Summer 2015 (June) Television Schedule

sunIt’s that time of year again for limited series and great shows that just don’t have the strength to stand on their own during the regular season with audiences.  But for us, this is the time of the year when we find some of the great cult-following and niche programming.

The full schedule is posted at the bottom but we wanted to share with you the highlights among the new series and the returning favorites. This will be a three-part monthly feature appearing on the first of July and August,  as well.

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SyFy: Premiere Dates For ‘Warehouse 13,’ ‘Defiance,’ ‘Ghost Hunters,’ More… ‘Merlin’ Series Finale

Merlin_Season5

Via Press Release:

SYFY LEAPS INTO SPRING WITH PREMIERE OF GROUND BREAKING TRANSMEDIA EVENT DEFIANCE

ALL-NEW SEASONS OF Warehouse 13 AND Ghost Hunters SERIES PREMIERE OF DEEP SOUTH PARANORMAL

Merlin Series Finale May 31

NBC Universal LogosNEW YORK – March 6, 2013 – Syfy will kick off the spring season with a powerhouse lineup of scripted and unscripted programming led by the groundbreaking transmedia event Defiance (April 15) and the Season 4.5 return of Warehouse 13 (April 29), as well as the debut of the new reality series Deep South Paranormal (April 10).

This spring will also mark the season finales of Stranded (April 3); Being Human (April 8); Lost Girl (April 22) and Robot Combat League (April 23), and the series farewell of Merlin (final five episodes air May 3-May 31).

Highlights of Syfy’s 2013 Spring Programming (All Times ET/PT):

APRIL

DEEP SOUTH PARANORMAL (NEW ORIGINAL SERIES)

Premieres Wednesday, April 10 at 10 PM – Deep South Paranormal Research is a bayou-based team on a mission. Steeped in the rich history of their Homeland, they want to unlock the ghostly mysteries that have baffled Southerners for years. They are a homegrown blend of Cajun, Creole and self-proclaimed rednecks who share a passion for this part of the country and the paranormal events that take place there. They take on anything from swamp apparitions and haunted plantation houses to Southern voodoo legends. Investigations during this six-episode season include Alabama’s Bear Creek Swamp, the Old Cahawba ghost town, Florida’s Manntown Cemetery and the Mont Helena Plantation in the Mississippi Delta, to name just a few. Deep South Paranormal is produced by BASE Productions. John Brenkus and Mickey Stern serve as executive producers.

DEFIANCE (NEW ORIGINAL SERIES)

Premieres Monday, April 15 at 9PM – Syfy’s highly-anticipated transmedia event Defiance is the first-ever convergence of television and online gaming, featuring an interconnected world between the two mediums as they evolve together into one overall story. The series’ luminous cast includes Grant Bowler, Julie Benz, Stephanie Leonidas, Tony Curran, Jaime Murray, Graham Greene and Mia Kirshner. Set in the near future, Defianceintroduces an exotically transformed planet Earth, its landscapes permanently altered following the sudden – and tumultuous – arrival of seven unique alien races. In this somewhat unknown and unpredictable landscape, the richly diverse, newly-formed civilization of humans and aliens must learn to co-exist peacefully. Each week, viewers will follow an immersive character drama set in the boom-town of Defiance, which sits atop the ruins of St. Louis, MO, while in The Game, players will experience the new frontier of the San Francisco Bay area.

The series is executive produced by Kevin Murphy (“Desperate Housewives,” “Caprica,” “Hellcats”), who also serves as showrunner, Michael Taylor (“Battlestar Galactica”) and Rockne O’Bannon (“Farscape”). Scott Stewart (“Legion,” “Priest”) directed the pilot; Michael Nankin will serve as supervising producer/director on the series.Defiance is produced by Universal Cable Productions.

Ghost Hunters (SPRING PREMIERE)

Premieres Wednesday, April 17 at 9 PM – Amy Bruni’s back! Ghost Hunters kicks off six brand new episodes with the return of its old friend “Red,” as TAPS (The Atlantic Paranormal Society) founder Jason Hawes fondly calls her. Amy joins the team for her first investigation since going on maternity leave last year. In the spring premiere, TAPS is invited to Louisiana’s Shreveport Auditorium to investigate claims of paranormal activity at the famed venue where Elvis Presley played his first professional gig. Did the King of Rock ‘n Roll really leave the building or will TAPS find evidence that Elvis’ spirit is still performing for an audience of apparitions? Ghost Hunters is produced for Syfy by Craig Piligian’s Pilgrim Studios (Dirty JobsThe Ultimate FighterTop Shot). Piligian and Thomas Thayer, along with Mike Nichols and Alan David, serve as executive producers.

Warehouse 13 (SEASON 4.5 PREMIERE)

Returns Monday, April 29 at 10PM  In the premiere episode “The Living and the Dead,” the series picks up on the stunning, mid-season cliffhanger. Artie (Saul Rubinek) has infected the Warehouse Team – and the world –with the Black Orchid Artifact’s deadly “Sweating Sickness.” If Pete (Eddie McClintock), Myka (Joanne Kelly), Claudia (Allison Scagliotti) and Steve (Aaron Ashmore) can’t reverse what Artie has done, the world will be engulfed by the deadliest pandemic since the Dark Ages. But the Team is already succumbing to the disease’s symptoms as they race to stop the artifact sickness — before it stops them.

Among the new Season 4.5 guest stars are Polly Walker (Caprica, Rome), who portrays Charlotte Dupres, a historian who may know more about the Warehouse than she lets on. Walker’s multi-episode arc begins in the premiere. Later in the season, Kelly Hu (The Scorpion King, Cradle 2 the Grave) joins the cast as Abigail Cho, a protégé of Mrs. Frederic (CCH Pounder). Returning Season 4.5 guest stars include Jaime Murray as H.G. Wells and Kate Mulgrew as Jane Lattimer. Warehouse 13 is produced for Syfy by Universal Cable Productions. Jack Kenny (The Book of Daniel) is executive producer and showrunner.

WEIRD OR WHAT? (NEW SERIES)

Premieres Tuesday, April 30 at 9PM  Hosted by William Shatner, each episode of Weird or What? contains three separate stories of the bizarre and unexplained. As the show unfolds, it weighs various supernatural and scientific theories that attempt to explain the story, and sometimes features tests conducted as proof of a theory’s plausibility. The show features strange occurrences such as aliens, ghosts, monsters and natural disasters.

BATTLEDOGS (NEW ORIGINAL MOVIE)

Premieres Saturday, April 6 at 9PM – When a werewolf virus threatens to decimate New York City – and the world — a rogue general uses the disease to create an army of super soldiers. Battledogs stars Dennis Haysbert, Craig Sheffer, Kate Vernon and Bill Duke.

STONADOS (NEW ORIGINAL MOVIE)

Premieres Saturday, April 27 at 9PM – Paul Johanssen. William B. Davis and Thea Gill star in this disaster movie about a freak weather system which hurls deadly boulders onto Boston.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 98 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

SyFy: Premiere Date Confirmed For ‘Defiance’

Via Press Release:

NBC Universal Logos

“DEFIANCE” TO PREMIERE MONDAY, APRIL 15 @ 9 PM ON SYFY

Revolutionary Transmedia Event Marks First-Ever Convergence of Television and Online Gaming

NEW YORK – January 7, 2012 – Syfy’s highly-anticipated Defiance will have its series premiere Monday, April 15 @ 9pm with a two-hour episode (culminating in a total of 12 episodes/13 hours). Defiance, an unprecedented approach to storytelling, will unite scripted television and online gaming for the very first time. Both the series and The Game feature an interconnected world and storylines that will launch in early April with the release of The Game and continue seamlessly with the series premiere on the 15th.

