Yesterday we reported that Cheryl Cole had been replaced by the Pussycat Dolls’ Nicole Scherzinger as a judge on FOX’s upcoming singing competition show, The X Factor. Everything in the piece itself was accurate however our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not. Simon Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.
The Hollywood Reporteris citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone. Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her. Since Simon Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision. This obviously was a mistake.
We have also issued the retraction made the correction on the original piece.
We reported two weeks ago that Paula Abdul had signed on as a judge alongside her former American Idol co-judge, Simon Cowell on his highly anticipated singing competition show, The X Factor, along with Cheryl Cole and L.A. Reid. TMZ is reporting that Cheryl Cole, who was a judge on the U.K. version of the show, has been replaced by the Pussycat Dolls’ Nicole Scherzinger citing concerns over American audiences having difficulty understanding her because of her thick British accent and a lack of chemistry with Abdul. Producers now want Cole to return to the U.K. version of the show but sources say that she is so angry about how the situation was handled that she may sever ties with the franchise entirely. We doubt it. We wouldn’t even know who she was if not for this so she needs all of the exposure she can get.
We look at this two ways: first how bad could her accent possibly be? If American audiences can sit through Ewan MacGregor’s Scottish brogue in Trainspotting:
… then we can certainly handle this:
Now of course, the best part of the clip above is that if you listen closely, she pauses in the middle of that to squeak out a little fart. G’head… go back and play it again, we’ll wait.
See, we told you.
Now aside from the obvious issues of farting on the air and how that probably isn’t something that will be embraced by American audiences (except us), the ultimate irony here is that Simon Cowell is concerned that American audiences aren’t going to be able to understand My-Fair-Lady/the-rain-in-Spain-falls-mainly-on-the-plain up there but he doesn’t have any concerns about two or three nights per week of this in primetime:
Steve Jones: Limey Stud
Obviously, though, if the other issue was chemistry with Abdul, it was simply a no-brainer that Cole would be the expendable judge. Scherzinger was originally cast to co-host the show with Steve Jones but now with the move, he’ll be doing it alone. Don’t feel bad folks, we don’t know who he is either however, apparently he’s quite popular in the U.K. and in order to get this gig he had to initially promise not to nail his fellow co-stars and no, we aren’t kidding. Just for that alone he gets our endorsement. But seriously, how hard can it be? Seacrest has been doing it for a decade and he hosts a daily radio show and that dopey show on E!
EDITOR’S NOTE – RETRACTION: Our headline, “The X Factor: Cheryl Cole OUT! Simon Cowell Says ‘Too British Sounding.’ Pussycat Dolls’ Nicole Scherzinger IN!,” was not correct. Cowell had nothing to do with Cole’s departure and did not suggest that her accent was too thick for American audiences and in fact it’s been reported that he fought desperately to save her.
The Hollywood Reporter is citing sources who claim that the decision was a decision by the network itself and the accent issue was theirs alone. Prior reports implied that it was show producers that had the issue with her accent and were responsible for the decision to replace her. Cowell is the main producer of this show, we assumed that these were his sentiments and that this was his decision. This obviously was a mistake.
If you’re anything like us, you freely admit that the only reason you turned into American Idol for as long as you did was because of Simon Cowell and it wasn’t just for how brutal he was to the first round contestants. Despite Cowell’s dry and sometimes cruel wit, he was generally the only one on that panel who could relay any particular insight to the audience regarding the music industry itself and at the end of the day you had more faith in his opinion than anyone else on the judge’s panel. This is not take anything away from the other judges and guest judges that have graced AI over the years, but Cowell truly brought a sense of balance to the Force and if you’ve watched recently, even if you are still a fan, you can’t help but to admit that it’s become kind of a disjointed mess since his departure. Honestly, does anyone take Steven Tyler seriously at all?
Now if you’re still being honest, even if you hate to admit it, Paula Abdul certainly had her place on that panel and even when she left it was like we lost a part of the family. Between her obnoxious over-the-top praising, soft-peddling, sometimes inebriated commentary and the banter between her and Cowell, it made for good television. So when we heard a couple of months ago from the T-Shirt himself that he would love to get Paula back on his new talent show, The X-Factor, and that he was actively courting her, we were excited about the prospect of two-thirds of the old team getting back together albeit skeptical at the possibility because, let’s be honest, how often do these situations pan out? But then again… this is Simon “King Midas” Cowell we’re talking about, as well.
So without further adieu it gives us great pleasure to announce that Paula Abdul has indeed signed on as a judge on TXF along with Cowell, Cheryl Cole, and Antonio “L.A.” Reid. This is not only going to be great fun for fans but this is very good for FOX broadcasting as it will increase the advertising value of this show even more than we already had expected.
