Sarnoff, Steven Lilien, Bryan Wynbrandt
DIRECTOR: Danny Cannon
CAST: Sarah Jones as Det. Rebecca Madsen, Jorge Garcia as Dr. Diego “Doc” Soto, Sam Neill as Emerson Hauser, Parminder Nagra as Lucy Banerjee, Robert Forster as Ray Archer, Santiago Cabrera as Jimmy Dickens, Jonny Coyne as Warden Edwin James, Jason Butler Harner as Associate Warden E.B. Tiller
GUEST CAST: Jeffrey Pierce as Jack Sylvane
The ‘Tastic Says: OK, for everyone with Lost withdrawal like us, this is the show we’ve been waiting for. Looks like Lost meets Fringe meets Prison Break. We just hope the Losties transfer over to FOX and find what will no doubt be a gem of a show from J.J. Abrams. The smartest thing that they have done with this show is to air it mid-season, meaning ZERO hiatuses which exactly what needs to be done with serials during this era for any hope of success.
The following new animated comedy will premiere in midseason on FOX:
Napoleon Dynamite
Based on the hit film, NAPOLEON DYNAMITE is an animated series that follows the continuing adventures of America’s most awesome awkward teenager and his quirky family and friends as they struggle to navigate small-town life in rural Idaho. The original cast from the film – Jon Heder, Aaron Ruell, Efren Ramirez, Tina Majorino, Sandy Martin, Jon Gries and Diedrich Bader – will voice their characters in the series, and many new characters will be added along the way. NAPOLEON DYNAMITE (Heder) is a 16-year-old boy convinced – for no apparent reason – that he is destined for greatness and blessed with unlimited “sweet abilities.” He spends his days practicing ninja moves, drawing ligers, soul dancing and bragging about his “girlfriend in Oklahoma” whom nobody has ever seen. Napoleon’s brother, KIP (Ruell), is an unemployed 32-year-old who lives at home and believes he would be an amazing catch for any girl who would respond to his online come-ons. The Dynamite brothers live with GRANDMA (Martin), a crusty woman who can often be found four-wheeling with her lady friends at the local sand dunes. Napoleon’s allies include PEDRO (Ramirez), his unflappable best friend who has recently been elected class president; and DEB (Majorino), an incredibly sweet girl who sees the good in Napoleon and dreams of someday being his wife. Napoleon’s UNCLE RICO (Gries) lives out of an orange custom van, where he obsesses over his botched high school football career and dreams up ways to become rich and famous. Then there’s REX KWON DO (Bader), a self-proclaimed martial-arts master who runs the local dojo. Guest voices in the debut season include Jennifer Coolidge (“American Pie,” “Legally Blonde”), Sam Rockwell (“Choke”) and Jemaine Clement (“Flight of the Conchords”).
PRODUCTION COMPANY: 20th Century Fox Television
CREATORS/EXECUTIVE PRODUCERS: Jared Hess, Jerusha Hess, Mike Scully
VOICE CAST: Jon Heder as Napoleon Dynamite, Jon Gries as Uncle Rico, Aaron Ruell as Kip, Efren Ramirez as Pedro, Diedrich Bader as Rex, Tina Majorino as Deb, Sandy Martin as Grandma.
The ‘Tastic Says: Oh, you’ve gotta be f*cking kidding us! Who’s brilliant idea was it to pick up an animated series based on a film that was a gimmick that wasn’t that funny to begin with when it aired seven years ago? We’ve gotten married and had three kids since this was popular (no joke), for Pete’s sake. As with Allen Gregory, we think there’s a reason FOX only ordered six episodes of this.
The following drama is in development and slated for midseason:
Touch
From writer/creator Tim Kring (“Heroes,” “Crossing Jordan”) and executive producers Peter Chernin and Katherine Pope comes TOUCH, a preternatural drama in which science and spirituality intersect with the hopeful premise that we are all interconnected, tied in invisible ways to those whose lives we are destined to alter and impact. Through masterful storytelling, the series follows a group of seemingly unrelated characters – beginning with a former firefighter tormented by his inability to save a dying woman, an Iraqi teenager who will go to great risks to help his family, a gifted singer whose actions at a karaoke bar save lives thousands of miles away and a British businessman desperately trying to retrieve a key piece of information from his lost mobile phone – who affect each other in ways seen and unseen. At the center is MARTIN BOHM (Kiefer Sutherland, “24”), a widower and single father, haunted by an inability to connect to his mute, severely autistic 10-year-old son, JAKE. Caring, intelligent and thoughtful, Martin has tried everything to reach his son who shows little emotion and never allows himself to be touched by anyone, including Martin. Jake busies himself with cast-off cell phones, disassembling them and manipulating the parts, allowing him to see the world in his own special way. After multiple failed attempts at keeping Jake in school, Martin is visited by social worker CLEA HOPKINS, who insists on doing an evaluation of the Bohms’ living situation. Although new at her job, Clea sees a man whose life has become dominated by a child he can no longer control. She believes his attempts to communicate with Jake are just wish fulfillment, and determines that it’s time for the state to intervene. But everything changes when Martin discovers that Jake possesses a gift of staggering genius – the ability to see things that no one else can, the patterns that connect everything. Jake is indeed communicating after all. But it’s not with words, it’s with numbers. And now he needs Martin to decipher their meaning and connect these numbers to the cast of seemingly unrelated characters whose lives they affect. Along the way, Martin will be guided by BORIS PODOLSKY, a discredited aging professor who offers Martin a compelling but unorthodox theory about Jake and his rare ability. Whether it be chance, coincidence, timing, synergy or fate, there are events that touch us all, as part of an interconnected, dazzlingly precise universe.
PRODUCTION COMPANIES: 20th Century Fox Television, Tailwind Productions, Chernin Entertainment
CREATOR/WRITER: Tim Kring
EXECUTIVE PRODUCERS: Tim Kring, Francis Lawrence, Peter Chernin, Katherine Pope, Kiefer Sutherland, Suzan Bymel
DIRECTOR: Francis Lawrence
CAST: Kiefer Sutherland as Martin Bohm
The ‘Tastic Says: OK… this does look very good and very intriguing but there’s an elephant in the room regarding this: where’s it going to fit? Touch was not listed in the primetime schedule for FOX for Fall or midseason so what is FOX planning on killing by January? This show is a major player. You don’t get Tim Kring and Kiefer Sutherland and premiere them on Friday nights. Scheduling issues notwithstanding, this show is very SciFi and it better not be to confusing or it’s going to drive audiences away. Not us… no, we’re in it for the long haul but the rest of the “normies” will probably freak if it starts getting a little complicated.