Defiance stars Grant Bowler (Nolan), Julie Benz (Amanda Rosewater), Stephanie Leonidas (Irisa), Tony Curran (Datak Tarr), Jaime Murray (Stahma Tarr), Graham Greene (Rafe McCawley) and Mia Kirshner (Kenya).

About Defiance

Set in the near future, Defiance introduces an exotically transformed planet Earth, its landscapes permanently altered following the sudden – and tumultuous – arrival of seven unique alien races. In this somewhat unknown and unpredictable landscape, the richly diverse, newly-formed civilization of humans and aliens must learn to co-exist peacefully. Each week, viewers will follow an immersive character drama set in the boom-town of Defiance, which sits atop the ruins of St. Louis, MO, while in The Game, players will adventure in the new frontier of the San Francisco Bay area. The dramatic tapestry of the series and the intense action of The Game will exist in a single universe where their respective narratives will inform one another and evolve together into one overall story.

The series, produced by Universal Cable Productions, is executive produced by Kevin Murphy (Desperate Housewives, Caprica; Hellcats) & Michael Taylor (Battlestar Galactica). Kevin Murphy serves as showrunner. Scott Stewart (Legion, Priest) directed the pilot; Michael Nankin will serve as supervising producer/director on the series. The Game was named “Best MMORPG” from GameSpy at the recent E3 conference in June 2012 (among other accolades).

About Syfy

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 98 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

About Universal Cable Productions

Universal Cable Productions creates innovative and critically acclaimed original scripted and digital content across multiple media platforms and outlets for domestic and international distribution. UCP produces “Covert Affairs,” “Fairly Legal,” “Psych,” “Royal Pains” and “Suits” for USA; “Alphas,” “Defiance” and “Warehouse 13” for Syfy. Universal Cable Productions is a division of NBCUniversal.

About Trion Worlds

Trion Worlds is the leading publisher and developer of premium games for the connected era. Powered by a breakthrough development and publishing platform, Trion is revolutionizing the way games are developed, played and sold. Trion’s world-class team delivers high-quality, dynamic and massively social games operated as live services across the biggest game genres and devices; including the critically acclaimed blockbuster, Rift(TM) and the highly-anticipated End of Nations(TM) and Defiance(TM). Trion is headquartered in Redwood City, Calif., with offices in San Diego, Calif., Austin, Texas, and at Trion Worlds Europe in London, UK.

EDITORIAL: An Open Letter To ALL Of The Science Fiction Blogs And Fans: Seriously… Get Over Yourselves

About a year ago, I was planning on writing a piece where I had to take issue with Den of Geek for their constant droning on about how’s there’s no Science Fiction on the SyFy channel.  Things happen, life gets in the way and I kind of lost interest so it never got written.  That being said, I’m really glad I didn’t, because I have so much more information and insight into the current situation at SyFy than I did last year, that it really makes more sense for me to address the lunacy of the self-important SciFi fan, now, than it did then. Before, there were just general complaints, but now, it’s the foaming-at-the-mouth over the lack of solid details regarding an air date for the Battlestar Galactica prequel, Battlestar Galactica: Blood & Chrome. Note, there is nothing really new about any of these complaints, it’s just that B&C has become the poster-child for the cause d’jour and it really it is about time that they were all called out for it.

Since Giant Freakin Robot is the most recent outlet to be on our radar regarding this issue, I decided to comment personally on their site with their piece, Editorial: Battlestar Galactica: Blood And Chrome Could Save Syfy’s Soul and I want our readers to see their short-sighted take and their readers equally short-sighted comments, as well as our take which we’ll post below.  Please, understand, I actually like GFR – a lot – but they are so off the mark on this (as are most SciFi fans) that they needed to be called out.

Editorial: Battlestar Galactica: Blood And Chrome Could Save Syfy’s Soul

Hey, Syfy, how’s it going? Yeah, I know, I don’t visit as much as I used to. Sure, I still swing by for Alphas each week, but I know you’re really busy these days, what with all the wrestling and the ghost hunting and the game shows about people bumping into things in the dark. I don’t want to take up too much of your time here, but we need to have a little talk, you and I. It’s about Battlestar Galactica: Blood and Chrome. I think it could save your soul.

Look, Sci-Fi… can I call you Sci-Fi, just like in the good old days? No? Fine, “Syfy,” whatever. So here’s the thing. Yesterday your official Twitter feed told us that the incredibly awesome-looking Battlestar Galactica prequel spinoff, Blood and Chrome, was not dead, but would indeed air at some point, in some form. Probably. And while it’s great to hear that Blood and Chrome hasn’t been relegated to the trash bin, I have to ask…what the hell are you thinking, man?

Earlier this year, when the Blood and Chrome trailer hit the internet, the fans started frothing at the mouth because it looked badass. I’m actually one of the people who liked a lot about the admittedly flawed Caprica, but there’s no question that Blood and Chrome looks a lot more like the BSG spinoff fans were hoping for. Space dogfights. Human-on- Cylon carnage. That sucker has hit written all over it. With the right writers, it could still maintain the depth and humanity of its parent series, but up the action quotient to a degree that would keep fans hooked and coming back.

So where the hell is it? We’ve watched over the past couple of years as an exciting project has dwindled further and further every time there’s an announcement about it. First it was going to be a full series. Then it was going to be a web series. Then maybe a one-off TV movie. And now? Now all it is is “air date to be decided.” A solid concept for what could be an amazing show molders on the shelf while you keep churning out one shitty new show after another. For the love of god, Syfy, you’re about to premiere a show that airs “viral videos.” You do realize we all have the internet, right?

Look, you wanted to branch out and not be defined solely by science fiction content… fine, I get that. With the ever-increasing media landscape, you want to be able to attract as many sets of eyeballs as you can. But does that mean you have to abandon the one thing you’ve done really well several times over the years? You’re the network that gave us Farscape, for crying out loud! Does anybody seriously think Ron Moore’s Battlestar Galactica could have found a home anywhere but on your airwaves? And without you there’s no way Stargate would have flourished into multiple spinoffs as it did (even though you did cancel Stargate Universe awful quickly, as the show’s fans often remind me).

I realize you make all the reality shows and contest shows like Face Off because they’re cheap. That’s fine. But why not use some of that budget you’re saving on flotsam like Viral Video Showdown to greenlight one or two really strong science fiction shows? The sort of show that can be your flagship, earning critical praise like you did with BSG. The sort of show that defines Syfy as a brand. A show like Battlestar Galactica: Blood and Chrome. Because honestly? I haven’t got a clue what that name is supposed to stand for. It just looks like somebody shook the cable landscape and all the shitty shows that weren’t properly secured slid down into your schedule.

And here’s the danger. Time was, the Sci-Fi Channel was one of the only homes for projects like Farscape or Battlestar Galactica or Stargate. But look around you. AMC, the channel that became a success on the shoulders of Mad Men, is earning dynamite ratings and acclaim with a zombie show based on a comic book. HBO, one of the most respected sources of cable programming around, is riding high with a series based on a dense, convoluted series of fantasy novels. Starz is developing a military science fiction series with the guy who created Spartacus: Blood and Sand. Those were all projects that, back in the day, we would have thought would be perfect matches for the Sci-Fi Channel. But the stigma around genre content is fading. The Avengers has made $1.5 billion worldwide, and now more and more exciting genre projects are going to other, more respectable networks, while you introduce yet another show about haunted tchotchkes.

