SyFy Acquires Canadian Supernatural Hit Lost Girl

On May 18th, SyFy announced that they were picking up both seasons (26 episodes) of the Canadian supernatural hit, Lost Girl for broadcast in the U.S.  We’re not familiar with this show however it seems rather interesting and at least it’s another new scripted drama added to SyFy’s very light new schedule for 2011 – 2012.  No word on a premiere date as of yet.

Via Press Release:

SYFY ACQUIRES SUPERNATURAL DRAMA SERIES LOST GIRL FROM PRODIGY PICTURES

NEW YORK – May 18, 2011 – Syfy has acquired both seasons (26 episodes) of the hit Canadian supernatural drama Lost Girl from Prodigy Pictures, it was announced today by Thomas Vitale, Executive Vice President, Programming and Original Movies, Syfy.

Lost Girl stars supernatural seductress Bo (played by Anna Silk/The Ghost Whisperer), a Succubus (a powerful female entity in folklore) who feeds off sexual energy. Raised by human parents, Bo had no reason to believe she was anything other than the girl next door — until she “drained” her first boyfriend to death.

Bo has since hit the road alone and afraid. She discovers she is one of the Fae, creatures of legend and folklore, who pass as humans while feeding off them in secret, as they have for millennia. She is faced with choosing an allegiance between the Dark or Light Fae clans. Bo decides to take the middle path between humans and the Fae while embarking on a personal mission to unlock the secrets of her origin, protecting humans along the way.

Lost Girl co-stars Kris Holden-Ried as Dyson, a shape-shifting Fae, homicide detective and Bo’s love interest; Ksenia Solo as Kenzi, Bo’s human confidante and street-smart survivor, Zoie Palmer as Lauren, a human doctor who competes for Bo’s heart; Rick Howland as Trick, the mysterious owner and bartender at The Dal Riata tavern, with a secretive past that is yet to be unlocked, and K.C. Collins as Hale, a handsome male “Siren” who is the eternal bachelor, ultimate wingman and Dyson’s partner on the force.

Notable guest stars include Emmanuelle Vaugier as “The Morrigan”, the leader of the Dark Fae.

Said Vitale: “In one year, Lost Girl has electrified viewers in Canada and around the world. We’re delighted to bring this fascinating, high-octane series, which depicts a unique world and memorable heroine, to the Syfyaudience.”

“We’re thrilled to have Syfy on board as our broadcast partner in the U.S. Lost Girl is a unique series that thrusts a strong, independent female lead into uncompromising circumstances. It’s a series that takes risks with unconventional storylines and provocative character development,” said Jay Firestone, Executive Producer.

This series is developed and produced by Prodigy Pictures, in association with Shaw Media and Showcase. This acquisition agreement was brokered by Tim Mudd of Mudd Media.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

About Prodigy Pictures
Founded in 2006 by Jay Firestone, Prodigy Pictures leads the way in the production of quality film, television and cross-platform media. Its credits include the critically acclaimed feature Stuck and the television series XIII, currently airing on Showcase in Canada and Canal Plus in France.  Prodigy’s hit series, Lost Girl, has recently started production on its second season. The company has several feature film and television projects in development, including William Gibson’s Neuromancer, and Weapon, in partnership with Studio 37.

SyFy 2011 – 2012 Complete Schedule

Again, like the Summer schedule, we are very late on the draw on this, however, here’s the full scoop on all of the programming for SyFy for 2011 – 2012.  There’s not a whole lot more that we can say about this that we didn’t say in the article about the Summer schedule, except that new scripted drama is represented by a grand total of two shows this season, Alphas, premiering in July, and the highly-anticipated Battlestar Galactica: Blood & Chrome, which does not have an official announced date for release but we expect it in early 2012.

Although we don’t subscribe to the nonsense that there is no Science Fiction on the former SciFi network anymore, it is very curious that there are only two new scripted dramas (and SyFy has picked up the first two seasons of the Canadian hit, Lost Girl although they haven’t announced a premiere date for it as of yet) and three, what appear to be science fiction-themed comedies (seriously?).  The rest of the programming is made up primarily of goofy Saturday movies and reality series.  This disappoints us and seems a little odd as well, considering that every other network out there has drastically cut the amount of reality shows from their schedule and cut the amount of reality shows that they have ordered and put into development status.  This schedule is VERY reality-heavy and it’s not a matter of this not appealing to science fiction audience, it’s a matter of it not appealing to any audience.  Seriously, how many reality shows can an audience take?  For preview videos and trailers of the shows that will be airing this summer (including some full episodes) check out the our article on the SyFy summer schedule.

CORRECTION: Due to the obnoxious length of SyFy’s press release below, we completely missed the announcement regarding the new live-action, scripted action series/massive multiplayer online game (MMOG), Defiance. Due to this development, we are a whole lot less disappointed in the lack of new scripted drama.   Read all about it, here.

Via Press Release:

SYFY UNVEILS LARGEST ORIGINAL PROGRAMMING SLATE IN HISTORY FEATURING 14 NEW SERIES AND EVENTS

LED BY PREMIERE OF ALPHAS, FOUR SCRIPTED SERIES LAUNCH IN JULY – MOST EVER IN A SINGLE MONTH

UNSCRIPTED DEVELOPMENT SLATE INCLUDES PROJECTS WITH TOMMY LEE AND DEEPAK CHOPRA

NEW YORK – March 22, 2011 – Continuing the sizzling momentum of the Syfy global brand evolution, which has sparked imagination-driven hit series and double-digit growth in younger, upscale audiences as well as diverse new business ventures, Syfy President Dave Howe today will introduce the largest original programming slate in the channel’s 18-year history, highlighted by 14 new original series and events comprising more than 100 hours.

The 2011 Syfy Upfront will be presented at the Foxwoods Theatre, where the channel is hosting a live performance of SPIDER-MAN Turn Off the Dark for the advertising community. Syfy is the official media partner of the Broadway show.

Remarking on Syfy’s announced development slate, Mark Stern, President Original Content, Syfy, and Co-Head Original Content, Universal Cable Productions, said, “Our ambition in development is to push the boundaries of imagination, creativity, and story-telling.  We want to transport our audience with high-quality, thought-provoking experiences that allow them to explore the un-explorable, to believe the unbelievable, and to truly… ‘Imagine Greater.’”

Riding high on 15 consecutive years as a Top 10 channel among Adults 25-54, Syfy‘s viewership has continued to grow in 2011. In January prime, Syfy rose 12% in Adults 18-49/$75K, while experiencing a significant drop of two years (46) in the median age.

During First Quarter-to-date (vs.1Q’10) prime, Syfy has jumped 17% in Adults 18-34, 13% among total viewers and seven percent among Adults 18-49, led by the freshman hit series Being Human and Face Off, both of which have been renewed.

In July, Syfy launches four scripted series in the same month — for the first time ever — when Alphas premieres along with returning powerhouses Warehouse 13 (Syfy’s most watched series ever), Eureka and Haven.

The second season return of the heralded reality show Hollywood Treasure kicks off Summer 2011 unscripted programming in June, paired with the premiere of Haunted Collector (working title), followed by the debuts ofLegend Quest in July and Paranormal Witness in September.