Here it is, folks, direct from the FOX Upfront Advertising Event, FOX’s 2011 – 2012 Primetime Programming Schedule (scroll down for complete schedule). Please note, if you don’t see your favorite show from this season, recent cancellations have been covered here, however as we reported, the status of Breaking In is reported to be still up in the air.
If you have any questions about other shows, post them below.
Some programming notes:
Some solid scripted shows, however the new comedies seem weak, despite the star power behind them.
The elephant in the room that is Terra Nova: The Big Gamble. Depending on how well or poorly this does could change the direction of the entire schedule. Read why we believe TN is such a big gamble, here and here. Believe us, we’re rooting for it, we’re just nervous about it and we think FOX is too. We’re still trying to figure out if they plan to run this for an entire 22 episode run because it’s nowhere on the mid-season schedule. So it’s either going for 13 episodes (which we believe would be the smarter move) or it will have an abbreviated 19 episode season non-stop through December.
New J.J. Abrams, series Alcatraz to premiere mid-season. Perhaps the smartest move of the schedule to avoid hiatuses and loss of interest by audiences of what no doubt will be a Lost-type serial.
The Cleveland Show has swapped places with American Dad, going to the less desirable 7:30 – 8:30 PM spot on Sunday and putting AD back into its longstanding 9:30 – 10:00 PM for the first half of the season. New series Allen Gregory will be in the 8:30 – 9:30 PM slot, a slot that was filled by The Cleveland Show for the first half of the season and Bob’s Burgers for the second half. This gives credence to our suggestion that we made when the announcement for AD‘s renewal was made in which the press release claimed that an order had been placed for 22 episodes, however it contradicted itself by stating that the show was renewed through 2013. We suggested that one of the only ways this would make sense would be if AD was going to get half-season treatment, although we did find that scenario the most unlikely. This could change, however depending on the success/failure of AG and ND.
We’re not expecting a whole lot from AG and ND and we don’t think FOX is either. We explain why here. We expect these shows to both be canceled pretty quickly as the two had seven and six episodes orders, respectively. We hear that FOX has at least two more animated shows in the hopper waiting to go, though, just in case.
Finally, keep in mind that an NFL lockout is looming. This could send ripples through the entire FOX schedule.
So without further adieu:
FOX FALL 2011 PRIMETIME SCHEDULE (All Times ET/PT)
MONDAY
8:00-9:00 PM Terra Nova(NEW!)
9:00-10:00 PM House
TUESDAY
8:00-9:00 PM Glee
9:00-9:30 PM The New Girl(NEW!)
9:30-10:00 PM Raising Hope
WEDNESDAY
8:00-9:30 PM The X-Factor(NEW!)
9:30-10:00 PM I Hate My Teenage Daughter(NEW!)
THURSDAY
8:00-9:00 PM The X-Factor(Results Show)(NEW!)
9:00-10:00 PM Bones
SUNDAY
7:00-7:30 PM The OT (NFL post-game show)
7:30-8:00 PM The Cleveland Show
8:00-8:30 PM The Simpsons
8:30-9:00 PM Allen Gregory(NEW!)
9:00-9:30 PM Family Guy
9:30-10:00 PM American Dad
FOX MIDSEASON 2012 PRIMETIME SCHEDULE (All Times ET/PT)
MONDAY
8:00-9:00 PM House
9:00-10:00 PM Alcatraz (NEW!)
TUESDAY
8:00-9:00 PM Glee
9:00-9:30 PM The New Girl(NEW!)
9:30-10:00 PM Raising Hope
WEDNESDAY
8:00-9:30 PM American Idol
9:30-10:00 PM I Hate My Teenage Daughter(NEW!)
THURSDAY
8:00-9:00 PM American Idol (Results Show)
9:00-10:00 PM The Finder(NEW!) / Bones (Spring)
SUNDAY
7:00-7:30 PM The OT (NFL post-game)
7:30-8:00 PM The Cleveland Show
8:00-8:30 PM The Simpsons
8:30-9:00 PM Napoleon Dynamite(NEW!)
9:00-9:30 PM Family Guy
9:30-10:00 PM American Dad
If you’re anything like us, you freely admit that the only reason you turned into American Idol for as long as you did was because of Simon Cowell and it wasn’t just for how brutal he was to the first round contestants. Despite Cowell’s dry and sometimes cruel wit, he was generally the only one on that panel who could relay any particular insight to the audience regarding the music industry itself and at the end of the day you had more faith in his opinion than anyone else on the judge’s panel. This is not take anything away from the other judges and guest judges that have graced AI over the years, but Cowell truly brought a sense of balance to the Force and if you’ve watched recently, even if you are still a fan, you can’t help but to admit that it’s become kind of a disjointed mess since his departure. Honestly, does anyone take Steven Tyler seriously at all?
Now if you’re still being honest, even if you hate to admit it, Paula Abdul certainly had her place on that panel and even when she left it was like we lost a part of the family. Between her obnoxious over-the-top praising, soft-peddling, sometimes inebriated commentary and the banter between her and Cowell, it made for good television. So when we heard a couple of months ago from the T-Shirt himself that he would love to get Paula back on his new talent show, The X-Factor, and that he was actively courting her, we were excited about the prospect of two-thirds of the old team getting back together albeit skeptical at the possibility because, let’s be honest, how often do these situations pan out? But then again… this is Simon “King Midas” Cowell we’re talking about, as well.
So without further adieu it gives us great pleasure to announce that Paula Abdul has indeed signed on as a judge on TXF along with Cowell, Cheryl Cole, and Antonio “L.A.” Reid. This is not only going to be great fun for fans but this is very good for FOX broadcasting as it will increase the advertising value of this show even more than we already had expected.
Why should we care about that? It’s simple: the more money TXF makes, the more money FOX has to justify keeping lower rated, critically acclaimed scripted programming and it also acts as great lead-ins for the scripted shows as well, putting more eyes on them. You like your shows like Lie To Me, Human Target, Breaking In and The Chicago Code? Then, even if you don’t have any interest in reality show talent competitions you need to be rooting for TXF to make as much money as possible.
