Approved by Gamera!
For this generation of television audiences with short attention spans, HBO has made catching up on True Blood ahead of the season four premiere this Sunday, June 26th easy by releasing the cool little video below that provides a synopsis of the important stuff that’s been going on over the last three seasons. This has been approved by our, True Blood corespondent, Gamera who as we noted, will be featured prominently in season five.
On May 18th, SyFy announced that they were picking up both seasons (26 episodes) of the Canadian supernatural hit, Lost Girl for broadcast in the U.S. We’re not familiar with this show however it seems rather interesting and at least it’s another new scripted drama added to SyFy’s very light new schedule for 2011 – 2012. No word on a premiere date as of yet.
Via Press Release:
SYFY ACQUIRES SUPERNATURAL DRAMA SERIES LOST GIRL FROM PRODIGY PICTURES
NEW YORK – May 18, 2011 – Syfy has acquired both seasons (26 episodes) of the hit Canadian supernatural drama Lost Girl from Prodigy Pictures, it was announced today by Thomas Vitale, Executive Vice President, Programming and Original Movies, Syfy.
Lost Girl stars supernatural seductress Bo (played by Anna Silk/The Ghost Whisperer), a Succubus (a powerful female entity in folklore) who feeds off sexual energy. Raised by human parents, Bo had no reason to believe she was anything other than the girl next door — until she “drained” her first boyfriend to death.
Bo has since hit the road alone and afraid. She discovers she is one of the Fae, creatures of legend and folklore, who pass as humans while feeding off them in secret, as they have for millennia. She is faced with choosing an allegiance between the Dark or Light Fae clans. Bo decides to take the middle path between humans and the Fae while embarking on a personal mission to unlock the secrets of her origin, protecting humans along the way.
Lost Girl co-stars Kris Holden-Ried as Dyson, a shape-shifting Fae, homicide detective and Bo’s love interest; Ksenia Solo as Kenzi, Bo’s human confidante and street-smart survivor, Zoie Palmer as Lauren, a human doctor who competes for Bo’s heart; Rick Howland as Trick, the mysterious owner and bartender at The Dal Riata tavern, with a secretive past that is yet to be unlocked, and K.C. Collins as Hale, a handsome male “Siren” who is the eternal bachelor, ultimate wingman and Dyson’s partner on the force.
Notable guest stars include Emmanuelle Vaugier as “The Morrigan”, the leader of the Dark Fae.
Said Vitale: “In one year, Lost Girl has electrified viewers in Canada and around the world. We’re delighted to bring this fascinating, high-octane series, which depicts a unique world and memorable heroine, to the Syfyaudience.”
“We’re thrilled to have Syfy on board as our broadcast partner in the U.S. Lost Girl is a unique series that thrusts a strong, independent female lead into uncompromising circumstances. It’s a series that takes risks with unconventional storylines and provocative character development,” said Jay Firestone, Executive Producer.
This series is developed and produced by Prodigy Pictures, in association with Shaw Media and Showcase. This acquisition agreement was brokered by Tim Mudd of Mudd Media.
Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)
About Prodigy Pictures
Founded in 2006 by Jay Firestone, Prodigy Pictures leads the way in the production of quality film, television and cross-platform media. Its credits include the critically acclaimed feature Stuck and the television series XIII, currently airing on Showcase in Canada and Canal Plus in France. Prodigy’s hit series, Lost Girl, has recently started production on its second season. The company has several feature film and television projects in development, including William Gibson’s Neuromancer, and Weapon, in partnership with Studio 37.
Again, like the Summer schedule, we are very late on the draw on this, however, here’s the full scoop on all of the programming for SyFy for 2011 – 2012. There’s not a whole lot more that we can say about this that we didn’t say in the article about the Summer schedule, except that new scripted drama is represented by a grand total of two shows this season, Alphas, premiering in July, and the highly-anticipated Battlestar Galactica: Blood & Chrome, which does not have an official announced date for release but we expect it in early 2012.
