F/X Programming Update: ‘Justified,’ ‘Archer,’ ‘Lights Out.’ What’s Staying, What’s Going.

There have been three major announcements from F/X over the last few weeks regarding programming for the 2011 -2012 season.

Coming back…

First, in a move that delights us to no end, one of the best shows on television, Justified, has been renewed for a third season.

Via The Longest Press Release We’ve Ever Seen to Announce the Renewal of a Show:

FX’S CRITICALLY ACLLAIMED HIT DRAMA JUSTIFIED GETS PICK UP

Network Orders 13 Episodes for Third Season from

FX Productions and Sony Pictures Television

Six All New Episodes Remain in Season One, Wednesdays at 10 PM ET/PT

With Season 1 Finale Airing June 8

Season Two (First-Run) Averaging 3.9 Million Total Viewers and 2.0 Million Adults 18-49

Marking Gains of +16% in Total Viewers and Adults 18-49 vs. Season One Average

With Multi-Run Weekly Average of 7.2 Million Total Viewers and 3.7 Million Adults 18-49

LOS ANGELES, March 29, 2011 – The FX drama series Justified is enjoying one of the most critically acclaimed seasons of any show on television this year and today the network has ordered another season of the hit series, picking up a 13-episode third season, announced John Landgraf, President and General Manager of FX Networks.  Six all new episodes remain in season two, airing Wednesdays at 10 PM ET/PT, with the second season finale airing May 4.

“Justified was a critically acclaimed hit series in its first season, but the show has far surpassed our expectations this season,” said Landgraf.  “Creatively, the show is on a roll. The performances of Timothy Olyphant, Walton Goggins, Margo Martindale and the entire cast are extraordinary. Graham Yost and his team of writers are delivering some of the richest stories anywhere on TV and are doing a brilliant job of being true to Elmore Leonard’s original character, Raylan Givens. We couldn’t be more proud of the work everyone has done.”

Developed for television by Graham Yost and starring Timothy Olyphant, Justified (TV-MA) is based on the popular Elmore Leonard character “Deputy U.S. Marshal Raylan Givens” from his short story Fire in the Hole and some of his other novels.

Yost said, “I always say that the best review we’ve ever received on Justified is the fact that Elmore Leonard gets a kick out of the show.  I must add to that.  Now tied for the best feedback we’ve ever received is the news that a network as cool and original and supportive as FX is bringing us back for another year.”

“The show’s appeal speaks volumes to Graham’s fresh approach to storytelling,” said Jamie Erlicht, president of programming and production, Sony Pictures Television.

“The stellar performances by Timothy, Walton and the entire cast are Emmy caliber and we couldn’t be prouder of this series” added Zack Van Amburg, president of programming and production, Sony Pictures Television.

SOURCE: The Nielsen Company, NHI (Live+7)

Through seven weeks, first-run episodes of Justified are averaging 3.9 million viewers (+15% vs. season 1) and 2.0 million Adults 18-49 (+18% vs. season 1).  The weekly multi-run average viewership for the season 2 is 7.2 million total viewers and 3.7 million Adults 18-49, respective gains of +6% in Total Viewers and +6% in Adults 18-49.

The series co-stars Walton Goggins guest stars as “Boyd Crowder,” Nick Searcy as Givens longtime friend and boss “Chief Deputy Art Mullen,” Jacob Pitts as “Deputy Marshal Tim Gutterson,” Erica Tazel as “Deputy Marshal Rachel Brooks,” Joelle Carter as “Ava Crowder,” and Natalie Zea as Raylan’s ex-wife “Winona Hawkins.”  This season Margo Martindale joined the cast in a supporting role as “Mags Bennett,” matriarch of a rural Kentucky crime family and nemesis of Raylan Givens.

Yost wrote the pilot and serves as Executive Producer/Writer on the series. Leonard is an Executive Producer on the series along with Sarah Timberman, Carl Beverly and Michael Dinner, and Olyphant is Producer. Justified is produced by FX Productions and Sony Pictures Television.