JOINS CHERYL COLE, ANTONIO “L.A.” REID AND SIMON COWELL
ON “The X Factor” JUDGES PANEL
Auditions Continue in Dallas on Thursday, May 26
Singers and Vocal Groups Age 12 and Over Eligible to Audition
For Chance to Win a $5 Million Syco/Sony Music Recording Contract
America’s sweetheart, world-renowned choreographer and pop icon Paula Abdul will join Cheryl Cole, Antonio “L.A.” Reid and Simon Cowell as a judge on The X Factor, the highly anticipated singing competition series debuting this fall on FOX. Abdul, who sat alongside Cowell for eight seasons as a judge on American Idol, has worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. Abdul will join Cole, Cowell, and Reid as they travel to The X Factor audition cities searching for the next global superstar or breakout music group.
“This show would never have been the same without Paula and I can’t believe I am saying this – I have missed her a lot, and I am thrilled she’s on the show,” said Simon Cowell.
“I am excited beyond words to be a part of The X Factor. I couldn’t be happier to bring my love for cultivating talent and performance to such a wildly anticipated show,” said Paula Abdul. “I’m looking forward to being back with the FOX/FremantleMedia family and know that it will be an extraordinary journey — we’re going to have a blast. I’m also delighted and grateful to be sitting next to Simon again…but you might want to check back with me in a week or two!”
“Paula is not only the lovely, nurturing person that America fell in love with, but she’s also one of the fiercest competitors I’ve ever seen — which makes her a perfect fit to judge The X Factor,” said Mike Darnell, President of Alternative Entertainment, Fox Broadcasting Company. “Paula and Simon have undeniable chemistry, and together with L.A. Reid and Cheryl Cole, I think we’ve put together an incredibly entertaining judges’ panel.”
“I’m thrilled to be working with Paula again,” says executive producer Cecile Frot-Coutaz. “A consummate entertainer in her own right, she has an extraordinary talent and generosity for nurturing performers — and her chemistry with Simon Cowell is like no other. I especially look forward to seeing her signature sensibilities in action during our mentoring rounds!”
Auditions continue in Dallas, TX, on Thursday, May 26.
The X Factor is searching for undiscovered talent 12 years old or over – both solo artists and vocal groups – who are willing to brave the panel for a chance to win a $5 million recording contract with Syco/Sony Music. Interested solo artists and vocal groups should sign up now for audition information at www.fox.com/theXfactor or call toll-free 855-345-5678.
In a departure from other singing competition series, the first time contestants audition for The X Factor judges, they will do so in front of an audience of thousands – raising the stakes and increasing the pressure to impress not only the judges, but also a potential legion of fans. This will be the ultimate test to prove they have the vocal ability, charisma and stage presence that it takes to win an unprecedented $5 million recording contract with Syco/Sony Music.
As previously announced, Pepsi will serve as an official sponsor of The X Factor. The comprehensive sponsorship includes an extensive, multi-platform off-air marketing partnership; weekly in-show integrations and placements; and an immersive content experience online.
The X Factor is produced by Syco Television and FremantleMedia North America. Simon Cowell, Rob Wade and Siobhan Greene are executive producers for Syco Television. Cecile Frot-Coutaz, Richard Holloway and Andrew Llinares serve as executive producers for FremantleMedia North America.
About Paula Abdul
Paula Abdul is one of the most-recognized pop singers and choreographers in film, television, video, stage and live tours. Her celebrated work in choreography includes Emmy-winning contributions to “The Tracey Ullman Show” and Emmy-nominated choreography for the Academy Awards, as well as Abdul’s own performance on “The American Music Awards.” Other triumphs include her award-winning work with Janet Jackson, which garnered two MTV Video Awards; and working with such music legends as Aretha Franklin, George Michael, Luther Vandross, INXS, Heart and Prince. Abdul’s favorite memory is dancing alongside her idol, Gene Kelly, in a celebrated and acclaimed commercial campaign. Abdul’s choreography contributions in feature films include the Academy Award-winning “American Beauty,” working with Cuba Gooding Jr. on his Academy Award-winning performance in “Jerry Maguire” and transforming Val Kilmer into Jim Morrison in Oliver Stone’s “The Doors.” Abdul’s music career encompasses worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. She has also been honored with a Star on the Hollywood Walk of Fame and inducted into Nickelodeon’s Kids’ Choice Hall of Fame. Abdul served as a judge alongside Simon Cowell for eight seasons on the hit series American Idol. An acclaimed jewelry designer, Abdul introduced her Paula Abdul Jewelry Collection on QVC to record-breaking sales. The collection consists of charms, pendants, earrings and bracelets in a mix of textures and metals, adorned with meaningful phrases. Abdul, who got her first break as a Los Angeles Laker Girl, continues to honor her roots by running dance and cheerleading camps, competitions and scholarship programs throughout the country.
About “The X Factor”
Since its debut in 2004, “The X Factor” has remained the U.K.’s #1 program for the last seven years, peaking with an audience of 21 million with 65% audience share for its 2010 finale. The format swiftly broke similar records around the world, where local versions have consistently rated #1 in 15 territories, with a worldwide audience now well over 100 million. In Denmark, it has ranked #1 for the last four years, peaking with an 80% share of the audience. In Colombia, it has consistently ranked #1 with a 75% share of the audience. Additionally, “The X Factor” consistently delivers a 50% to 65% share of the viewing audiences in Greece, Hungary, Netherlands, France and Italy – with the highest percentage of these shares in A15-34. In some markets, “The X Factor” has increased the channel average demographic by up to 250%. The series has received numerous honors worldwide, including three BAFTA awards, numerous NTA awards and the coveted Rose d’Or. In the U.K., an unprecedented 1.5 million iTunes downloads were made from “The X Factor” contestant performances in 2010. Globally, more than 100 million records have been sold by artists launched through the series, including over 90 #1 singles and albums and 150 Top Ten records.
About Sony Music Entertainment
Sony Music Entertainment is a global recorded music company with a current roster that includes a broad array of both local artists and international superstars. The company boasts a vast catalog that comprises some of the most important recordings in history. It is home to premier record labels representing music from every genre, including American Recordings, Arista Nashville, Arista Records, Battery Records, Beach Street Records, BNA Records, Columbia Nashville, Columbia Records, Day 1, Epic Records, Essential Records, Flicker Records, J Records, Jive Records, LaFace Records, Legacy Recordings, MASTERWORKS, Polo Grounds, RCA Records, RCA Nashville, RCA Red Seal, RCA Victor, Reunion Records, Roc Nation, Sony Classical, Sony Music Latin, Star Time International, Verity Gospel Music Group, and Volcano Entertainment. Sony Music Entertainment is a wholly owned subsidiary of Sony Corporation of America.