The robust reality development slate includes projects from unique perspectives such as rock musician Tommy Lee, author Deepak Chopra and photographer Tyler Shields, along with a family that creates movie monsters and the world’s top stunt artists.

On the scripted side, Syfy is developing Battlestar: Blood and Chrome, set in the 10^th year of the First Cylon War. As well as three single-camera, half hour comedies including the Lee Majors vehicle Me and Lee from the creator of Weeds, In the Dark featuring a team of wannabe paranormal investigators, and a new adaptation of Three Inches.

Keying the latest roster of popular Saturday Original Movies will be Red Faction: Origins, based on the highly successful video game franchise; 1970s TV icons Barry Williams and Danny Bonaduce butt heads in Bigfoot; Shannen Doherty headlines a re-imagining of the classic fairy tale Gretl; Roswell, the story selected by fans through the Syfy and IGN.com B Movie Mogul contest; and in Jersey Shore Shark Attack, who knows who might be a victim?

This October, Syfy will become the first ever, official sponsor of the city’s Halloween celebrations, partnering with NYC & Company for 31 Days of HalloweeNYC. Then in December, Syfy celebrates the holiday season with its second annual Countdown to Christmas Week (highlighted by the movie event Neverland with Keira Knightley asThe Voice of Tinker Bell).

Syfy Ventures is launching a new publishing business of completely sponsorable genre games under the SyfyGames banner.  Available initially on Facebook in the United States, the suite of high quality games will embrace the sci-fi, fantasy, paranormal, action/adventure, and superhero genres, ranging from original content to games based upon Syfy programming. These first round of games are scheduled for launch later this year. As well, Syfy is partnering with game developer Trion Worldwide for a new entertainment franchise, Defiance, that will seamlessly pair a primetime series with an online video game, scheduled for 2011.

Among the new opportunities for advertisers to partner with the Syfy brand is Imagination Spotlight, a groundbreaking, multi-platform brand initiative celebrating the world’s imaginative achievements and innovative ideas.  Advertisers will have the opportunity to join the celebration through an array of multi-media partnerships that showcase imagination.

Syfy is currently available in 75 countries, reaching nearly 150 million households globally.

NEW SCRIPTED SERIES

Alphas – Premiering in July – Alphas follows a team of ordinary citizens whose brain anomalies imbue them with extraordinary mental and physical abilities. Taking the law into their own hands, the unlikely team, led by Dr. Leigh Rosen (Emmy Award-winner and Oscar nominee David Strathairn) investigates cases that suggest other Alpha activity to uncover what the CIA, FBI and Pentagon have not been able, or willing, to solve. These gifted individuals must balance their quirky personalities and disparate backgrounds with their not always visible powers as they work to solve crimes, stop the ticking time bomb and catch the enemy.

Alphas also stars Malik Yoba, Warren Christie, Laura Mennell, Ryan Cartwright and Azita Ghanizada, and is a production of Universal Cable Productions and BermanBraun Television. Executive Producers are Gail Berman, Lloyd Braun and Gene Stein for BermanBraun, Zak Penn and Ira Steven Behr.

NEW REALITY SERIES

Haunted Collector (working title) — Premiering in June — Ghosts and spirits inhabit more than just homes and buildings — they can also live in objects. John Zaffis and his family are renowned paranormal investigators, tracking down haunted items like paintings, guns, jewelry and dolls. Once identified, the items are collected and stored in their museum, helping John’s clients bring normalcy back to their lives. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.

Legend Quest — Premiering in July — This fast-paced action-adventure series follows Ashley Cowie, a real-life symbologist, as he travels the world in search of some of history’s greatest relics and artifacts, all of which are believed to hold hidden powers and mystical significance for ancient and modern cultures. Each episode will include Indiana Jones-type adventure and Da Vinci Code-style connections as the hidden truths and alternative theories of these mythical objects are explored. Legend Quest is executive produced by John Brenkus and Mickey Stern for BASE Productions, and is a co-production with Universal Networks International.
Paranormal Witness – Premiering in September — From Raw TV, the acclaimed creative team behind Locked Up Abroad and Gold Rush Alaska, this tense, filmic and high-octane drama-documentary series brings to life the stories of people who have lived through paranormal experiences that defy explanation. Using the mixture of intimate first-hand testimony and grittily realistic drama that Raw TV is known for, Paranormal Witness will transport the audience into a world turned upside down by extraordinary and terrifying events. Paranormal Witnessis produced by Raw TV. Executive producers: Dimitri Doganis and Bart Layton.

SCRIPTED DEVELOPMENT/DRAMA

Battlestar: Blood & Chrome – Luke Pasqualino (Skins-UK) and Ben Cotton (Hellcats) star in Battlestar: Blood & Chrome, which takes place in the 10^th year of the first Cylon war. As the battle between humans and their creation, a sentient robotic race, rages across the 12 colonial worlds, a brash rookie viper pilot enters the fray. Ensign William Adama (Pasqualino), barely in his 20’s and a recent Academy graduate, finds himself assigned to one of the most powerful ships in the Colonial fleet…the Galactica. The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade-long war in favor of the desperate fleet. Executive producers: David Eick and Michael Taylor. Written by Michael Taylor from a story by David Eick, Taylor and Bradley Thompson and David Weddle. A production of Universal Cable Productions.

SCRIPTED DEVELOPMENT/SINGLE CAMERA HALF-HOURS

Three Inches – In Three Inches, professional daydreamer and underachiever Walter Spackman is struck by lightning and develops a unique “super” power — the ability to move any object using just his mind… but only a distance of three inches. He’s soon immersed in a world of extraordinarily ordinary people like himself and learns that “super” is just a state of mind.  The pilot is written by Harley Peyton (Twin Peaks), who also serves as executive producer.  Fox Television Studios is producing with executive producer Robert Cooper, through his company Landscape Entertainment.

In the Dark – In the Dark follows a misfit group of third tier Ghost Hunters whose misguided efforts tend to highlight their incompetence rather than any paranormal activity. From Universal Cable Productions, In the Darkis executive produced by Dan Taberski through Idiot Box Productions, Michael Davidoff and Bill Rosenthal.  Teleplay by Michael Davidoff & Bill Rosenthal.

Me and Lee — Me and Lee is about a down on his luck 20-something who goes in for back surgery, but the procedure doesn’t go well. Enter Lee Majors, who claims he has the perfect solution. He entices the young man into his ultra high-tech lab and makes him bionic. Majors becomes the unlikeliest of mentors helping the young man get his life back together. Jenji Kohan, the executive producer and creator of Weeds, serves as the executive producer of Me and Lee along with the writer Matthew Salzberg, Allan Loeb and Steven Pearl. Produced by Lionsgate.

REALITY DEVELOPMENT

Culture Shock with Tommy Lee – This one-hour investigative travel show follows Mötley Crüe’s Tommy Lee as he attempts to uncover the various rituals, symbols and other mysteries of secret societies around the world. Tommy Lee will dig into the history behind the secret society, search out its meeting locations and members, and meet with former members to reveal the society’s rituals and deepest secrets. A production of ITV Studios America. Executive producers: Tommy Lee and Carl Stubner. Supervising producer: Jenna Barnes.