FX is the flagship general entertainment basic cable network from Fox. Launched in June of 1994, FX is carried in more than 99 million homes. The diverse schedule includes a growing roster of critically acclaimed and award-winning original series, an established film library of acquired box-office hit movies, and an impressive lineup of acquired hit series.

Later that same day, F/X announced that they would also be renewing the animated comedy series, Archer, for a third season as well, with new episodes airing in September.  We didn’t watch Archer when it first aired but since it’s been on Netflix Streaming, we’ve been getting into it and it’s absolutely hilarious.

 

 

 

 

Saying Goodbye: Lights Out

Finally, in a bit of disappointing (if not unexpected) news, on March 24th, F/X announced that they would not be renewing their critically acclaimed drama, Lights Out, for a second season.  In our review, we stated that Lights Out was the best new show of the Spring and we gave it a coveted 10 out of 10 rating (an honor that has only been bestowed upon one other show since we started the blog, HBO’s Boardwalk Empire) after only seeing two episodes and we firmly stand by that assessment.  We’ve done a separate commentary on the cancellation of Lights Out, which can be read here.

Mr. Sunshine (ABC – Wednesday, 9:30 p.m.)

Matthew Perry stars as Ben Donovan, the general manager of the Sunshine Center, who every night navigates a never-ending series of bizarre requests, curious mishaps and employee screw ups to put on a show for 18,000 screaming people.

Working alongside him is his boss and arena owner Crystal, attractive, powerful and highly erratic; Alice, the cute, tomboyish marketing director and Ben’s friend with benefits; Alonzo, a former basketball player, handsome and unbelievably happy; Ben’s assistant, Heather, pretty, sweet, but terrifying because she once lit a boyfriend on fire; and Crystal’s son, Roman, sweet-faced, clueless and Ben’s newest employee.

“Mr. Sunshine” stars Matthew Perry (“Friends”) as Ben, Allison Janney (“The West Wing”) as Crystal, Andrea Anders as Alice, James Lesure as Alonzo and Nate Torrence as Roman. – ABC

2 out of 10

They say that familiarity breeds contempt and that particular axiom has special meaning for this “comedy” offering from ABC.  You see, everything is familiar about this show and for that we have contempt for it.  The story is familiar as it’s obviously just a cheap rip-off of NBC’s 30 Rock, the characters are familiar as they are obviously just cheap rip-offs of the characters on NBC’s 30 Rock, the stale jokes are familiar as they are obviously just cheap rip-offs of the jokes on 30 Rock, and the style of the show is familiar as it is – you guessed it – obviously just a cheap rip-off of 30 Rock.

Mr. Sunshine is unoriginal tripe.  As noted, the jokes aren’t original, they aren’t funny and there are really no likable characters.  The attempts at slapstick fail completely and the only message  we can really ascertain at the end of each episode is “don’t tune in again next week unless you want to more crap.”  We would also really like to know whose brilliant idea was it to make a sports arena as a backdrop for a show.  Have the writers been reduced to Mad Libs or are they just pulling slips of paper out of a hat for story ideas, now?  Also, actors delivering their dialogue like a machine gun doesn’t make it any funnier.

There’s one more thing that’s familiar about this show that needs to be addressed: Matthew Perry.  No offense to the guy, but we’re sick of him.  He does nothing for anything he is in.  He’s not horrible, he’s just vanilla… milquetoast… bland.  Like every other cast member on that horrible piece-of-crap show, Friends (we don’t care if you watched it… you know it sucks) they gave him a shot to do films in the 1990’s and 2000’s and like every other cast member with maybe the exception of Jennifer Aniston (we qualify Aniston with a “maybe” because although she’s had some successful films and her name is a draw because we guess she was hot at one point and married to Brad Pitt, other than Office Space, her films are crap) he has a history of box office failures and television failures.  The only films that were even worth watching that this guy has been in were  The Whole Nine Yards and Fools Rush In and the only reason why those two films were worth investing in was because one starred Bruce Willis and the other one starred Selma Hayek.  We’re sorry, but Perry simply does not bring much more to the table in 2011 than he has for the last 15 years.  If you don’t believe us, simply look at his résumé and tell us that we’re wrong.

