Being Human is a re-imagining of the acclaimed BBC original series that follows three 20-something roommates: A ghost, a vampire and a werewolf who are struggling to keep their dark secrets from the world, while also helping each other navigate the complexities of living double lives.
The series will star Sam Witwer (Smallville, Battlestar Galactica), Meaghan Rath (The Assistants), Sam Huntington (Cavemen, Superman Returns) and Mark Pellegrino (Lost, Supernatural). – Syfy
8 out of 10
After being thoroughly disappointed in season three of True Blood and having no interest in the teen-soap silliness of The Vampire Diaries, we approached Being Human skeptically to say the least. A ghost, a vampire and a werewolf live in an apartment together… yes, we know. It sounds like the beginning of a really bad joke or a sit-com on FOX, but believe it or not, after watching the first three episodes, we’re happy to say that it doesn’t suck… at all. Well, Aidan (Sam Witwer) the vampire sucks… but he’s working on that.
Since we mentioned our disappointment in True Blood, we’d like to take a moment to discuss why we’re so disappointed in that series and why Being Human is a breath of fresh air for the genre. As we see it, True Blood, like many-a-series on HBO, now tends to focus on excess for the sake of excess because… well, it’s premium cable and they can damned well do what they want short of porn and snuff films. Unfortunately, excessive sex, violence and profanity is replacing quality narratives and strong character development. Subtlety and nuance are virtually non-exist on True Blood, now, and what was once a compelling storyline has devolved into the arena of pure melodrama that it is completely unbelievable and inaccessible.
Matt Volke of The Movie Bros. was at Casa De ‘Tastic in May and just happened to stroll into the room for one five-minute segment of True Blood and he couldn’t stop laughing at the absolute absurdity of the show. Our immediate reaction was to make excuses for it and say words to the effect of, “Yes… that was ridiculous but it’s normally not like this.” The sad fact is that absurdity is now the norm on True Blood. For the record, this is not the first time this has happened to a show on HBO. The Sopranos, Rome and even Alan Ball’s other HBO hit, Six Feet Under, are all prime examples of once-great shows that ended up choosing shock-value in place of good story telling and style over substance.
This is why we like Being Human so much. Being Human does not have the crutch of excess to use in place of strong character development and compelling story lines. In other words, because it’s on basic cable, it can’t cheat. Now, don’t get us wrong, Being Human is quite dark at times and it does have its share of violence but the “horror” violence for the most part is simply alluded to and implied (the first bite of a vampire on a female victim, the aftermath of a werewolf attack on a deer, a flashback of the aftermath of an entire wedding reception being slaughtered by vampires, etc.) whereas on a show like True Blood, the same type of scenes of violence would be graphic and gory, leaving nothing to the imagination and a complete sense of detachment.
Despite its darkness, Being Human excels in levity with its three main characters who all interact with each other quite well and they all bring their own unique sense of humor associated with their own supernatural affliction but at the end of the day, they are all very relatable and – here’s that word, again – accessible to audiences. We truly love the storyline so far and Mark Pellegrino (Lost) is brilliantly cast as the shades-of-gray villainous vampire, Bishop, in this outstanding addition to SyFy’s lineup.
As a final word of warning, we would highly recommend that you ignore any critique of this show that compares it to its BBC predecessor. We’ve never seen the BBC version, which we are sure is great, but we believe it’s irresponsible to judge a series based upon another series and not on its own merits despite the fact that they are based on the same material.
“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Vince Faraday becomes “The Cape” – his son’s favorite comic book superhero – and takes the law into his own hands.
Rounding out the cast are James Frain (“The Tudors”) as billionaire Peter Fleming, The Cape’s nemesis who moonlights as the twisted killer Chess; Keith David (“Death at a Funeral”) as Max Milani, the ringleader of a circus gang of bank robbers who mentors Vince Faraday and trains him to be The Cape; Summer Glau (“Terminator: The Sarah Connor Chronicles”) as Orwell, an investigative blogger who wages war on crime and corruption in Palm City; Dorian Missick (“Six Degrees”) as Marty Voyt, a former police detective and friend to Faraday; Martin Klebba (“Pirates of the Caribbean”) as Rollo, member and unassuming muscle of the circus gang of bank robbers; and Vinnie Jones (“Lock, Stock and Two Smoking Barrels”) as Scales, resident thug and cohort of The Cape’s nemesis Chess. – NBC
7 out of 10
Let’s us start by saying that the relatively high rating that we’ve given The Cape of a “7” is a very qualified “7” and we kind of had to convince ourselves that it was worth the rating. The problem for us in reviewing The Cape is despite its glaring flaws and no matter how much we wanted to give it a rating of about a 5 or 6, we kept coming back to the fact that we really liked it. That being said, if it starts getting stupid, we reserve to take back that VERY generous rating.