Monster Man – When Hollywood studios want a bizarre creature, monster prop or out-of-this world alien, they turn to Cleve Hall and his very unique, family business. This series goes behind the scenes of Cleve’s workshop, where the craziness of this fun family is matched only by the insane monsters they build.  Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.

Stunts Unlimited — Stunts Unlimited is an elite and exclusive fraternity of artists committed to a very imaginative, creative, unique and dangerous craft — movie stunts. This series takes audiences behind-the-scenes into a world rarely seen, unveiling the innovations and problem solving necessary to accomplish the most spectacular stunts in Hollywood. With their lives on the line with every stunt, the members of Stunts Unlimited form a close-knit work family, helping them balance the challenges of their jobs and their families. Executive producers: Ric Roman Waugh and Gary Binkow.

Hi Tech Hoaxes — The series where the supernatural, the mythical and the astonishing leave the big screen and step into people’s everyday lives. Each week two teams will go head-to-head to provide a once-in-a-lifetime experience for an unsuspecting pair of people, who are about to have their world turned upside down for a brief, thrilling moment.  Teams of engineers, tech geniuses and pranksters will draw their inspiration from requests sent by ordinary people who want to execute the hoax on friends, family, colleagues, customers, kids, parents or even pupils. They’ll rely on the technical know- how and the resourcefulness of the teams to make it happen.  But it needs to be hyper-convincing because these hoaxes are going to be happening in the real world In Plain Sight. Produced by North One Television.

Dinner with Deepak — If you could invite three people to dinner, who would they be? Best selling author and spiritual teacher Dr. Deepak Chopra dines and joins in conversation with some of the greatest minds and creators in the world today. In every episode, Chopra brings together a group of noteworthy guests to share a meal and a conversation ranging in topic from the spiritual, political and scientific to supernatural, designed to challenge our standard conventions and push the boundaries of viewers’ imaginations and intellects. Executive producers: Deepak Chopra, Gotham Chopra, Tim Piper and Sharad Devarajan.

Tyler Shields – A docu-series featuring unconventional photographer Tyler Shields and his team as they create worlds that are always surprising, shocking, and totally surreal. This Los Angeles-based artist is one of the most creative and original photographers working today. His subjects are celebrities, actors, models, and everyday people captured in magical, beautiful, and often dangerous situations. His eye-popping, jaw-dropping photos are designed to elicit the subject’s purest emotion right in the moment using no special effects. A production of RelativityREAL. Executive producers: Tom Forman, Tyler Shields and Zach Quinto.

Overthunk — A one-hour series that follows two teams of four talented creators as they compete to design, build and set off massive chain reaction machines. The best gizmo gladiators across America will face off in a weekly contest testing their mettle through gears and metal. Each week visits a new city, where natural rivals race against the clock and each other to brainstorm and build a fantastic apparatus that completes a specific task and keeps viewers holding their breath to see if these contraptions will actually work. Along the way, surprise “monkey wrenches” will challenge their minds and their patience. Produced by 25/7 Productions. Executive producer: Dave Broome.

Change the Day You Die — Change the Day You Die is an inspiring new reality series that uses state-of-the-art science to dramatically transport its participants into the future to face their own self-inflicted demise. Each of the seemingly healthy, unsuspecting candidates — nominated by friends, family and loved ones — will go on a 10-week transformational journey where they must master a series of mental and physical challenges designed to reverse their bad habits and add back valuable lost years to their lives.  Through medical-condition simulators, life-enhancing technology, unique graphics and special effects, each participant will experience firsthand the grim reality of their potential future so that they have the opportunity to change their ways before it’s too late. Produced by 3 Ball Productions/Eyeworks USA. Executive Producers: JD Roth and Todd A. Nelson (3 Ball Productions/Eyeworks USA) and Danny Fenton (Zig Zag Productions).
Imagination Nation — The innovators behind Hammacher Schlemmer, America’s oldest continuously published catalog that offers imaginatively unexpected and innovative products, go on the road to meet inventors from all walks of life to find fresh offerings for their inventory. Produced by North South Productions. Executive producers: Charlie DeBevoise and Mark Hickman.

America’s Smartest Kids — A thought provoking, reality competition show where the country’s most imaginative, innovative teenagers are challenged to invent a better future while competing for the title of America’s Smartest Kid. Executive producers: David Zelon and Michael Sardo.

SATURDAY ORIGINAL MOVIES

Red Faction: Origins — 2011 — Robert Patrick (Terminator 2), Brian J. Smith (Stargate Universe) and Kate Vernon (Battlestar Galactica) star in Red Faction: Origins, based on the hugely successful Red Faction video game franchise. Twenty-five years have passed since Alec Mason (Patrick) led the Martian Colonies to freedom …and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake.

Jake Mason (Smith), Alec’s only son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive.  As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them…a cold-blooded soldier sworn to destroy the Red Faction. Red Faction: Origins is produced by Universal Cable Productions and UFO Films.

Zombie Apocalypse (working title) — October 2011 — Months after a zombie plague has wiped out 90 percent of the American population, a small group of survivors fight their way cross-country to a rumored refuge on the island of Catalina.  A production of The Asylum.

Gretl — November 2011 — As an adult, a witch hunter (Hansel) returns to the village where he lived as a child to find and kill the witch who killed his sister, Gretl (Shannen Doherty), only to find that Gretl is not dead and danger lurks around every corner.  Produced by Chesler/Permutter Productions & Vesuvius Productions.

Snowmageddon (working title) – December 2011 — A story about a mystical snow globe that makes very bad things happen in the real world when it is shaken.  A production of Cinetel.

Bigfoot – 2012 — 1970’s pop culture icons Danny Bonaduce (The Partridge Family) and Barry Williams (The Brady Bunch) face off in the hunt for the legendary mountain creature.  A production of The Asylum.

St. Patrick’s Day Leprechaun (working title) — St Patrick’s Day, Saturday, March 17th, 2012 — An evil leprechaun who has been imprisoned within the roots of a majestic old oak tree, is accidentally set loose on St. Patrick’s Day.  Once free, he takes out his bloody revenge on the descendants of the people who originally imprisoned him.  A production of After Dark Films.

Roswell — June 2012 – The story selected by fans for Syfy and IGN.com’s B Movie Mogul project, 65 years after the original UFO crash at Roswell, another ship from the same far-off civilization comes to rescue their downed comrades – and continue their preparation to invade the earth. Directed by Jason Connery (Area 51, The Devil’s Tomb). A production of After Dark Films.

Jersey Shore Shark Attack — 2012 – While everyone else runs scared, vacationing Jerseyites fend off shark attacks on the shore.  A production of ARO Entertainment.

Dungeons and Dragons 4 (working title) — September 2012 – A princess and a rogue knight become reluctant heroes  inside a magical kingdom.  A production of After Dark Films with Silver Pictures.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

SyFy & THQ Original Movie Red Faction: Origins To Premiere This Saturday, June 4th At 9:00 p.m.

