Yesterday we reported that Cheryl Cole had been replaced by the Pussycat Dolls’ Nicole Scherzinger as a judge on FOX’s upcoming singing competition show, The X Factor. Everything in the piece itself was accurate however our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not. Simon Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.
The Hollywood Reporteris citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone. Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her. Since Simon Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision. This obviously was a mistake.
We have also issued the retraction made the correction on the original piece.
We reported two weeks ago that Paula Abdul had signed on as a judge alongside her former American Idol co-judge, Simon Cowell on his highly anticipated singing competition show, The X Factor, along with Cheryl Cole and L.A. Reid. TMZ is reporting that Cheryl Cole, who was a judge on the U.K. version of the show, has been replaced by the Pussycat Dolls’ Nicole Scherzinger citing concerns over American audiences having difficulty understanding her because of her thick British accent and a lack of chemistry with Abdul. Producers now want Cole to return to the U.K. version of the show but sources say that she is so angry about how the situation was handled that she may sever ties with the franchise entirely. We doubt it. We wouldn’t even know who she was if not for this so she needs all of the exposure she can get.
We look at this two ways: first how bad could her accent possibly be? If American audiences can sit through Ewan MacGregor’s Scottish brogue in Trainspotting:
… then we can certainly handle this:
Now of course, the best part of the clip above is that if you listen closely, she pauses in the middle of that to squeak out a little fart. G’head… go back and play it again, we’ll wait.
See, we told you.
Now aside from the obvious issues of farting on the air and how that probably isn’t something that will be embraced by American audiences (except us), the ultimate irony here is that Simon Cowell is concerned that American audiences aren’t going to be able to understand My-Fair-Lady/the-rain-in-Spain-falls-mainly-on-the-plain up there but he doesn’t have any concerns about two or three nights per week of this in primetime:
Steve Jones: Limey Stud
Obviously, though, if the other issue was chemistry with Abdul, it was simply a no-brainer that Cole would be the expendable judge. Scherzinger was originally cast to co-host the show with Steve Jones but now with the move, he’ll be doing it alone. Don’t feel bad folks, we don’t know who he is either however, apparently he’s quite popular in the U.K. and in order to get this gig he had to initially promise not to nail his fellow co-stars and no, we aren’t kidding. Just for that alone he gets our endorsement. But seriously, how hard can it be? Seacrest has been doing it for a decade and he hosts a daily radio show and that dopey show on E!
EDITOR’S NOTE – RETRACTION: Our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not correct. Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.
The Hollywood Reporter is citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone. Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her. Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision. This obviously was a mistake.
If you’re anything like us, you freely admit that the only reason you turned into American Idol for as long as you did was because of Simon Cowell and it wasn’t just for how brutal he was to the first round contestants. Despite Cowell’s dry and sometimes cruel wit, he was generally the only one on that panel who could relay any particular insight to the audience regarding the music industry itself and at the end of the day you had more faith in his opinion than anyone else on the judge’s panel. This is not take anything away from the other judges and guest judges that have graced AI over the years, but Cowell truly brought a sense of balance to the Force and if you’ve watched recently, even if you are still a fan, you can’t help but to admit that it’s become kind of a disjointed mess since his departure. Honestly, does anyone take Steven Tyler seriously at all?
Now if you’re still being honest, even if you hate to admit it, Paula Abdul certainly had her place on that panel and even when she left it was like we lost a part of the family. Between her obnoxious over-the-top praising, soft-peddling, sometimes inebriated commentary and the banter between her and Cowell, it made for good television. So when we heard a couple of months ago from the T-Shirt himself that he would love to get Paula back on his new talent show, The X-Factor, and that he was actively courting her, we were excited about the prospect of two-thirds of the old team getting back together albeit skeptical at the possibility because, let’s be honest, how often do these situations pan out? But then again… this is Simon “King Midas” Cowell we’re talking about, as well.
So without further adieu it gives us great pleasure to announce that Paula Abdul has indeed signed on as a judge on TXF along with Cowell, Cheryl Cole, and Antonio “L.A.” Reid. This is not only going to be great fun for fans but this is very good for FOX broadcasting as it will increase the advertising value of this show even more than we already had expected.