Here’s the thing about The Cape: it’s exciting, it is literally a comic book come-to-life, and it’s very well-produced. The problem is that there is nothing original about it at all.
EVERYTHING is a conglomeration of other comic book/superhero and genre story lines and to make it worse, it rips-off elements from the more modern incarnations (see: Sam Raimi’s Spider-Man, Christopher Nolan’s Batman, Jon Favreau’s Iron Man, The Punisher, Robocop, Superman and, yes, even Teenage Mutant Ninja Turtles… to name a few). Now, we’re not suggesting that they use these elements badly, but it’s such an obvious copy-and-paste that you can’t help but notice and cringe… a lot. Hell, they even ripped-off Heroes which would seem like a bad idea considering that NBC just canceled that show.
Now, that’s the biggest issue with The Cape. The other more irksome issue is the absolute ridiculousness of the action sequences and the visual effects. They are way over-the-top and go beyond the level of, “Well, we’ll just have to suspend our disbelief.” We are personally sick and tired of standard bullets from sub-machine guns and pistols causing fuel tanks explode. Has no one in Hollywood watched Mythbusters? The only way to make a fuel tank explode into a massive fireball is with with incendiary rounds…. and a FRAKKIN’mini-gun.
Oh, and one more thing: a human being cannot survive a fall out of a 50 story building by using a car to break their fall. Do you now see why these sequences irk us?
Beyond those problems, though, we hate saying this but this show is a crap-load of fun and has a lot of potential to be one heck of a ride week after week if audiences are patient with it. The characters are pretty are well-developed and the performances are strong and believable and there’s enough complexities with them to flesh out some compelling story lines. It has more the feel of a summer blockbuster than it does a weekly prime-time drama.
What hurts The Cape is the aforementioned lack of originality. On its surface it doesn’t bring anything new to the table and this generation of audience is a fickle lot with genre in prime time. The Cape has a lot of potential to be a great show. Let’s just hope it becomes a great show that people want to tune in to.
Part Five of the Seven Six Part Series (This has been edited because I realized that there’s nothing on Saturdays but College Football, COPS and America’s Most Wanted. Do you really need a review of those?)
The CW: Smallville (September 24, 2010)
Vic: The final season of Smallville begins this fall and we have Clark Kent finally on the cusp of eventually becoming what he is destined to become: Superman… the ‘Man of Steel.’ This season is what we Smallville fans all have been waiting nine years for. We have all hung in there through some exceptional stories, heart-wrenching losses, great heroes and villians and now it would appear that the baddest of the bad is coming to Smallville: Darkside is looking to take over our planet it seems that Clark will have no choice now but to jump into those tights that Mrs. Kent has been saving for him all these years… or does Lois have them now? That is why you must tune in and continue hanging in with what has been one of the most enduring Sci-Fi, Fantasy Dramas in recent TV memory. Smallville still has the chops. The performances are still great all the way around. Tom Welling still proves that season after season he can command every scene he is in and even in lighter moments he shows us an endearing and clumsy side. Erica Durance as Lois is quick, sharp and she has range. She proves that she has mettle as Lois up against Welling’s Clark. I can’t say enough about Allison Mack as Chloe. I just can’t wait to see how this all turns out this season. I for one hope to see the big guy finally fly and soar this season and hope you all watch as well.
