Emmy Award-winning writer/producer David E. Kelley (“Boston Legal,” “The Practice,” “Ally McBeal”) weaves his rich storytelling into a new legal dramedy starring Academy Award winner Kathy Bates in the title role – about how people can embrace the unexpected and other curveballs that life can throw at them.
Harriet “Harry” Korn (Kathy Bates, “Misery,” “About Schmidt”) doesn’t believe things happen for a reason, but she discovers that they sometimes do. A curmudgeonly ex-patent lawyer, Harry is abruptly fired from her blue chip law firm, forcing her to search for a fresh start. She finds it when her world unexpectedly collides, literally, with Malcolm Davies (Aml Ameen, “Kidulthood”), a kind-hearted college student who desperately needs Harry’s help with his pending court case, and he subsequently goes to work for her.
Harry soon finds her balance as well as new offices in an abandoned shoe store just as legal hotshot Adam Branch (Nate Corddry, “The United States of Tara,” “Studio 60 on the Sunset Strip”) accidentally hits her while driving. Inspired by Harry’s no-nonsense understanding of the law, Adam decides to take leave of his shiny corporate firm to go and work with her. Harry, Adam and Malcolm – unlikely but kindred spirits – along with the help of Harry’s shoe-savant assistant, Jenna (Brittany Snow, “Hairspray,” “American Dreams”), are now ready for whatever walks in through the doors of their unique establishment – Harriet’s Law and Fine Shoes. – NBC
4 out of 10
Now, you would figure with the cleverly proposed premise and Kathy Bates and David E. Kelley on the marquis, Harry’s Law should be one of the most refreshing new shows of the spring. I mean, how could they screw this up, right? The answer is simple and really should have been expected: David E. Kelley.
We really, really wanted to like Harry’s Law and it almost sucked us in… until it morphed into Boston Legal 30 minutes into it. Please don’t mistake this, it’s not kind-of like Boston Legal because it’s a David E. Kelley show, it’s the exact same frakking show except that this time Kelley figured that it was probably not a good idea to use a TV show as a pulpit for left-wing proselytizing and right-wing bashing when the evangelists are a bunch of uber-wealthy, Boston elitists.
Instead, we now have Harriet Korn (Bates) a well-respected Cincinnati patent attorney who decides that she’s bored of patent-law and goes on a mission of self-discovery that eventually puts her into a crime infested neighborhood that seems awfully clean and in fact it seems a lot like a Universal back lot. Here she will now practice criminal law (which she has absolutely no experience in) and fight for the poor, downtrodden, misunderstood and those generally abused by the system.
Like Boston Legal before it, you have to suspend your disbelief with the speed of the legal process and the absurdity of the courtroom antics and you also have to suspend your disbelief that a 20 year-plus veteran patent attorney can now be taken seriously as a criminal defense attorney.
No, what kills this show and why it went from a “7” in our book to a “4” from the first half hour to the second is that it suffers from the exact same problems that Boston Legal did when it ended. Kelley seems obsessed with preaching to the audience his brand of politics, not understanding that by doing so, he’s alienating at least half of his audience. Conservatives sure as hell don’t want to hear it and Independents don’t want to hear it either and it’s why Boston Legal only got five seasons whereas its predecessor, The Practice got eight seasons. We left it halfway through season four and there’s only been one other show that we’ve ever committed to that we left before its series run was over (Heroes).
The Practice, although it definitely had its share of issue-oriented shows, was never preachy. It didn’t need to be. The drama was compelling and thought-provoking in and of itself on a weekly basis without the need for anyone to tell the audience how to think politically. What we can’t figure out is what happened with Kelley. Is it just an issue of hating the Bush Administration so much that he decided that all of his projects would now be propaganda outlets? We could care less either way what anyone’s personal politics are but when it comes to scripted drama on television, no one wants to be lectured to. Kelley should know this by now and NBC should have figured it out after the Jimmy Smits legal disaster-of-a-show Outlaw.