Although we don’t subscribe to the nonsense that there is no Science Fiction on the former SciFi network anymore, it is very curious that there are only two new scripted dramas (and SyFy has picked up the first two seasons of the Canadian hit, Lost Girl although they haven’t announced a premiere date for it as of yet) and three, what appear to be science fiction-themed comedies (seriously?). The rest of the programming is made up primarily of goofy Saturday movies and reality series. This disappoints us and seems a little odd as well, considering that every other network out there has drastically cut the amount of reality shows from their schedule and cut the amount of reality shows that they have ordered and put into development status. This schedule is VERY reality-heavy and it’s not a matter of this not appealing to science fiction audience, it’s a matter of it not appealing to any audience. Seriously, how many reality shows can an audience take? For preview videos and trailers of the shows that will be airing this summer (including some full episodes) check out the our article on the SyFy summer schedule.
CORRECTION: Due to the obnoxious length of SyFy’s press release below, we completely missed the announcement regarding the new live-action, scripted action series/massive multiplayer online game (MMOG), Defiance. Due to this development, we are a whole lot less disappointed in the lack of new scripted drama. Read all about it, here.
Via Press Release:
SYFY UNVEILS LARGEST ORIGINAL PROGRAMMING SLATE IN HISTORY FEATURING 14 NEW SERIES AND EVENTS
LED BY PREMIERE OF ALPHAS, FOUR SCRIPTED SERIES LAUNCH IN JULY – MOST EVER IN A SINGLE MONTH
UNSCRIPTED DEVELOPMENT SLATE INCLUDES PROJECTS WITH TOMMY LEE AND DEEPAK CHOPRA
NEW YORK – March 22, 2011 – Continuing the sizzling momentum of the Syfy global brand evolution, which has sparked imagination-driven hit series and double-digit growth in younger, upscale audiences as well as diverse new business ventures, Syfy President Dave Howe today will introduce the largest original programming slate in the channel’s 18-year history, highlighted by 14 new original series and events comprising more than 100 hours.
The 2011 Syfy Upfront will be presented at the Foxwoods Theatre, where the channel is hosting a live performance of SPIDER-MAN Turn Off the Dark for the advertising community. Syfy is the official media partner of the Broadway show.
Remarking on Syfy’s announced development slate, Mark Stern, President Original Content, Syfy, and Co-Head Original Content, Universal Cable Productions, said, “Our ambition in development is to push the boundaries of imagination, creativity, and story-telling. We want to transport our audience with high-quality, thought-provoking experiences that allow them to explore the un-explorable, to believe the unbelievable, and to truly… ‘Imagine Greater.’”
Riding high on 15 consecutive years as a Top 10 channel among Adults 25-54, Syfy‘s viewership has continued to grow in 2011. In January prime, Syfy rose 12% in Adults 18-49/$75K, while experiencing a significant drop of two years (46) in the median age.
During First Quarter-to-date (vs.1Q’10) prime, Syfy has jumped 17% in Adults 18-34, 13% among total viewers and seven percent among Adults 18-49, led by the freshman hit series Being Human and Face Off, both of which have been renewed.
In July, Syfy launches four scripted series in the same month — for the first time ever — when Alphas premieres along with returning powerhouses Warehouse 13 (Syfy’s most watched series ever), Eureka and Haven.
The second season return of the heralded reality show Hollywood Treasure kicks off Summer 2011 unscripted programming in June, paired with the premiere of Haunted Collector (working title), followed by the debuts ofLegend Quest in July and Paranormal Witness in September.
The robust reality development slate includes projects from unique perspectives such as rock musician Tommy Lee, author Deepak Chopra and photographer Tyler Shields, along with a family that creates movie monsters and the world’s top stunt artists.
On the scripted side, Syfy is developing Battlestar: Blood and Chrome, set in the 10th year of the First Cylon War. As well as three single-camera, half hour comedies including the Lee Majors vehicle Me and Lee from the creator of Weeds, In the Dark featuring a team of wannabe paranormal investigators, and a new adaptation of Three Inches.
Keying the latest roster of popular Saturday Original Movies will be Red Faction: Origins, based on the highly successful video game franchise; 1970s TV icons Barry Williams and Danny Bonaduce butt heads in Bigfoot; Shannen Doherty headlines a re-imagining of the classic fairy tale Gretl; Roswell, the story selected by fans through the Syfy and IGN.com B Movie Mogul contest; and in Jersey Shore Shark Attack, who knows who might be a victim?