We’re also finding the similarities to this show and 30 Rock a little creepy.  Has anyone else caught the fact that in 2006, NBC debuted two shows about what goes on backstage at a sketch comedy show, one of a highly acclaimed sit com in the form of 30 Rock and the other a highly acclaimed drama called Studio 60 on the Sunset Strip and that only 30 Rock was kept and that 30 Rock is now in its fifth season?  Has anyone else caught the fact that Matthew Perry was a regular cast member on Studio 60 on the Sunset Strip and has hardly worked since?

Here’s our theory:

Perry is trying to make up for the success that he didn’t have on Studio 60 on the Sunset Strip by duplicating almost everything in 30 Rock, the show that, let’s face it, won the battle at NBC amongst the shows about sketch comedy shows.  Now, why do we suggest that this is creepy or even happening?  Well, normally we don’t wait around for end credits when watching anything on VOD but we did for this because we wanted to see who the production company was.  To our surprise it was none other than Perry’s own production company, Anhedonia Productions.  You see, Perry co-wrote the pilot and is responsible for this mess coming to ABC and we feel it is his attempt to get back to the status that he once had in the 1990’s on television.

What makes it especially creepy is the name of the production company: “Anhedonia.” Ahedonia is a psychiatric condition defined as  an inability to experience pleasurable emotions from normally pleasurable life events such as eating, exercise, social interaction or sexual activities (i.e., joy).  It is a symptom associated with schizophrenia and drug addiction, in particular with amphetamines which Perry is well-known to have had addiction problems with.  The name of the production company, Perry’s history and the show’s tagline (as seen in the poster above) “Oh, Joy.” is not very encouraging to us.  Maybe we’re looking into this too much and this is only a strange bunch of coincidences but we’d be remiss if we didn’t do the analysis.

So, is the ironically named Mr. Sunshine really an attempt at sit com gold or is it just a desperate expression of melancholy from Perry.  We don’t know but we do know that it’s pretty awful and it has no business being the lead-out for Modern Family.

Watch full episodes of Mr. Sunshine, here.

Harry’s Law (NBC – Monday, 10:00 p.m.)

Emmy Award-winning writer/producer David E. Kelley (“Boston Legal,” “The Practice,” “Ally McBeal”) weaves his rich storytelling into a new legal dramedy starring Academy Award winner Kathy Bates in the title role – about how people can embrace the unexpected and other curveballs that life can throw at them.

Harriet “Harry” Korn (Kathy Bates, “Misery,” “About Schmidt”) doesn’t believe things happen for a reason, but she discovers that they sometimes do. A curmudgeonly ex-patent lawyer, Harry is abruptly fired from her blue chip law firm, forcing her to search for a fresh start. She finds it when her world unexpectedly collides, literally, with Malcolm Davies (Aml Ameen, “Kidulthood”), a kind-hearted college student who desperately needs Harry’s help with his pending court case, and he subsequently goes to work for her.

Harry soon finds her balance as well as new offices in an abandoned shoe store just as legal hotshot Adam Branch (Nate Corddry, “The United States of Tara,” “Studio 60 on the Sunset Strip”) accidentally hits her while driving. Inspired by Harry’s no-nonsense understanding of the law, Adam decides to take leave of his shiny corporate firm to go and work with her. Harry, Adam and Malcolm – unlikely but kindred spirits – along with the help of Harry’s shoe-savant assistant, Jenna (Brittany Snow, “Hairspray,” “American Dreams”), are now ready for whatever walks in through the doors of their unique establishment – Harriet’s Law and Fine Shoes. – NBC

4 out of 10

Now, you would figure with the cleverly proposed premise and Kathy Bates and David E. Kelley on the marquis, Harry’s Law should be one of the most refreshing new shows of the spring.  I mean, how could they screw this up, right?  The answer is simple and really should have been expected: David E. Kelley.