About Syco/Simon Cowell
Syco, with offices in London and Los Angeles, is a global music, television and film production joint venture between Simon Cowell and Sony Music Entertainment. Syco Television owns and produces the BAFTA Award-winning “The X Factor,” which has topped the charts around the world. Syco Television is also the owner of the “Got Talent” television format. Versions of both “The X Factor” and “Got Talent” are co-produced by Syco, and are shown in more than 70 countries and have won multiple awards including national television awards and BAFTAs. The X Factor launches in America on FOX in Fall 2011 with Cowell as a judge. Syco is also the record label home for such diverse international recording stars as Leona Lewis and Il Divo. Cowell has worked with artists selling more than 200 million albums and delivering more than 180 No. 1 records. Britain’s Got Talent in 2009 launched the global singing career of Susan Boyle. Her debut Syco album sold over 8 million units in six weeks, making it the world’s biggest-selling album of 2009 and the fastest-selling album in history and a total of 20 million records to date. In 2009, Cowell was named No. 1 in Hollywood Reporter’s Top 50 Most Powerful in Reality TV and Entertainment Weekly’s Top Entertainer of the Year. In 2010 Simon Cowell was awarded Variety International’s Humanitarian Award for his extensive charitable work, The Rose d’Or Golden Jubilee Award and BAFTA’s Special Award in recognition of his outstanding contribution to the entertainment industry and development of new talent. He also appeared on Time Magazine’s list of Most Influential People in the World and was awarded the International Emmy Founders Award.
About FremantleMedia North America
FremantleMedia North America (FMNA) is the U.S. production division of global media giant FremantleMedia. Based in Burbank, California, FMNA produces entertaining and innovative programs for network, cable, syndicated and online platforms, including the Emmy-nominated musical/reality phenomenon American Idol (FOX), “America’s Got Talent” (NBC), “What Chilli Wants” (VH1), “Hole In The Wall” (Cartoon Network), “Jump City: Seattle” (G4), “Let’s Make A Deal” (CBS), “Family Feud” (syn), “The Price Is Right” (CBS) and the much-anticipated The X Factor in Fall 2011.
Hi, folks. Thanks for coming back for part two of this very special feature on FOX where Blossom ponders losing her virginity, yet again. No, no, no, obviously we’re going to talk about FOX’s recent surprising schedule moves and what we think is going on over there. Yesterday, of course, we reported on the renewal of Bob’s Burgers for a second season and left our readers with a cliffhanger as to the significance of this renewal for the network as a whole and why we are actually pleased about the renewal despite that we don’t like the show. So now it’s time to explain why and we’ll bring you back to when we fist heard about FOX moving Fringe to Friday nights.
It Took Five Years For "The Show About Nothing" to Become a Hit.
As noted by our two pieces on Fringe‘s move to Friday (here and here) we’ve been very critical of FOX’s history of jumping ship on shows (especially new shows) that have had a run of, not even horrible, but average to mediocre ratings. Seriously, c’mon, FOX… Seinfeld wasn’t immediately a hit. It wasn’t even in the top 30 for its first three seasons and in its fourth season it was #25.
Fringe... Cooler Than You and Back in Fall 2011 For Season 4.
Anyway, in these pieces, we also expressed our skepticism with FOX’s stated commitment in the past to fan-favorite shows and of course this directly related to their campaign in January expressing the same commitment to Fringe. But, then, a few weeks ago, Virginia found out that there is indeed a Santa Claus and the announcement was made that Fringe not only had been renewed for a fourth season, but it was given a full season order… in March. We speculated as to why this occurred as EVERYONE, including us, assumed that after the ratings decline, the move to Friday and of course, FOX’s history, this show was destined for Cancellationville.
And of course, there is American Dad, a show that FOX execs have not historically supported and have been trying to replace for years and it got renewed for a seventh season… in February, again with a full season order of 22 episodes, no less.
Yes, Indeed... NBC May Be Very Happy, Very Soon.
When we heard the announcement about Fringe, we speculated as to the many reasons it may have been spared cancellation but came to the conclusion that we really didn’t care, we were just happy that the show was saved. But now, we’re hearing that FOX is on the verge of losing House, as well.
The network remains in last-minute negotiations with Universal Media Studios, which owns the series, in hopes of signing a new deal for an eighth season. The two sides are far apart in determining the percentage each will pay for the show’s costs.
UMS, owned by NBCUniversal, has given Fox an extension on the window of negotiation exclusivity. That ends Friday. If the two sides can’t come to an agreement, UMS will offer the show to competing networks including, of course, the Peacock, which would likely be more than happy to take the series away from Fox.
So thanks to all of these developments, we’ve been dragged into the speculation game and we’re guessing that there are several issues at play here:
This Never Happened
First, FOX has some serious issues with original scripted program scheduling coming this Fall and this is just based on what we know. Four new shows from 2010 – 2011 have already been canceled (Running Wilde, The Good Guys, Sons of Tuscon and Lone Star) and Traffic Light is certain to be canceled by May 16th. So, that’s five down right there (and chances for The Chicago Code being renewed for a second season seem to be getting slimmer by the day) and Human Target and Lie To Me are more likely to be cancelled than not. Add to that the fact that as of this posting FOX hasn’t been able to come to a deal to keep the perennial hits Bones and (as earlier noted) House (the deadline for a deal for House was last Friday), the network faces potentially being down nine scripted programs from 2010 – 2011 (Even though we are still trying to forget about Sons of Tuscon as if it never existed, and of course we aren’t counting 24 which was at the end of its run).
"Holy sh*t! How the f**k are we still on the air???"
And here’s the thing about House: Universal may not come to a deal intentionally and may just turn House over to NBC who is desperate for a strong scripted drama, or strong scripted anything at this point. Whereas FOX axed four of their new shows (with a fifth coming for sure), NBC has axed five of their new shows with at least a sixth certain to be on the way out the door (Sorry, but as much as The Event has improved by following what we suggested it needed to do, it was too little, too late…so, adiós!). Let’s also not forget Chuck, which is on its way out the door as well. It’s so bad at NBC that less-than-positive performers such as Law & Order: Los Angelesand Harry’s Laware almost guaranteed to be renewed because, well, frankly, theyz gots nothin’ else and they certainly don’t have American Idol or Simon Cowell’s new series, The X-Factor, that is destined to be a ratings juggernaut, so at the end of the day, NBC is in way worse shape than FOX. So, here’s our bold prediction: House will be on NBC come Fall 2011 and a deal with Bones (in desperation) will be made and it will return to FOX.