Via Press Release:

SYFY AND THQ ORIGINAL MOVIE RED FACTION: ORIGINS TO PREMIERE ON SYFY SATURDAY, JUNE 4, AT 9PM (ET/PT)

ALL-STAR CAST LED BY BRIAN J. SMITH (Stargate Universe), ROBERT PATRICK (TERMINATOR 2) AND KATE VERNON (BATTLESTAR GALACTICA)

RED FACTION ARMAGEDDON VIDEO GAME SET TO BE RELEASED MAY 31

New York, NY, and Agoura Hills, CA – April 15, 2011 – Part of a first-of-its-kind transmedia deal, the THQ Inc. (NASDAQ: THQI) and SyfyOriginal Movie Red Faction^®: Origins^TM, based on the highly successful Red Faction® video game franchise, will premiere on SyfySaturday, June 4, at 9PM (ET/PT), less than a week after the Red Faction^® Armageddon™ video game is released.

Red Faction: Origins follows the children of rebel hero Alec Mason, set during a period between the Red Faction^®Guerrilla™ and Red Faction Armageddon video games.

Directed by Peabody-Award winner Michael Nankin (Caprica, Battlestar Galactica, CSI: Crime SceneInvestigation), Red Faction: Originsstars Brian J. Smith (Stargate Universe), Robert Patrick (Terminator 2: Judgment Day), Kate Vernon (Battlestar Galactica), Danielle Nicolet (The Starter Wife), Gareth David-Lloyd (Torchwood), Tamzin Merchant (The Tudors) and Devon Graye (Dexter).

RED FACTION: ORIGINS

Twenty-five years have passed since Alec Mason (Robert Patrick) led the Martian Colonies to freedom …and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake.

Jake Mason (Brian J. Smith), Alec’s last surviving son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive.  As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them…a cold-blooded soldier sworn to destroy the Red Faction.

Jake must now battle the relentless regime and somehow reunite a family torn apart by war.

Kate Vernon portrays The Matriarch, leader of the tribal Marauders sect.

Red Faction: Origins is produced by Universal Cable Productions (UCP) and UFO Films (Lake Placid 2 & 3).

The Red Faction: Origins screenplay was written by notable writer and producer Andrew Kreisberg (Warehouse 13, Fringe, Eli Stone), based on a story developed by THQ Director, Fiction Development Paul DeMeo (The Rocketeer, The Flash, Viper) and THQ Executive Vice President, Core Games, Danny Bilson (The Sentinel, Human Target, The Flash). Kreisberg also serves as executive producer.

RED FACTION: ARMAGEDDON

Half a century after the Red Faction resistance freed Mars, the red planet again becomes a battleground. Colonists struggle for survival in the underground mines after the surface is rendered uninhabitable. When Darius Mason, grandson of revolution heroes Alec Mason and Samanya, unknowingly releases a long-dormant evil, Armageddon is unleashed on Mars. As settlements are torn asunder, only Darius and the Red Faction can save mankind. The battle will take them to the core of the storm-blasted planet through ice caves and lava flows until they are face to face against the unspeakable threat. Red Faction: Armageddon expands on the critically acclaimed, best-selling franchise with new, groundbreaking challenges.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (SyfyVentures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

Universal Cable Productions creates quality content across multiple media platforms for USA, Syfy and other networks.  A leader in innovative and critically acclaimed programming, UCP is the studio behind USA’sRoyal Pains, Law & Order: Criminal Intent, Psych, In Plain Sight, Covert Affairs and Fairly Legal, as well as Syfy‘sEureka, Warehouse 13 and Alphas. The studio also produced the long-running series Monk andBattlestar Galactica, as well as the series Caprica.  UCP is a division of NBC Universal.

THQ Inc. (NASDAQ: THQI) is a leading worldwide developer and publisher of interactive entertainment software. The company develops its products for all popular game systems, personal computers and wireless devices. Headquartered in Los Angeles County, California, THQ sells product through its global network of offices located throughout North America, Europe and Asia Pacific. More information about THQ and its products may be found atwww.thq.com.

THQ, Red Faction, Red Faction Guerrilla, Red Faction Armageddon, Red Faction Origins and their respective logos are trademarks and/or registered trademarks of THQ Inc. All other trademarks are the property of their respective owners.

SyFy Summer Schedule With VIDEOS!

(Scroll Down and Pause The Hulu Video For Ghost Hunters International That Just Autoplayed!)

Yeah, yeah, yeah… we know that we are very late with this but before the Summer Cable season heats up, we had a moral obligation to get out SyFy’s Summer schedule.

A few notes:

• First, we simply do not tolerate this garbage notion that’s promoted  on other blogs and by the fanboys that there’s no Science Fiction on SyFy anymore because they have one hour of wrestling per week and the final nail in the coffin was when the net work changed it’s name from SciFi to SyFy. We’re preparing an entire piece dispelling these particular myths but if you feel a need to peddle this crap, bring it on and we’ll be glad to embarrass you.
• Great to see returning scripted dramas Warehouse 13 and Eureka coming back (even though we knew a long time ago they were).  We didn’t care for Haven, but we are willing to give it another shot and we’ll update our review accordingly if appropriate.
• New scripted drama series Alphas will premiere on Monday July 11th along with WH13 and Eureka.  It doesn’t look like a particularly original concept, but it does look like a lot of fun.
• The reality shows are the reality shows.  SciFi does a pretty good job with them and they are hugely successful for the network but it’s nothing for us to get excited over.  We’ll pick up an episode here or there, but that’s about it.
• Of course, the one thing that SyFy excels in is guilty-pleasure, over-the-top, ridiculous original SyFy/Horror films.  This summer is no different and although a lot of our friends love these dopey things, we generally pass, however…
• We have to say that Red Faction: Origins based on the popular video game franchise looks pretty damned good, all things considering.  We’re not suggesting Emmy nominations but the production values look like they are up there with BSG production values so we’ll definitely be watching.  Having Robert Patrick as your lead doesn’t hurt you either.
• Alright, we admit it, Age of Dragons starring Danny Glover looks pretty good as well although it’s got that Reign of Fire feel to it.  The thing is that ROF is actually a pretty good flick and grossly underrated (check it it out.  FUll film of ROF on YouTube, here!) We’ll give this retelling of Melville’s Moby Dick (no kidding… not only is it billed as such but all of the characters names are straight of the classic novel) a shot.
• Although we missed the the Star Trek film marathon (pfffbbbt… who cares?  we have them all on Blu-Ray to begin with), the perennial Twilight Zone marathon will return on July 4th as it should.  If you can’t wait until then, Netflix has all 138 episodes in glorious HD availabel for streaming.  We’ve really re-discovered this epic series as of late thanks to Netflix and we’ll be doing a piece on the twenty greatest episodes of TTZ in the near future and our choices and omissions may surprise you.