In this drama based on a graphic novel of the same name, Mark Valley plays Christopher Chance, a for-hire bodyguard and private investigator who integrates himself into his clients’ lives so that he becomes a target instead of them. Assuming a new identity for each job, Chance relies on the help of his associates Winston (Chi McBride) and Guerrero (Jackie Earle Haley), but he can’t outrun his past — or the secrets driving his odd choice of work. -FOX
Shawn: Alright, so this is a little out of the norm because I normally don’t put show descriptions in with previews of returning shows. I’ve made the exception with Human Target because I think it’s a show that too many people are unaware of because it was a mid-season replacement last year and unfortunately, FOX will most likely kill it by putting it on Friday night where they put all shows to die. I cover this sad state of affairs in my column regarding the changing network attitudes towards Friday night prime-time and how FOX is, as usual up to the same old bag of tricks (read it here). So, it’s basically like this: I am on a crusade for the critically acclaimedHuman Target because it was one of the best new shows on television last year and needs everyone’s support.
The description is a little misleading. Chance doesn’t just have a mysterious past, he’s a former freelance assassin who was a really bad dude, completely amoral who had a seminal moment in his life that made him reevaluate his own personal morality and vow to use his skills to protect people from now on. It’s a fast-paced action show based on the DC Comics Graphic Novel and they couldn’t have picked anyone better for this role of Christopher Chance than Mark Valley as the dashing yet compassionate former assassin (…and I’m just thrilled to see that Mark Valley finally has regular gig!). The supporting cast is fantastic with Chi McBride (Boston Public, The Nine) as Winston, the gruff, former San Francisco police detective who works with Chance to keep him ahead of the game and regularly uses his connections from the old job to help Chance on his missions. Then you have the other, more mysterious and far more deadly Guerrero, played by Jackie Earle Haley (Watchmen, A Nightmare on Elm Street) who is a hi-tech wizard and a former associate of Chance’s in his prior profession but unlike Chance, really hasn’t had a change of heart, he’s just helping out an old buddy, but he does have a very strict personal moral code that abides by religiously.
Great action, unique stories, wonderfully written and compelling characters are the hallmarks of this show. I highly recommend that you set time aside on Friday for Human Target (or at least Divver it).
Dr. Megan Hunt (Dana Delany) was in a class of her own, a brilliant neurosurgeon at the top of her game. Her world is turned upside down when a devastating car accident puts an end to her time in the operating room. Megan resumes her career as a medical examiner determined to solve the puzzle of who or what killed the victims. Megan’s instincts are sharp, but she’s developed a reputation for graying the lines of where her job ends and where the police department’s begins. It turns out her career isn’t the only thing that will need to be rebuilt; Megan’s family has taken a backseat to her ambition, and now she’ll discover there’s a lot of work to do when it comes to dissecting her relationships with the living. – ABC
Shawn: If it hasn’t become abundantly clear by now, I really dislike procedurals in general. It doesn’t matter if it’s police, law, medical, detective… whatever, I really have no use for them. And it’s not that this show looks particularly awful, because it doesn’t. It’s just the same thing I’ve seen time and again which is also one of the big reasons I have no use for sit-coms. There’s just no originality in any of these programs and with the incredible batch of new shows that have come out this season, it’s not like there is a lack of originality in Hollywood, it’s just not being utilized enough.
What bugs me the most is that the procedurals don’t have to be unoriginal. Hollywood producers and execs choose to go that route because it’s safe and easy to pitch to advertisers and the general viewing audience. For example, NCIS is by definition a procedural, but it’s still a good show because of how original it always has been. Body of Proof doesn’t have anything resembling an original premise. Not even the title is original, which like most procedurals and sitcoms reverts to the use of cringe-worthy “clever” double-meanings for phrases and words to convey a commonly known phrase to attract the audience’s attention, e.g., House, The Whole Truth, Outlaw, Grey’s Anatomy, Rules of Engagement, Raising Hope, Running Wilde, The Biggest Loser, Bones and Blue Bloods. That’s just from this Fall. I didn’t even mention the stupidest one of all, HawthoRNe (well… now I have). This show literally is a hybrid of Quincy, Crossing Jordan, CSI, House and Everwood. Like I said, Body of Proof doesn’t look awful, and it does have a good cast, but it just looks ordinary.
FOX: The Good Guys (September 24, 2010)
From Matt Nix (“Burn Notice”), comes THE GOOD GUYS, a new action comedy about what happens when an old-school cop and a modern-day detective expose the big picture of small crime.