"Oh look. We're still on FOX."
But the effects of losing House on FOX will be devastating and even if they keep Bones, that show has seen a sharp decline in ratings over the past two season which means there will be only one truly strong live-action veteran scripted show and that would be Glee. Can FOX really be comfortable going into the new Fall season with the The Animation Domination Block, Glee, The X-Factor and American Idol being the only programming that is guaranteed to be stable? We don’t think they possibly could be satisfied with that situation.
So taking this a step further, based on what we know for sure about the Fall schedule and the three shows that were renewed – not only unexpectedly but early, as well – (Fringe, American Dad and now Bob’s Burgers), here’s what we think is going on and it crossed our minds when we first heard about Fringe‘s renewal: FOX is not just uncomfortable with the new scripted programing they have ordered for Fall 2011, they’re downright nervous and they expected to have had more success with their new shows from 2010 – 2011. They also certainly didn’t expect the possibility of looking at Fall 2011 with no House and to a lesser extent no Bones.
Terra Nova: Allegedly to debut in Fall 2011... Hmmmm.
This brings us to the Stephen Spielberg and Amblin Entertainment produced, epic Sci-Fi series, Terra Nova, which as we noted when we reported Fringe‘s renewal, has been delayed yet again and is set to debut in Fall 2011. There are some serious issues with Terra Nova that we think FOX is starting to get as concerned about as we are. First, the delays are insane and we are not confident at all that it will debut in the Fall as promised. Second, Terra Nova may be the most expensive show in history with the first two episodes alone costing $16 million and whereas the average episode of scripted drama costs $2.5 million, Terra Nova per episode cost will come in at $4 million and the show is rife with rumors of cost overruns although the producers deny this.
Terra Nova: This Is NOT a Sci-Fi Show And That Is Not A Time Portal!
Third, this is the biggest risk that FOX has ever taken on any series, nevertheless a Sci-Fi series, in an era where epic Sci-Fi is DEAD on network television. And we’re sure that it doesn’t help when veteran television Sci-Fi writer and producer Brannon Braga (Star Trek: The Next Generation, Star Trek: Voyager, and Star Trek: Enterprise) who is exec. producing/writing Terra Nova is doing the “pay-no-attention-to-the-man-behind-the-curtain” Great and Powerful Oz routine denying the fact that it is indeed a Sci-Fi series when you’d have to be blind not to see it:
Terra Nova, according to Brannon Braga.
But it’s not a sci-fi show.
“It’s really about this frontier family trying to survive,”
Centers on the Shannons, an ordinary family from 2149 when the planet is dying who are transported back 85 million years to prehistoric Earth where they join Terra Nova, a colony of humans with a second chance to build a civilization.
Still Not a Sci-Fi Show.
No, there’s absolutely nothing Sci-Fi about that premise at all. It’s just like Little House on the Prairie… but with time travel… and dinosaurs… and automatic weapons… with lasers.
So, if we go with the premise that FOX isn’t really sure whether or not Terra Nova is going to actually debut on the Fall 2011 schedule as planned and it finally occurred to them that this kind of Sci-Fi is highly questionable for network television and of course there’s the issue of the costs involved, we can come to only one conclusion: FOX is worried that they aren’t going to have much going on this Fall, Monday through Friday, other than Glee and The X-Factor and they’ve decided that keeping some of these shows that have established, stabilized audiences even though they’ve seen ratings drops, may be their only option. For goodness’ sake, and we cannot stress this enough, they saved three shows that everyone expected to be canceled, and again, this is FOX we’re talking about.
We alluded to this theory yesterday, in part one, our commentary on the Bob’s Burgers renewal:
We think FOX is starting to realize that it may be better for them to deal with the devil that they know as opposed to the one they don’t…
FOXs Money Printing Presses That May Keep Your Favorite Shows On The Air
So, that’s where we think all of this is going and in our opinion, this is nothing but a positive turn of events. FOX has lived very well over the past decade with their scripted programming, reality program and sports. If new show, “A” didn’t work out as well or as quickly as they had hoped, they’d just dump it and replace it with new show “B” and if that didn’t work out they’d replace it with show “C” and so on and they’d usually find gold eventually. But let’s be honest about this; the crop of decent scripted shows out there over the past couple of years on ALL of the networks has been thin to say the least. So considering the lack of quality, sustainable shows, all the losses in shows that they’ve had in the past year, the possible losses of their perennial hits to other networks, and a questionable Fall 2011 lineup, it appears that FOX execs have been forced to put on the big boy pants and change their strategy so that they have something that’s at least slightly stable in their lineup, and will actually work to build up those shows by subsidizing them with their juggernauts, particularly American Idol and The X-Factor.
If Only It Had Debuted In Fall 2009!
Now, although FOX may not be particularly happy about taking this approach (because of course, everyone likes the quick and easy buck), all of these developments and this new approach is nothing but positive for viewers and fans of the many quality scripted programs that FOX does have to offer, but probably wouldn’t have been given an opportunity like this if this was, oh, say, two or three years ago. Heck, we suspect that if Terminator: The Sarah Connor Chronicles were in its second season in 2011 instead of in 2009, it already would have been renewed for a third season by now.
This...
And this is EXACTLY why we are so happy about Bob’s Burgers being picked up for a second season (as much as we dislike it) because it’s show number four that was not only renewed by FOX but picked up early when no one expected it to be. This in turn gives up hope for the remaining three likely to be canceled shows, Lie to Me, Human Target and The Chicago Code. We can almost guarantee that FOX will not cancel all three of these shows, in fact, they may only cancel one of them but we are going to go with the premise, based on everything we’ve laid out over the past two days that they will keep at least one of them and we think it will be a toss-up between Lie to Me and Human Target.
... Or This?
Don’t get us wrong, we love The Chicago Codeand we don’t particularly like the clichéd and predictable Lie to Me but we have to be objective about this. If FOX or any other network is going to pick up an underperforming show to keep for another season, they are going to pick one that has an established audience for at least a couple of seasons over a mid-season replacement that hasn’t been able to find any stability with their audience. The fact that The Chicago Code is a serial doesn’t help its chances of gaining a stable audience a season later, either. Now, obviously, Bob’s Burgers doesn’t have a multiple-season established audience BUT it did have the highest ratings of any new show premiere of the season and its audience numbers, though not great, have stabilized and it does have very strong lead-ins and lead-outs with The Simpsons and Family Guy, respectively, whereas The Chicago Code dos not.