The only reason we’re not giving this show lower than a “4” is because there is hope for it and the only thing it needs to be enjoyable is to get rid of the political crap. The performances are solid and the characters are generally likable. Will they drop the political crap? It’s doubtful that they will because Kelley has become an absolute egomaniac with his projects and even if they did dump the politics, it will be too late because we expect audiences to abandon it long before that. We believe Kelley is about to learn a valuable lesson about what you can experiment with and what you can’t when a show hasn’t built an established audience and we expect Harry’s Law to not be renewed for a second season in May for Fall 2011.
Raising Hope is a new single-camera family comedy from Emmy Award winner Greg Garcia that follows the Chance family as they find themselves adding an unexpected new member into their household. At 23 years old, JIMMY CHANCE (Lucas Neff) is going nowhere in life. He skims pools for a living, parties every night and still lives at home with his family, including his MAW MAW (Cloris Leachman); his mother, VIRGINIA (Martha Plimpton) and his father, BURT (Garret Dillahunt). Jimmy’s life takes a drastic turn when a chance romantic encounter with LUCY (guest star Bijou Phillips) goes awry once he discovers she is a wanted felon. Months later, when Jimmy pays a visit to the local prison, he learns Lucy is pregnant with their baby, and after she gives birth, he is charged with raising their daughter. – FOX
Shawn: I didn’t think it was possible but Rasing Hope has given me whole new reason to hate sitcoms. You see, what’s pissed me off thoroughly is the lie perpetuated on show’s Official Page that I posted above. It’s leaving out a crucial detail and the omission is by design. The little baby’s mother, isn’t just a wanted felon, she’s a serial killer and her big joke in the trailer is that they would never execute a mother of a seven month-old baby. Then, they cut to a scene with Jimmy sitting on the other side of the glass with the baby on his lap watching her get electrocuted and about halfway through the process he covers the baby’s eyes. I’m sorry, and you can call me old-fashioned, but a baby being separated from its mother and then forced to watch her get executed in an electric chair is not exactly what I would call charming or endearing. FOX has been doing a very good job of hiding that little piece of information on their website and their regular TV spots for this show. Gee, I wonder why? What I saw is not nearly as bad as the fact that they are trying to hide it.
Well, like Detroit 1-8-7, we have another case of I was exactly right yet I was dead wrong at the same time.
First, the mea culpa: the scene that I was most concerned about in the trailer with the mother being executed in the electric chair wasn’t nearly as bad as it seemed in the trailer. When taken in context with the ridiculous tone of this show and although I would have preferred that it not be in the episode, it flows pretty well in a cartoonish sort of way. In fact when I think about it, cartoonish is the perfect way to describe that scene. It was like something on Family Guy and South Park where, yes, under normal circumstances it would be processed by your brain as being horrific, but in context it’s pretty tame, because it’s really just slapstick. I’m guessing that the reason that FOX decided not to air that spot on TV was because it screened as poorly with their test audiences as it did it with your friendly neighborhood test-critic.
Now, on to where I was right and what I hate about this show. Raising Hope is exactly what I thought it would be: a typical Greg Garcia show about a family of really dumb, loser P.W.T. (that’s po’ white trash for the unenlightened) who are completely ridiculous and just like the aforementioned scene, absolutely cartoonish. It’s style and tone is very much like My Name is Earl and it goes to show that Greg Garcia is really kind of a one-trick pony which is something I suspected all along.
That being said, the show is pretty funny and despite its flaws is very charming. The characters, although cut from the ‘Earl’ cloth, are endearing and all very well-cast. There’s a lot of good humor here and even though they’re resorting to the same Bundy-style adversarial family that has been used a hundred times before, they all seem believable in their caring for each other.