SYFY’S SIZZLING SUMMER 2011 WILL FEATURE PREMIERE OF ALPHAS, RETURN OF Warehouse 13, Eureka AND HAVEN

DEBUT OF REALITY SERIES HAUNTED COLLECTOR AND LEGEND QUEST

NEW SEASONS OF Hollywood Treasure AND Ghost Hunters INTERNATIONAL

SATURDAY ORIGINAL MOVIES INCLUDE RED FACTION: ORIGINS AND ICE ROAD TERROR

NEW YORK – April 15, 2011 – Syfy will heat up Summer 2011 by launching four scripted series in July — the most ever in a single month — with newcomer Alphas joining powerhouses Warehouse 13, Eureka and Haven.

Along with expanding its popular scripted franchise, Syfy is building on successful reality programming such asGhost Hunters, Face Offand Fact or Faked: Paranormal Files by introducing two new series. Haunted Collectorwill be paired with the second season return ofHollywood Treasure on June 1, while Legend Quest debuts in July following the third season premiere of Ghost Hunters International.

Hot weather Saturday Original Movies will include Red Faction: Origins — based on the popular Red Faction video game franchise –Swamp Shark and Ice Road Terror.

Syfy Summer 2011 kicks off with a Star Trek movie marathon on Memorial Day weekend and will also include a July 4^th Twilight Zonemarathon.

Highlights of Syfy Summer 2011 Programming

June 2011

HAUNTED COLLECTOR **NEW ORIGINAL REALITY SERIES**

Wednesday, June 1, at 9PM (ET/PT) — Ghosts and spirits inhabit more than just homes and buildings — they can also live in objects.  In the new Syfy reality series Haunted Collector, a family of paranormal investigators hunt down haunted items bedeviling their owners. For 30 years John Zaffis, eminent paranormal researcher and demonologist, has been consulted on countless hauntings for clients all over the country, desperate to return their lives to normalcy. Author of the critically acclaimed book “Shadows of the Dark,” Zaffis has amassed thousands of possessed objects that reside in the bizarre museum which he built next to his house in Connecticut. Along with his son Chris, daughter Amy, and paranormal investigators Beth Ezzo and Brian Cano, Zaffis tracks down haunted items such as paintings, guns, jewelry and antiques. Once identified, the items are collected and stored in the museum. Haunted Collector is produced by Gurney Productions. Executive producers are Scott Gurney and Dierdre Gurney.

Watch the Complete First Episode!

Hollywood Treasure MID-SEASON RETURN

Wednesday, June 1, at 10PM (ET/PT) — All new episodes of Hollywood Treasure, which premiered its first season in October, introduced Joe Maddalena, owner of Profiles in History and the world’s largest auctioneer of original movie, television and pop culture collectibles. In these new episodes, Joe tracks down one-of-a-kind pieces from Forbidden Planet and Lost in Space.  He also works with Debbie Reynolds, who entrusts Joe with the task of selling her multi-million dollar collection. Hollywood Treasure is produced by Zupon Entertainment, LLC.  Mark Zupon is executive producer. Joseph Boyle is co-executive producer.

July 2011

ALPHAS **NEW ORIGINAL DRAMA SERIES**

Monday, July 11 @ 10pm (ET/PT)  – Alphas follows a team of ordinary citizens with extraordinary mental and physical abilities. Taking the law into their own hands, the unlikely team, led by Dr. Leigh Rosen (Emmy Award-winner and Oscar nominee David Strathairn) investigates cases that suggest other Alpha activity to uncover what the CIA, FBI and Pentagon have not been able, or willing, to solve. These gifted individuals must balance their quirky personalities and disparate backgrounds with their not always visible powers as they work to solve crimes, stop the ticking time bomb and catch the enemy. Alphas also stars Malik Yoba, Warren Christie, Laura Mennell, Ryan Cartwright and Azita Ghanizada, and is a production of Universal Cable Productions and BermanBraun Television. Executive producers are Gail Berman, Lloyd Braun and Gene Stein for BermanBraun, Zak Penn and Ira Steven Behr.

LEGEND QUEST **NEW ORIGINAL REALITY SERIES**

Wednesday, July 13 @ 10pm (ET/PT) — This fast-paced action-adventure series follows Ashley Cowie, an archaeological explorer and expert in ancient symbols, as he travels the world in search of some of history’s greatest and most mysterious artifacts. From King Arthur’s famous sword to the Lost Ark of the Covenant, all of the elusive items are believed to hold hidden powers and mystical significance for ancient and modern cultures. Each of the six episodes will include Indiana Jones-type adventure and Da Vinci Code-style puzzle solving as the secreted truths and alternative theories of these mythical relics are explored.  Cowie and his team leave no stone unturned as they hack through dense jungles, squeeze through tiny caves and trek through forbidding deserts to find their next clue. Their expeditions will reveal secrets that have been guarded for centuries and are still being protected today. Legend Quest is executive produced by John Brenkus and Mickey Stern for BASE Productions.

(No Video Available)

Eureka SEASON 4.5

Monday, July 11 @ 8pm (ET/PT) — In the season 4.5 return of Eureka, as the timeline changes from their trip to 1947 continue to surprise Carter, Allison, Henry, Jo and Fargo, an accident of astronomical proportions launchesEureka’s most ambitious project yet.  The entire town rallies to go where no man has gone before, pitting scientist against scientist to be one of the chosen few.  But our heroes’ new relationships are tested as secrets begin to surface. And the competition grows fierce when darker forces threaten to bring everyone down if they fail.During its fourth season, Eureka averaged 3.16 million total viewers, 1.40 million Adults 18-49, 1.58 million Adults 25-54 and a 2.25 household rating, based on Live+7 DVR data. Eureka stars Colin Ferguson, Salli Richardson-Whitfield, Joe Morton, Erica Cerra, Neil Grayston and Niall Matter. Co-creator Jaime Paglia and Bruce Miller are executive producers.  The series is produced by Universal Cable Productions.

Warehouse 13 SEASON 3

Monday, July 11 @ 9pm (ET/PT) – Warehouse 13, Syfy’s most successful series ever, returns for a third season with a key question looming from the gripping season two finale: has Myka (Joanne Kelly) left the Warehouse for good? Joining the Warehouse team is Steve Jinks (Aaron Ashmore, Smallville), an ATF agent with an innate ability to detect when someone’s lying.

Warehouse 13 follows a team of government agents who work at a massive, top-secret storage facility in South Dakota which houses every strange artifact, mysterious relic, fantastical object and preternatural souvenir ever collected by the U.S. government. The Warehouse’s caretaker Artie Nielsen (Saul Rubinek) charges Pete Lattimer (Eddie McClintock), Myka Bering (Kelly) and young apprentice Claudia Donovan (Allison Scagliotti) with chasing down reports of supernatural and paranormal activity in search of new objects to cache. During its second season, Warehouse 13 averaged 3.43 million total viewers, 1.51 million Adults 18-49, 1.80 million Adults 25-54 and a 2.4 household rating, based on DVR Live +7 data. Warehouse 13 is produced for Syfy by Universal Cable Productions. Jack Kenny (The Book of Daniel) is executive producer and showrunner.