So there you have it. Our wild speculation on why the big change in strategy at FOX. You can take it for what it’s worth, and call us crazy but do the research for yourself and see if you come to any other conclusions because we’d love to hear your take. Remember folks, May 16th is the big day for FOX. That’s when we find out who’s going and who’s staying.
To our absolute and utter amazement, FOX announced on March 24th that they would not only be renewing the fan-favorite Sci Fi series, Fringe but that they had also ordered a complete 22 episode season. All we can say is, “Holy crap!”
Via Press Release From FOX:
FOX RENEWS “FRINGE” FOR FOURTH SEASON – IN BOTH UNIVERSES
FOX has renewed critically acclaimed thrilling drama FRINGE for a fourth season, it was announced today by Kevin Reilly, President, Entertainment for Fox Broadcasting Company.
“FRINGE has truly hit a creative stride and has distinguished itself as one of television’s most original programs. The series’ ingenious producers, amazingly talented cast and crew, as well as some of the most passionate and loyal fans on the planet, made this fourth-season pickup possible,” said Reilly. “When we moved the show to Fridays, we asked the fans to follow and they did. We’re thrilled to bring it back for another full season and keep it part of the FOX family.”
FRINGE co-creator and executive producer J.J. Abrams said, “We could not be happier that the fans of FRINGE (and our most excellent partners at FOX) have allowed us to continue telling stories from the fringe for another season!”
“This early pickup comes at a perfect time as we start production on the Season Three finale,” added FRINGE showrunners and executive producers Jeff Pinkner and J.H. Wyman. “We join the cast and crew in thanking our loyal fans and FOX for allowing us to have this much fun telling stories we love.”
Since moving to Fridays (9:00-10:00 PM ET/PT) in January, FRINGE is averaging a 2.2/7 among Adults 18-49 and has established itself as Friday’s No. 1 series in the core adult demographic.
The compelling third season continues tonight, Friday, March 25 (9:00-10:00 PM ET/PT), on FOX. In the “Bloodline” episode, the intensity of life “over there” accelerates as a pregnant OLIVIA (Anna Torv) is kidnapped and finds herself in mortal danger. As the Fringe Division races against time to find her, agent LINCOLN LEE (guest star Seth Gabel) receives some heartbreaking news as WALTER (John Noble) stops at nothing to preserve the new branch of the Bishop family tree.
Created by J.J. Abrams & Alex Kurtzman & Roberto Orci, FRINGE is produced by Bad Robot Productions in association with Warner Bros. Television. Abrams, Bryan Burk, Jeff Pinkner, J.H. Wyman and Joe Chappelle serve as executive producers, while Kurtzman and Orci are consulting producers. Additionally, Pinkner and Wyman serve as the series’ showrunners. Become a fan of the series on Facebook at http://www.facebook.com/fringe and follow the series on Twitter at http://www.twitter.com/fringeonfox (@fringeonfox).
J.J. Abrams... He can cut back on the drinking.
Now, before you go and start referring to the two commentaries we did on both the viral video campaign by FOX regarding the move to Friday night and the piece that we did in response to the criticism we received, and how these two pieces are evidence of our lack of insight or credibility, we would like to state for the record that we stand by everything that we claimed in both of those pieces. Those two pieces are accurate analyses of FOX’s history over the last 20 years and what a move to Friday normally means with this network. There’s not a whole lot of room for debate as the track record is not in dispute and J.J. Abrams agreed with us.
Do not trust FOX and their claims of unmitigated support for Fringe or any other show they move to Friday until they can be proven to be trustworthy. The first step in doing that would be for them to order the remaining episodes for this season and order an entire fourth season and promise to air all of the episodes. At this point, that would be the only way we would ever trust them and that’s not going to happen…
So, there it is. FOX accepted the challenge and achieved 2 out of the three conditions and the third condition, which was probably unrealistic to begin with, may have happened without FOX officially saying it. The thing is, no one expected FOX to renew Fringe for a fourth season, but the fact that they not only renewed it, but they renewed it in March AND ordered a complete season can only lead us to believe that FOX is indeed in it for the long haul and yes, we admit it, committed to Fringe‘s success. Like we said, it’s going to be a long road to recovery for us with FOX but this surprise scheduling move along with their decision to renew American Dad for a seventh season (and also order a complete season of 22 episodes for that show in March as well) is very promising indeed.
Terra Nova: Allegedly to debut in Fall 2011
That being said, as much as we hate to look a gift horse in the mouth, the question that will inevitably be asked is: why? Is FOX that concerned about the state of its pilots for Fall 2011 that they would rather play it safe by keeping Fringe around? Do they have no faith in Steven Spielberg’s Terra Nova NOT being delayed yet again? Or, is it perhaps, FOX execs have decided to take a new approach and change some of the old practices that have earned them the reputation of being a show-killer? Or is it just the fact that maybe they just really like Fringe and see that it can be successful on Friday night? Or, since they now have a Fall version of the American Idol juggernaut, Simon Cowell’s The X-Factor, are they going to do what we suggested in our first piece and that was to let the big money-makers support the quality scripted programming? We don’t know and we don’t really care. We’re just glad to get another season out of one of our favorite shows.
If you haven’t heard already, Fox has moved the J.J. Abrams fan-favorite Sci Fi thriller, Fringe, from the Thursday at 9:00 p.m. slot to the dreaded Friday at 9:00 p.m. slot. Now as much as we here at The ‘Tastic love Fringe (to the point where we consider it to be one of the top five shows on television), we weren’t necessarily surprised by this because as we’ve pointed out, FOX pisses their pants every time they see a ratings drop.