Once upon the 1970s, DAN STARK (Bradley Whitford) and his partner, Frank Savage, were big-shot Dallas detectives. So big, in fact, that they were lauded as American heroes after saving the Governor’s son. Thirty years later, Dan Stark is a washed-up detective who spends most of his time drunk or re-hashing his glory days. A stranger to modern police work who would much rather trust his old-school police instincts, Dan has the reputation as being a bit of a wild card. Able to skate by on the heroic deeds of his yesteryear, he is still a semi-active presence on the force, and with the help of his liquor of choice, occasionally comes through to solve a petty crime.
Dan’s new partner, JACK BAILEY (Colin Hanks), is an ambitious, by-the-book and overall good detective, but is sometimes a bit too snarky for his own good. His habit of undermining himself has earned him a dead-end position in the department, and he is stuck solving annoying petty theft cases that nobody else wants. Worse, he’s been given the thankless task of babysitting Dan, the drunk pariah who can never keep partners for long. Jack may not see it, but he has little chance of getting out of his situation; his knack for making enemies at the station has assured he is not going anywhere.
His only ally is ASSISTANT DISTRICT ATTORNEY LIZ TRAYNOR (Jenny Wade), a quick witted former girlfriend whom Jack hasn’t quite gotten over and the one person he turns to for help with his current professional predicament. Until Jack finds his way out of this situation, he is stuck awaiting the day when he can turn everything around, get back to solving actual cases and return to being a real detective.
On one fairly typical day, as Jack and Dan are pursuing a Code 58, the Dallas police code for routine investigations, which puts them hot on the case of a stolen humidifier, they inadvertently become engaged in a shootout over a stolen golf bag belonging to a notorious drug smuggler. This starts Jack and Dan on a wild chase to retrieve the bag, recover the contents inside and go after the drug smuggler – all while dodging his hired assassin!
The excitement of the case reminds Dan of the way he and Frank busted punks back in the good old days, and he convinces Jack to go along for the ride. Needless to say, many departmental rules are again broken in the reckless pursuit, showing their boss, LIEUTENANT ANA RUIZ (Diana Maria Riva), that Jack and Dan will be spending many more days in the Property Crimes Division, assigned to investigate seemingly minor crimes in order to keep them out of major trouble.
Shawn: Yep, I broke the rule again about not posting show description in regards to returning shows (well… not technically as this is just a continuation of the first season that went on hiatus at the end of August.). But again, like with Human Target, I have to do this to counteract FOX’s continued insanity regarding good shows left to die on Friday night. For the point of brevity (and because copy and pasting is a helluva lot easier) here’s the skinny on how FOX is abusing this show as I mentioned in the same column that I discussed Human Target.
It’s not even remotely fair what they’re doing to The Good Guys even by FOX’s idiotic standards, premiering it on a Monday in the middle of May when all of the other shows are wrapping up, letting it run for nine episodes over the summer and then dumping it into Friday night because it didn’t catch fire fast enough for them.
Simple, but to the point… it’s the same standard operating procedure that they’ve used with Human Target and countless other shows.
Now that the rant is complete, I really like The Good Guys. It is very funny and full of action and Hanks and Whitmore play off each other brilliantly.
CBS: Blue Bloods (September 24, 2010 – NEW SERIES!)
BLUE BLOODS is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York City Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief. A source of pride and concern for Frank is his eldest son Danny, a seasoned detective, family man, and Iraqi War vet who on occasion uses dubious tactics to solve cases. The sole Reagan woman in the family, Erin, is a N.Y. Assistant D.A. and newly single parent, who also serves as the legal compass for her siblings and father. Jamie is the youngest Reagan, fresh out of Harvard Law and the family’s “golden boy;” however, unable to deny the family tradition, Jamie decided to give up a lucrative future in law and is now a newly minted cop. Jamie’s life takes an abrupt turn when he’s asked to become part of a clandestine police investigation even his father knows nothing about, and one that could impact the family’s legacy. – CBS
Shawn: Blue Bloods is one of the most anticipated dramas this Fall for good reason. Simply look at this cast. Your leads are Tom Selleck, Donnie Wahlberg, and Bridget Moynihan… all television and film superstars (Len Cariou is no slouch either). Superstars like that don’t just arbitrarily sign on to do a show if they don’t already know it’s brilliant. The concept is definitely unique. An original cop show that focuses on a multigenerational family of cops and all of the dynamics that go along with that. I’m very excited about Blue Bloods.