HAVEN SEASON 2

Friday, July 15 @ 10pm (ET/PT) — Last season, when FBI agent Audrey Parker (Emily Rose) arrived in the town of Haven, Maine on a routine case, her knack for unraveling mysteries proved an asset when she discovered that the seemingly sleepy town was, in fact, a longtime refuge for people with supernatural afflictions.  Now, in Season Two, Audrey must not only stay on top of Haven’s many afflictions –which continue to be revealed in every episode – but also solve her most challenging case yet: the secret of her own lost past and its ties to Haven.

With the help of Nathan Wuornos (Lucas Bryant), a handsome local cop with his own trouble, and Duke Crocker (Eric Balfour) a local smuggler and reluctant aide in solving Haven’s troubles, Audrey digs deeper into uncovering her identity.  Guest stars Jason Priestley (who will also direct an episode) and Vinessa Antoine join the cast for season two, which is currently in production on 13 episodes in Nova Scotia. Haven, from leading independent producer Entertainment One (eOne) is co-commissioned by Shaw Media in Canada and globally via Universal Networks International (UNI).

The creative team behind the second season of Haven includes Executive Producers John Morayniss (Hung,Goodnight for Justice) and Noreen Halpern ( Call me Fitz, Rookie Blue) from eOne and David MacLeod (Legends of the Fall, The Ray Bradbury Theater) of Big Motion Pictures, who are joined by Lloyd Segan, Shawn Piller, Scott Shepherd (Stephen King’s The Dead Zone) and Matt McGuiness (Journeyman) as well as and Sam Ernst & Jim Dunn (Stephen King’s The Dead Zone) who also developed the series.

Haven is produced by Entertainment One (eOne) and Big Motion Pictures in association with Piller/Segan/Shepherd and airs on Syfy in the U.S., Showcase in Canada and internationally on UNI’s multipleSyfy Universal channels. Entertainment One controls the worldwide distribution rights to the one-hour series and concluded a deal with Germany’s Tele München Group (TMG) for the television rights in continental Europe.

Sorry, this is the best we could do!

Ghost Hunters INTERNATIONAL SEASON 3

Wednesday, July 13 @ 9pm (ET/PT) – Ghost Hunters International – The GHI team kicks off the third season traveling deep into the rainforest of Trinidad, where it’s reported that the spirit of Count Lopinot, a cruel slave master, rises from the grave of his cocoa plantation.Ghost Hunters International features a squad of paranormal investigators who use their principles of scientific techniques to explore some of the most legendary haunted spots around the world. Each week the team travels to the far corners of the globe, searching for answers to bizarre supernatural mysteries.  The team of investigators is led by Barry FitzGerald and Kris Williams and also stars Joe Chin, Susan Slaughter, Paul Bradford and Scott Tepperman. Ghost Hunters International is produced in association with Craig Piligian’s Pilgrim Films and Television (Dirty Jobs, The Ultimate Fighter, My Fair Wedding). Piligian and Thomas Thayer, along with Rob Katz and Alan David, serve as executive producers.

Saturday Original Movies

Red Faction: Origins – Saturday, June 4, at 9PM (ET/PT) — Robert Patrick (Terminator 2), Brian J. Smith (Stargate Universe) and Kate Vernon (Battlestar Galactica) star in Red Faction: Origins, based on the hugely successfulRed Faction video game franchise. Twenty-five years have passed since Alec Mason (Patrick) led the Martian Colonies to freedom and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake. Jake Mason (Smith), Alec’s only son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive.  As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them — a cold-blooded soldier sworn to destroy the Red Faction. Vernon portrays The Matriarch, leader of the tribal Marauders sect. Red Faction: Origins is produced by Universal Cable Productions and UFO Films.

Ice Road Terror – Saturday, June 11, at 9PM (ET/PT) — Truckers (Brea Grant, Michael Hogan) face a deadly ice creature on the frozen roads.  A production of ARO Entertainment.

Swamp Shark – Saturday, June 25, at 9PM (ET/PT) — Kristy Swanson, D.B. Sweeney and Robert Davi star in the story of mutant sharks terrorizing the Louisiana bayous. A production of Active Entertainment.

Age of Dragons – July – Danny Glover stars in a re-imagining of Herman Melville’s classic novel Moby Dick, set in a mythical realm where Captain Ahab and crew hunt dragons for the vitriol that powers their world. A production of Dragon Quest Productions LLC.

Super Eruption — July — A scientist and a park ranger (Juliet Aubrey, Richard Burgi) try to stop the eruption of a massive volcano under Yellowstone Park.  A production of MarVista Entertainment.

(No Video Available)

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (SyfyVentures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

Geek Alert! Torchwood: Miracle Day Official Trailer Released

One day, nobody dies. All across the world, nobody dies. And then the next day, and the next, and the next, people keep aging — they get hurt and sick — but they never die. The result: a population boom, overnight.

With all the extra people, resources are finite. It’s said that in four month’s time, the human race will cease to be viable. But this can’t be a natural event – someone’s got to be behind it. It’s a race against time as C.I.A. agent Rex Matheson investigates a global conspiracy. The answers lie within an old, secret British institute. As Rex keeps asking “What is Torchwood?”, he’s drawn into a world of adventure, and a threat to change what it means to be human, forever. – Starz

Starz has released an official trailer for the upcoming series Torchwood: Miracle Day that actually contains footage from the new series as opposed to every other trailer out there. Now, when we say ‘new series,’ we use the phrase loosely as the series is only new to the U.S. in first-run.  It’s actually the fourth season of the BBC SciFi hit, Torchwood, which is a spinoff of the BBC SciFi hit Dr. Who. As an aside, here’s the thing we don’t get:  they call a season a ‘series’ in th U.K. So, this begs the question,  if they call a season a series what do the call a series?  Did we mention that their food is awful as well.

Anyway, we started watching Torchwood a few months ago on Netflix streaming and we love it and one of the things that’s so great about it is that the U.K., ironically, does not have the same kind of puritanical standards for broadcast television that we have here in the U.S.  Unlike Dr. Who, this show simply is not appropriate family viewing in the U.S. without serious editing (which is exactly what we assume they did when they aired the first three seasons on BBC America).  Honestly, this show can’t even be aired on F/X, and is the domain of premium cable exclusively and that’s why we’re thrilled that Starz picked this up instead of FOX, which was the original intention.  It would have been a watered-down mess if it had been on a Big-5 network.

Just by watching this trailer, it’s obvious that the U.S. treatment of this show is going to provide a much-deserved blockbuster film-feel upgrade, and look… Bill Pullman’s working again!  Now, we need to make clear that fans who have never watched the series shouldn’t be scared off by jumping into the fourth seasons.  First the show has been like The X-Files in both substance and style and even though there is a continuing story-arc, the episodes have stood on their own.  Now, this new season, as to be expected from any premium cable drama will obviously feature a self-contained story-arc over the course of the ten-episode season and even though you may have not watched it before, rest assured that the producers will fill you in on the pertinent details that you’ll need.  But, don’t forget, you can always get yourself acquainted by checking out the series on Netflix.  I mean, seriously… we’re only talking about 31 episodes and you have over a month to do it and there’s not that much else on TV, right now.