What has really sucked me into Raising Hope show is Hope herself. That cute little baby is irresistible especially for anyone who has kids and honestly, you forget about the flaws of this show when you see that precious little face. She reminds me of my own daughter at that age and I seriously just melt when she’s on-screen just being cute. You will too.
Part Five of the Seven Six Part Series (This has been edited because I realized that there’s nothing on Saturdays but College Football, COPS and America’s Most Wanted. Do you really need a review of those?)
The CW: Smallville (September 24, 2010)
Vic: The final season of Smallville begins this fall and we have Clark Kent finally on the cusp of eventually becoming what he is destined to become: Superman… the ‘Man of Steel.’ This season is what we Smallville fans all have been waiting nine years for. We have all hung in there through some exceptional stories, heart-wrenching losses, great heroes and villians and now it would appear that the baddest of the bad is coming to Smallville: Darkside is looking to take over our planet it seems that Clark will have no choice now but to jump into those tights that Mrs. Kent has been saving for him all these years… or does Lois have them now? That is why you must tune in and continue hanging in with what has been one of the most enduring Sci-Fi, Fantasy Dramas in recent TV memory. Smallville still has the chops. The performances are still great all the way around. Tom Welling still proves that season after season he can command every scene he is in and even in lighter moments he shows us an endearing and clumsy side. Erica Durance as Lois is quick, sharp and she has range. She proves that she has mettle as Lois up against Welling’s Clark. I can’t say enough about Allison Mack as Chloe. I just can’t wait to see how this all turns out this season. I for one hope to see the big guy finally fly and soar this season and hope you all watch as well.
In this drama based on a graphic novel of the same name, Mark Valley plays Christopher Chance, a for-hire bodyguard and private investigator who integrates himself into his clients’ lives so that he becomes a target instead of them. Assuming a new identity for each job, Chance relies on the help of his associates Winston (Chi McBride) and Guerrero (Jackie Earle Haley), but he can’t outrun his past — or the secrets driving his odd choice of work. -FOX
Shawn: Alright, so this is a little out of the norm because I normally don’t put show descriptions in with previews of returning shows. I’ve made the exception with Human Target because I think it’s a show that too many people are unaware of because it was a mid-season replacement last year and unfortunately, FOX will most likely kill it by putting it on Friday night where they put all shows to die. I cover this sad state of affairs in my column regarding the changing network attitudes towards Friday night prime-time and how FOX is, as usual up to the same old bag of tricks (read it here). So, it’s basically like this: I am on a crusade for the critically acclaimedHuman Target because it was one of the best new shows on television last year and needs everyone’s support.
The description is a little misleading. Chance doesn’t just have a mysterious past, he’s a former freelance assassin who was a really bad dude, completely amoral who had a seminal moment in his life that made him reevaluate his own personal morality and vow to use his skills to protect people from now on. It’s a fast-paced action show based on the DC Comics Graphic Novel and they couldn’t have picked anyone better for this role of Christopher Chance than Mark Valley as the dashing yet compassionate former assassin (…and I’m just thrilled to see that Mark Valley finally has regular gig!). The supporting cast is fantastic with Chi McBride (Boston Public, The Nine) as Winston, the gruff, former San Francisco police detective who works with Chance to keep him ahead of the game and regularly uses his connections from the old job to help Chance on his missions. Then you have the other, more mysterious and far more deadly Guerrero, played by Jackie Earle Haley (Watchmen, A Nightmare on Elm Street) who is a hi-tech wizard and a former associate of Chance’s in his prior profession but unlike Chance, really hasn’t had a change of heart, he’s just helping out an old buddy, but he does have a very strict personal moral code that abides by religiously.
Great action, unique stories, wonderfully written and compelling characters are the hallmarks of this show. I highly recommend that you set time aside on Friday for Human Target (or at least Divver it).