Why should we care about that? It’s simple: the more money TXF makes, the more money FOX has to justify keeping lower rated, critically acclaimed scripted programming and it also acts as great lead-ins for the scripted shows as well, putting more eyes on them. You like your shows like Lie To Me, Human Target, Breaking In and The Chicago Code? Then, even if you don’t have any interest in reality show talent competitions you need to be rooting for TXF to make as much money as possible.
JOINS CHERYL COLE, ANTONIO “L.A.” REID AND SIMON COWELL
ON “The X Factor” JUDGES PANEL
Auditions Continue in Dallas on Thursday, May 26
Singers and Vocal Groups Age 12 and Over Eligible to Audition
For Chance to Win a $5 Million Syco/Sony Music Recording Contract
America’s sweetheart, world-renowned choreographer and pop icon Paula Abdul will join Cheryl Cole, Antonio “L.A.” Reid and Simon Cowell as a judge on The X Factor, the highly anticipated singing competition series debuting this fall on FOX. Abdul, who sat alongside Cowell for eight seasons as a judge on American Idol, has worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. Abdul will join Cole, Cowell, and Reid as they travel to The X Factor audition cities searching for the next global superstar or breakout music group.
“This show would never have been the same without Paula and I can’t believe I am saying this – I have missed her a lot, and I am thrilled she’s on the show,” said Simon Cowell.
“I am excited beyond words to be a part of The X Factor. I couldn’t be happier to bring my love for cultivating talent and performance to such a wildly anticipated show,” said Paula Abdul. “I’m looking forward to being back with the FOX/FremantleMedia family and know that it will be an extraordinary journey — we’re going to have a blast. I’m also delighted and grateful to be sitting next to Simon again…but you might want to check back with me in a week or two!”
“Paula is not only the lovely, nurturing person that America fell in love with, but she’s also one of the fiercest competitors I’ve ever seen — which makes her a perfect fit to judge The X Factor,” said Mike Darnell, President of Alternative Entertainment, Fox Broadcasting Company. “Paula and Simon have undeniable chemistry, and together with L.A. Reid and Cheryl Cole, I think we’ve put together an incredibly entertaining judges’ panel.”
“I’m thrilled to be working with Paula again,” says executive producer Cecile Frot-Coutaz. “A consummate entertainer in her own right, she has an extraordinary talent and generosity for nurturing performers — and her chemistry with Simon Cowell is like no other. I especially look forward to seeing her signature sensibilities in action during our mentoring rounds!”
Auditions continue in Dallas, TX, on Thursday, May 26.
The X Factor is searching for undiscovered talent 12 years old or over – both solo artists and vocal groups – who are willing to brave the panel for a chance to win a $5 million recording contract with Syco/Sony Music. Interested solo artists and vocal groups should sign up now for audition information at www.fox.com/theXfactor or call toll-free 855-345-5678.
In a departure from other singing competition series, the first time contestants audition for The X Factor judges, they will do so in front of an audience of thousands – raising the stakes and increasing the pressure to impress not only the judges, but also a potential legion of fans. This will be the ultimate test to prove they have the vocal ability, charisma and stage presence that it takes to win an unprecedented $5 million recording contract with Syco/Sony Music.
As previously announced, Pepsi will serve as an official sponsor of The X Factor. The comprehensive sponsorship includes an extensive, multi-platform off-air marketing partnership; weekly in-show integrations and placements; and an immersive content experience online.
The X Factor is produced by Syco Television and FremantleMedia North America. Simon Cowell, Rob Wade and Siobhan Greene are executive producers for Syco Television. Cecile Frot-Coutaz, Richard Holloway and Andrew Llinares serve as executive producers for FremantleMedia North America.