Oh, there are still some promising lights on the horizon. I’m hoping that Rockne S. O’Bannon’s Defiance will recapture some of the old Farscape magic and become something truly amazing. I’ve got every finger crossed that you find a way to make your Blake’s 7 remake something other than a regrettable and ill-conceived footnote. You do still have a handful of genuinely good shows, like Alphas and Being Human. But with Battlestar Galactica: Blood and Chrome, you could make a statement. You could declare that you are about more than just cramming as many horrible paranormal “reality” shows as possible down our throats. That you still have what it takes to stand behind ambitious, well-written genre content.

It’s time to stop settling for mediocrity and aim higher. It’s time to take your own advice, Syfy: Imagine Greater.

My Response:

Seriously, you guys (both the writer and the commenters) need to get over yourselves. SyFy has a grand total of TWO hours of wrestling per week, so can we stop bringing that up? What next: Bill Clinton is a draft dodger? These arguments are getting seriously dated. Here’s the the thing: SyFy is doing better now than they ever have been so feel free to leave because you won’t be missed. But, waitaminute…. surprise, surprise, it’s their core SciFi series of Alphas, Haven, Being Human, Lost Girl and Warehouse 13 that are their biggest hits. And sorry, but Game of Thrones, due to its content and its production costs, could never see the light of day on SyFy or any other basic cable channel.

Where exactly are you getting this notion that “B&C was destined to be a hit,” David? If it was destined to be a hit, it would already be on the network. Here’s the reality: space-themed SciFi has been dead for a long time on television… period. It’s unfortunate, but it’s true. For crap’s sake, BSG (which is the greatest show ever on television) was a ratings disaster in its final season, save for the series finale. [StargateSG-1 was on its last legs as was [Stargate: Atlantis]. Is it really a surprise that both [Stargate: Universe] and Caprica failed so miserably, so quickly, despite having the crap promoted out of them by the network? It shouldn’t be. You’re living in an era where a Star Trek series couldn’t last more than four seasons. One of your biggest mistakes in the piece was suggesting that SyFy didn’t want to be solely associated with Science Fiction. Nonsense. They were specific that when they changed the name that they didn’t want to be associated EXCLUSIVELY with space-themed science fiction and time travel and wanted to be all-inclusive in all areas of the genre. Look it up… after all, you’ve made a point to bring up the fact that you do have the Internet.

This isn’t SyFy’s fault, this is simply the fact of the ever-changing landscape of the 18 – 49 demographic. They simply have no interest in space-themed SciFi on television (for the most part… I’d say TNT’s Falling Skies might be the exception but that’s more [The Walking Dead] with aliens than it is space-themed SciFi) and attempting to force yet another quality BSG spinoff down the throats of an audience that has no interest in it only to placate a small amount of fans is not only foolish for the network from an immediate standpoint, but it’s ultimately damaging to the series and the franchise, as a whole. And make no mistake about it, BSG is their biggest property and they aren’t going to wreck it so the fanboys can get their fix on a basic cable network. At this moment in time, though there are signs that interest is growing again, space-themed SciFi on the network is far too risky (especially with their biggest property).

Taking this a step further, B&C isn’t dead, it’s just not going to be on TV (or if it is, you’ll only see the pilot. Bear McCreary told us that he has heard rumors that the two-hour pilot is going to air on the network within the next four to six months, which was something we had already surmised based on the grumblings of our inside sources and now, IMDb has it listed as March 2013, too). You folks need to understand that the television revenue model is changing and that SyFy is one of the innovators in the new marketplace. You’re going to get BSG:B&C but you’re probably either going to have to subscribe to Hulu for it or have an XBOX Live account to view it on the SyFy app or just pay for it from iTunes or Amazon and that’s how it’s going to go. The new world of television is not dependent on the traditional standard of Nielsen ratings, exclusively, anymore. It’s becoming dependent on direct targeting of niche markets and then repackaging the content for non-exclusive digital and international distribution deals. What do you think the “transmedia” Defiance is all about? Try to think outside of the box, folks. Even the aforementioned Game of Thrones has only been getting renewed due to its international distribution deals. What… do you folks think that there’s that many more people subscribing to HBO because of Game of Thrones? Holy crap, you probably do.

Also, you might want to actually keep track of the network press releases, as well. SyFy currently has 13 straight-up SciFi scripted series (including quite a few space-themed series) in development, plus two more imports within the next year (Sinbad and Continuum). So what it really comes down to is that SyFy has plenty of Science Fiction, it just doesn’t have the series that you want, right now, therefore, they aren’t truly a Science Fiction network and you’ll just bash all of their other programming… that has actually made them successful. Genius and completely rational.

Here’s the complete rundown of all of SyFy’s scripted series in development. Scroll down for the complete press release.

GEEK ALERT: SyFy Unveils First Trailer For Transmedia Series, ‘Defiance’

We’ve been following the development of Defiance, the “transmedia” television series/MMORPG over the last two years with great anticipation and SyFy has finally confirmed a premiere date of April, 2013 and released the first trailer for the television series and we, of course, have it for you.  If you haven’t heard about the Defiance project, here’s a brief summary:

Set on a future Earth, Defiance introduces players and Syfy viewers to a world ravaged by decades of conflict, where humans and aliens live together in a world the likes of which no one has seen. The game combines the frenetic action of a top-tier console shooter with the persistence, scale, and customization of an MMO, while its TV counterpart exudes the scope, story, and drama of a classic sci-fi epic. The game’s story will take place in the San Francisco bay area, while the TV series will be set just outside of St. Louis, MO. Because they exist in a single universe, the show and the game will influence and evolve each other over time, with actions in both mediums driving the overall story of Defiance.

Since we dropped the ball on this when the video game trailer debuted at E3, we thought it only fair to include it here along with the awesome “making of” video that explains the whole concept of the project.  First, though, as promised, the first trailer for the new TV series.  Please tell us what you think!

More on Defiance:

SCOOP! E3 News: SyFy/Trion Worlds To Reveal Defiance, Crossover MMOG/Television Series (VIDEO/PHOTOS)

News On SyFy’s Groundbreaking Science Fiction Epic MMO/Television Series, Defiance. Cast Announcements, More…

UPFRONTS 2012: SyFy Announces 2012 – 2013 Schedule, 12 New Scripted Series In Development

Upfront season is finally upon us and to kick it off, SyFy, in typical fashion, held theirs ahead of the pack, this time at the American Museum of Natural History.  As you can imagine, of course, SyFy is adding a ton of unscripted series, but what’s really interesting is the news of the upcoming scripted programming, for what was announced and what wasn’t announced.  Though SyFy is not launching any new scripted series this summer and have only one officially announced to premiere in 2013, they have 12 – count ’em – 12 new scripted series in development  currently with huge names attached to them. We’re looking at Rockne O’Bannon, Michael Taylor, Kevin Murphy, George Nolfi, Bryan Fuller, Greg Berlanti, Robert Hewitt Wolfe, Neil Moritz, Mark Verheiden, The Jim Henson Company, Naren Shankar being involved directly with these projects, all of whom are legends or are rising stars in the genre.   Most surprisingly, none of these projects look like crap.  Here’s our analysis of SyFy’s upfront news, you can read the full press release below.