We also noted that while the other major networks are starting to take Friday nights seriously once again, FOX has decidedly NOT taken this approach, designating the night for reality shows and as a dumping ground for shows that haven’t done as well as they had hoped which is usually the fault of FOX to begin with (see: The Good Guys for the most recent example of this and our analysis here). So, we’ve come to accept that no show is ever safe on FOX and that without fail, if a show is designated for Friday night it will not be renewed at the end of the season or if it is, it will wither pretty quickly the following season. Now, with Fringe, there’s been a bit of a twist in this whole saga this week, which we’ll get to shortly, but first, it is necessary to address a fact of life that we’ve really been holding off on admitting for a long time but here it is:
FOX is an awful network and quite possibly the worst network ever… period. End of discussion. FOX is worse than The CW and it may possibly be worse than UPN or The WB ever was. The network is poorly run, they make terrible, amateurish decisions regarding their programming, they have absolutely no idea how to market quality programming in order to pique interest and they don’t give shows a chance to build an audience or even maintain a modest one. We will remind you that this is the same network that canceled Family Guy and the only reason it came back after a three-year hiatus is because The Cartoon Network aired the 49 episodes it had acquired the syndication rights to at 11:00 p.m. nightly and it gave THAT network the highest ratings in its history. So, to make this clear, a show FOX cancelled after only 49 episodes put another network on the map when they aired them… at 11:00 p.m.
The only reason FOX has had any success is because they have had a handful of successful shows that they have MILKED TO DEATH. Here’s the thing about that: a successful show should be able to give a network a lot of leeway with their programming and give a lot of other shows a chance to build an audience and become successful. What this means is that a show, for example, such as American Idol, can make enough money to basically support the growth of shows that are critically acclaimed however struggle in the ratings. This is not a new concept in either film or cinema.
Think of it like this: why do major studios invest money in relatively low-budget films with little-to-no anticipated payoff? Well, that’s because the film industry although motivated by profit like any other industry, still sees the value in the art they produce for the sake of the art itself and they believe that every now and then, the quality of the art for art’s sake may just turn into gold. A prime example of this is Paranormal Activity which Paramount/Dreamworks picked up the rights to for $300,000. Why would a major studio throw $300,000 away on a low-budget ($15,000), genre film that had little-to-no chance of making them any money? Well, first, because Stephen Spielberg REALLLLLLY liked it and second (and probably more importantly), because between G.I. Joe: The Rise of Cobra, Transformers: Revenge of the Fallen and Star Trek, Paramount grossed $1.5 billion domestically at the box office in 2009 on just those three films. So what it comes down to is that studios can afford to take more risks when they have money makers like that. Of course, with Paranormal Activity, that risk paid off nicely, grossing $194 million globally. Not a bad bet for a lousy $300,000, eh?
The same principle applies to television and even FOX has actually had success with this principle when they’ve applied it but they’ve only attempted it once and that was with 24 and that was nearly a decade ago. They stuck with that show early on despite the fact that the ratings had slipped in the first season and they even used American Idol as the lead-in and it worked.
FOX simply has no foresight or vision when it comes to the potential value of good TV, despite slipping ratings and quite frankly they are missing a much bigger point and that is that due to their 20 year history of reckless programming decisions, generally speaking, audiences don’t want to give FOX a chance any more when it comes to scripted programming. Why would they bother to ever consider getting invested in a scripted show on FOX when it’s more than likely not going to last for any significant amount of time? It’s a vicious cycle. FOX cancels shows (or dumps them into Friday) because the ratings slide, the ratings slide because the audiences don’t have any faith that FOX won’t cancel their show.
Now, back to the big twist in the news this week regarding the moving of Fringe to Friday…
Last week a whole bunch of blogs and entertainment news sites a lot more reputable than The ‘Tastic all had basically the same thing to say about the move. To put it simply: they all contend that the move marked the beginning of the end for the series which certainly isn’t a stretch, particularly with FOX.
Well, the FOX execs didn’t like that too much so they came up with this little trailer that addresses (and quotes) the cynical (albeit realistic) commentary from the writers at Collider, Ain’t It Cool News, IGN, TV Overmind, and Fringe Bloggers who for some bizarre reason just don’t seem to have any faith in FOX’s support of this show.
How cute is that, right? We’re convinced. Aren’t you?
Entertainment Weekly, who apparently has no problem being a corporate shill for FOX and perpetuating B.S., did a nice little puff-piece where they quote FOX’s senior VP of marketing and special projects, Dean Norris, explaining what prompted the trailer:
We started getting feedback from the viewers that basically said, ‘How could Fox do something so cool for a show they’re going to kill?’ We started reading these things and said, ‘Wait! We have to address this!’” The mission was to produce a piece of communication that dealt with the situation in a self-deprecating fashion, yet also assuaged fan fears. The message, spelled out in the promo: “You May Think Friday Is Dead… But We’re Gonna Reanimate It.”
Well, that sounds great because after all if there is one thing FOX is good at it’s animation… and RE-animation for that matter (see: Family Guy).
Now, standby in 3… 2… 1… for the big lie:
The promo is the beginning of a larger effort by Fox to shore up Fringe’s existing fanbase and hopefully grow the audience by targeting teen viewers who might be at home Friday night… “We are trying to rebrand Friday, and what we’re trying to do with this show specifically is make it kind of like forbidden fruit,” says Norris. “We want that teen demographic that might not be our audience right now to say, ‘That this is a show my parents might not want me to watch — but I’m going to watch it, anyway.’”
…And this is exactly why we don’t trust FOX and neither should you. First, and foremost let’s just examine this entire quote, shall we?
Mr. Norris, please explain to us how FOX plans to “shore up” its existing fanbase by alienating it, yet again. The problem that we pointed out earlier is that it’s not even necessarily the fact that it’s on a Friday night… the problem is that it’s on FOX on a Friday night and their history with television shows – ESPECIALLY Sci Fi shows! – on that night.
Our first hint of skepticism regarding this sudden change of heart was in that dopey little promo itself. It’s the quote from Roco at Fringe Blogger that they cite:
This is indeed the night… others were cast out to die.
Anytime we see a quote cited and there is ellipsis in the middle of the quote, we always research the actual source to find out exactly what the quoter wanted to leave out in order to advance their agenda. Here’s the actual quote by Roco:
This is indeed the night the likes of Dollhouse, Terminator: The Sarah Connor Chronicles, Firefly and others were cast out to die.
And there it is, folks; what FOX wants you to forget about. The fact is that not only has FOX been brutal to Sci Fi shows that they’ve abandoned to Friday night, they’ve also spun similar stories about support and similar clever promo campaigns that REALLY made people think they gave a crap. I refer you to the Dollhouse/Terminator: The Sarah Connor Chronicles promos from spring of 2009.
Here’s our favorite… when Summer Glau and Eliza Dushku actually hosted the “Double Feature Friday” of Terminator: The Sarah Connor Chronicles and the series premiere of Dollhouse.
Three months later Terminator: The Sarah Connor Chronicles was canceled and six months after that Dollhouse was canceled. Obviously, this is an example of FOX fully supporting their friday night Sci Fi shows.