This October, Syfy will become the first ever, official sponsor of the city’s Halloween celebrations, partnering with NYC & Company for 31 Days of HalloweeNYC. Then in December, Syfy celebrates the holiday season with its second annual Countdown to Christmas Week (highlighted by the movie event Neverland with Keira Knightley asThe Voice of Tinker Bell).
Syfy Ventures is launching a new publishing business of completely sponsorable genre games under the SyfyGames banner. Available initially on Facebook in the United States, the suite of high quality games will embrace the sci-fi, fantasy, paranormal, action/adventure, and superhero genres, ranging from original content to games based upon Syfy programming. These first round of games are scheduled for launch later this year. As well, Syfy is partnering with game developer Trion Worldwide for a new entertainment franchise, Defiance, that will seamlessly pair a primetime series with an online video game, scheduled for 2011.
Among the new opportunities for advertisers to partner with the Syfy brand is Imagination Spotlight, a groundbreaking, multi-platform brand initiative celebrating the world’s imaginative achievements and innovative ideas. Advertisers will have the opportunity to join the celebration through an array of multi-media partnerships that showcase imagination.
Syfy is currently available in 75 countries, reaching nearly 150 million households globally.
NEW SCRIPTED SERIES
Alphas – Premiering in July – Alphas follows a team of ordinary citizens whose brain anomalies imbue them with extraordinary mental and physical abilities. Taking the law into their own hands, the unlikely team, led by Dr. Leigh Rosen (Emmy Award-winner and Oscar nominee David Strathairn) investigates cases that suggest other Alpha activity to uncover what the CIA, FBI and Pentagon have not been able, or willing, to solve. These gifted individuals must balance their quirky personalities and disparate backgrounds with their not always visible powers as they work to solve crimes, stop the ticking time bomb and catch the enemy.
Alphas also stars Malik Yoba, Warren Christie, Laura Mennell, Ryan Cartwright and Azita Ghanizada, and is a production of Universal Cable Productions and BermanBraun Television. Executive Producers are Gail Berman, Lloyd Braun and Gene Stein for BermanBraun, Zak Penn and Ira Steven Behr.
NEW REALITY SERIES
Haunted Collector (working title) — Premiering in June — Ghosts and spirits inhabit more than just homes and buildings — they can also live in objects. John Zaffis and his family are renowned paranormal investigators, tracking down haunted items like paintings, guns, jewelry and dolls. Once identified, the items are collected and stored in their museum, helping John’s clients bring normalcy back to their lives. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.
Legend Quest — Premiering in July — This fast-paced action-adventure series follows Ashley Cowie, a real-life symbologist, as he travels the world in search of some of history’s greatest relics and artifacts, all of which are believed to hold hidden powers and mystical significance for ancient and modern cultures. Each episode will include Indiana Jones-type adventure and Da Vinci Code-style connections as the hidden truths and alternative theories of these mythical objects are explored. Legend Quest is executive produced by John Brenkus and Mickey Stern for BASE Productions, and is a co-production with Universal Networks International.
Paranormal Witness – Premiering in September — From Raw TV, the acclaimed creative team behind Locked Up Abroad and Gold Rush Alaska, this tense, filmic and high-octane drama-documentary series brings to life the stories of people who have lived through paranormal experiences that defy explanation. Using the mixture of intimate first-hand testimony and grittily realistic drama that Raw TV is known for, Paranormal Witness will transport the audience into a world turned upside down by extraordinary and terrifying events. Paranormal Witnessis produced by Raw TV. Executive producers: Dimitri Doganis and Bart Layton.
SCRIPTED DEVELOPMENT/DRAMA
Battlestar: Blood & Chrome – Luke Pasqualino (Skins-UK) and Ben Cotton (Hellcats) star in Battlestar: Blood & Chrome, which takes place in the 10th year of the first Cylon war. As the battle between humans and their creation, a sentient robotic race, rages across the 12 colonial worlds, a brash rookie viper pilot enters the fray. Ensign William Adama (Pasqualino), barely in his 20’s and a recent Academy graduate, finds himself assigned to one of the most powerful ships in the Colonial fleet…the Galactica. The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade-long war in favor of the desperate fleet. Executive producers: David Eick and Michael Taylor. Written by Michael Taylor from a story by David Eick, Taylor and Bradley Thompson and David Weddle. A production of Universal Cable Productions.