Dr. Megan Hunt (Dana Delany) was in a class of her own, a brilliant neurosurgeon at the top of her game. Her world is turned upside down when a devastating car accident puts an end to her time in the operating room. Megan resumes her career as a medical examiner determined to solve the puzzle of who or what killed the victims. Megan’s instincts are sharp, but she’s developed a reputation for graying the lines of where her job ends and where the police department’s begins. It turns out her career isn’t the only thing that will need to be rebuilt; Megan’s family has taken a backseat to her ambition, and now she’ll discover there’s a lot of work to do when it comes to dissecting her relationships with the living. – ABC
Shawn: If it hasn’t become abundantly clear by now, I really dislike procedurals in general. It doesn’t matter if it’s police, law, medical, detective… whatever, I really have no use for them. And it’s not that this show looks particularly awful, because it doesn’t. It’s just the same thing I’ve seen time and again which is also one of the big reasons I have no use for sit-coms. There’s just no originality in any of these programs and with the incredible batch of new shows that have come out this season, it’s not like there is a lack of originality in Hollywood, it’s just not being utilized enough.
What bugs me the most is that the procedurals don’t have to be unoriginal. Hollywood producers and execs choose to go that route because it’s safe and easy to pitch to advertisers and the general viewing audience. For example, NCIS is by definition a procedural, but it’s still a good show because of how original it always has been. Body of Proof doesn’t have anything resembling an original premise. Not even the title is original, which like most procedurals and sitcoms reverts to the use of cringe-worthy “clever” double-meanings for phrases and words to convey a commonly known phrase to attract the audience’s attention, e.g., House, The Whole Truth, Outlaw, Grey’s Anatomy, Rules of Engagement, Raising Hope, Running Wilde, The Biggest Loser, Bones and Blue Bloods. That’s just from this Fall. I didn’t even mention the stupidest one of all, HawthoRNe (well… now I have). This show literally is a hybrid of Quincy, Crossing Jordan, CSI, House and Everwood. Like I said, Body of Proof doesn’t look awful, and it does have a good cast, but it just looks ordinary.
FOX: The Good Guys (September 24, 2010)
From Matt Nix (“Burn Notice”), comes THE GOOD GUYS, a new action comedy about what happens when an old-school cop and a modern-day detective expose the big picture of small crime.
Once upon the 1970s, DAN STARK (Bradley Whitford) and his partner, Frank Savage, were big-shot Dallas detectives. So big, in fact, that they were lauded as American heroes after saving the Governor’s son. Thirty years later, Dan Stark is a washed-up detective who spends most of his time drunk or re-hashing his glory days. A stranger to modern police work who would much rather trust his old-school police instincts, Dan has the reputation as being a bit of a wild card. Able to skate by on the heroic deeds of his yesteryear, he is still a semi-active presence on the force, and with the help of his liquor of choice, occasionally comes through to solve a petty crime.
Dan’s new partner, JACK BAILEY (Colin Hanks), is an ambitious, by-the-book and overall good detective, but is sometimes a bit too snarky for his own good. His habit of undermining himself has earned him a dead-end position in the department, and he is stuck solving annoying petty theft cases that nobody else wants. Worse, he’s been given the thankless task of babysitting Dan, the drunk pariah who can never keep partners for long. Jack may not see it, but he has little chance of getting out of his situation; his knack for making enemies at the station has assured he is not going anywhere.
His only ally is ASSISTANT DISTRICT ATTORNEY LIZ TRAYNOR (Jenny Wade), a quick witted former girlfriend whom Jack hasn’t quite gotten over and the one person he turns to for help with his current professional predicament. Until Jack finds his way out of this situation, he is stuck awaiting the day when he can turn everything around, get back to solving actual cases and return to being a real detective.
On one fairly typical day, as Jack and Dan are pursuing a Code 58, the Dallas police code for routine investigations, which puts them hot on the case of a stolen humidifier, they inadvertently become engaged in a shootout over a stolen golf bag belonging to a notorious drug smuggler. This starts Jack and Dan on a wild chase to retrieve the bag, recover the contents inside and go after the drug smuggler – all while dodging his hired assassin!