Why should we care about that? It’s simple: the more money TXF makes, the more money FOX has to justify keeping lower rated, critically acclaimed scripted programming and it also acts as great lead-ins for the scripted shows as well, putting more eyes on them. You like your shows like Lie To Me, Human Target, Breaking In and The Chicago Code? Then, even if you don’t have any interest in reality show talent competitions you need to be rooting for TXF to make as much money as possible.
JOINS CHERYL COLE, ANTONIO “L.A.” REID AND SIMON COWELL
ON “The X Factor” JUDGES PANEL
Auditions Continue in Dallas on Thursday, May 26
Singers and Vocal Groups Age 12 and Over Eligible to Audition
For Chance to Win a $5 Million Syco/Sony Music Recording Contract
America’s sweetheart, world-renowned choreographer and pop icon Paula Abdul will join Cheryl Cole, Antonio “L.A.” Reid and Simon Cowell as a judge on The X Factor, the highly anticipated singing competition series debuting this fall on FOX. Abdul, who sat alongside Cowell for eight seasons as a judge on American Idol, has worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. Abdul will join Cole, Cowell, and Reid as they travel to The X Factor audition cities searching for the next global superstar or breakout music group.
“This show would never have been the same without Paula and I can’t believe I am saying this – I have missed her a lot, and I am thrilled she’s on the show,” said Simon Cowell.
“I am excited beyond words to be a part of The X Factor. I couldn’t be happier to bring my love for cultivating talent and performance to such a wildly anticipated show,” said Paula Abdul. “I’m looking forward to being back with the FOX/FremantleMedia family and know that it will be an extraordinary journey — we’re going to have a blast. I’m also delighted and grateful to be sitting next to Simon again…but you might want to check back with me in a week or two!”
“Paula is not only the lovely, nurturing person that America fell in love with, but she’s also one of the fiercest competitors I’ve ever seen — which makes her a perfect fit to judge The X Factor,” said Mike Darnell, President of Alternative Entertainment, Fox Broadcasting Company. “Paula and Simon have undeniable chemistry, and together with L.A. Reid and Cheryl Cole, I think we’ve put together an incredibly entertaining judges’ panel.”
“I’m thrilled to be working with Paula again,” says executive producer Cecile Frot-Coutaz. “A consummate entertainer in her own right, she has an extraordinary talent and generosity for nurturing performers — and her chemistry with Simon Cowell is like no other. I especially look forward to seeing her signature sensibilities in action during our mentoring rounds!”
Auditions continue in Dallas, TX, on Thursday, May 26.
The X Factor is searching for undiscovered talent 12 years old or over – both solo artists and vocal groups – who are willing to brave the panel for a chance to win a $5 million recording contract with Syco/Sony Music. Interested solo artists and vocal groups should sign up now for audition information at www.fox.com/theXfactor or call toll-free 855-345-5678.
In a departure from other singing competition series, the first time contestants audition for The X Factor judges, they will do so in front of an audience of thousands – raising the stakes and increasing the pressure to impress not only the judges, but also a potential legion of fans. This will be the ultimate test to prove they have the vocal ability, charisma and stage presence that it takes to win an unprecedented $5 million recording contract with Syco/Sony Music.
As previously announced, Pepsi will serve as an official sponsor of The X Factor. The comprehensive sponsorship includes an extensive, multi-platform off-air marketing partnership; weekly in-show integrations and placements; and an immersive content experience online.
The X Factor is produced by Syco Television and FremantleMedia North America. Simon Cowell, Rob Wade and Siobhan Greene are executive producers for Syco Television. Cecile Frot-Coutaz, Richard Holloway and Andrew Llinares serve as executive producers for FremantleMedia North America.
About Paula Abdul
Paula Abdul is one of the most-recognized pop singers and choreographers in film, television, video, stage and live tours. Her celebrated work in choreography includes Emmy-winning contributions to “The Tracey Ullman Show” and Emmy-nominated choreography for the Academy Awards, as well as Abdul’s own performance on “The American Music Awards.” Other triumphs include her award-winning work with Janet Jackson, which garnered two MTV Video Awards; and working with such music legends as Aretha Franklin, George Michael, Luther Vandross, INXS, Heart and Prince. Abdul’s favorite memory is dancing alongside her idol, Gene Kelly, in a celebrated and acclaimed commercial campaign. Abdul’s choreography contributions in feature films include the Academy Award-winning “American Beauty,” working with Cuba Gooding Jr. on his Academy Award-winning performance in “Jerry Maguire” and transforming Val Kilmer into Jim Morrison in Oliver Stone’s “The Doors.” Abdul’s music career encompasses worldwide album sales exceeding 50 million records, two No. 1 albums, six No. 1 singles, a Grammy Award, seven MTV Awards, two Emmy Awards, two People’s Choice Awards and two Kids’ Choice Awards. She has also been honored with a Star on the Hollywood Walk of Fame and inducted into Nickelodeon’s Kids’ Choice Hall of Fame. Abdul served as a judge alongside Simon Cowell for eight seasons on the hit series American Idol. An acclaimed jewelry designer, Abdul introduced her Paula Abdul Jewelry Collection on QVC to record-breaking sales. The collection consists of charms, pendants, earrings and bracelets in a mix of textures and metals, adorned with meaningful phrases. Abdul, who got her first break as a Los Angeles Laker Girl, continues to honor her roots by running dance and cheerleading camps, competitions and scholarship programs throughout the country.