Few jobs are guaranteed for a lifetime, and a Supreme Court appointment is a position that no one ever quits – unless he is Cyrus Garza (Smits). A playboy and a gambler, Justice Garza always adhered to a strict interpretation of the law until he realized the system he believed in was flawed. Now, he’s quit the bench and returned to private practice.
Using his inside knowledge of the justice system, Garza and his team will travel across the country taking on today’s biggest and most controversial legal cases.
Garza’s team includes his best friend since childhood, Al Druzinsky (David Ramsey), a brilliant defense attorney with liberal beliefs; Mereta Stockman (Ellen Woglom), a hopeless romantic who is Garza’s loyal law clerk; Lucinda Pearl (Carly Pope), a wildly unorthodox private investigator who uses her sex appeal and wit to gather information for Garza; and Eddie Franks (Jesse Bradford), a tightly wound, rabidly ambitious Yale-educated attorney, recently hired as Garza’s law clerk. – NBC
Shawn: I’ve already done a complete review for Outlaw, here. It is by far the worst drama on television.
ABC Studios brings to life “The Incredibles”, the story of the Powells, an every day American family, who are too busy to spend time together. So they decide to take a trip as family as a way to reconnect, but on the way, their plane crashes. Now there’re back to their normal lives, but something seems to be happening to each one of them… they have superpowers. – ABC
First, let’s give credit to ABC for not only acknowledging right off-the-bat the most obvious criticism of this show – that being that it looks like Disney-Pixar’s The Incredibles – but outright OWNING it. That’s the way to beat them at their own game! And why wouldn’t Disney try to capitalize on their property in a prime time, live-action drama (for those of you that are unaware, Disney owns ABC)? Screw the nay-sayers, this show looks like a lot of fun and is my choice for sleeper hit of the season. The concept is great and it’s not just a show for the family but it’s a show focused on the family as much as it is on their super powers. Casting always tells me a lot about a show and No Ordinary Family is no different. You’ve got Michael Chiklis as the dad (The Shield), Julie Benz as the mom (Dexter), Romany Malco (The 40 Year-Old Virgin) as the best friend and sidekick and lo and behold, Stephen Collins (7th Heaven) who appears to be our Lex Luthor-type. I don’t care if I sound like a 10 year-old fanboy, I can’t wait to watch No Ordinary Family and apparently based on the amount of merchandising I saw over at the official site, ABC is pretty confident that they have a hit on their hands as well.
8 out of 10
Last night, I was just about to do a review for the new HBO hit, Boardwalk Empire when Mrs. Tastic casually asked me when No Ordinary Family was premiering and I told her September 28th. Needless to say, I was very curious about her interest because she doesn’t like any of the shows that I do so I asked her why she was asking. She then informs me that she received an email offering her the chance to see an exclusive advanced screening of NOF. At this point I began pulling my hair out and I said, “… and you’re just telling me now???” She then said, “Well, what does it matter if it’s going to be on next week, anyway?”
This is when I discovered that apparently my wife is under the impression that I blog about miniature dachshunds.
To make matters worse, it turned out that she received the opportunity for the advance screening on September 14th and it was due to expire 90 minutes from when I learned about it.
Well, here’s the skinny: NOF is EXACTLY as advertised. Now, I know I said that about The CW’s Nikita, but it’s even more so in this case, and in fact a little to its detriment. I’m not saying that it’s not a good show (because, it really is) but that five-minute extended trailer literally gives away the majority of the pilot!
Bad move, ABC, because you took a lot of the fun out of the pilot episode. On the upside, though NOF is EXACTLY as advertised! Seriously, my preview is almost completely spot-on with its peremptory analysis.
As I noted last week, ABC does not hide from the premise of the live-action ‘Incredibles,’ it in fact they embrace it. Oh, and by the way, as an aside, the reason that the fancy wife got the invite for the advance screening to begin with: she’s registered at Disney.com (am I a TV prophet or what?). So, basically, yeah, you’ve got a live-action ‘Incredibles’ but with a bit more of an adult theme.