The excitement of the case reminds Dan of the way he and Frank busted punks back in the good old days, and he convinces Jack to go along for the ride. Needless to say, many departmental rules are again broken in the reckless pursuit, showing their boss, LIEUTENANT ANA RUIZ (Diana Maria Riva), that Jack and Dan will be spending many more days in the Property Crimes Division, assigned to investigate seemingly minor crimes in order to keep them out of major trouble.
Shawn: Yep, I broke the rule again about not posting show description in regards to returning shows (well… not technically as this is just a continuation of the first season that went on hiatus at the end of August.). But again, like with Human Target, I have to do this to counteract FOX’s continued insanity regarding good shows left to die on Friday night. For the point of brevity (and because copy and pasting is a helluva lot easier) here’s the skinny on how FOX is abusing this show as I mentioned in the same column that I discussed Human Target.
It’s not even remotely fair what they’re doing to The Good Guys even by FOX’s idiotic standards, premiering it on a Monday in the middle of May when all of the other shows are wrapping up, letting it run for nine episodes over the summer and then dumping it into Friday night because it didn’t catch fire fast enough for them.
Simple, but to the point… it’s the same standard operating procedure that they’ve used with Human Target and countless other shows.
Now that the rant is complete, I really like The Good Guys. It is very funny and full of action and Hanks and Whitmore play off each other brilliantly.
CBS: Blue Bloods (September 24, 2010 – NEW SERIES!)
BLUE BLOODS is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York City Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief. A source of pride and concern for Frank is his eldest son Danny, a seasoned detective, family man, and Iraqi War vet who on occasion uses dubious tactics to solve cases. The sole Reagan woman in the family, Erin, is a N.Y. Assistant D.A. and newly single parent, who also serves as the legal compass for her siblings and father. Jamie is the youngest Reagan, fresh out of Harvard Law and the family’s “golden boy;” however, unable to deny the family tradition, Jamie decided to give up a lucrative future in law and is now a newly minted cop. Jamie’s life takes an abrupt turn when he’s asked to become part of a clandestine police investigation even his father knows nothing about, and one that could impact the family’s legacy. – CBS
Shawn: Blue Bloods is one of the most anticipated dramas this Fall for good reason. Simply look at this cast. Your leads are Tom Selleck, Donnie Wahlberg, and Bridget Moynihan… all television and film superstars (Len Cariou is no slouch either). Superstars like that don’t just arbitrarily sign on to do a show if they don’t already know it’s brilliant. The concept is definitely unique. An original cop show that focuses on a multigenerational family of cops and all of the dynamics that go along with that. I’m very excited about Blue Bloods.
Few jobs are guaranteed for a lifetime, and a Supreme Court appointment is a position that no one ever quits – unless he is Cyrus Garza (Smits). A playboy and a gambler, Justice Garza always adhered to a strict interpretation of the law until he realized the system he believed in was flawed. Now, he’s quit the bench and returned to private practice.
Using his inside knowledge of the justice system, Garza and his team will travel across the country taking on today’s biggest and most controversial legal cases.
Garza’s team includes his best friend since childhood, Al Druzinsky (David Ramsey), a brilliant defense attorney with liberal beliefs; Mereta Stockman (Ellen Woglom), a hopeless romantic who is Garza’s loyal law clerk; Lucinda Pearl (Carly Pope), a wildly unorthodox private investigator who uses her sex appeal and wit to gather information for Garza; and Eddie Franks (Jesse Bradford), a tightly wound, rabidly ambitious Yale-educated attorney, recently hired as Garza’s law clerk. – NBC
Shawn: I’ve already done a complete review for Outlaw, here. It is by far the worst drama on television.
From Terence Winter, Emmy Award-winning writer of ‘The Sopranos,’ and Academy Award Winning Director Martin Scorsese, ‘Boardwalk Empire’ is set in Atlantic City at the dawn of Prohibition, when the sale of alcohol became illegal throughout the United States.