SCRIPTED DEVELOPMENT/SINGLE CAMERA HALF-HOURS
Three Inches – In Three Inches, professional daydreamer and underachiever Walter Spackman is struck by lightning and develops a unique “super” power — the ability to move any object using just his mind… but only a distance of three inches. He’s soon immersed in a world of extraordinarily ordinary people like himself and learns that “super” is just a state of mind. The pilot is written by Harley Peyton (Twin Peaks), who also serves as executive producer. Fox Television Studios is producing with executive producer Robert Cooper, through his company Landscape Entertainment.
In the Dark – In the Dark follows a misfit group of third tier Ghost Hunters whose misguided efforts tend to highlight their incompetence rather than any paranormal activity. From Universal Cable Productions, In the Darkis executive produced by Dan Taberski through Idiot Box Productions, Michael Davidoff and Bill Rosenthal. Teleplay by Michael Davidoff & Bill Rosenthal.
Me and Lee — Me and Lee is about a down on his luck 20-something who goes in for back surgery, but the procedure doesn’t go well. Enter Lee Majors, who claims he has the perfect solution. He entices the young man into his ultra high-tech lab and makes him bionic. Majors becomes the unlikeliest of mentors helping the young man get his life back together. Jenji Kohan, the executive producer and creator of Weeds, serves as the executive producer of Me and Lee along with the writer Matthew Salzberg, Allan Loeb and Steven Pearl. Produced by Lionsgate.
REALITY DEVELOPMENT
Culture Shock with Tommy Lee – This one-hour investigative travel show follows Mötley Crüe’s Tommy Lee as he attempts to uncover the various rituals, symbols and other mysteries of secret societies around the world. Tommy Lee will dig into the history behind the secret society, search out its meeting locations and members, and meet with former members to reveal the society’s rituals and deepest secrets. A production of ITV Studios America. Executive producers: Tommy Lee and Carl Stubner. Supervising producer: Jenna Barnes.
Monster Man – When Hollywood studios want a bizarre creature, monster prop or out-of-this world alien, they turn to Cleve Hall and his very unique, family business. This series goes behind the scenes of Cleve’s workshop, where the craziness of this fun family is matched only by the insane monsters they build. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.
Stunts Unlimited — Stunts Unlimited is an elite and exclusive fraternity of artists committed to a very imaginative, creative, unique and dangerous craft — movie stunts. This series takes audiences behind-the-scenes into a world rarely seen, unveiling the innovations and problem solving necessary to accomplish the most spectacular stunts in Hollywood. With their lives on the line with every stunt, the members of Stunts Unlimited form a close-knit work family, helping them balance the challenges of their jobs and their families. Executive producers: Ric Roman Waugh and Gary Binkow.
Hi Tech Hoaxes — The series where the supernatural, the mythical and the astonishing leave the big screen and step into people’s everyday lives. Each week two teams will go head-to-head to provide a once-in-a-lifetime experience for an unsuspecting pair of people, who are about to have their world turned upside down for a brief, thrilling moment. Teams of engineers, tech geniuses and pranksters will draw their inspiration from requests sent by ordinary people who want to execute the hoax on friends, family, colleagues, customers, kids, parents or even pupils. They’ll rely on the technical know- how and the resourcefulness of the teams to make it happen. But it needs to be hyper-convincing because these hoaxes are going to be happening in the real world In Plain Sight. Produced by North One Television.
Dinner with Deepak — If you could invite three people to dinner, who would they be? Best selling author and spiritual teacher Dr. Deepak Chopra dines and joins in conversation with some of the greatest minds and creators in the world today. In every episode, Chopra brings together a group of noteworthy guests to share a meal and a conversation ranging in topic from the spiritual, political and scientific to supernatural, designed to challenge our standard conventions and push the boundaries of viewers’ imaginations and intellects. Executive producers: Deepak Chopra, Gotham Chopra, Tim Piper and Sharad Devarajan.
Tyler Shields – A docu-series featuring unconventional photographer Tyler Shields and his team as they create worlds that are always surprising, shocking, and totally surreal. This Los Angeles-based artist is one of the most creative and original photographers working today. His subjects are celebrities, actors, models, and everyday people captured in magical, beautiful, and often dangerous situations. His eye-popping, jaw-dropping photos are designed to elicit the subject’s purest emotion right in the moment using no special effects. A production of RelativityREAL. Executive producers: Tom Forman, Tyler Shields and Zach Quinto.