To add more salt into that particular wound and prove the point about the total lack of vision at FOX, in May of 2009 those two shows had identical audience numbers, but FOX, in their infinite wisdom and foresight, decided to cancel Terminator: The Sarah Connor Chronicles which had 11.4 million viewers during its first season before being dumped into Friday, was incredibly well-received by critics, had an established franchise brand-name and a built-in audience in favor of renewing the Joss Whedon mess called Dollhouse that had none of these attributes going for it. Once again, nice job, FOX.
We won’t even discuss what they did to one of the greatest and regrettably short-lived series of all time, Firefly (also a Joss Whedon show).
As for the last big lie in that quote… who are they kidding? Are we really supposed to believe that teenagers are going to stay in on a Friday night to watch a Sci Fi serial? Furthermore, the reality is that it’s nearly impossible to expand the base for a show like this.
We know exactly what they’re thinking or at least the premise that they are going for in trying to promote this big lie and that is that Fringe is like The X-Files (as it’s been compared to that hit series since it debuted) and that it can appeal to everyone on that level. Wrong. They aren’t the same show at all and the reason why it doesn’t work is that roughly 2/3 of the 202 episodes of The X-Files were standalone, “monster-of-the-week” type episodes that were literally disconnected from the main storyline arc of Mulder’s quest for the proof of alien abduction so he could find his sister.
Fringe’s main story arc is omnipresent in every single episode whether it’s integral to the story of that particular episode or not and as much as we love The X-Files, Fringe’s main arc is a helluva lot more complicated than The X-Files alien arc ever was. As a viewer, you cannot just jump into a show like Fringe halfway through its third season. It would be the equivalent of jumping into Lost halfway through the third season. You’d be lost and Norris must know this and if he doesn’t he’s completely incompetent.
So that’s what we’re left with. TPTB at FOX are either completely incompetent or completely dishonest and what’s ridiculous is how many other bloggers and various media outlets are falling for this sudden change of heart by FOX regarding their dedication to a Sci Fi show that they have parked on Friday night. Seriously, how dumb are they? This is “battered viewer syndrome” (…and I’m not going to explain that particular metaphor) if we’ve ever seen it. Do not trust FOX and their claims of unmitigated support for Fringe or any other show they move to Friday until they can be proven to be trustworthy. The first step in doing that would be for them to order the remaining episodes for this season and order an entire fourth season and promise to air all of the episodes. At this point, that would be the only way we would ever trust them and that’s not going to happen, so all we can do is hope for the best but plan for the worst which means expect Fringe to be canceled in May. Let’s just hope that they bring some closure to this great series.
And, by the way… we really hope we’re wrong but we doubt that we are.
When she was a deeply troubled teenager, Nikita (Maggie Q, “Live Free or Die Hard,” “Mission Impossible 3”) was rescued from death row by a secret U.S. agency known only as Division, who faked her execution and told her she was being given a second chance to start a new life and serve her country. What they didn’t tell her was that she was being trained as a spy and assassin. Throughout her grueling training at Division, Nikita never lost her humanity, even falling in love with a civilian. When her fiancé was murdered, Nikita realized she had been betrayed and her dreams shattered by the only people she thought she could trust, so she did what no one else before her had been able to do: she escaped. Now, after three years in hiding, Nikita is seeking retribution and making it clear to her former bosses that she will stop at nothing to expose and destroy their covert operation.
For the time being, however, Division continues to recruit and train other young people, erasing all evidence of their former lives and turning them into cold and efficient killers. One of these new recruits, Alex (Lyndsy Fonseca, “Kick-Ass,” “Desperate Housewives”), is a beautiful girl with a violent past and a story not so different from Nikita’s. After her parents were murdered, Alex’s life completely derailed. Haunted by her horrific past, she ended up drug-addicted and homeless until Division “rescued” her and brought her into the fold.
Division’s top authority, Percy (Xander Berkeley, “Kick-Ass,” “24”) spent years being a good government soldier, taking his role as an insider and using it to turn the secret organization into a lucrative spy-for-hire shop. With Nikita gone rogue, Percy will do whatever it takes to destroy her and protect the empire he’s built, and he often turns to his top lieutenant, Michael (Shane West, “ER,” Once and Again”), for help. Michael trained Nikita when she was a recruit and is now faced with the responsibility of tracking down his renegade student. At the same time, Michael is in charge of training Alex, Nikita’s young replacement, along with other recruits, including Thom (Ashton Holmes, “Boston Legal”), who has been at Division for a year and is anxious to prove himself, and Jaden (Tiffany Hines, “Bones”), a beautiful and tough young woman who challenges Alex at every turn.
The recruits all spend part of their training with Amanda (Melinda Clarke, “The O.C.,” “The Vampire Diaries”), a master manipulator who can turn any ugly duckling into a swan and any bleeding heart into a killer. Her use of psychological warfare and strategy is key to Percy’s entire operation. Amanda has only had one failure during her tenure at Division: Nikita, the recruit she was never able to break.
Nikita also left her mark on Birkhoff (Aaron Stanford, “Traveler,” “X-Men: The Last Stand”), the nonconformist computer genius who was caught hacking into the Pentagon’s system from his college dorm room and was recruited into Division at the same time as Nikita. Birkhoff never admits to anyone that he misses his former colleague, and he has managed to hold onto his own rebel spirit, his geek-speak and his slacker dress code.
This is the world of Division that Alex now finds herself facing everyday, and she is just beginning to understand why the legendary Nikita has dedicated herself to taking them down. – The CW
5 out of 10
This is the second attempt by American television to bring the French film La Femme Nikita (which was turned into the 1993 American film, Point of No Return starring Bridget Fonda) to the small screen and it is the most ambitious and best written and performed yet. That doesn’t mean that it’s great or that I love it.
This is a pretty short review because there’s not much to say about it. The premise is exactly what the show description says it is and Maggie Q brings sexy to a whole new level here and the violence and action is on par with the best of any action show of the last decade.
The plot is pretty compelling, if not that original but the supporting cast is doing nothing for this show except for Nikita’s protegé Alex who is a plant in Division to bring it down. The only problem with Alex is the ridiculously convoluted way that she was able to infiltrate Division to begin with.
It’s very well shot and is pretty visually stunning and I’m actually pretty impressed with the music arrangement.
At the end of the day, it’s a decent show but I’m not sure how much patience audiences will have for it but I expect to personally give it until at least mid-season.
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