  • Battlestar Galactica: Blood & Chrome… not even mentioned. Elephant in the room time, or lack thereof, as it were.  As you know, we’ve been following the development of B & C for some time now and last month we noted that the upfronts were where we’d find out what’s really going on with this series, despite the fact that SyFy announced that they would officially be moving forward with it as a digital series.  We expected one of two things to be announced; first, that the pilot movie would be aired this summer and in which case, all bets were off and it would be considered a backdoor pilot and its ratings would determine whether it would receive network or digital treatment.  The other option was that they would announce a mid-season 2012 – 2013 airing and that would confirm that the show would be indeed going digital (not that going digital is a bad thing).  The third, “WTF?” option that we didn’t even want to  consider because we didn’t think it would be possible but we threw it out there just in case is exactly what happened.  SyFy gave us crickets, “I knowz nothingz,” and “pay no attention to the man behind the curtain,” and although we didn’t expect that they would go the route of pretending that B & C doesn’t exist, they did and just like we predicted in last month’s piece, this course of action has left us completely perplexed as to what SyFy’s intentions with it are, although we are leaning toward accepting that it is indeed going digital, when exactly still remains a mystery, however, it should be noted that IMDb has a release date of 2013 listed on the show’s page.

(UPDATE 10/28/2012: IMDb now has a premiere date for the BSG:B&C pilot as March, 2013) 

To keep it simple, here’s a list of all of the new series that SyFy has in development for 2013 and beyond and what we think of them so far.

  • Defiance  Defiance is in collaboration with Trion Worlds, with the Syfy series and Trion’s multi-platform shooter MMO poised to debut simultaneously. The series stars Grant Bowler, Julie Benz, Stephanie Leonidas, Tony Curran, Jaime Murray, Fionnula Flanagan, Mia Kirshner and Oscar-nominee Graham Greene. Set in the near future, Defiance introduces a completely transformed planet Earth, inhabited by the survivors of a universal war. Forced to co-habitate, the disparate group struggles to build a new society among the devastation. The dramatic tapestry of the series and the intense action of the game will exist in a single universe where their respective narratives will inform one another and evolve together into one overall story. – Not surprisingly, the centerpiece of the upfront event was the groundbreaking “transmedia” (we like that made-up term soooo much more than “cross-over.” Congratulations, SyFy, you’ve permanently impacted the pop-culture lexicon.) series/MMORPG, Defiance.  Announced at last April’s upfront, we have been reporting on this project since last summer and just last month more news was released about its development and casting.  Good stuff, indeed, and very risky and progressive.  We are in love with this project.
  • Rewind  Rewind revolves around a team of military field operatives and civilian scientists who must use untested technology to travel back in time to alter events and change the future — and avoid a devastating terrorist attack. Shane McRae stars as Sean Knox, ex-Special Forces who ranks as a field operative in a special division of the Department of Homeland Security. – Proving our theory that there are no original concepts in SciFi any more, just recycled and repackaged concepts. Yep, thanks, SyFy, but we already saw this show.  It ran from 1998 – 2001 on UPN right before Star Trek: Voyager on Wednesday nights and was called Seven Days and it was one of the greatest and most underrated SciFi programs in history.  Not that we’re complaining, mind you, because we don’t mind recycling/repackaging provided it’s done well, but what we find notable is that this type of programming is in direct contradiction with the network’s stated intention of avoiding this particular genre which is what prompted the name change from SciFi to SyFy three years ago to begin with…. and it’s not the only entry at this year’s upfront to do this.
  • The Adjustment Bureau  In this drama, based on the hit movie starring Matt Damon, guardian angel-type agents work to keep the world according to The Plan. They create everything from plane crashes to coffee spills in order to steer people to realize their true destiny. But there is one thing the operatives and their Chairman can’t control — free will. – Ditto what we just said about no original concepts in SciFi, however we’ll let this one off the hook because when the incredibly underrated SciFi Action – Thriller starring Matt Damon hit theaters in 2010, it was certainly one of the most original concepts that the genre had seen in years (sorry, fanboys, as good as Inception was and is, there was nothing original about the concept). Last year, we felt that there were two recent feature films that would make great scripted television series; 2011’s Source Code and, of course, The Adjustment Bureau.  We’ve actually known about The Adjustment Bureau being picked up for series treatment by SyFy for a long time but we didn’t have much to go on until now which is why we didn’t report on it, but we certainly think that this project has a tremendous amount of potential and we’re looking forward to it.  Film to television adaptations haven’t always fared so well in the past but one thing to note is that George Nolfi, the director/screenplay writer/producer of the film is one of the two executive producers on the show so you can imagine that the show won’t stray far from the original vision. Oh, and, by the way… in case you haven’t heard, Source Code was also picked up for series treatment by CBS.
  • High Moon  Based on the novel, The Lotus Caves, by John Christopher, this imaginative, out-of-this-world series explores a world where the countries of Earth have established colonies to mine the Moon’s resources. When a new life form is discovered, chaos erupts as various factions race to uncover its powerful secrets. – Even though we’ve never read The Lotus Caves, we absolutely love the idea of bringing classic Science Fiction from the “space age” generation to contemporary audiences.  This is old school, big theme, cerebral SciFi the way it should be. 
  • Grave Sight   From the best-selling author of True Blood, this Charlaine Harris book series follows Harper Connelly – a young woman with a unique gift. After being struck by lightning as a teenager, Harper can sense the location and last memories of dead people. She teams up with her protective stepbrother, Tolliver Lang, to help find a missing teenage girl — only to uncover a network of lies and murders throughout a small town in the Ozarks. – For the ladies in the house. We’re not really sure what to make of this. There’s a couple of big gimmicks going on here.  First, the obvious is the need to take advantage of the Charlaine Harris brand when that may not necessarily be a recipe for success.  Yes, True Blood is an incredibly popular series based on the Charlaine Harris Sookie Stackhouse novels but that has far less to do with the author and the source material and far more to do with Alan Ball and his ability to HBO-ize a concept.  The other issue here is the recycled nature of every aspect of this. It seems a lot like Ghost Whisperer meets Haven meets True Blood, oh and the whole notion of being able to see the dead’s last memories has been done on both Star Trek: Voyager and Torchwood.  That being said, it seems pretty safe and generic, which means it will probably be a big hit.
  • Untitled Booster Gold Project  Based on the best-selling DC Entertainment Comic, this is the story of a washed-up athlete from the future who travels back to the present in hopes of becoming the greatest superhero of all time. But instead of chasing criminals, his main priority is chasing fame and money. Booster Gold discovers that being a hero takes more than just a megawatt smile. – We know absolutely nothing about this comic book but it seems like a pretty fun concept (but there they go again… doing a project that focuses on the forever shunned time travel premise) and we like the fact that SyFy is finally putting its toe into the waters of the comic book genre.  It certainly seems a lot more appealing than The CW’s upcoming Arrow (based on DC Comic’s Green Arrow which by chance, Greg Berlanti is also producing).  To our shame, we didn’t get into Smallville during first-run but apparently Booster Gold made an appearance on that fan favorite, as well.
  • Seeing Things  Based on the comic Grey Legion from Platinum Studios, after a cop meets his violent demise, he returns as a ghost to close his last case. But the only person who can help him is a socially awkward man who is realizing for the first time that his hallucinations may not be all in his head. – More of the recycling/repackaging but, again, another comic book adaptation for the network.  Kinda like Ghost and A Gifted Man made into a police procedural (or serial… perhaps?).  It’s got our attention.
  • Defender  In the aftermath of an intergalactic war between humans and transhumans, the starship Defender, populated by a combustible mix of former enemies, is sent on a seemingly simple goodwill mission, which turns into a fight for their lives and for the safety of the Universe at large. – Our type of show… period, but again, for those keeping score, that’s four series so far that are in development that violate the policy of limiting space-based, aliens and time travel themed shows.
  • The Family  For generations, an alien family has hid amongst humans in plain sight using their advanced intellect to carve out a life for themselves as their family grew. But when the family patriarch that kept peace amongst the factions dies, a war begins to brew with some members believing the time has come to reveal themselves, and their superior power, to the inferior human race. – Ditto and that makes it five.
  • Darkfall  When, without warning, modern forms of power and technology become a thing of the past, Los Angeles, and the world at large, becomes a place where magic rules and life as we know it is turned upside down. – OK… this is a weird one.  Not that it doesn’t sound cool, but it sounds like a premise for a video game.
  • One Mile Straight Down  When a powerful earthquake hits California and opens up a chasm bigger than the Grand Canyon, it reveals an enormous hidden ocean lying deep beneath the earth’s crust. Billionaire adventurer James Exeter works with the government to take an advanced nuclear submarine down to explore it and discovers more than he ever could have imagined. – What we like about this one is that even though it’s a hodgepodge of several repackaged concepts (LostJourney to the Center of the Earth, The River, Terra Nova… to name a few) it’s high-concept and it seems like the kind of show that would work perfectly on the niche cable network.
  • Eyes of the Dragon  Based on Stephen King’s best-selling novel. A kingdom is in turmoil as the old king dies and his successor must battle for the throne. Pitted against an evil wizard and a would-be rival, Prince Peter makes a daring escape and rallies the forces of good to fight for what is rightfully his. – Is it just us or does this seem like another attempt by SyFy to capitalize on the popularity of an HBO show and a famous writer.  The first thing that came to mind with this was Game of Thrones and the second thing that came to mind was “When the Hell did Steven King start writing Medieval Fantasy?” The project seems amibitious though a tad bit obvious and we question SyFy’s ability to come anywhere close to HBO’s GoT production values just simply based on the limited budget that the show will have being on a basic cable channel, but, hey, then again, Merlin has been working out quite well for the network.
Via Press Release:

SYFY IGNITES THE IMAGINATION WITH MOST ORIGINAL PRIMETIME PROGRAMMING HOURS IN HISTORY

RECORD 28 SCRIPTED AND REALITY PROJECTS IN DEVELOPMENT

EPIC TRANSMEDIA EVENT DEFIANCE TO PREMIERE IN 2013

NEW YORK – April 24, 2012 – Coming off Syfy’s most watched First Quarter ever in total viewers, Adults 18-34 and key women demos, Syfy and Chiller President Dave Howe today ignited the imagination of the advertising community by unveiling the next phase of the channel’s largest original programming slate in history. This will feature Syfy’s most original primetime hours ever, a record 28 scripted and reality development projects and the 2013 premiere of the highly-anticipated Defiance, the visionary transmedia experience that will unite television and Massive Multiplayer Online (MMO) gaming for the very first time.

Said Howe: “Syfy’s Upfront celebrates the power of Igniters, our influential audience who has the highly coveted ability to move brands forward faster. This audience Imagines Greater and, as a result, we will be bringing them the most groundbreaking entertainment phenomenon in 2013. Nearly four years in the making, Defiance is the first ever, weekly scripted television and Massively Multiplayer Online game, converging to create a singular, interactive and epic story. Along with this unprecedented experience, we will be unveiling our most ambitious development slate ever of relevant and contemporary original programming.”

The diverse Syfy reality slate features six new series: School Sprits, Paranormal Highway, Collection Intervention, Viral Video Showdown, Ghost Mine and, from the producers of the Smash hit series Face Off, Hot Set. Unscripted development projects include a chilling “found footage” paranormal experiment; an extreme concierge company; Destination Truth’s Josh Gates transforming awesome ideas into awesome reality and the unearthly challenges of selling haunted houses.

Among the scripted development projects are adaptations of popular works by best-selling novelists such as Stephen King (Eyes of the Dragon), John Christopher (The Lotus Caves) and Charlaine Harris (Grave Sight), as well as the hit movie The Adjustment Bureau and the DC Entertainment Comic Booster Gold. Syfy further announced shows about a Fifth Column of feuding aliens and a time-traveling elite military squad.

This record expansion, including eight scripted development projects from Universal Cable Productions, builds upon the channel’s powerhouse lineup of hit series such as Warehouse 13, Being Human, Alphas, Face Off and Ghost Hunters. These programs have transformed Syfy into a top 10 cable entertainment network among Adults 25-54 for 16 consecutive years.

Said Mark Stern, President Original Content, Syfy, and Co-Head Original Content, Universal Cable Productions: “Over its 20 year history, Syfy has always pushed the boundaries of our genre and the entertainment experience. This new crop of innovative, thought-provoking, emotionally-charged programming will propel us even farther as we imagine all the greater possibilities ahead for the powerful Syfy brand.”

For the gala, star-studded Upfront event at the American Museum of Natural History, Syfy created an opportunity for guests to live like an Igniter – highly imaginative people who move brands forward as showcased in the channel’s groundbreaking study with Simmons/PSFK — along with celebrity Igniters from the worlds of business innovation (Sir Richard Branson), music (Young the Giant, DJ Spooky That Subliminal Kid) and the culinary arts (Marcus Samuelsson).

Syfy is also expanding its multi-platform growth. Syfy Ventures announced a partnership with Hasbro to develop the first online social game based on the iconic G.I. JOE franchise. G.I. Joe: Special Ops, published by Syfy Games, will debut in June on Facebook and Syfy Games.com, among other platforms worldwide.

Continuing its expansion of original video content, mobile reach to new platforms and commitment to cutting edge technology, Syfy Digital unveiled four new initiatives, from its first ever unscripted program, new apps for Windows Phone and Roku and the upcoming addition of sync-to-broadcast functionality to its successful Syfy app for iPads and Android tablets for season three of the hit series Face Off.

A global brand, Syfy is currently available in 75 countries, reaching nearly 150 million households.

NEW SCRIPTED SERIES

Defiance – 2013 – Defiance is in collaboration with Trion Worlds, with the Syfy series and Trion’s multi-platform shooter MMO poised to debut simultaneously. The series stars Grant Bowler, Julie Benz, Stephanie Leonidas, Tony Curran, Jaime Murray, Fionnula Flanagan, Mia Kirshner and Oscar-nominee Graham Greene. Set in the near future, Defiance introduces a completely transformed planet Earth, inhabited by the survivors of a universal war. Forced to co-habitate, the disparate group struggles to build a new society among the devastation. The dramatic tapestry of the series and the intense action of the game will exist in a single universe where their respective narratives will inform one another and evolve together into one overall story. Defiance is directed by Scott Stewart (Legion, Priest) and written/executive produced by Rockne O’Bannon (Farscape), Kevin Murphy (Desperate Housewives, Caprica, Hellcats) and Michael Taylor (Battlestar Galactica). Kevin Murphy serves as showrunner. Defiance is produced by Universal Cable Productions.