Overthunk — A one-hour series that follows two teams of four talented creators as they compete to design, build and set off massive chain reaction machines. The best gizmo gladiators across America will face off in a weekly contest testing their mettle through gears and metal. Each week visits a new city, where natural rivals race against the clock and each other to brainstorm and build a fantastic apparatus that completes a specific task and keeps viewers holding their breath to see if these contraptions will actually work. Along the way, surprise “monkey wrenches” will challenge their minds and their patience. Produced by 25/7 Productions. Executive producer: Dave Broome.
Change the Day You Die — Change the Day You Die is an inspiring new reality series that uses state-of-the-art science to dramatically transport its participants into the future to face their own self-inflicted demise. Each of the seemingly healthy, unsuspecting candidates — nominated by friends, family and loved ones — will go on a 10-week transformational journey where they must master a series of mental and physical challenges designed to reverse their bad habits and add back valuable lost years to their lives. Through medical-condition simulators, life-enhancing technology, unique graphics and special effects, each participant will experience firsthand the grim reality of their potential future so that they have the opportunity to change their ways before it’s too late. Produced by 3 Ball Productions/Eyeworks USA. Executive Producers: JD Roth and Todd A. Nelson (3 Ball Productions/Eyeworks USA) and Danny Fenton (Zig Zag Productions).
Imagination Nation — The innovators behind Hammacher Schlemmer, America’s oldest continuously published catalog that offers imaginatively unexpected and innovative products, go on the road to meet inventors from all walks of life to find fresh offerings for their inventory. Produced by North South Productions. Executive producers: Charlie DeBevoise and Mark Hickman.
America’s Smartest Kids — A thought provoking, reality competition show where the country’s most imaginative, innovative teenagers are challenged to invent a better future while competing for the title of America’s Smartest Kid. Executive producers: David Zelon and Michael Sardo.
SATURDAY ORIGINAL MOVIES
Red Faction: Origins — 2011 — Robert Patrick (Terminator 2), Brian J. Smith (Stargate Universe) and Kate Vernon (Battlestar Galactica) star in Red Faction: Origins, based on the hugely successful Red Faction video game franchise. Twenty-five years have passed since Alec Mason (Patrick) led the Martian Colonies to freedom …and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake.
Jake Mason (Smith), Alec’s only son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive. As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them…a cold-blooded soldier sworn to destroy the Red Faction. Red Faction: Origins is produced by Universal Cable Productions and UFO Films.
Zombie Apocalypse (working title) — October 2011 — Months after a zombie plague has wiped out 90 percent of the American population, a small group of survivors fight their way cross-country to a rumored refuge on the island of Catalina. A production of The Asylum.
Gretl — November 2011 — As an adult, a witch hunter (Hansel) returns to the village where he lived as a child to find and kill the witch who killed his sister, Gretl (Shannen Doherty), only to find that Gretl is not dead and danger lurks around every corner. Produced by Chesler/Permutter Productions & Vesuvius Productions.
Snowmageddon (working title) – December 2011 — A story about a mystical snow globe that makes very bad things happen in the real world when it is shaken. A production of Cinetel.
Bigfoot – 2012 — 1970’s pop culture icons Danny Bonaduce (The Partridge Family) and Barry Williams (The Brady Bunch) face off in the hunt for the legendary mountain creature. A production of The Asylum.
St. Patrick’s Day Leprechaun (working title) — St Patrick’s Day, Saturday, March 17th, 2012 — An evil leprechaun who has been imprisoned within the roots of a majestic old oak tree, is accidentally set loose on St. Patrick’s Day. Once free, he takes out his bloody revenge on the descendants of the people who originally imprisoned him. A production of After Dark Films.
Roswell — June 2012 – The story selected by fans for Syfy and IGN.com’s B Movie Mogul project, 65 years after the original UFO crash at Roswell, another ship from the same far-off civilization comes to rescue their downed comrades – and continue their preparation to invade the earth. Directed by Jason Connery (Area 51, The Devil’s Tomb). A production of After Dark Films.
Jersey Shore Shark Attack — 2012 – While everyone else runs scared, vacationing Jerseyites fend off shark attacks on the shore. A production of ARO Entertainment.