About “The X Factor”
Since its debut in 2004, “The X Factor” has remained the U.K.’s #1 program for the last seven years, peaking with an audience of 21 million with 65% audience share for its 2010 finale. The format swiftly broke similar records around the world, where local versions have consistently rated #1 in 15 territories, with a worldwide audience now well over 100 million. In Denmark, it has ranked #1 for the last four years, peaking with an 80% share of the audience. In Colombia, it has consistently ranked #1 with a 75% share of the audience. Additionally, “The X Factor” consistently delivers a 50% to 65% share of the viewing audiences in Greece, Hungary, Netherlands, France and Italy – with the highest percentage of these shares in A15-34. In some markets, “The X Factor” has increased the channel average demographic by up to 250%. The series has received numerous honors worldwide, including three BAFTA awards, numerous NTA awards and the coveted Rose d’Or. In the U.K., an unprecedented 1.5 million iTunes downloads were made from “The X Factor” contestant performances in 2010. Globally, more than 100 million records have been sold by artists launched through the series, including over 90 #1 singles and albums and 150 Top Ten records.
About Sony Music Entertainment
Sony Music Entertainment is a global recorded music company with a current roster that includes a broad array of both local artists and international superstars. The company boasts a vast catalog that comprises some of the most important recordings in history. It is home to premier record labels representing music from every genre, including American Recordings, Arista Nashville, Arista Records, Battery Records, Beach Street Records, BNA Records, Columbia Nashville, Columbia Records, Day 1, Epic Records, Essential Records, Flicker Records, J Records, Jive Records, LaFace Records, Legacy Recordings, MASTERWORKS, Polo Grounds, RCA Records, RCA Nashville, RCA Red Seal, RCA Victor, Reunion Records, Roc Nation, Sony Classical, Sony Music Latin, Star Time International, Verity Gospel Music Group, and Volcano Entertainment. Sony Music Entertainment is a wholly owned subsidiary of Sony Corporation of America.
About Syco/Simon Cowell
Syco, with offices in London and Los Angeles, is a global music, television and film production joint venture between Simon Cowell and Sony Music Entertainment. Syco Television owns and produces the BAFTA Award-winning “The X Factor,” which has topped the charts around the world. Syco Television is also the owner of the “Got Talent” television format. Versions of both “The X Factor” and “Got Talent” are co-produced by Syco, and are shown in more than 70 countries and have won multiple awards including national television awards and BAFTAs. The X Factor launches in America on FOX in Fall 2011 with Cowell as a judge. Syco is also the record label home for such diverse international recording stars as Leona Lewis and Il Divo. Cowell has worked with artists selling more than 200 million albums and delivering more than 180 No. 1 records. Britain’s Got Talent in 2009 launched the global singing career of Susan Boyle. Her debut Syco album sold over 8 million units in six weeks, making it the world’s biggest-selling album of 2009 and the fastest-selling album in history and a total of 20 million records to date. In 2009, Cowell was named No. 1 in Hollywood Reporter’s Top 50 Most Powerful in Reality TV and Entertainment Weekly’s Top Entertainer of the Year. In 2010 Simon Cowell was awarded Variety International’s Humanitarian Award for his extensive charitable work, The Rose d’Or Golden Jubilee Award and BAFTA’s Special Award in recognition of his outstanding contribution to the entertainment industry and development of new talent. He also appeared on Time Magazine’s list of Most Influential People in the World and was awarded the International Emmy Founders Award.
About FremantleMedia North America
FremantleMedia North America (FMNA) is the U.S. production division of global media giant FremantleMedia. Based in Burbank, California, FMNA produces entertaining and innovative programs for network, cable, syndicated and online platforms, including the Emmy-nominated musical/reality phenomenon American Idol (FOX), “America’s Got Talent” (NBC), “What Chilli Wants” (VH1), “Hole In The Wall” (Cartoon Network), “Jump City: Seattle” (G4), “Let’s Make A Deal” (CBS), “Family Feud” (syn), “The Price Is Right” (CBS) and the much-anticipated The X Factor in Fall 2011.