About Paula Abdul
Paula Abdul is one of the most-recognized pop singers and choreographers in film, television, video, stage and live tours. Her celebrated work in choreography includes Emmy-winning contributions to “The Tracey Ullman Show” and Emmy-nominated choreography for the Academy Awards, as well as Abdul’s own performance on “The American Music Awards.” Other triumphs include her award-winning work with Janet Jackson, which garnered two MTV Video Awards; and working with such music legends as Aretha Franklin, George Michael, Luther Vandross, INXS, Heart and Prince. Abdul’s favorite memory is dancing alongside her idol, Gene Kelly, in a celebrated and acclaimed commercial campaign. Abdul’s choreography contributions in feature films include the Academy Award-winning “American Beauty,” working with Cuba Gooding Jr. on his Academy Award-winning performance in “Jerry Maguire” and transforming Val Kilmer into Jim Morrison in Oliver Stone’s “The Doors.” Abdul’s music career encompasses worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. She has also been honored with a Star on the Hollywood Walk of Fame and inducted into Nickelodeon’s Kids’ Choice Hall of Fame. Abdul served as a judge alongside Simon Cowell for eight seasons on the hit series American Idol. An acclaimed jewelry designer, Abdul introduced her Paula Abdul Jewelry Collection on QVC to record-breaking sales. The collection consists of charms, pendants, earrings and bracelets in a mix of textures and metals, adorned with meaningful phrases. Abdul, who got her first break as a Los Angeles Laker Girl, continues to honor her roots by running dance and cheerleading camps, competitions and scholarship programs throughout the country.
About “The X Factor”
Since its debut in 2004, “The X Factor” has remained the U.K.’s #1 program for the last seven years, peaking with an audience of 21 million with 65% audience share for its 2010 finale. The format swiftly broke similar records around the world, where local versions have consistently rated #1 in 15 territories, with a worldwide audience now well over 100 million. In Denmark, it has ranked #1 for the last four years, peaking with an 80% share of the audience. In Colombia, it has consistently ranked #1 with a 75% share of the audience. Additionally, “The X Factor” consistently delivers a 50% to 65% share of the viewing audiences in Greece, Hungary, Netherlands, France and Italy – with the highest percentage of these shares in A15-34. In some markets, “The X Factor” has increased the channel average demographic by up to 250%. The series has received numerous honors worldwide, including three BAFTA awards, numerous NTA awards and the coveted Rose d’Or. In the U.K., an unprecedented 1.5 million iTunes downloads were made from “The X Factor” contestant performances in 2010. Globally, more than 100 million records have been sold by artists launched through the series, including over 90 #1 singles and albums and 150 Top Ten records.
About Sony Music Entertainment
Sony Music Entertainment is a global recorded music company with a current roster that includes a broad array of both local artists and international superstars. The company boasts a vast catalog that comprises some of the most important recordings in history. It is home to premier record labels representing music from every genre, including American Recordings, Arista Nashville, Arista Records, Battery Records, Beach Street Records, BNA Records, Columbia Nashville, Columbia Records, Day 1, Epic Records, Essential Records, Flicker Records, J Records, Jive Records, LaFace Records, Legacy Recordings, MASTERWORKS, Polo Grounds, RCA Records, RCA Nashville, RCA Red Seal, RCA Victor, Reunion Records, Roc Nation, Sony Classical, Sony Music Latin, Star Time International, Verity Gospel Music Group, and Volcano Entertainment. Sony Music Entertainment is a wholly owned subsidiary of Sony Corporation of America.
About Syco/Simon Cowell
Syco, with offices in London and Los Angeles, is a global music, television and film production joint venture between Simon Cowell and Sony Music Entertainment. Syco Television owns and produces the BAFTA Award-winning “The X Factor,” which has topped the charts around the world. Syco Television is also the owner of the “Got Talent” television format. Versions of both “The X Factor” and “Got Talent” are co-produced by Syco, and are shown in more than 70 countries and have won multiple awards including national television awards and BAFTAs. The X Factor launches in America on FOX in Fall 2011 with Cowell as a judge. Syco is also the record label home for such diverse international recording stars as Leona Lewis and Il Divo. Cowell has worked with artists selling more than 200 million albums and delivering more than 180 No. 1 records. Britain’s Got Talent in 2009 launched the global singing career of Susan Boyle. Her debut Syco album sold over 8 million units in six weeks, making it the world’s biggest-selling album of 2009 and the fastest-selling album in history and a total of 20 million records to date. In 2009, Cowell was named No. 1 in Hollywood Reporter’s Top 50 Most Powerful in Reality TV and Entertainment Weekly’s Top Entertainer of the Year. In 2010 Simon Cowell was awarded Variety International’s Humanitarian Award for his extensive charitable work, The Rose d’Or Golden Jubilee Award and BAFTA’s Special Award in recognition of his outstanding contribution to the entertainment industry and development of new talent. He also appeared on Time Magazine’s list of Most Influential People in the World and was awarded the International Emmy Founders Award.