America in 1920. The Great War is over, Wall Street is about to boom and everything is for sale, even the World Series. It is a time of change when women are getting the vote, broadcast radio is introduced, and young people rule the world.
On the beach in southern New Jersey sits Atlantic City, a spectacular resort known as “The World’s Playground,” a place where rules don’t apply. Massive hotels line its famous Boardwalk, along with nightclubs, amusement piers and entertainment to rival Broadway. For a few dollars, a working man can get away and live like a king — legally or illegally.
The undisputed ruler of Atlantic City is the town’s Treasurer, Enoch “Nucky” Thompson, (Steve Buscemi) a political fixer and backroom dealer who is equal parts politician and gangster and equally comfortable in either role. Because of its strategic location on the seaboard, the town is a hub of activity for rum-runners, minutes from Philadelphia, hours from New York City and less than a day’s drive from Chicago. And Nucky Thompson takes full advantage.
Along with his brother Elias (Shea Whigham), the town’s Sheriff, and a crew of Ward Bosses and local thugs, Nucky carves out a niche for himself as the man to see for any illegal alcohol. He is an equal opportunity gangster, doing business with Arnold Rothstein (Michael Stuhlbarg), Big Jim Colosimo (Frank Crudele), Lucky Luciano, (Vincent Piazza) and Al Capone (Stephen Graham).
As the series begins, Nucky’s former protégé and driver Jimmy Darmody (Michael Pitt) returns home from the Great War, eager to get ahead and reclaim his rightful place in Nucky’s organization. But when Jimmy feels things aren’t moving quickly enough, he takes matters into his own hands, forming a deadly alliance with some associates of Nucky’s that set the Feds, led by Agent Van Alden (Michael Shannon) on his mentor’s tail. Complicating matters further is Nucky’s burgeoning relationship with Margaret Schroeder, (Kelly Macdonald) a local woman in an abusive marriage whom he tries to help out. – HBO
10 out of 10
Apparently HBO has decided that they are sick of playing second fiddle to Showtime for having the best drama on premium cable. After watching the pilot episode of Boardwalk Empire I feel rather ashamed. I feel like a crook, in fact. I feel like I robbed HBO of the $10.50 that I should have paid them to see this show in the theater. Because it’s not a TV show, it’s a Martin Scorcese Academy Award winning film that comes into your living room once every seven days for twelve weeks. There is only word to describe this monumental television excellence: Epic.
The grand scale and visually stunning aesthetics are like nothing that’s been on TV since 2001’s Band of Brothers. The pilot alone cost $50 million and it’s perhaps the best $50 million spent on a television series ever. The sets are absolutely amazing and the level of detail is like none I’ve ever seen for a period piece outside of Titanic. There really is no question that you are in Atlantic City circa 1920 and this show does what I’ve pointed out that other quality dramas do and that is make the city as integral of a character as the politicians and gangsters.
The story and depth of characters are rich and engaging and you’re hooked from the opening scene and the role of “Nucky” Thompson… well, let’s just say the Steve Buscemi was born to play him.
Thompson is the epitome of the corrupt community leader for the prohibition era. He’s an institutionalized pillar of the community and gangster rolled into one. He’s the city treasurer who has built his power through graft and payoffs and is the most powerful man in town, controlling the police department and mayor’s office who hang on his every order. Like most crooked politicians in bed with organized crime he views as himself as morally superior to the gangsters he regularly does business with and he does his best to keep them at arm’s length. This is very interesting to note about his personal character because unlike most corrupt politicians, he truly does care for the citizens of his community and goes out of his way to help those who need it the most with no ulterior motives and his magnanimous attitude and tenderness isn’t out of guilt. As crooked as his empire his, he truly is a man of the people and believes in the virtue of public service. This dichotomy presents itself often as there appears to be a perpetual internal conflict between the noble and the nefarious going on inside of Nucky.