I have to admit, I think it’s a little borderline for the 8:00 p.m. time slot. 9:00 p.m. is probably a little more appropriate considering the violence and more adult themes than I would have expected. For example, The Powells aren’t just losing touch with each other… they’re REALLY dysfunctional and they are a lot of heavy emotional issues. One of the things I found particularly odd was that Jim Powell (Chiklis) seems OK with the concept of his 16 year-old daughter having sex with her boyfriend… but only if she’s ready. Yeah, that whole sub-plot was particularly awkward for me as a father and thank God the boyfriend was gone halfway through the pilot (yeah, I know that’s a spoiler… don’t worry, he won’t be missed).
So, yes there’s some pretty heavy themes that were kind of unexpected and as you would expect there is some moderate to heavy violence for prime-time television. But don’t get me wrong, it’s not violent like Heroes and in reality I am very thankful that it is nothing like Heroes whatsoever. Nothing against Heroes, which I followed faithfully for three and a half seasons, but in retrospect Heroes was a VERY dark show and I’m very happy that this approach to super heroes is a lot more light-hearted, however, I would definitely not recommend this show for children under twelve or so. Like with anything else, your mileage may vary depending on your kid.
Besides everything that I already knew about this show going into it, there were two things that I picked up on that I really liked. The most obvious was the big twist at the end of the episode that made up for the fact that most of the pilot was given away in the aforementioned five-minute teaser (***grumble, grumble***) and the second thing that was just brilliant was the music. If you pay attention, you’ll notice it’s classic super hero music. Just think of the scores from the Richard Donner Superman films by John Williams and the Ghostbusters score by Elmer Bernstein. It’s a very nice and subtle nod to the genre.
NOF is a very good show and I think it’s going to develop a very strong following. The premise is solid and the cast is fantastic and the characters are very well-conceived (although the kids are a little melodramatic my taste) and it has all the comic-booky goodness you can ask for.
“Somebody saaaaave me!” Boy, Remy Zero said it accurately, indeed. The Superman Mythos after the explosive Death of Superman and The Return of Superman Comic Book storylines needed a shot in the arm. Waning book sales and iffy stories combined with the disinterest of Superman as a whole had thrown a huge red flag up for DC and Warner Brothers combined. After numerous failed attempts at re-igniting that elusive spark, DC and Warner Bros. had much egg on their face that included an omelet made of Nicolas Cage as Superman…ugh… I shudder to think.
Then in comes Alfred Gough and Miles Millar with a brilliant premise: how about a restart (I despise using the term “reboot”) to this iconic superhero? Let’s start way back but not so far back as to not have Clark Kent, our powerful protagonist, involved in a journey to his destiny of becoming the world’s most renowned hero. Let us begin in Smallville, Kansas and do an origin story that will take us on a great and revealing trip. And with Smallville heading into its final season in just a few weeks, I think back excitedly on what a ride it’s been!
The WB show was touted as a Sci-Fi, fantasy tale but at times does play out like a soap opera. That’s OK, though, because we always know what is to eventually come which no basic Soap on TV can do for its viewers. When particular characters like Lex Luthor and Clark Kent interact we can’t help having that small grin on our face and that thought on our minds that these two guys are going to totally throw down and kick each other’s asses in the future. It’s this aspect that makes Smallville so appealing.
Season One begins, well… in the beginning. In the Smallville pilot we are introduced to the Kents played by the hot Annette O’Toole (Sorry, ever since Paul Schrader’sCat People I have always had a crush on her) as Martha and John Schneider (Hee Haw!, Dukes of Hazzard) as Jonathan. These are the salt-of-the-earth farmers who will (thanks to the meteor shower that brings that most-famous of all aliens) raise Clark Kent (Tom Welling). It is not easy as we are a witness, too, as the season advances. After the 14 year-old Clark discovers the spaceship that brought him to earth buried in the barn, he begins to question his destiny, and refuses to immediately accept it.
We are soon introduced to Jeremy Creek (Adrian McMorran), our first of many “meteor freaks” who are usually just normal people who are or were infected adversely by the kryptonite.
Clark, of course, becomes enamored with Lana Lang played with plucky enthusiasm by the oh-so cute Kristen Krueck.
Clark then saves Lex Luthor, portrayed by Micheal Rosenbaum (who steals just about every scene he is in) from an almost fatal car accident. Needless to say, Clark stays busy even as he discovers he’s the newest alien on the block. This is just the beginning of where this great ride begins and there is definitely more to come…