About FremantleMedia North America
FremantleMedia North America (FMNA) is the U.S. production division of global media giant FremantleMedia. Based in Burbank, California, FMNA produces entertaining and innovative programs for network, cable, syndicated and online platforms, including the Emmy-nominated musical/reality phenomenon American Idol (FOX), “America’s Got Talent” (NBC), “What Chilli Wants” (VH1), “Hole In The Wall” (Cartoon Network), “Jump City: Seattle” (G4), “Let’s Make A Deal” (CBS), “Family Feud” (syn), “The Price Is Right” (CBS) and the much-anticipated The X Factor in Fall 2011.
From Emmy Award-winning executive producer Jerry Bruckheimer (“CSI” franchise, “The Amazing Race,” “Pirates of the Caribbean”) and executive producer Jennifer Johnson (“Cold Case,” “Reunion,” “Lost”), “Chase” is a lightning-fast drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. Marshals hunts down America’s most dangerous fugitives.
Kelli Giddish (“Past Life”) stars as U.S. Marshal Annie Frost, a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down violent criminals on the run. Starring as the members of Frost’s elite team are Cole Hauser (“K-Ville”) as Jimmy Godfrey, an East Texas kid who never grew up and is a true American cowboy; Amaury Nolasco (“Prison Break”) who plays Marco Martinez, a good intelligence guy who loves to talk; and Rose Rollins (“The L Word”), who portrays Daisy Ogbaa, a weapons/tactical specialist and a woman of few words. Rounding out the cast is Jesse Metcalfe (“Desperate Housewives”), who stars as Luke Watson, the fresh-faced newcomer whose Washington, D.C. upbringing did little to prepare him for the Lone Star State. – NBC
Shawn: Although, seemingly formulaic and reeking suspiciously of U.S. Marshalls (I was waiting for Tommy Lee Jones to pop out and start barking orders about finding Richard Kimball in the trailer), the high-energy and the strong cast of Chase makes it certainly worthy of consideration. I’m not jumping out of my pants about it yet but it is a Jerry Bruckheimer production and that definitely makes it worth watching for at least the first three or four episodes. “Cautiously optimistic” is the best way to describe my enthusiasm for Chase.
3 out of 10
Shawn: Alright, that is the absolute last time I automatically give a show the benefit of the doubt for being a Jerry Bruckheimer production and I should have had this policy in place a long time ago because of CSI alone (but let’s be fair… I did use the phrase “cautiously optimistic.”). Bruckheimer’s problem in general is that when he really gives a damn, he gets behind projects that although may not have long-term success are at least original (see: Justice, E-Ring). When he doesn’t, he reverts to bland and intelligence-insulting procedurals like Chase.
One thing I can say about Chase is that the there is certainly a lot of that during the hour, in fact that’s about all they do and yes it gets very stale, very quickly. When they aren’t running all over Texas, they are sitting around a room and doing the psychoanalysis version of CSI but instead of a forensics investigation based on actual evidence, this crew comes up with off-the-wall behavioral theories about their fugitive’s psyche and it just so happens that everything they predict about the fugitive’s current and next moves is absolutely what the bad guy is doing! They literally NEVER make a mistake or misstep and it left me with one conclusion: these jokers don’t need to be working for the Marshal Service collecting government salaries, they need to hook up with Miss Cleo and make some real money.
Chase is boring and contrived. The characters are clichéd, poorly written and conceived, and furthermore generally cringe-worthy and unlikable. The dialog is ridiculous, and the general premise of the show is that all you need to know about Texas is that everyone in the state worships Waylon Jennings and knowing that will allow you to track any fugitive. The only thing that this show has going for it at all is that it’s fast paced and very well-shot which I think was done on purpose to distract the audience from how bad the show is plot and character-wise. Either that, or they just sunk all of their money into the technical side of production and NONE into the writing side.