NEW REALITY SERIES

School Spirits – Premieres June 2012 – School Spirits will tell true ghost stories of hauntings that have happened at schools across the country. The stories will be told in first person narratives through the testimonials of real students, teachers, parents and staff that have encountered the paranormal activity, blended with bone-chilling cinematic reenactments to further bring the haunting experiences to life. Executive producers: Mark Burnett (Survivor, The Apprentice) and Seth Jarrett & Julie Insogna Jarrett (Celebrity Ghost Stories).

Paranormal Highway – Summer 2012 – Paranormal Highway puts the pedal to the metal as Jack Osbourne and Dana Workman investigate the most frightening claims of paranormal activity along America’s remote back roads. Fueled by eyewitness interviews and evidence collected by state-of-the-art equipment, Jack and Dana will travel alone, self-documenting their harrowing road trip while coming face-to-face with paranormal legends. Production company: BASE Productions. Executive producers: John Brenkus, Mickey Stern, Ron Ziskin.

Collection Intervention – Collection Intervention follows Elyse Luray, a sharp and to-the-point collectibles expert as she helps couples who are divided over what to do with an overwhelming collection of memorabilia. Whether it’s a husband’s collection of mint-condition G.I. JOE action figures worth thousands of dollars or a girlfriend’s treasure trove of Star Wars movie posters, Elyse helps couples decide what’s worth keeping and what they can sell. For each couple, their new cash windfall will make their dream come true, whether it’s an engagement ring, a down payment for a home, or the honeymoon they never had. Production company: High Noon Entertainment. Executive producers: Pam Healey, Elizabeth Grizzle Voorhees, Jim Berger.

Hot Set – From the producers of Syfy’s hit series Face Off, Hot Set is an extreme design challenge pitting two Hollywood production designers each week in a head-to-head battle to design, build, decorate and ultimately create an original and signature movie set that transports the viewer into an immersive world. Production company: Mission Control Media. Executive producers: Michael Agbabian and Dwight Smith.

Viral Video Showdown – The greatest viral video creators on the planet go head-to-head each week in an epic battle for bragging rights and a cash prize. Two teams will have to dig deep into their bag of viral tricks to create a video that best captures that week’s theme and impresses the expert panel of viral video judges. Production company: 495 Productions. Executive producers: SallyAnn Salsano, Kevin Pereira.

Ghost Mine – In the remote woods of Oregon lays one of the richest gold mines in the United States. For the last 100 years, it has remained abandoned — until now. Soon to be re-opened by a scraggly group of miners, these hardy souls will battle the elements to find their fortune. But with a rich history of paranormal activity surrounding the mine, they may just find something else. Production company: 51 Minds. Executive producer: Mark Cronin.

SCRIPTED DEVELOPMENT/DRAMAS

Rewind – Rewind revolves around a team of military field operatives and civilian scientists who must use untested technology to travel back in time to alter events and change the future — and avoid a devastating terrorist attack. Shane McRae stars as Sean Knox, ex-Special Forces who ranks as a field operative in a special division of the Department of Homeland Security. The pilot also stars Jennifer Ferrin, Academy Award nominee Keisha Castle-Hughes (Whale Rider), Robbie Jones and Keon Mohajeri, and is currently in production in Toronto. Jack Bender (Lost, Alphas) is directing the pilot, written by Justin Marks (Street Fighter: The Legend of Chun-Li), who will also executive produce with Tom Spezialy, Gail Berman, Lloyd Braun and Gene Stein. A production of BermanBraun and Universal Cable Productions.

The Adjustment Bureau – In this drama, based on the hit movie starring Matt Damon, guardian angel-type agents work to keep the world according to The Plan. They create everything from plane crashes to coffee spills in order to steer people to realize their true destiny. But there is one thing the operatives and their Chairman can’t control — free will. Writers: Todd Slavkin & Darren Swimmer (Melrose Place, Smallville). Executive producers: George Nolfi (The Adjustment Bureau, The Bourne Ultimatum), MRC, Slavkin and Swimmer. A production of Universal Cable Productions.

High Moon – Based on the novel, The Lotus Caves, by John Christopher, this imaginative, out-of-this-World Series explores a world where the countries of Earth have established colonies to mine the Moon’s resources. When a new life form is discovered, chaos erupts as various factions race to uncover its powerful secrets. Executive producer: Bryan Fuller (Hannibal, Pushing Daisies). Co-executive producer: Jim Danger Gray (Pushing Daisies). Writers: Bryan Fuller and Jim Danger Gray. Executive producer: Granat Entertainment. A production of Universal Cable Productions.

Untitled Booster Gold Project – Based on the best-selling DC Entertainment Comic, this is the story of a washed-up athlete from the future who travels back to the present in hopes of becoming the greatest superhero of all time. But instead of chasing criminals, his main priority is chasing fame and money. Booster Gold discovers that being a hero takes more than just a megawatt smile. Writer: Andrew Kreisberg (Arrow, Warehouse 13). Executive producers: Greg Berlanti (Green Lantern, Arrow) and Andrew Kreisberg. Producers: Greg Berlanti Productions in association with Warner Horizon Television. The Booster Gold comic book series is published by DC Entertainment, which will also act as an executive producer.

Grave Sight – From the best-selling author of True Blood, this Charlaine Harris book series follows Harper Connelly – a young woman with a unique gift. After being struck by lightning as a teenager, Harper can sense the location and last memories of dead people. She teams up with her protective stepbrother, Tolliver Lang, to help find a missing teenage girl — only to uncover a network of lies and murders throughout a small town in the Ozarks. Writer: Kam Miller (Law And Order: SVU). A production of Universal Cable Productions.

Seeing Things – Based on the comic Grey Legion from Platinum Studios, after a cop meets his violent demise, he returns as a ghost to close his last case. But the only person who can help him is a socially Awkward man who is realizing for the first time that his hallucinations may not be all in his head. Writers: David Slack (Person Of Interest, Lie To Me) and Gabrielle Stanton (Haven, The Vampire Diaries). Executive producers: David Slack, Robert Cort and Scott Mitchell Rosenberg. A production of Fox Television Studios.

Defender – In the aftermath of an intergalactic war between humans and transhumans, the starship Defender, populated by a combustible mix of former enemies, is sent on a seemingly simple goodwill mission, which turns into a fight for their lives and for the safety of the Universe at large. Executive producer/writer: Robert Hewitt Wolfe (Alphas). A production of Universal Cable Productions.

The Family – For generations, an alien family has hid amongst humans in plain sight using their advanced intellect to carve out a life for themselves as their family grew. But when the family patriarch that kept peace amongst the factions dies, a war begins to brew with some members believing the time has come to reveal themselves, and their superior power, to the inferior human race. Writer: Dan Harris (Superman Returns, X2). Executive producers: Neal Moritz (21 Jump Street, Total Recall), Mark Verheiden (Falling Skies, Battlestar Galactica). A production of Sony Pictures TV.

LONGFORM SCRIPTED DEVELOPMENT

Eyes Of The Dragon – Based on Stephen King’s best-selling novel. A kingdom is in turmoil as the old king dies and his successor must battle for the throne. Pitted against an evil wizard and a would-be rival, Prince Peter makes a daring escape and rallies the forces of good to fight for what is rightfully his. Writers: Michael Taylor (Defiance, Battlestar Galactica) and Jeff Vintar (I, Robot). Executive producers: Michael Taylor and Bill Haber. A production of Universal Cable Productions and Ostar Productions.