Dungeons and Dragons 4 (working title) — September 2012 – A princess and a rogue knight become reluctant heroes inside a magical kingdom. A production of After Dark Films with Silver Pictures.
Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 99 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)
Although we feel this series jumped the shark last season, we are compelled to present the latest trailer for the upcoming fourth season of HBO’s vampire sex and gore-fest, True Blood because despite our misgivings, you know we’ll be sucked into it again as we are invested now. Looks like they are adding witches and zombies this season. When pressed by The ‘Tastic as to who they will be adding as an adversary for the vampires of Bon Temps for season five, Alan Ball replied that they are seriously considering Godzilla arch-rival, Gamera, and casting Russell Brand as the witty, local giant turtle expert. Ball stated that if the audience will buy fairies as an integral part of a plot on a show revolving around vampires, there’s not a whole lot they won’t buy so they’ll just continue to do what’s worked in the past for them as far as the writing is concerned: smoke a lot of pot and go with the idea of the guy in the room who is the most wasted. Season four of TB premieres on HBO on June 26th. The top one is of better quality however, the bottom one is longer.
Well, the prospects of a Lights Out rescue by another network just got a little slimmer as it’s been announced that Billy Brown, who played Richard “Death Row” Reynolds on the critically-acclaimed albeit short-lived series, has been added to the cast of Showtime’s hit drama, Dexter, in a major role as a Chicago detective who has recently transferred to Miami Metro and is already ruffling feathers.
As we noted two days ago, Edward James Olmos (Battlestar Galactica, Miami Vice), Mos (fka, Mos Def) and Colin Hanks (The Good Guys) are also joining Michael C. Hall on this talent-heavy cast for its sixth season.
EJO: Won't Be In A Viper Anytime Soon
Well, Nuggets, don’t expect any role-reprisal cameos by an older Admiral William Adama on SyFy’s new BSG prequel series Battlestar Glactica: Blood & Chrome. The Hollywood Reporter reports that Emmy and Golden Globe award-winning actor Edward James Olmos will be joining the cast of Showtime’s hit Dexter for its sixth season as a “brilliant, charismatic professor of religious studies.” This intrigues us to no end as the moral and ethical implications of Dexter Morgan and his “dark passenger” have never really been touched upon to any extent and it has always seemed like there was an opportunity to address the spiritual/metaphysical with this show. Although we have no idea what the sixth season will be about, it only stands to reason that with such a prominent addition as Olmos to the cast in that role, that’s exactly where they’re headed.
Also joining the cast this season are Colin Hanks (The Good Guys) and Mos, the artist formerly known as Mos Def (The Boondocks). No word on when season 6 will premiere yet, however, expect it around the third our fourth week of September again. We’ll keep you posted on this and any more news about Dexter and all of our favorite shows as we find it out.
Doug Drexler: Old School on Star Trek: The Next Generation
Doug Drexler, one of the best visual effects guys in the business (all four modern Star Trek series, Battlestar Galactica, Caprica, and the forthcoming Battlestar Galactica: Blood & Chrome), has released a great episode of his D-Files show on his own WordPress blog, drexfiles, and we felt compelled to share it.
It features home video footage taken by his friend and collaborator on Star Trek and the BSG series, Gary Hutzel, of the U.S.S. Reliant filming miniature and video that Doug himself took of the Voyager bridge set moments before it was torn down for good post-series finale in 2001.
Gary Hutzel
Doug gives great insight into the world of Sci-Fi visual effects and what it was like working on Star Trek and BSG. Even if you’re not a fan of Star Trek or BSG, we highly recommend his blog as it’s very entertaining.
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Two-time Academy Award nominee Ethan Hawke plays Edward Dalton, a researcher in the year 2019, in which an unknown plague has transformed the world’s population into vampires. As the human population nears extinction, vampires must capture and farm every remaining human, or find a blood substitute before time runs out. However, a covert group of vampires makes a remarkable discovery, one which has the power to save the human race. – Lionsgate
60 out of 100
The immediate gut-reaction for a film like Daybreakers is, “Oh, great… yet another vampire film because that genre hasn’t been exploited enough over the past five years,” and to be honest, that was our reaction when we first saw trailers for this in late 2009. The problem for Daybreakers and most likely the reason for its miserable box-office numbers ($51 million gross, foreign and domestic) is that’s also exactly how the producers marketed the film in some misguided attempt to hop on the bandwagon of the sucesses of the other popular vampire franchises such as Twilight, True Blood and The Vampire Diaries. That was a very bad marketing decision.