We really, really wanted to like Harry’s Law and it almost sucked us in… until it morphed into Boston Legal 30 minutes into it.   Please don’t mistake this, it’s not kind-of like Boston Legal because it’s a David E. Kelley show, it’s the exact same frakking show except that this time Kelley figured that it was probably not a good idea to use a TV show as a pulpit for left-wing proselytizing and right-wing bashing when the evangelists are a bunch of uber-wealthy, Boston elitists.

Instead, we now have Harriet Korn (Bates) a well-respected Cincinnati patent attorney who decides that she’s bored of patent-law and goes on a mission of self-discovery that eventually puts her into a crime infested neighborhood that seems awfully clean and in fact it seems a lot like a Universal back lot.  Here she will now practice criminal law (which she has absolutely no experience in) and fight for the poor, downtrodden, misunderstood and those generally abused by the system.

Like Boston Legal before it, you have to suspend your disbelief with the speed of the legal process and the absurdity of the courtroom antics and you also have to suspend your disbelief that a 20 year-plus veteran patent attorney can now be taken seriously as a criminal defense attorney.

No, what kills this show and why it went from a “7” in our book to a “4” from the first half hour to the second is that it suffers from the exact same problems that Boston Legal did when it ended.  Kelley seems obsessed with preaching to the audience his brand of politics, not understanding that by doing so, he’s alienating at least half of his audience.  Conservatives sure as hell don’t want to hear it and Independents don’t want to hear it either and it’s why Boston Legal only got five seasons whereas its predecessor, The Practice got eight seasons.  We left it halfway through season four and there’s only been one other show that we’ve ever committed to that we left before its series run was over (Heroes).

The Practice, although it definitely had its share of issue-oriented shows, was never preachy.  It didn’t need to be.  The drama was compelling and thought-provoking in and of itself on a weekly basis without the need for anyone to tell the audience how to think politically. What we can’t figure out is what happened with Kelley.  Is it just an issue of hating the Bush Administration so much that he decided that all of his projects would now be propaganda outlets?  We could care less either way what anyone’s personal politics are but when it comes to scripted drama on television, no one wants to be lectured to.  Kelley should know this by now and NBC should have figured it out after the Jimmy Smits legal disaster-of-a-show Outlaw.

The only reason we’re not giving this show lower than a “4” is because there is hope for it and the only thing it needs to be enjoyable is to get rid of the political crap.  The performances are solid and the characters are generally likable.  Will they drop the political crap?  It’s doubtful that they will because Kelley has become an absolute egomaniac with his projects and even if they did dump the politics, it will be too late because we expect audiences to abandon it long before that. We believe Kelley is about to learn a valuable lesson about what you can experiment with and what you can’t when a show hasn’t built an established audience and we expect Harry’s Law to not be renewed for a second season in May for Fall 2011.

Watch full episodes of Harry’s Law, here.

See… We Told You So. J.J. Abrams: “I’ll Start Drinking More,” No Upside To Fringe On Fridays

Fringe Returns on Friday January 21, 2011 at 9:00 p.m. on FOX

We did a piece back in December regarding the Fringe move to Friday nights in which – and we see no reason to sugar-coat this – we spent the majority of the piece, bashing (albeit justifiably) FOX for its treatment of scripted programming in general, its propensity to panic and banish a show to Friday nights for the purpose of letting it die and to, by virtue of their irresponsible programming decisions, cause the premature cancellation of quality programming.

We also explained that while were inclined to accept the fact that Fringe would be moving to Friday nights and this most likely signaled the end to the series (FOX or any other network can do whatever they want), what we could not tolerate was the self-righteous spin coming from FOX (specifically in the promo trailer below) which attacked other blogs and commentators far more reputable than The ‘Tastic who are well aware as we are of FOX’s history regarding scripted programming and in particular, genre programming, who dared to suggest the same thing that we did.