Darkfall – When, without warning, modern forms of power and technology become a thing of the past, Los Angeles, and the world at large, becomes a place where magic rules and life as we know it is turned upside down. Writers: Ethan Reiff and Cyrus Voris (Kung Fu Panda, Sleeper Cell). A production of The Jim Henson Company and Universal Cable Productions.

One Mile Straight Down – When a powerful earthquake hits California and opens up a chasm bigger than the Grand Canyon, it reveals an enormous hidden ocean lying deep beneath the earth’s crust. Billionaire adventurer James Exeter works with the government to take an advanced nuclear submarine down to explore it and discovers more than he ever could have imagined. Writers: Skip Woods (X-Men Origins: Wolverine), Naren Shankar (CSI: Crime Scene Investigation) and Deran Sarafian (CSI: NY). Executive producers: Skip Woods, Naren Shankar and Deran Sarafian. A production of Universal Cable Productions.

REALITY DEVELOPMENT

The Genie – The Genie follows Steve Sims and his extreme concierge company, Blue Fish, as they make outlandish experiences and imaginative adventures come to life for their clients. Whether it’s rebuilding the chocolate river from Willy Wonka’s Chocolate Factory or experiencing life as a Hobbit, making the impossible possible is the job of “The Genie.” Production company: Smart Dog Media. Executive producer: Craig Plestis.

Stranded – In each episode of this frightening paranormal social experiment, a family or group of friends moves into an infamously haunted location, self-documenting their experience in total isolation. Production company: Ping Pong Productions. Executive producers: Brad Kuhlman, Casey Brummels, Josh Gates.

Awesome Foundation – In this new project starring Destination Truth’s Josh Gates, each week inventors, artists and regular people from all over the country pitch their amazing and imaginative ideas to the Awesome Foundation, a group dedicated to turning awesome ideas into awesome reality. The members grant their own money to the lucky three people with the best ideas, leading to a race to complete the projects in the given time and budget. Production company: Idiot Box Productions. Executive producer: Dan Taberski.

Exit – Based on the hit Japanese format, Exit is a nail-biting game show where two teams of contestants battle to escape three diabolical rooms. To do so, they must beat the clock while solving rapid-fire brain games and navigating booby-traps and bottomless pits. Production company: Zig Zag Productions. Executive producer: Danny Fenton.

Buyer Beware – What does someone do when they need to sell their house — but it’s haunted? They call in a real estate professional who specializes in matching haunted properties with eager buyers. In each episode, viewers will see what it takes to sell a home — still occupied by the spirits — and what kind of buyers have the guts to take it off the market. Production company: Zodiak USA. Executive producers: Natalka Znak, Claire O’Donohue.

Untitled Mark Burnett Project (wt) – From acclaimed producer Mark Burnett comes a competition show where fans of science fiction/fantasy books and movies compete to create the most flavorful and inspired dishes from the foods featured in the imaginary worlds that they love. Production company: Mark Burnett Productions. Executive producer: Mark Burnett.

Deadfinder – When the morgue drawer closes on a Jane or John Doe, rarely is it reopened. Deadfinder follows a group of mediums as they search through the vaults of cold cases using their paranormal skills to bring the mysteries of the murdered back to life. Production company: NorthSouth. Executive producers: Charlie DeBevoise, Mark Hickman.

Ghost Town, USA – Settled in 1677, Mount Holly, New Jersey, is a town teeming with reports of paranormal activity. And for the residents of this town, that’s just the way they like it. Ghost Town, USA follows the colorful characters and real drama that plays out among the town’s living residents, from renovating a haunted house to organizing the annual Witches Ball. Production company: Cream Productions. Executive producers: David Brady, Christopher Rowley.

The Wrights – Joe and Chris Wright are relatives of the famous Wright Brothers, but instead of building airplanes, this father-and-son-duo build paranormal contraptions to communicate with the dead. Each week the show follows the Wrights as they use their inventing ability to gain answers from the “other side.” Production company: Jarrett Creative Group. Executive producers: Julie Insogna Jarrett, Seth Jarrett.

Chris Cox Project – Young and charming, Chris Cox is the mind reader who can’t read minds. Cox has the mind-manipulating abilities of Derren Brown, the mischief of Ferris Bueller and the comic eccentricity of Mr. Bean all wrapped in a style uniquely his own. In everyday situations and locations – at a coffee shop, the post office, or just walking down the street – Chris amazes and confounds real people. Production company: Mission Control Media. Executive producers: Dwight Smith, Michael Agbabian, Erich Recker.

Divas of Dress Up – This program follows the six hottest cos-play stars as they push the boundaries of creativity and costuming in this docu-series that takes viewers inside the amazingly creative world of cos-play competition. Each week, the top women competitors transform themselves into fictional characters with visually arresting costumes, pushing the boundary between fantasy and reality. Production company: Skip Films. Executive producers: Skip Chaisson, Brian Gallagher.

Fan Girl/Fan Boy Project – From the producer of Jersey Shore comes a docu-series that celebrates the incredibly unique, often misunderstood and infinitely fascinating fan girl and fan boy cultures. Production company: 495 Productions. Executive producer: SallyAnn Salsano.

Limitless – Limitless is a cutting-edge series that recounts firsthand, true-life tales of ordinary men and women who discovered hidden powers – that they never knew existed – when faced with extreme life and death circumstances. Every story will explore the often unexplainable potential of the human body and psyche, leaving viewers to wonder what hidden abilities humans might possess. Production company: Karga 7. Executive producers: Kelly McPherson, Miriam Leffert, Sarah Wetherbee, Emre Sahin.

Superhumans – Superhumans uncovers the secrets of unbelievable stunts, record-breaking abilities and exceptional feats of human power and skill by putting real people through physical on-location challenges and a series of tests in a high-tech lab to answer the question: “How did they do that?” Production company: BASE Productions. Executive producers: John Brenkus, Mickey Stern.

Toy Traveler – Shane Turgeon, the Indiana Jones of toy collectors, travels to remote corners of the world to find the rarest and most valuable toys and collectibles. Whether it’s in an old toy warehouse in a remote Guatemalan town or a small swap meet in the Ukraine, Shane will go to all lengths to find the most unique and collectible toys. Production company: Jarrett Creative Group. Executive producers: Seth Jarrett, Julie Insogna Jarrett.

Master Control – Master Control is a weekly competition that pits user-generated videos against each other in a battle for viewer popularity. Each week, self-submitted videos must entertain the host, celebrity panel and the entire viewing audience, who are all simultaneously rating the video and anointing a winner. Production company: The Gurin Co. Executive producers: Phil Gurin, Kevin Pereira.