Torchwood: Miracle Day premieres on Starz on Friday July 8th at 10:00 p.m.  and we highly recommend it.  You’re going to have a blast.  By the way, if you’re one of the few people who have an Internet connection and don’t have Netflix, you can still watch full episodes of seasons one through three right on YouTube as apparently no one’s caught up to the fact that users have uploaded it.  Check it out here.

‘The Cape’ (NBC – Monday, 9:00 p.m.)

“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Vince Faraday becomes “The Cape” – his son’s favorite comic book superhero – and takes the law into his own hands.

Rounding out the cast are James Frain (“The Tudors”) as billionaire Peter Fleming, The Cape’s nemesis who moonlights as the twisted killer Chess; Keith David (“Death at a Funeral”) as Max Milani, the ringleader of a circus gang of bank robbers who mentors Vince Faraday and trains him to be The Cape; Summer Glau (“Terminator: The Sarah Connor Chronicles”) as Orwell, an investigative blogger who wages war on crime and corruption in Palm City; Dorian Missick (“Six Degrees”) as Marty Voyt, a former police detective and friend to Faraday; Martin Klebba (“Pirates of the Caribbean”) as Rollo, member and unassuming muscle of the circus gang of bank robbers; and Vinnie Jones (“Lock, Stock and Two Smoking Barrels”) as Scales, resident thug and cohort of The Cape’s nemesis Chess. – NBC

7 out of 10

*Sigh*

Let’s us start by saying that the relatively high rating that we’ve given The Cape of a “7” is a very qualified “7” and we kind of had to convince ourselves that it was worth the rating. The problem for us in reviewing The Cape is despite its glaring flaws and no matter how much we wanted to give it a rating of about a 5 or 6, we kept coming back to the fact that we really liked it. That being said, if it starts getting stupid, we reserve to take back that VERY generous rating.

Here’s the thing about The Cape: it’s exciting, it is literally a comic book come-to-life, and it’s very well-produced. The problem is that there is nothing original about it at all.

EVERYTHING is a conglomeration of other comic book/superhero and genre story lines and to make it worse, it rips-off elements from the more modern incarnations (see: Sam Raimi’s Spider-Man, Christopher Nolan’s Batman, Jon Favreau’s Iron Man, The Punisher, Robocop, Superman and, yes, even Teenage Mutant Ninja Turtles… to name a few). Now, we’re not suggesting that they use these elements badly, but it’s such an obvious copy-and-paste that you can’t help but notice and cringe… a lot. Hell, they even ripped-off Heroes which would seem like a bad idea considering that NBC just canceled that show.

(Extended Trailer)

Now, that’s the biggest issue with The Cape. The other more irksome issue is the absolute ridiculousness of the action sequences and the visual effects. They are way over-the-top and go beyond the level of, “Well, we’ll just have to suspend our disbelief.” We are personally sick and tired of standard bullets from sub-machine guns and pistols causing fuel tanks explode. Has no one in Hollywood watched Mythbusters?  The only way to make a fuel tank explode into a massive fireball is with with incendiary rounds…. and a FRAKKIN’ mini-gun.

Oh, and one more thing: a human being cannot survive a fall out of a 50 story building by using a car to break their fall. Do you now see why these sequences irk us?

Beyond those problems, though, we hate saying this but this show is a crap-load of fun and has a lot of potential to be one heck of a ride week after week if audiences are patient with it. The characters are pretty are well-developed and the performances are strong and believable and there’s enough complexities with them to flesh out some compelling story lines. It has more the feel of a summer blockbuster than it does a weekly prime-time drama.

What hurts The Cape is the aforementioned lack of originality. On its surface it doesn’t bring anything new to the table and this generation of audience is a fickle lot with genre in prime time. The Cape has a lot of potential to be a great show. Let’s just hope it becomes a great show that people want to tune in to.

Watch full episodes of The Cape, here.

‘Fringe’ Moves to Friday Nights: FOX Pledges Full Support. Don’t Be Fooled. Fans Need To Read This.

If you haven’t heard already, Fox has moved the J.J. Abrams fan-favorite Sci Fi thriller, Fringe,  from the Thursday at 9:00 p.m. slot to the dreaded Friday at 9:00 p.m. slot.  Now as much as we here at The ‘Tastic love Fringe (to the point where we consider it to be one of the top five shows on television), we weren’t necessarily surprised by this because as we’ve pointed out, FOX pisses their pants every time they see a ratings drop.

We also noted that while the other major networks are starting to take Friday nights seriously once again,  FOX has decidedly NOT taken this approach, designating the night for reality shows and as a dumping ground for shows that haven’t done as well as they had hoped which is usually the fault of FOX to begin with (see: The Good Guys for the most recent example of this and our analysis here).  So, we’ve come to accept that no show is ever safe on FOX and that without fail, if a show is designated for Friday night it will not be renewed at the end of the season or if it is, it will wither pretty quickly the following season.  Now, with Fringe, there’s been a bit of a twist in this whole saga this week, which we’ll get to shortly, but first, it is necessary to address a fact of life that we’ve really been holding off on admitting for a long time but here it is:

FOX is an awful network and quite possibly the worst network ever… period.  End of discussion.  FOX is worse than The CW and it may possibly be worse than UPN or The WB ever was.  The network is poorly run, they make terrible, amateurish decisions regarding their programming, they have absolutely no idea how to market quality programming in order to pique interest and they don’t give shows a chance to build an audience or even maintain a modest one.  We will remind you that this is the same network that canceled Family Guy and the only reason it came back after a three-year hiatus is because The Cartoon Network aired the 49 episodes it had acquired the syndication rights to at 11:00 p.m. nightly and it gave THAT network the highest ratings in its history.  So, to make this clear, a show FOX cancelled after only 49 episodes put another network on the map when they aired them… at 11:00 p.m.

The only reason FOX has had any success is because they have had a handful of successful shows that they have MILKED TO DEATH.  Here’s the thing about that: a successful show should be able to give a network a lot of leeway with their programming and give a lot of other shows a chance to build an audience and become successful.  What this means is that a show, for example, such as American Idol, can make enough money to basically support the growth of shows that are critically acclaimed however struggle in the ratings.  This is not a new concept in either film or cinema.

Think of it like this: why do major studios invest money in relatively low-budget films with little-to-no anticipated payoff?  Well, that’s because the film industry although motivated by profit like any other industry, still sees the value in the art they produce for the sake of the art itself and they believe that every now and then, the quality of the art for art’s sake may just turn into gold.  A prime example of this is Paranormal Activity which Paramount/Dreamworks picked up the rights to for $300,000.  Why would a major studio throw $300,000 away on a low-budget ($15,000), genre film that had little-to-no chance of making them any money?  Well, first, because Stephen Spielberg REALLLLLLY liked it and second (and probably more importantly), because between G.I. Joe: The Rise of Cobra, Transformers: Revenge of the Fallen and Star Trek, Paramount grossed $1.5 billion domestically at the box office in 2009 on just those three films. So what it comes down to is that studios can afford to take more risks when they have money makers like that.  Of course, with Paranormal Activity, that risk paid off nicely, grossing $194 million globally.  Not a bad bet for a lousy $300,000, eh?