For the record, the actors are fine and actually all have been traditionally very good. The problem is the writing. You can’t polish a turd and Jeff Gordon can’t win a race driving a 1993 3-cylinder Geo Metro.
By the way, I don’t even like NASCAR but I figured if Chase can make a whole show based on clichés and stereotypes about Texas, the South and rednecks, why not get in on that as well with the analogies. When in Dallas…
Oh, and one last thing, Jerry… no one likes seeing the portrayal of a family terrified and graphically murdered execution-style during the opening sequence of a pilot… NO ONE.
ABC Studios brings to life “The Incredibles”, the story of the Powells, an every day American family, who are too busy to spend time together. So they decide to take a trip as family as a way to reconnect, but on the way, their plane crashes. Now there’re back to their normal lives, but something seems to be happening to each one of them… they have superpowers. – ABC
First, let’s give credit to ABC for not only acknowledging right off-the-bat the most obvious criticism of this show – that being that it looks like Disney-Pixar’s The Incredibles – but outright OWNING it. That’s the way to beat them at their own game! And why wouldn’t Disney try to capitalize on their property in a prime time, live-action drama (for those of you that are unaware, Disney owns ABC)? Screw the nay-sayers, this show looks like a lot of fun and is my choice for sleeper hit of the season. The concept is great and it’s not just a show for the family but it’s a show focused on the family as much as it is on their super powers. Casting always tells me a lot about a show and No Ordinary Family is no different. You’ve got Michael Chiklis as the dad (The Shield), Julie Benz as the mom (Dexter), Romany Malco (The 40 Year-Old Virgin) as the best friend and sidekick and lo and behold, Stephen Collins (7th Heaven) who appears to be our Lex Luthor-type. I don’t care if I sound like a 10 year-old fanboy, I can’t wait to watch No Ordinary Family and apparently based on the amount of merchandising I saw over at the official site, ABC is pretty confident that they have a hit on their hands as well.
8 out of 10
Last night, I was just about to do a review for the new HBO hit, Boardwalk Empire when Mrs. Tastic casually asked me when No Ordinary Family was premiering and I told her September 28th. Needless to say, I was very curious about her interest because she doesn’t like any of the shows that I do so I asked her why she was asking. She then informs me that she received an email offering her the chance to see an exclusive advanced screening of NOF. At this point I began pulling my hair out and I said, “… and you’re just telling me now???” She then said, “Well, what does it matter if it’s going to be on next week, anyway?”
This is when I discovered that apparently my wife is under the impression that I blog about miniature dachshunds.
To make matters worse, it turned out that she received the opportunity for the advance screening on September 14th and it was due to expire 90 minutes from when I learned about it.
Well, here’s the skinny: NOF is EXACTLY as advertised. Now, I know I said that about The CW’s Nikita, but it’s even more so in this case, and in fact a little to its detriment. I’m not saying that it’s not a good show (because, it really is) but that five-minute extended trailer literally gives away the majority of the pilot!
Bad move, ABC, because you took a lot of the fun out of the pilot episode. On the upside, though NOF is EXACTLY as advertised! Seriously, my preview is almost completely spot-on with its peremptory analysis.
As I noted last week, ABC does not hide from the premise of the live-action ‘Incredibles,’ it in fact they embrace it. Oh, and by the way, as an aside, the reason that the fancy wife got the invite for the advance screening to begin with: she’s registered at Disney.com (am I a TV prophet or what?). So, basically, yeah, you’ve got a live-action ‘Incredibles’ but with a bit more of an adult theme.
I have to admit, I think it’s a little borderline for the 8:00 p.m. time slot. 9:00 p.m. is probably a little more appropriate considering the violence and more adult themes than I would have expected. For example, The Powells aren’t just losing touch with each other… they’re REALLY dysfunctional and they are a lot of heavy emotional issues. One of the things I found particularly odd was that Jim Powell (Chiklis) seems OK with the concept of his 16 year-old daughter having sex with her boyfriend… but only if she’s ready. Yeah, that whole sub-plot was particularly awkward for me as a father and thank God the boyfriend was gone halfway through the pilot (yeah, I know that’s a spoiler… don’t worry, he won’t be missed).