Stranger than Fiction – Stranger than Fiction is the only viral video clip show where comedians compete for laughs while commenting on and arguing over the strangest clips from the web. Good jokes earn points, while lame jokes lose them. At the end of the show, one comedian is crowned the irreverent victor. Production company: BASE Productions. Executive producers: John Brenkus, Mickey Stern.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 98 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

News On SyFy’s Groundbreaking Science Fiction Epic MMO/Television Series, Defiance. Cast Announcements, More…

Last year we reported on the groundbreaking new SyFy series, Defiance, which will be the first of its kind in that it will combine a MMO video game and live-action television series in which the events from each coincide.  In our piece from last year, here’s how we described it:

The best way we can think of to explain this is like this:  consider that a new Star Trek series debuted at the same time Star Trek Online debuted and that everything that happens in the storyline of the game is part of the storyline in the series as well and the characters crossover between both the game and the series.  This is a real-time, interactive universe and each medium is dependent on the other.  From The Hollywood Reporter:

Set on a future Earth, Defiance introduces players and Syfy viewers to a world ravaged by decades of conflict, where humans and aliens live together in a world the likes of which no one has seen. The game combines the frenetic action of a top-tier console shooter with the persistence, scale, and customization of an MMO, while its TV counterpart exudes the scope, story, and drama of a classic sci-fi epic. The game’s story will take place in the San Francisco bay area, while the TV series will be set just outside of St. Louis, MO. Because they exist in a single universe, the show and the game will influence and evolve each other over time, with actions in both mediums driving the overall story of Defiance.

We’ve been waiting for nearly a year for more news on this but we finally have some to report including some casting announcements.  What’s particularly notable is the casting of Dexter alums, Jamie Kelly and Julie Benz.  The casting of Kelly indicates to us that it is highly unlikely that she will be reprising her fan-favorite role of H.G. Wells on the popular SyFy series, Warehouse 13 which will begin its fourth season this summer.  Julie Benz has appeared as a cast regular for the entire first season of the struggling CBS series, A Gifted Man.  The fact that CBS did not announce that this show has been renewed for a second season when they announced the 18 shows that they had renewed and that Benz was seeking and committed to another series is a pretty clear indication that A Gifted Man will not be renewed.  Read the full press release below.

Via Press Release:

JULIE BENZ, STEPHANIE LEONIDAS, TONY CURRAN AND JAIME MURRAY JOIN THE CAST OF SYFY’S GROUNDBREAKING SERIES DEFIANCE

Benz (Mayor Amanda Rosewater), Leonidas (Irisa), Curran (Datak Tarr) and Murray (Stahma Tarr) Join Previously-Announced Actor Grant Bowler

NEW YORK, NY – March 14, 2012 – Syfy has announced additional casting for its upcoming epic science fiction drama Defiance, inking Julie Benz, Stephanie Leonidas, Tony Curran and Jaime Murray to co-star in the first-ever series to unite television and MMO gaming.  The pilot, slated to commence production this April in Toronto, is directed by Scott Stewart (Legion, Priest), and written/executive produced by Rockne O’Bannon (Farscape), Kevin Murphy (Desperate Housewives, Caprica; Hellcats) & Michael Taylor (Battlestar Galactica).  Kevin Murphy serves as showrunner.

Defiance is a visionary enterprise in collaboration with Trion Worlds, with the Syfy series and Trion’s multi-platform shooter MMO poised to debut simultaneously.   Set in the near future, Defiance introduces a completely transformed planet Earth, inhabited by the survivors of a universal war.  Forced to co-habitate, the disparate group struggles to build a new society among the devastation. The dramatic tapestry of the series and the intense action of the game will exist in a single universe where their respective narratives will inform one another and evolve together into one overall story.  Defiance is produced by Universal Cable Productions.

Benz portrays Amanda Rosewater, the idealistic mayor of a bustling mining boomtown, one of the world’s few oases of civility and inclusion.  As the newly appointed mayor, she is determined to maintain peace in the community, an ambitious task in this deadly new world.

Leonidas plays Irisa, an exotically beautiful warrior who is part of an alien race called the Irathients.  After Nolan (Bowler) killed her criminal father, he adopted the girl and raised her as his clever – and lethal – right-hand.

Curran will portray Datak Tarr, part of an elite alien race known as the Castithans.  Datak grew up in the slums of his home planet, but despite being part of the under-privileged class, he schemed his way onto one of the alien arks, saving himself before his home planet was destroyed.

Murray potrays Datak’s beautiful and proper wife, Stahma, a high-ranking Castithan before her home planet ceased to exist.  Clever, imaginative and darkly opportunistic, Stahma is perhaps more dangerous than her husband.

The four join New Zealand born actor Grant Bowler, who is well-known for the recurring role on Ugly Betty (2008) as Wilhelmina Slater’s love interest, Connor Owens, and for the role of Cooter, the leader of the werewolf biker gang in the HBO series True Blood (2010) and Captain Gault in ABC’s Lost (2008).  Bowler plays Nolan, the new law keeper in the boomtown and former Marine who fought in the alien conflict.  After losing his wife and child in the war, he becomes a wanderer in the dangerous new world, eventually joined by Irisa, a young Irathient he raises as his own and as his lone companion in the lawless badlands.

The versatile and dynamic Benz is known for her wide variety of film and television roles, in 2006 winning a Golden Satellite Award for Best Supporting TV Actress for her role as beloved ‘Rita Bennett’ on Showtime’s award-winning series Dexter.  Last fall, Benz recurred on the CBS medical drama A Gifted Man, opposite Patrick Wilson and last spring starred in the ABC series No Ordinary Family, opposite Michael Chiklis. In 2010, she starred on ABC’sSmash hit Desperate Housewives for a multi-episode arc as “Robin,” a stripper with a heart of gold and a master’s degree in education.  Throughout her career, Benz has won the hearts of many devoted fans starring in an array of genre classics including Buffy the Vampire Slayer, Angel, and Roswell, as well as the Steven Spielberg-produced miniseries for Syfy (then SCI FI Channel), Taken. In addition, she has guest starred on many hit TV shows, among them Royal Pains, Supernatural, CSI and Law And Order.  On the big screen, Benz starred in the Roadside Attractions film Answers to Nothing, opposite Dane Cook, which was released in December 2011.  Benz also had a great turn with Jack Nicholson in As Good As It Gets and starred with Rose McGowan, Pam Grier, Judy Greer and Rebecca Gayheart in Jawbreaker, the first of many cult-hits that would soon follow.

British actress Leonidas is known for her many television appearances, most recently in Whitechapel, Eternal Law, and the BBC’s Dracula, as well as the award winning ITV film for television Wall of Silence. Stephanie made her film debut in Sally Potter’s Yes, followed by Ate de Jongh’s Fogbound. Other film credits include the lead role of Helena in David McKean’s Mirrormask, Luis Llosa’s feature film Feast of the Goat, Ben Sombogaart’s Crusade in Jeans: A March through Time, Luna and most recently Andrew Douglas’ U Want Me To Kill Him. Stephanie has also appeared on stage in the lead role of Dani in Marianne Elliott’s The Sugar Syndrome at the Royal Court, receiving rave reviews, and most recently portrayed Adela in Gadi Roll’s House of Bernarda Alba. She is repped by Thruline and ARG in the UK.

Born in Glasgow, Scotland, Curran rose to fame in the BBC series This Life.  Since then, the actor has appeared in a number of major film and television roles including The Invisible Man, The League of Extraordinary Gentlemenand Guillermo de Toro’s Blade II.   Curran is a graduate of the Royal Scottish Academy of Music and Drama.

Murray is an English-born actress best known for playing Stacie Monroe in the BBC series Hustle and Lila Tournay in season two of the Showtime series, Dexter. She has also had recurring roles as H.G. Wells in Syfy’s Warehouse 13, Gaia in the Starz series Spartacus: Gods In The Arena and Olivia Charles in The CW series Ringer.