What particularly bothered us was not the issue of FOX calling out highly reputable sources such as Collider, Ain’t It Cool News, and IGN…  that’s fine.  When a media outlet is wrong or publishes commentary that is scurrilous with nothing to back it up, it’s completely justified.  The issue we had was that of FOX trying to pretend that they have no history of doing exactly what these outlets suggested and mocking them for the suggestion and leaving the false impression on the fans that they should pay no attention to the man behind the curtain because they of course are going to fully support Fringe on Friday night… just like they do all of their scripted programming they put there!

We took A LOT of heat for that piece by FOX gushers suggesting everything from we didn’t know what we were talking about, to we’re just making things up and our favorite, at least FOX gives Sci Fi and genre a chance as none of the other networks do (which is absolute nonsense).

So, as the weeks have progressed, there has been more and more propaganda spewed by FOX and by their willing accomplices in the media about how much support they are giving to Fringe. Outlets such as the folks at TV Line seem all to happy to not only believe FOX, but to promote their spin as if it should be believed, in particular Matt Webb Mitovich and Entertainment Weekly’s Michael Ausiello.  From Mitovich’s January 11th piece:

Fringe‘s move to Fridays, which takes hold on January 21, is looking more and more like a really terrific thing.

Not only has Fox been promoting the heck out of the time-slot change, but Fringe‘s new “under the radar” home apparently has opened the door for even freakier storytelling.

Noting that Fox “has always been pretty cool” about letting Fringe push the envelope, series creator J.J. Abrams tells TVLine that said envelope’s seams have achieved outrageous new levels of elasticity.

From Ausiello’s piece from January 18th:

In a major blow to the argument that Fox is banishing Fringe to Fridays to die, a new piece of evidence has emerged that strongly suggests the network very much wants the show to succeed in its new, challenging time slot: A fancy outdoor advertising campaign touting the show’s new Friday perch!

The fancy investment of $5,000.00 on a billboard which obviously means that FOX is fully supporting Fringe.

Well, we guess that completely shoots holes in our perspective and that of the rest of the other skeptics, right?  Well, not really.

You see, in an interview with Collider’s Christina Radish on January 12th, J.J. Abrams himself had a bit of  different take on the Friday move for Fringe than the FOX talking heads and the propaganda pushers at TV Line.

J.J. Abrams... He'll be drinking more.

Radish: How do you feel about the move to Friday nights for Fringe?

ABRAMS: Oh, I’m horrified beyond belief, but as a fan of the genre and the show, I’m hoping that fans will tune in. I certainly can promise that it will be worth their while. The episodes that are coming up are spectacular. I guess you can just be hopeful and say that, if the work is good enough, it will find the audience. I think they’re doing better work now, even in the second half of Season 3, than they’ve ever done on the series. I’m just crossing my fingers that fans of the show, show up.

Radish: Do you see any upside to the change in nights?

ABRAMS: Just in that I’ll start drinking more. No, I don’t see an upside because the audience on Friday nights is harder to find. But, that’s not to say that they aren’t there and that we might not be able to make it there. Certainly, I would be lying to you if I said I’m thrilled about the move. But, what I am thrilled about is that the network has been incredibly supportive and, despite its move to Friday, they’ve been nothing but encouraging of the show. It’s still on the air in its third season, and it’s not easy to do that. It’s not easy to get to Season 3 of anything. They’ve allowed the show to become truly great, I think. The question is, will audiences find a great show on Friday nights? I pray that they do.

Well, surprise, surprise!  J.J. Abrams has the exact same opinion of the move to Friday for Fringe that we do.  The only difference is that he’s more polite when discussing the show’s relationship with FOX than we are, because after all, they’re still paying the bills.  Like  J.J.,  we are also horrified and we see no upside to this move but we do sincerely pray that it does find success… but we doubt that it will.  The reality of it is, as Abrams knows, that if FOX truly had faith in Fringe and wanted to support it, they never would have moved it to Friday night to begin with.