So, yes there’s some pretty heavy themes that were kind of unexpected and as you would expect there is some moderate to heavy violence for prime-time television. But don’t get me wrong, it’s not violent like Heroes and in reality I am very thankful that it is nothing like Heroes whatsoever. Nothing against Heroes, which I followed faithfully for three and a half seasons, but in retrospect Heroes was a VERY dark show and I’m very happy that this approach to super heroes is a lot more light-hearted, however, I would definitely not recommend this show for children under twelve or so. Like with anything else, your mileage may vary depending on your kid.
Besides everything that I already knew about this show going into it, there were two things that I picked up on that I really liked. The most obvious was the big twist at the end of the episode that made up for the fact that most of the pilot was given away in the aforementioned five-minute teaser (***grumble, grumble***) and the second thing that was just brilliant was the music. If you pay attention, you’ll notice it’s classic super hero music. Just think of the scores from the Richard Donner Superman films by John Williams and the Ghostbusters score by Elmer Bernstein. It’s a very nice and subtle nod to the genre.
NOF is a very good show and I think it’s going to develop a very strong following. The premise is solid and the cast is fantastic and the characters are very well-conceived (although the kids are a little melodramatic my taste) and it has all the comic-booky goodness you can ask for.
“Somebody saaaaave me!” Boy, Remy Zero said it accurately, indeed. The Superman Mythos after the explosive Death of Superman and The Return of Superman Comic Book storylines needed a shot in the arm. Waning book sales and iffy stories combined with the disinterest of Superman as a whole had thrown a huge red flag up for DC and Warner Brothers combined. After numerous failed attempts at re-igniting that elusive spark, DC and Warner Bros. had much egg on their face that included an omelet made of Nicolas Cage as Superman…ugh… I shudder to think.
Then in comes Alfred Gough and Miles Millar with a brilliant premise: how about a restart (I despise using the term “reboot”) to this iconic superhero? Let’s start way back but not so far back as to not have Clark Kent, our powerful protagonist, involved in a journey to his destiny of becoming the world’s most renowned hero. Let us begin in Smallville, Kansas and do an origin story that will take us on a great and revealing trip. And with Smallville heading into its final season in just a few weeks, I think back excitedly on what a ride it’s been!
The WB show was touted as a Sci-Fi, fantasy tale but at times does play out like a soap opera. That’s OK, though, because we always know what is to eventually come which no basic Soap on TV can do for its viewers. When particular characters like Lex Luthor and Clark Kent interact we can’t help having that small grin on our face and that thought on our minds that these two guys are going to totally throw down and kick each other’s asses in the future. It’s this aspect that makes Smallville so appealing.
Season One begins, well… in the beginning. In the Smallville pilot we are introduced to the Kents played by the hot Annette O’Toole (Sorry, ever since Paul Schrader’sCat People I have always had a crush on her) as Martha and John Schneider (Hee Haw!, Dukes of Hazzard) as Jonathan. These are the salt-of-the-earth farmers who will (thanks to the meteor shower that brings that most-famous of all aliens) raise Clark Kent (Tom Welling). It is not easy as we are a witness, too, as the season advances. After the 14 year-old Clark discovers the spaceship that brought him to earth buried in the barn, he begins to question his destiny, and refuses to immediately accept it.
We are soon introduced to Jeremy Creek (Adrian McMorran), our first of many “meteor freaks” who are usually just normal people who are or were infected adversely by the kryptonite.
Clark, of course, becomes enamored with Lana Lang played with plucky enthusiasm by the oh-so cute Kristen Krueck.
Clark then saves Lex Luthor, portrayed by Micheal Rosenbaum (who steals just about every scene he is in) from an almost fatal car accident. Needless to say, Clark stays busy even as he discovers he’s the newest alien on the block. This is just the beginning of where this great ride begins and there is definitely more to come…