If you haven’t heard the news, last week SyFy cancelled the critically acclaimed Battlestar Galactica prequel series, Caprica, which chronicled the history of the 12 colonies (more specifically, Caprica) and the events that led to the first Cylon war. Although, heavily promoted before the series debuted in January, Caprica never lived up to its hype with audiences and its poor ratings reflected that.
Since the announcement, there has been a misguided fan campaign to keep the series alive with of all things, bombarding the SyFy Offices with apples. You see, this esoteric reference that even the folks at SyFy probably won’t get is in regards to the symbolism of the Cylons’ “original sin” (and an apple appeared regularly in Caprica promotional materials). Clever, right?
Yeah… nobody cares.
I’m going to have to concur with the “Let it Go” sentiment on this one as much as I liked the show and am a fan of BSG, Caprica was a good show but it’s far too cerebral for the franchise considering that there was very little action. Unfortunately, fans expected a shoot-em up because it was a BSG prequel and a lot of viewers just can’t get past the fact that it isn’t that type of show. Revolving it around angst-ridden, teenage girls didn’t help it either.
As is the usual case for when any genre show gets cancelled, the choruses of “the network didn’t promote it well enough,” “switching the night it aired killed it,” and my favorite, “SyFy was greedy and split the season up into two parts to double-dip on on the DVD’s” are being sung by the fans.
As noted, the claim that the show wasn’t promoted well enough simply isn’t true. SyFy promoted the crap out of it before its series debut and the numbers were miserable for season 1.0 as well. It was lucky it got picked up for 1.5.
As far as the change of nights is concerned, it was purely a defensive measure. I wrote a piece about this on last month. Networks (excluding FOX) are taking Friday nights seriously now with their programming. It’s no longer considered a dumping ground for failing shows. That hurts SyFy because they took advantage of that for years. BothCaprica and Stargate: Universe have had awful ratings regardless of the night they have aired.
As far as the split-season is concerned (again, not that they would have mattered), it’s because the 1.5 episodes hadn’t been produced. Doug Drexler (CG supervisor for Caprica) confirmed with us that they had just finished all the post-production work for the season finale on August 28th so the main reason that the season was split was that the episodes weren’t complete.
The issue of the split seasons being taken advantage of by SyFy for DVD revenue comes up all the time as if it actually has some merit. It really doesn’t. Why would SyFy intentionally cut off their nose to spite their face by damaging the series overall by breaking up the continuity of it in order to boost DVD sales for one half of a season? Not only does it not make any sense for the simple reason that SyFy can split up a DVD set into two parts regardless of whether or not the season was actually split up when it aired, but intentionally hurting the continuity and thereby hurting the ratings precludes them from future DVD releases of subsequent seasons.
My point on all of that is that what ANY fan of ANY series wants if they want their show to survive is for “X” network to be as greedy as humanly possible because that means they’ll try to milk the series for as much money as they possibly can and that means they’ll do whatever they can to make sure the series lasts a long time.
The problem was that it couldn’t build an audience because even though it was pretty good, there simply wasn’t enough exciting going on to compel audiences to tune in every week until the last four episodes and all the apples in the world can’t change that.
However, that being said, the series that every fan wants to see, the one revolving around the war with the Cylons and the twelve colonies has been green-lit. The project called Battlestar Galactica: Blood & Chrome will feature a young William Adama and is officially described as such:
“Battlestar Galactica: Blood & Chrome takes place in the 10th year of the first Cylon war. As the battle between humans and their creation, a sentient robotic race, rages across the 12 colonial worlds, a brash rookie viper pilot enters the fray. Ensign William Adama, barely in his 20’s and a recent Academy graduate, finds himself assigned to the newest battlestar in the Colonial fleet… the Galactica. The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade long war in favor of the desperate fleet.”
All things considered, it would be nice if they did a two-hour movie to wrap up Caprica in the future and tie up the loose ends. Or, even better, incorporate it into the B & C pilot like Chris Carter did with Millenium and The Lone Gunmen on The X-Files. In fact, it would seem to be a necessity because there is so much that was going on in Caprica that was the prelude to the first Cylon war and the development of the Cylons self-awareness to begin with that it would seem counter-productive to the franchise if they didn’t.
You can watch some full episodes of Caprica, here and Netflix subscribers can watch all fours seasons of the reimagined Battlestar Galactica series through the Netflix streaming service.
More fun: Hulu has all 24 episodes of the Original Battlestar Galactica (1978) available absolutely free, here.
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