Daybreakers is a very original and unique twist on the vampire genre in that it’s not really a horror film at all. It’s a classic Science Fiction story that not only deals with science as a backdrop, it also deals with the many “what if” and “how would you react” scenarios about the questions of exploitation of others for your own immortality. How does a society preserve its humanity when mortality has been taken away? As far as vampire films go, there is surprisingly little graphic violence until the very end of the film because, frankly, it’s really not necessary to progress the story.
Where the film ultimately suffers is that it is very short coming in at 1 hour 37 minutes. For a science fiction story with such an original concept there is far too little exposition. It not only leaves a lot of questions unanswered but it’s so quick that the audience doesn’t really have an opportunity to become emotionally attached to the characters or the plot. The performances from DaFoe and Hawke and the rest of the cast are fine but you really don’t have any sense of a vested interest in any of these characters, and of course if the audience can’t relate to the characters they have no reason to really care about the story. Interestingly enough, this promotional clip (that was not shown in the film) gives more of a back story for the plot than the entire film does.
Daybreakers, albeit not the best film, is an enjoyable film and worth your time if you like a unique Sci Fi story. Netflix subscribers can watch it as part of their subscription through the Netflix streaming service.
Here’s the official Lionsgate trailer for Daybreakers. This is not the thirty-second TV spot that leads you to believe that it’s just a another vampire/horror film.
Being Human is a re-imagining of the acclaimed BBC original series that follows three 20-something roommates: A ghost, a vampire and a werewolf who are struggling to keep their dark secrets from the world, while also helping each other navigate the complexities of living double lives.
The series will star Sam Witwer (Smallville, Battlestar Galactica), Meaghan Rath (The Assistants), Sam Huntington (Cavemen, Superman Returns) and Mark Pellegrino (Lost, Supernatural). – Syfy
8 out of 10
After being thoroughly disappointed in season three of True Blood and having no interest in the teen-soap silliness of The Vampire Diaries, we approached Being Human skeptically to say the least. A ghost, a vampire and a werewolf live in an apartment together… yes, we know. It sounds like the beginning of a really bad joke or a sit-com on FOX, but believe it or not, after watching the first three episodes, we’re happy to say that it doesn’t suck… at all. Well, Aidan (Sam Witwer) the vampire sucks… but he’s working on that.
Since we mentioned our disappointment in True Blood, we’d like to take a moment to discuss why we’re so disappointed in that series and why Being Human is a breath of fresh air for the genre. As we see it, True Blood, like many-a-series on HBO, now tends to focus on excess for the sake of excess because… well, it’s premium cable and they can damned well do what they want short of porn and snuff films. Unfortunately, excessive sex, violence and profanity is replacing quality narratives and strong character development. Subtlety and nuance are virtually non-exist on True Blood, now, and what was once a compelling storyline has devolved into the arena of pure melodrama that it is completely unbelievable and inaccessible.
Matt Volke of The Movie Bros. was at Casa De ‘Tastic in May and just happened to stroll into the room for one five-minute segment of True Blood and he couldn’t stop laughing at the absolute absurdity of the show. Our immediate reaction was to make excuses for it and say words to the effect of, “Yes… that was ridiculous but it’s normally not like this.” The sad fact is that absurdity is now the norm on True Blood. For the record, this is not the first time this has happened to a show on HBO. The Sopranos, Rome and even Alan Ball’s other HBO hit, Six Feet Under, are all prime examples of once-great shows that ended up choosing shock-value in place of good story telling and style over substance.
This is why we like Being Human so much. Being Human does not have the crutch of excess to use in place of strong character development and compelling story lines. In other words, because it’s on basic cable, it can’t cheat. Now, don’t get us wrong, Being Human is quite dark at times and it does have its share of violence but the “horror” violence for the most part is simply alluded to and implied (the first bite of a vampire on a female victim, the aftermath of a werewolf attack on a deer, a flashback of the aftermath of an entire wedding reception being slaughtered by vampires, etc.) whereas on a show like True Blood, the same type of scenes of violence would be graphic and gory, leaving nothing to the imagination and a complete sense of detachment.