The same principle applies to television and even FOX has actually had success with this principle when they’ve applied it but they’ve only attempted it once and that was with 24 and that was nearly a decade ago.  They stuck with that show early on despite the fact that the ratings had slipped in the first season and they even used American Idol as the lead-in and it worked.

FOX simply has no foresight or vision when it comes to the potential value of good TV, despite slipping ratings and quite frankly they are missing a much bigger point and that is that due to their 20 year history of reckless programming decisions, generally speaking, audiences don’t want to give FOX a chance any more when it comes to scripted programming.  Why would they bother to ever consider getting invested in a scripted show on FOX when it’s more than likely not going to last for any significant amount of time?  It’s a vicious cycle.  FOX cancels shows (or dumps them into Friday) because the ratings slide, the ratings slide because the audiences don’t have any faith that FOX won’t cancel their show.

Now, back to the big twist in the news this week regarding the moving of Fringe to Friday…

Last week a whole bunch of blogs and entertainment news sites a lot more reputable than The ‘Tastic all had basically the same thing to say about the move.  To put it simply: they all contend that the move marked the beginning of the end for the series which certainly isn’t a stretch, particularly with FOX.

Well, the FOX execs didn’t like that too much so they came up with this little trailer that addresses (and quotes) the cynical (albeit realistic) commentary from the writers at Collider, Ain’t It Cool News, IGN, TV Overmind, and Fringe Bloggers who for some bizarre reason just don’t seem to have any faith in FOX’s support of this show.

How cute is that, right?  We’re convinced.  Aren’t you?

Entertainment Weekly, who apparently has no problem being a corporate shill for FOX and perpetuating B.S., did a nice little puff-piece where they quote FOX’s senior VP of marketing and special projects, Dean Norris, explaining what prompted the trailer:

We started getting feedback from the viewers that basically said, ‘How could Fox do something so cool for a show they’re going to kill?’ We started reading these things and said, ‘Wait! We have to address this!’” The mission was to produce a piece of communication that dealt with the situation in a self-deprecating fashion, yet also assuaged fan fears. The message, spelled out in the promo: “You May Think Friday Is Dead… But We’re Gonna Reanimate It.”

Well, that sounds great because after all if there is one thing FOX is good at it’s animation… and RE-animation for that matter (see: Family Guy).

Now, standby in 3… 2… 1… for the big lie:

The promo is the beginning of a larger effort by Fox to shore up Fringe’s existing fanbase and hopefully grow the audience by targeting teen viewers who might be at home Friday night… “We are trying to rebrand Friday, and what we’re trying to do with this show specifically is make it kind of like forbidden fruit,” says Norris. “We want that teen demographic that might not be our audience right now to say, ‘That this is a show my parents might not want me to watch — but I’m going to watch it, anyway.’”

…And this is exactly why we don’t trust FOX and neither should you.  First, and foremost let’s just examine this entire quote, shall we?

Mr. Norris, please explain to us how FOX plans to “shore up” its existing fanbase by alienating it, yet again.  The problem that we pointed out earlier is that it’s not even necessarily the fact that it’s on a Friday night… the problem is that it’s on FOX on a Friday night and their history with television shows – ESPECIALLY Sci Fi shows! – on that night.

Our first hint of skepticism regarding this sudden change of heart was in that dopey little promo itself.  It’s the quote from Roco at Fringe Blogger that they cite:

This is indeed the night… others were cast out to die.

Anytime we see a quote cited and there is ellipsis in the middle of the quote, we always research the actual source to find out exactly what the quoter wanted to leave out in order to advance their agenda.  Here’s the actual quote by Roco:

This is indeed the night the likes of Dollhouse, Terminator: The Sarah Connor Chronicles, Firefly and others were cast out to die.

And there it is, folks; what FOX wants you to forget about.  The fact is that not only has FOX been brutal to Sci Fi shows that they’ve abandoned to Friday night, they’ve also spun similar stories about support and similar clever promo campaigns that REALLY made people think they gave a crap.  I refer you to the Dollhouse/Terminator: The Sarah Connor Chronicles promos from spring of 2009.

Here’s our favorite… when Summer Glau and Eliza Dushku actually hosted the “Double Feature Friday” of Terminator: The Sarah Connor Chronicles and the series premiere of Dollhouse.

Three months later Terminator: The Sarah Connor Chronicles was canceled and six months after that Dollhouse was canceled.  Obviously, this is an example of FOX fully supporting their friday night Sci Fi shows.

To add more salt into that particular wound and prove the point about the total lack of vision at FOX, in May of 2009 those two shows had identical audience numbers, but FOX, in their infinite wisdom and foresight, decided to cancel Terminator: The Sarah Connor Chronicles which had 11.4 million viewers during its first season before being dumped into Friday, was incredibly well-received by critics, had an established franchise brand-name and a built-in audience in favor of renewing the Joss Whedon mess called Dollhouse that had none of these attributes going for it.  Once again, nice job, FOX.

We won’t even discuss what they did to one of the greatest and regrettably short-lived series of all time, Firefly (also a Joss Whedon show).

As for the last big lie in that quote… who are they kidding?  Are we really supposed to believe that teenagers are going to stay in on a Friday night to watch a Sci Fi serial?  Furthermore, the reality is that it’s nearly impossible to expand the base for a show like this.

We know exactly what they’re thinking or at least the premise that they are going for in trying to promote this big lie and that is that Fringe is like The X-Files (as it’s been compared to that hit series since it debuted) and that it can appeal to everyone on that level.  Wrong.  They aren’t the same show at all and the reason why it doesn’t work is that roughly 2/3 of the 202 episodes of The X-Files were standalone, “monster-of-the-week” type episodes that were literally disconnected from the main storyline arc of Mulder’s quest for the proof of alien abduction so he could find his sister.

Fringe’s main story arc is omnipresent in every single episode whether it’s integral to the story of that particular episode or not and as much as we love The X-Files, Fringe’s main arc is a helluva lot more complicated than The X-Files alien arc ever was.  As a viewer, you cannot just jump into a show like Fringe halfway through its third season.  It would be the equivalent of jumping into Lost halfway through the third season.  You’d be lost and Norris must know this and if he doesn’t he’s completely incompetent.

So that’s what we’re left with.  TPTB at FOX are either completely incompetent or completely dishonest and what’s ridiculous is how many other bloggers and various media outlets are falling for this sudden change of heart by FOX regarding their dedication to a Sci Fi show that they have parked on Friday night.  Seriously, how dumb are they?  This is “battered viewer syndrome” (…and I’m not going to explain that particular metaphor) if we’ve ever seen it.  Do not trust FOX and their claims of unmitigated support for Fringe or any other show they move to Friday until they can be proven to be trustworthy.  The first step in doing that would be for them to order the remaining episodes for this season and order an entire fourth season and promise to air all of the episodes.  At this point, that would be the only way we would ever trust them and that’s not going to happen, so all we can do is hope for the best but plan for the worst which means expect Fringe to be canceled in May.  Let’s just hope that they bring some closure to this great series.

And, by the way… we really hope we’re wrong but we doubt that we are.