One of the more notable exchanges is between Nucky and his protégé, Jimmy, where he tells Jimmy, “You’d be very foolish to underestimate me, James. I could have you killed,” right after he lectures him as a father would about going back to school and making something of himself for his wife and son. But, it’s how he says it that’s interesting… it’s kind of like that he has to convince himself that he could have Jimmy killed and he isn’t really comfortable with the idea even though we all know it’s true, he could, but still, we don’t buy it. Jimmy doesn’t buy it either as his classic response indicates while at the same time serving to polarize Nucky’s internal conflict. “Yeah, but you won’t. Look… you can’t be half a gangster Nucky… not anymore,” and THAT is what Boardwalk Empire is all about.
It’s about how Prohibition changed this country during an era of excess. It’s about our own good and dark sides squaring off. We see the likes of Arnold Rothstein, Lucky Luciano and Al Capone as small time hoods, who we all know will become kings over the next ten years and rule their particular kingdoms through violence and terrorism but what’s often forgotten is that it was the average citizen that made that reign possible. It’s a part of our collective history as Americans that hasn’t been told before and Boardwalk Empire shines a spotlight on it.
Boardwalk Empire is going to be one helluva journey. This is the best show on television… period, and yes, it only took one episode to figure it out.
“Somebody saaaaave me!” Boy, Remy Zero said it accurately, indeed. The Superman Mythos after the explosive Death of Superman and The Return of Superman Comic Book storylines needed a shot in the arm. Waning book sales and iffy stories combined with the disinterest of Superman as a whole had thrown a huge red flag up for DC and Warner Brothers combined. After numerous failed attempts at re-igniting that elusive spark, DC and Warner Bros. had much egg on their face that included an omelet made of Nicolas Cage as Superman…ugh… I shudder to think.
Then in comes Alfred Gough and Miles Millar with a brilliant premise: how about a restart (I despise using the term “reboot”) to this iconic superhero? Let’s start way back but not so far back as to not have Clark Kent, our powerful protagonist, involved in a journey to his destiny of becoming the world’s most renowned hero. Let us begin in Smallville, Kansas and do an origin story that will take us on a great and revealing trip. And with Smallville heading into its final season in just a few weeks, I think back excitedly on what a ride it’s been!
The WB show was touted as a Sci-Fi, fantasy tale but at times does play out like a soap opera. That’s OK, though, because we always know what is to eventually come which no basic Soap on TV can do for its viewers. When particular characters like Lex Luthor and Clark Kent interact we can’t help having that small grin on our face and that thought on our minds that these two guys are going to totally throw down and kick each other’s asses in the future. It’s this aspect that makes Smallville so appealing.
Season One begins, well… in the beginning. In the Smallville pilot we are introduced to the Kents played by the hot Annette O’Toole (Sorry, ever since Paul Schrader’sCat People I have always had a crush on her) as Martha and John Schneider (Hee Haw!, Dukes of Hazzard) as Jonathan. These are the salt-of-the-earth farmers who will (thanks to the meteor shower that brings that most-famous of all aliens) raise Clark Kent (Tom Welling). It is not easy as we are a witness, too, as the season advances. After the 14 year-old Clark discovers the spaceship that brought him to earth buried in the barn, he begins to question his destiny, and refuses to immediately accept it.
We are soon introduced to Jeremy Creek (Adrian McMorran), our first of many “meteor freaks” who are usually just normal people who are or were infected adversely by the kryptonite.
Clark, of course, becomes enamored with Lana Lang played with plucky enthusiasm by the oh-so cute Kristen Krueck.
Clark then saves Lex Luthor, portrayed by Micheal Rosenbaum (who steals just about every scene he is in) from an almost fatal car accident. Needless to say, Clark stays busy even as he discovers he’s the newest alien on the block. This is just the beginning of where this great ride begins and there is definitely more to come…