Despite its darkness, Being Human excels in levity with its three main characters who all interact with each other quite well and they all bring their own unique sense of humor associated with their own supernatural affliction but at the end of the day, they are all very relatable and – here’s that word, again – accessible to audiences. We truly love the storyline so far and Mark Pellegrino (Lost) is brilliantly cast as the shades-of-gray villainous vampire, Bishop, in this outstanding addition to SyFy’s lineup.
As a final word of warning, we would highly recommend that you ignore any critique of this show that compares it to its BBC predecessor. We’ve never seen the BBC version, which we are sure is great, but we believe it’s irresponsible to judge a series based upon another series and not on its own merits despite the fact that they are based on the same material.
Watch full episodes of Being Human, here.
“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Vince Faraday becomes “The Cape” – his son’s favorite comic book superhero – and takes the law into his own hands.
Rounding out the cast are James Frain (“The Tudors”) as billionaire Peter Fleming, The Cape’s nemesis who moonlights as the twisted killer Chess; Keith David (“Death at a Funeral”) as Max Milani, the ringleader of a circus gang of bank robbers who mentors Vince Faraday and trains him to be The Cape; Summer Glau (“Terminator: The Sarah Connor Chronicles”) as Orwell, an investigative blogger who wages war on crime and corruption in Palm City; Dorian Missick (“Six Degrees”) as Marty Voyt, a former police detective and friend to Faraday; Martin Klebba (“Pirates of the Caribbean”) as Rollo, member and unassuming muscle of the circus gang of bank robbers; and Vinnie Jones (“Lock, Stock and Two Smoking Barrels”) as Scales, resident thug and cohort of The Cape’s nemesis Chess. – NBC
7 out of 10
*Sigh*
Let’s us start by saying that the relatively high rating that we’ve given The Cape of a “7” is a very qualified “7” and we kind of had to convince ourselves that it was worth the rating. The problem for us in reviewing The Cape is despite its glaring flaws and no matter how much we wanted to give it a rating of about a 5 or 6, we kept coming back to the fact that we really liked it. That being said, if it starts getting stupid, we reserve to take back that VERY generous rating.
Here’s the thing about The Cape: it’s exciting, it is literally a comic book come-to-life, and it’s very well-produced. The problem is that there is nothing original about it at all.
EVERYTHING is a conglomeration of other comic book/superhero and genre story lines and to make it worse, it rips-off elements from the more modern incarnations (see: Sam Raimi’s Spider-Man, Christopher Nolan’s Batman, Jon Favreau’s Iron Man, The Punisher, Robocop, Superman and, yes, even Teenage Mutant Ninja Turtles… to name a few). Now, we’re not suggesting that they use these elements badly, but it’s such an obvious copy-and-paste that you can’t help but notice and cringe… a lot. Hell, they even ripped-off Heroes which would seem like a bad idea considering that NBC just canceled that show.
(Extended Trailer)
Now, that’s the biggest issue with The Cape. The other more irksome issue is the absolute ridiculousness of the action sequences and the visual effects. They are way over-the-top and go beyond the level of, “Well, we’ll just have to suspend our disbelief.” We are personally sick and tired of standard bullets from sub-machine guns and pistols causing fuel tanks explode. Has no one in Hollywood watched Mythbusters? The only way to make a fuel tank explode into a massive fireball is with with incendiary rounds…. and a FRAKKIN’ mini-gun.
Oh, and one more thing: a human being cannot survive a fall out of a 50 story building by using a car to break their fall. Do you now see why these sequences irk us?
Beyond those problems, though, we hate saying this but this show is a crap-load of fun and has a lot of potential to be one heck of a ride week after week if audiences are patient with it. The characters are pretty are well-developed and the performances are strong and believable and there’s enough complexities with them to flesh out some compelling story lines. It has more the feel of a summer blockbuster than it does a weekly prime-time drama.
What hurts The Cape is the aforementioned lack of originality. On its surface it doesn’t bring anything new to the table and this generation of audience is a fickle lot with genre in prime time. The Cape has a lot of potential to be a great show. Let’s just hope it becomes a great show that people want to tune in to.
Watch full episodes of The Cape, here.
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